John Berger 西班牙名畫家與民風
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180 A story for Aesop :John Berger 漢清講堂 2017-07-20
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A Story for Aesop by John Berger
Two Stories：回贈給伊索的故事；西班牙的風土 (生活的舞台)與繪畫精神。
風景的SCALE和ADDRESS (意義背景、給熟知該風景者所暗示的。內陸的address：永恆、冷漠和廣闊。
【你所不知道的 Segovia ～ 水道橋的傳說】
大家都知道，Segovia 的水道橋是羅馬帝國時期建造的，但是，在 Segovia 當地有一個很有意思的傳說。
據說，古早時期，Segovia 的人家要下山挑水，有一天，一個每天挑水的小女孩說，她願意用任何代價讓水泉直抵城門，結果，魔鬼一聽到，馬上變成人形，跟她談條件，要她用靈魂換取水泉直抵城門的奇蹟，小女孩不覺得靈魂有何用處，就跟他（魔鬼）達成協議，如果他（魔鬼）能讓水泉在隔天第一道陽光出現之前直抵城門，魔鬼就能擁有小女孩的靈魂。
當天晚上，小女孩越想越懷疑，打開窗戶一看，看到變成人形的魔鬼全身發出火焰，正在空中發號施令，指揮成千上萬的鬼怪在興造一個水道橋，小女孩嚇壞了，徹夜跟上主禱告懺悔，祈求上主別讓魔鬼帶走她的靈魂。
神蹟似地，當魔鬼要把水道橋的最後一塊巨石放上去時，第一道陽光突然撒下，魔鬼沒有把水道橋在約定期間完成，憤而離開，留下幾乎完成的水道橋造福 Segovia 的人家！
導遊新書《西班牙，再發現》還有更多的傳奇與神話喔！
http://www.books.com.tw/products/0010672176
Don’t scream, silly, 1799, Francisco Goya
(No grietes, tonto)
Goya (Spanish, 1746–1828)
Adoration of the Name of God (1772)
It was inspired by Francisco Goya’s “The Third of May,” which depicts Spanish civilians being executed for resisting Napoleon’s troops.
Toledo, Spain, January 2010.
Toledo, Spain, January 2010.
A Story for Aesop by John Berger
"庇里牛斯山這側的真理，到了那一側便是謬誤。”--Blaise Pascal
西班牙的藝術語言來自義大利與低地國，然而........lived in ancient Greece between 620 and 564 BCE.
西班牙繪畫大師； A Story for Aesop by John Berger
An Age of Giant
El Greco 1542-1614
Jusepe de Ribera 1588-1652
Francisco Zurbarán (1598–1664).
Diego Velázquez 1599-1660
Bartolomé Murillo (1617-1682)
Francisco de Goya (1746–1828)
El Greco SCUPLTURE ； Jusepe de Ribera DRAWING
Aesop
Diego Velázquez. 1640
Aesop - The Collection - Museo Nacional del Prado
https://www.museodelprado.es/.../aesop/014e0cb2-128c-42d7-a380...
Jusepe de Ribera, Aesop, Made of oil on canvas
Rembrandt, Aristotle with the Bust of Homer
Danilo Dolci
Italian social activist (1924-97)
"Gandhi of Sicily"
opposition to poverty, social exclusion and the Mafia on Sicily
Las Meninas
Date of Creation:circa 1656 Alternative Names:The Family of Felipe IVHeight (cm):318.00Length (cm):276.00
John Berger during a rehearsal of “Lying Down to Sleep’” at the Prado Museum in Madrid in 2010.CreditEmilio Naranjo/European Pressphoto Agency
Cathedral-Mosque of Córdoba (786~990)
The prayer hall
Monastery and Site of the Escorial, Madrid
Philip II of Spain, reign (1556–1598)
University of Salamanca Principal
facade
c.1520~30
Berger himself prefers to be described, simply, as “a storyteller”
It is in this sense that one can say that storytellers are Death's secretaries.
John Berger on Storytelling
Most, if not all, stories begin with the death of the principal protagonist. It is in this sense that one can say that storytellers are Death’s secretaries. It is Death who hands them the file. The file is full of uniformly black paper but they have eyes for reading them and from this file they construct a story for the living. Here the question of invention, so much insisted upon by certain schools of modern critics and professors, becomes patently absurd. All that the storyteller needs or has is the capacity to read what is written in black.
ORTEGA Y GASSET
Life is the whole of our lived experiences (word introduced by Ortega): "is the realm of acts and events that, so to speak, gradually furnish it".
COURSE OF LIFE
CURRICULUM VITAE
DECIDE ON A CAREER
富翁與製革業者鄰居：如入鮑魚之肆，久而不聞其臭
BLIND HOMER BY Rembrandt
The World of Diego Velázquez.
The Iconography of Velázquez's Aesop
Beggar-philosopher
The Type of anti-philosopher.
Free Slave,
Cynics.
The Iconography of Velázquez's Aesop - JStor
Velázquez (or Velásquez),
The Dwarf Francisco Lezcano, Called "El Nino de Vallecas"
Giovanni Battista della Porta (1535?–1615)
12th-century pillar, cloister of the Collegiata di Sant'Orso, Aosta: the Fox and the Stork
2017.6.30
3.5
Dog crashes outdoor performance by the Vienna Chamber Orchestra at the Grand Theater of Ephesus in Turkey. abcnews.com
90 Years of New Yorker Cartoons...
網際網路上，可沒人知道你是條狗
尋血獵犬（Bloodhound是一種大型獵犬）的美國、英國追蹤記故事
Dogs in Aesop's Fables
The Dog and the Sheep
The Dog and the Wolf
The dogs and the lion's skin
The Cock, the Dog and the Fox
The Dog and its Reflection
The Mischievous Dog
(The Dog in the Manger)
Saul Steinberg
狗和他自己影子的故事
原著: 狗銜肉過橋，看見水裏的影子，要搶影子銜的肉，結果把嘴裏的肉都丟了。
The Dog and its Reflection
《錢鍾書:讀伊索寓言》
錢鍾書曰: 據說每個人需要一面鏡子，可以常常自照，知道自己是個什東西。
不過，能自知的人根本不用照鏡子，
不自知的東西，照了鏡子也沒有用。
freedom should not be exchanged for comfort or financial gain
The Dog and the Wolf
An illustration of the fable by J.M.Condé, 1905
an older dog reminds him that the bell is not a reward but a sign of disgrace.
The Mischievous Dog
Saul Steinberg
The fable of the farmer and his sons from Caxton's edition, 1484
William Morris說此等插圖為15世紀歐洲之最
台灣土狗，於2017年的世界畜犬聯盟（FCI）正式更名為「台灣犬」（Taiwan Dog）。
《新伊索寓言》黃美惠譯，台北聯經，2000/2004第5刷
215則《交戰的狼與狗》的原註(中譯)：.....古希臘的風俗是以狗生長的國家和地區為牠們取名字，譬如說，Molossian、Laconian (斯巴達)獵犬......
中外文學因緣(戈寶權(1913-2000)比較文學論文集)2013
二、明代中譯《伊索寓言》史話／327
(一)談利瑪竇著作中翻譯介紹的伊索寓言／327
(二)談龐迪我著作中翻譯介紹的伊索寓言／336
(三)談金尼閣口授、張賡筆傳的伊索寓言《況義》
(四)再談金尼閣口授、張賡筆傳的伊索寓言《況義》
(五)談牛津大學所藏《況義》手抄本及其筆傳者張賡
三、清代中譯《伊索寓言》史話
A cartoon by Harry Bliss. (New Yorker)
Le Cimetière des Chiens is a beautiful cemetery for dogs and all other pets,
2017.6. 24 晨，在台北看到繆詠華女是從巴黎傳回的寵物之墳場影片、New Yorker 的漫畫......，決定早點介紹A Story for Aesop by John Berger。
A mosaic from Pompeii of a similarly doomed dog.
Featured Artwork of the Day: Torii Kiyonaga (Japanese, 1752–1815) | Pictures of Ten Styles (Jittaiga Fuzoku): A Young Woman with a Dog | ca. 1790–91
Saint Giles：and the hind: The Mass
scepticism
a sceptical attitude; doubt as to the truth of something.
the theory that certain knowledge is impossible.
a mode of inquiry that emphasizes critical scrutiny, caution, and intellectual rigor;
a method of obtaining knowledge through systematic doubt and continual testing;
a set of claims about the limitations of human knowledge and the proper response to such limitations.
a mode of inquiry that emphasizes critical scrutiny, caution, and intellectual rigor;
a method of obtaining knowledge through systematic doubt and continual testing;
a set of claims about the limitations of human knowledge and the proper response to such limitations.
King Ferdinand VII of Spain (1816) "賜".
English Heritage, The Wellington Collection, Apsley House
故事： Paintings in the Wellington Museum
The Duke of Wellington
1812-14, Francisco de Goya
English Heritage
wine
Hot, Dry Madrid Aims For A Cooler, Greener Future
A huge, vertical garden covering the wall of Madrid's CaixaForum is both a work of art and something practical for the environment. It's among several steps the city has taken to fight climate change.
NPR.ORG
Spain, Green Spain
西班牙北部加利西亞（Galicia）、阿斯圖里亞斯（Asturias）、坎塔布里亞（Cantabria）跟巴斯克（País Vasco）四個自治區被合稱為《綠色西班牙（España Verde）》，跟大家常見的西班牙中、南部的乾黃原野完全不同，這四個自治區長年陰雨，放眼看去一片碧綠
The climate and landscape are determined by the Atlantic Ocean winds whose moisture gets trapped by the mountains circumventing the Spanish Atlantic façade.
Anguish
Great Mesa of interior
安達盧西亞郊外的景觀
西班牙地形圖
meseta central
Edmond Jabès-Le pélerin
The PILGRIM
. So that, when you are between sky and sand, you are truly in infinity. Outside of time.
Edmond Jabès - Itineraries of a Hummingbird
Edmond Jabès 1912-91
https://en.wikipedia.org/wiki/Edmond_Jab%C3%A8s
https://www.youtube.com/watch?v=AvjJJ-NReoY
生活平舖在沙漠之上......
...both fatalism and intense emotion. Never fatalism and indifference. "Islam," writes Hasam Saab, "is, in a sense, a passionate protest against naming anything ...
人 VS 景
View of Toledo (c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York)
The Disrobing of Christ (El Espolio)
(1577–1579)
The Burial of the Count of Orgaz (1586–1588)
Zurbarán：Saint Serapion or The Martyrdom of Saint Serapion is a 1628 oil on canvas painting by the Spanish artist Francisco Zurbarán (1598–1664).
The Young Virgin
←
→
The Holy Family With The Little Bird
Bartolome Esteban Murillo
Date: c.1650Two Children Eating a Melon and Grapes, 1645 - 1646 -
Master of gore: the violent, shocking genius of Jusepe de Ribera
Self-portrait of Jusepe de Riberaengraved by Hamlet Winstanley
ホセ・デ・リベーラ（José de Ribera, 1591年1月12日 - 1652年9月2日
Artwork by Jusepe De Ribera | Jusepe di Ribera, Martyrdom of St. Philip ,
St. Andrew, c.1631 - Jusepe de Ribera
Marsyas as he is flayed by Apollo in Ribera’s 1637 painting Apollo and Marsyas, which appears in Ribera: Art of Violence. Photograph: Museo e Real Bosco di Capodimonte
Strappado … Inquisition Scene, mid to late 1630s. Photograph: Erik Gould/courtesy Museum of Art, Rhode Island School of Design
Skilled skinner … the 1644 painting of Saint Bartholomew being flayed. Photograph: Museu Nacional d’Art de Catalunya
In The Sense of Touch, 1632, a blind man strokes a sculpted bust. Photograph: Museo Nacional del Prado
Jacques Callot (1592–1635),
The Miseries and Misfortunes of War) are a series of 18 etchings by French artist
https://en.wikipedia.org/wiki/Les_Grandes_Mis%C3%A8res_de_la_guerre
St. Luke, c.1605 - El Greco
“Pentecostés”, El Greco, 1600.
"The Penitent Magdalene" by Domenikos Theotokopoulos, called El Greco. El Greco was the greatest Spanish painter of the 16th century, and his exaggeratedly elongated forms have sometimes been seen as a precursor of early-20th-century Expressionism. The Magdalene, whom legend relates was a reformed prostitute, was an archetypical symbol of repentance, and was popular with artists since she provided an excuse to portray attractive women in religious subject matter. The depth of El Greco's own religious conviction is shown in her expression of rapt devotion. The skull on the right is a symbol of mortality, juxtaposed with the jar of ointment with which the Magdalene anointed Christ's feet as a symbol of her homage.
The Agony in the garden
The Greco Studio, 1600
the veil of St.Veronica by Francisco de Zurbarán
El Greco, St. Veronica, c. 1580,
Veronica = vera icona 真實的形象
薄如紙.....
the veil of St.Veronica by Francisco de Zurbarán
El Greco, St. Veronica, c. 1580,
Holy face 百張以上
"St.Veronica BULL FIGHT"
哲學家攬鏡自照
Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia Naples) A philosopher holding a mirror.
Zurbaran, ISAIAH WISH JACOB
Isaac Blessing Jacob
Jusepe de Ribera
Date: 1637; Naples, Italy *
Style: Tenebrism
Location: Museo del Prado,
Tenebrism, from the Italian, tenebroso (murky), also called dramatic illumination, is a style of painting using very pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image.
テネブリズム（Tenebrism）は、光と闇の強烈なコントラストを用いた絵画のスタイル。語源はイタリア語のテネブローソ tenebroso （闇） で、dramatic illumination （劇的照明）とも呼ばれる。明暗法のより高まった様式で、暗闇から人物が浮かび上がったような画面を作る
El Greco
Jusepe de Ribera
Bartolomé Esteban Murillo (1617/ 1618 – 1682)
Bartolomé Esteban Murillo
painted this portrait of Don Justino de Neve in 1665.
Goya
The Last Communion of St. Joseph of
.San José de Calasanz
La Maja Desnuda 1800 vs La maja vestida, c. 1803
1969 The Maja Dressed and the Maja Undressed：Goya
Play：Goya's Last Portrait (with Nella Bielski) (1989)[48]
The Disasters of War (Spanish: Los desastres de la guerra) /82
Plate 3: Lo mismo (The same).
The Third of May 1808,
“Style, Swagger招搖, and Sass: Francisco de Goya and the Fashioning of Spanishness”
Francisco de Goya’s “Seated Giant” sits on the edge of the earth, between day and night, suggesting the ambiguity of once-powerful Spain’s position, uncertain of its future during the Peninsular War. The giant’s head and muscular body turn in opposing directions, expressing the contradictory nature of power. Beginning this Sunday, witness the sheer genius of Goya as we celebrate his prints in “Goya in Black and White.” Sunday, October 7, noon–5 p.m., Kimbell Art Museum, Piano Pavilion.
Kimbell Art Museum
10月4日上午7:01 ·
“Neither More, nor Less”—plays on the ideas of stature and power, as Francisco de Goya skewers the pretensions and foibles of painters—as he did with various professions in his “Caprichos” series. The monkey portraitist flatters and glorifies his subject, a large donkey— often the symbol of an ignoramus—who is transformed into an old-fashioned grandee with the addition of a wig. Starting this Sunday, come experience the wit and talent of Goya in “Goya in Black and White.” Sunday, October 7, noon–5 p.m., Kimbell Art Museum, Piano Pavilion. Admission is free.
Conceived on a total scepticism
The Agony in the Garden
Goya
Artist: Francisco Goya Medium: Oil on panel Size: 47 x 35 cm Date: 1819
Los disparates (The Follies), 1815-23 (1864發行) 可見世界的分、毀、劈
Νο. 13: Modo de volar (A way of flying),
Νο. 10: El caballo raptor (Kidnapping horse),
Los disparates (The Follies), also known as Proverbios (Proverbs) or Sueños (Dreams) is a series of prints
https://en.wikipedia.org/wiki/Los_disparates
Miguel de Unamuno y Jugo ( 1864 – 1936)
Spanish essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca. His major philosophical essay was The Tragic Sense of Life (1912),[2] and his most famous novel was Abel Sánchez: The History of a Passion (1917),[3] a modern exploration of the Cain and Abel story.
'Suffering is, in effect, the barrier which unconsciousness, matter, sets up against consciousness, spirit; it is resistance to will, the limit which the visible universe imposes upon God.”
Anguish
Great Mesa of interior
The Fable of Arachne by Velázquez (c.1657)
The Fable of Arachne, c.1657 by Diego Velazquez.
retable (Great Chapel)/Retable of the Cathedral
retable
音節re • ta • ble発音ritéibl，ríːtèi-
[名詞] (絵画・浅浮き彫りなどをはめ込む)祭壇背後の飾り壁：装飾棚，衝立ついたてを含むこともある.
語源
1823.＜フランス語=古期フランス語 re(re)背後に(＜ラテン語 retrō)+table テーブル，平面(TABLE)
音節re • ta • ble発音ritéibl，ríːtèi-
[名詞] (絵画・浅浮き彫りなどをはめ込む)祭壇背後の飾り壁：装飾棚，衝立ついたてを含むこともある.
語源
1823.＜フランス語=古期フランス語 re(re)背後に(＜ラテン語 retrō)+table テーブル，平面(TABLE)
https://en.wikipedia.org/wiki/Retable
等待 ：這篇有幾次都牽涉到西班牙語的特色：博來羅 (舞曲，音樂術語)....只有我們拉丁美洲人才能領略它確切的含義，就跟領會博爾赫斯所使用的形容詞ㄧ樣。 (頁90。" (《百年孤獨》) 全書通篇如此，處於優美或造作的邊緣，它像一隻博來羅 舞曲。)； 拉丁美洲的資產階級分不清動詞 ser 和 tener。 (頁88 根據譯注："是" vs "有"。 或者HC： being vs having) ；http://hcbooks.blogspot.tw/…/apuleyo-mendoza-plinio-garcia-…
Tal día como hoy en 1651 nacía Margarita María Teresa de Austria en Madrid, protagonista de "Las meninas" de Velázquez.
Desde muy temprano su matrimonio se convirtió en cuestión de estado y fue prometida a su tío el emperador Leopoldo I, con quien se casaría a finales de 1666. Fallecería a los 21 años a causa de las secuelas producidas por su cuarto parto.
Detalle de "Las meninas", Velázquez, 1656
例 https://en.wikipedia.org/wiki/Toledo_Cathedral
.jpg)
retable (Great Chapel)
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