2026年6月11日 星期四

Philips王晃三、、ERSO 同事：章青駒( 我做球給他代表Accton（智邦科技）去The U.S. Research Triangle (North Carolina) 競標Du POND 小公司 )、曾繁城 (我出書都沒請人寫序--只有「加速度組織 」「戴明博士四日談」例外-- 可惜當時美沒訪談曾繁城， 而用底下人的代筆，無法表現出曾先生之功力.....) The U.S. Research Triangle (North Carolina)/ The Netherlands' Innovation Ecosystem



Philips王晃三、、ERSO 同事：章青駒( 我做球給他代表Accton（智邦科技）去The U.S. Research Triangle (North Carolina) 競標Du POND 小公司 )、曾繁城 (我出書都沒請人寫序--只有「加速度組織 」「戴明博士四日談」例外-- 可惜當時美沒訪談曾繁城， 而用底下人的代筆，無法表現出曾先生之功力.....)  The U.S. Research Triangle (North Carolina)/  The Netherlands' Innovation Ecosystem   



我以前對大公司史有興趣，除了讀過我工作過的Philips、ERSO、Motolora、AMP、du Pont等等的專書，其它有緣的，都去了解。後輩有兩位在安捷倫工作，我可講HP的興衰史。不幸的是，我服務過的公司、組織，多少都屬"偉大公司的興亡"類。
過去40年認識的朋友也不少。今晨有朋友從美國來信，真是"故人來訪"的喜悅：(筆談末段：重華，正式用"飛利浦"，菲利普是翻譯書名。我十幾年碰過新一代幹部，他們認為我輩是恐龍。"


Hanching Chung 飛利浦 290 “肇事逃逸”的天之驕子 2019-08-15 王晃三教授(Sameul Wang) https://www.youtube.com/watch?v=DNhPHMPK4GU&t=21s
編輯或刪除

YOUTUBE.COM
290 “肇事逃逸”的天之驕子 2019-08-15 
王晃三教授(Sameul Wang)




Hanching Chung 電子所 296 憶章青駒先生 蕭新忠 https://www.youtube.com/watch?v=lg_36iwp2Kw&t=109s

YOUTUBE.COM
296 憶章青駒先生 蕭新忠296 憶章青駒先生 蕭新忠


Hanching Chung 電子所 https://www.youtube.com/watch?v=m68oNsF-v-U&t=889s
YOUTUBE.COM
127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung


****

新書：『台灣戴明圈：2008年東海戴明學者講座』

對話；王晃三 鍾漢清

HC為 新書：『台灣戴明圈：2008年東海戴明學者講座』向 SD求序--

王晃三（SD）：「短文『戴明 戴明 戴明』交卷, 請斧正。」

鍾 漢清：（HC）「寫得很不錯。Deming四度來台。一次似乎"過境"演說一下， 所以改成三四次。似乎應將兩次擔任Deming翻譯經驗的真實感受寫一下。 由於此書/此次WWS是主角，或可寫2006/3/26？那天你在 Hyatt Hotel講的寓言。 題目可考慮「Deming 現象」 「Deming 與我」....

不知道你的奇招是否有效 或夠莊重......

這本書

Part I DEMING談日本和『品管九講』

Part II 為發揮應用

Part III 為 WWS日【HC和蔡博士……】 和WWS三講

每部分都加導言

附錄為東海師長

---

Part II 導言一部分 請參考

…品質運動與三位名人的事業發展關係頗深。W. W. Scherkenbach 在2008年的東海戴明學者講座第一場提出他的一種看法：

「品質界的三大權威：戴明 ( W. Edwards Deming, 1900-93)，朱蘭（J.M. Juran, 1904-2008），克羅斯比（Philip B. "Phil" Crosby, (, 1926– 2001)），他們每個人都犯這種錯誤。戴明最強的領域是"邏輯的世界"（淵博知識） ，朱蘭的是"物理的世界"（企業組織） ，而克羅斯比的則是情感（慶祝活動，葡萄酒和奶酪派對） 。他們各自都有一群趣味相投的追隨者。您是否曾經試圖向某不動如山"的人解釋你之所以做它的理由？這時需要的可能不是邏輯：採取行動無法"理喻"之。也許有權威者命令之，指揮之，或者動之以情或訴之以價值觀，最能讓人行動。」

我用翻譯這三大權威的代表作品，來協助華人界深入了解他們的學說：

克羅斯比（Philip B或. "Phil" Crosby, ( 1926– 2001)）我選擇他的暢銷近二百萬本《品質免費》的全新版本Quality Is Still Free《熱愛品質》，這位品質運動重要人物再一次探討為何做好品質不用花錢。

朱蘭（J.M. Juran, 1904-2008）《管理三部曲》（Managerial Breakthrough, 1964/2004 ）。--「品質、管理大師朱蘭(J. M. Juran)不朽的著作，改造、改善學派及TQM學派的創始作品，闡明「突破、管制、規劃」在經營管理及品質管理的應用，戴明博士讚不絕口。」

戴明 ( W. Edwards Deming, 1900-93)的重要著作 轉危為安/ 戴明的新經濟觀，參考「一首產官學轉型史詩」。他的學生和朋友的作品。更有《第四代管理》、《戴明修練I》、《戴明修練II》、《戴明博士四日談》、《戴明領導手冊》。

為什麼多偏心Deming 呢？這多少與個人的際遇相關，因為Jurab和 Crosby 兩先生與台灣的淵源和情份較少，不像 Deming數次【義務】來台，傳記中列兩年當台灣生產力中心之顧問。另外可能與晃三兄在本書序言中所說的「戴明現象」有關。」

王晃三（SD）：「我已經不記得在HAYAT講過的是那一個寓言了

可不可以給我一點提示。

那就選用『Deming 現象』了

這文章是我用原定用在植物園的四小時換來的。

話說回來若不是你給我一點壓力，這我不會主動去經歷陣痛之苦，也不會有這篇文章，

要謝謝你囉!

三呆

P.S. 據說風會很大」

HC：「那是你孫子的馬之三相之故事 這是你的創作 期勉老馬戰到93歲或104歲 加油 盡力 你是人才 要多INTERACTIONS 多寫 BYE

P S

我出書都沒請人寫序--只有「加速度組織 」「戴明博士四日談」例外-- 可惜當時美沒訪談曾繁城， 而用底下人的代筆，無法表現出曾先生之功力---因為真怕朋友『"自"曝"其短』。 你身在海外，能擠出這篇，真不簡單、不過，這也是你要向"歷史"交待的第一步，否則真是『青史盡成灰』…….

又，對了旅途 WAITING LINE中，或可弄貴序之英文版，應該很不錯，此IDEA供參考….」

三呆；「交友不慎。你可真會折磨人。我會試試看。但是不敢讓太太知道，不然她會駡人。我要去睡覺了，明天一早的班機，她已經來催過了。」




The U.S. Research Triangle in North Carolina and the Netherlands' innovation hubs are two of the world's premier ecosystems for research, technology, and life sciences. Both regions drive economic growth by connecting tier-one universities, government facilities, and private enterprise. [1, 2, 3, 4, 5]
The U.S. Research Triangle (North Carolina)
Located in the Raleigh-Durham-Chapel Hill area, the U.S. "Triangle" anchors Research Triangle Park (RTP). It is one of the largest and most successful planned research parks in North America, covering 7,000 acres and employing over 50,000 people. [1, 2, 3, 4, 5]
  • The Anchor Institutions: The region connects three tier-one universities: Duke University, University of North Carolina at Chapel Hill, and North Carolina State University. [1, 2, 3, 4]
  • Key Industries: Precision medicine, biotechnology, life sciences, agtech, and microelectronics. [1, 2, 3]
  • Major Employers: Companies such as IBM, Cisco, Bayer, Syngenta, and GlaxoSmithKline have major operations here. [1, 2]
  • Business Advantage: The region is heavily marketed by the Research Triangle Regional Partnership and boasts one of the most highly educated workforces and lowest corporate tax rates (2.25%) in the United States. [1, 2]
The Netherlands' Innovation Ecosystem
Instead of a single isolated park, the Netherlands features a highly interconnected series of specialized tech and science clusters often referred to as "valleys" or "golden triangles". [1, 2]
  • Eindhoven (Brainport): Often compared to RTP, this is the high-tech hardware hub of the country. Anchored by the Eindhoven University of Technology, it is home to giants like ASML and Philips. [1, 2]
  • Wageningen (Food Valley): This region focuses heavily on agritech, food science, and sustainability, driven by Wageningen University & Research. [1, 2, 3]
  • Leiden-Delft-Erasmus (South Holland): Known as a dynamic "golden triangle", this cluster features Delft University of Technology (focusing on quantum computing and AI) and Leiden University (a powerhouse for life sciences and biotech). [1]
  • Key Industries: Disruptive technologies, quantum infrastructure (QuTech), biotechnology, and MedTech. [1, 2]
  • Business Advantage: The Netherlands features world-leading patent output per capita in Europe and highly collaborative cross-border networks like the Eindhoven-Leuven-Aachen Triangle (ELAt). [1, 2]
Direct Collaboration
These two innovation powerhouses are frequent partners. Organizations like the Netherlands Innovation Network actively facilitate knowledge exchange and joint ventures between Dutch stakeholders and the U.S. Research Triangle, particularly in precision medicine and agtech. [1, 2]

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2026年5月29日 星期五

Parthenon (希臘雅典衛城之謎)https://www.youtube.com/watch?v=X-CXlgR90Po&t=136s； THAMES HUDSONT出版社兩書：The Parthenon and Its Sculptures by Sir John Boardman provide a visually stunning exploration of these masterpieces.精選本 有中譯 THE PARTHENON & ITS SCULPTURE /ANGLAIS Amazon.com https://www.amazon.com › PARTHENON-ITS-SCULP... Book details ; Print length. 256 pages ; Language. English ; Publisher. THAMES HUDSON ; Publication date. September 14, 2005 ; ISBN-10. 0500013721.Read more PARTHENON SCULPTURE WORLD OF ART THAMES AND HUDSON from www.amazon.com John Boardman on the Parthenon Thames & Hudson USA https://www.thamesandhudsonusa.com › books › john-... May 28, 2024 — Britain's most distinguished historian of ancient Greek art recounts what the Parthenon and its sculptures meant to the citizens of fifth-century BCE Athens. 藝術世界叢奢 15 Rarely Seen Details Of The Parthenon. Keat’s Ode on a Grecian Urn



---

23:51
漢清講堂170 Parthenon (希臘雅典衛城之謎)　2017-06-15 鍾漢清
hc iTaiwan forum
https://www.youtube.com/watch?v=X-CXlgR90Po&t=136s

. Published by Thames & Hudson, notable works like The Parthenon and Its Sculptures by Sir John Boardman provide a visually stunning exploration of these masterpieces. [1, 2, 3, 4]

THE PARTHENON & ITS SCULPTURE /ANGLAIS


Amazon.com
https://www.amazon.com › PARTHENON-ITS-SCULP...
Book details ; Print length. 256 pages ; Language. English ; Publisher. THAMES HUDSON ; Publication date. September 14, 2005 ; ISBN-10. 0500013721.Read more
PARTHENON SCULPTURE WORLD OF ART THAMES AND HUDSON from www.amazon.com

John Boardman on the Parthenon


Thames & Hudson USA
https://www.thamesandhudsonusa.com › books › john-...
May 28, 2024 — Britain's most distinguished historian of ancient Greek art recounts what the Parthenon and its sculptures meant to the citizens of fifth-century BCE Athens.


希臘雅典衛城(The Acropolis of Athen)的神殿( Parthenon) 每四年雅典人便會舉行泛雅典娜節，其與奧林匹克運動會的重要度相約。









THEGUARDIAN.COM


British Museum chief: taking the Parthenon marbles was 'creative'











The Metropolitan Museum of Art, New York


Frederic Edwin Church visited Greece in 1869 and spent several weeks in Athens. There, he painted numerous studies and oil sketches of the ruins of the Parthenon that later served as the basis for this work. http://met.org/2g9MQTj


Featured Artwork of the Day: Frederic Edwin Church (American, 1826–1900) | The Parthenon | 1871













Hanching Chung







2014年11月2日 21:57 ·

無意中發現曾對此名詩稍研究：
讀Keat’s Ode on a Grecian Urn 時，不斷追問：
” What is the whole poem about?”
“ What exactly has Keats seen ( or chosen to show us) depicted on the urn he is describing?”.
人類學：“What is the general form of their life?” “ What exactly are the vehicles in which that form is embodied?”
我們可注意「form、vehicle」；另一方面，科學之一義為「描繪與敘述」。
希臘古甕是其文化形象
（一景是群眾狂歡； 二景是青年追逐一姑娘； 三景是群眾牽一牛在街上走，要去宰牛祭天。每一景都是monent of truth，對詩人而言，則是moment of beauty），『希臘古甕曲』是一種了解與解釋。
參考資料：
Clifford Geertz （1983）“From the Native’s Point of View: On the Nature of Anthropological Understanding ”in Local Knowledge : Further Essays in Interpretive Anthropology , pp. 55-70, Basic Books 這本有簡體字中譯本『地方性知識』，北京：中央編譯出版社（2000）。可能是「過度詮釋」一例，本文譯成「文化持有者的內部眼界：論人類學理解的本質」。我這篇雜誌或許能協助讀者進入我的「過度詮釋」。
G. Bateson's（1949） " Bali: The Value System of a Steady State" in Steps To An Ecology Of Mind（1972,1987）,Jason Aroson, Inc.
M. H. Abrams附錄
Keat’s Ode on a Grecian Urn（希臘古甕曲）：【Clifford Geertz特別提到的Leo Spitzer的解釋Keat's Platoism，用 色表示；我依Keat 傳記（）研究，認為spirit應也是要素。】
Thou still unravish’d bride of quietness. 你是「平靜的」還未曾失身的新娘，
Thou foster-child of silence and slow time, 你是「沉默」和「悠久」抱養的女孩，










English Literature Notes: 讀Keat’s Ode on a Grecian Urn


HCSHAKESPEARE.BLOGSPOT.COM















ArchDaily
14小時 ·

👀👀👀















ARCHDAILY.COM


15 Rarely Seen Details Of The Parthenon
The Parthenon, unquestionably the most iconic of the Ancient Greeks'
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2026年5月12日 星期二

關於 "BAUHAUS, 1919-1933):群英會；漢清講堂 206 包浩斯群英簡介與導讀 2018-01-10 漢清講堂. Klee and America 中Albers夫婦與Klee 論直覺。 National socialism


Paul Klee 克利教學筆記 Padagogisches Skizzenbuch 1925　
我被顏色所主宰，我不需要去抓住它，顏色永遠控制著我……這是幸福時刻的感受，顏色和我已經合為一體…… －－保羅．克利（ 1879-1940）
「美術並不重視人們已經看到的東西，而是藉由創造使人們看到事物。」.....
保羅·克利的《新天使》（Angelus Novus，1920 年），紙上油畫轉印和水彩。這幅作品曾為瓦爾特·本雅明所有，最終抵達美國的道路可謂曲折坎坷。.


"Bauhaus and National Socialism" explores how Bauhaus artists navigated the complexities of the National Socialist regime, revealing their diverse responses and involvements during this turbulent period.

Read more: https://shop.bauhaus-movement.com/bauhaus-and-national-socialism-hirmer-publisher
。。。。


Explore Anni Albers' impact on 20th-century textile art through a unique product that pays homage to her groundbreaking contributions

Paul Klee was a leading figure in European Modernism, and his acclaim at home was quickly matched in the United States, where both private collectors and major museums sought out his work. Klee and America explores the reasons for that enthusiastic reception, especially during the 1930s and 1940s, while the artist was being targeted in Hitler's campaign against Entartete Kunst (degenerate art). Just as the European market for Klee's work was collapsing, American patrons and curators were gobbling it up. And after he had been removed from his teaching post in Dsseldorf and had returned to his childhood home in Switzerland, Klee continued to be represented by a number of German-Jewish art dealers who had emigrated to the U.S. Eventually his work landed in the collections of The Museum of Modern Art and the Guggenheim, among others. Foremost among Klee's earliest American collectors was Katherine Dreier, whose Societe Anonyme, founded with artists Marcel Duchamp and Man Ray, sponsored the exhibitions of pioneering abstract art in which his paintings were first shown in America. In Los Angeles, Walter and Louise Arensberg assembled a vast collection of Klee's paintings. In 1939, Alfred Barr Jr. bought a first canvas for MoMA. Klee and America examines this history and offers an impressive selection of Klee's finest "American" works, both paintings and drawings.




Klee and America Hardcover – 2006年 3月 1日
作者 Jenny Anger (Author), Vivian Endicott Barnett (Author), Elizabeth Hutton Turner (Editor), & 1


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Paul KleePaul Klee
Jenny AngerJenny Anger

Klee and America Hardcover – 2006年 3月 1日
作者 Jenny Anger (Author), Vivian Endicott Barnett (Author), Elizabeth Hutton Turner (Editor), & 1 更
AMBIMODERN.COM
Small Child's Room Rug
Explore Anni Albers' impact on 20th-century textile art through a uniqu


https://www.youtube.com/watch?v=ywF5VAkBsxM&t=77s
以前的書序或許比較有意思，譬如說，1979年翻譯 Robert Venturi's Complexity and Contradiction in Architecture 時，夏鑄九先生的序為《一個熱淚盈眶的嘲弄者》，葉庭芬的譯序為《穿花蛺 (葉採用夾)蝶深深見， 點水蜻蜓款款飛》(杜甫詩)。

當然，現在我們容易知道這些得出處，譬如說，《曲江二首》之二    杜甫
    朝回日日典春衣， 每日江頭盡醉歸。
　　酒債尋常行處有， 人生七十古來稀。
　　穿花蛺蝶深深見， 點水蜻蜓款款飛。

    傳語風光共流轉， 暫時相賞莫相違。

那，姑且用末句作為《The Bauhaus 群英會 》的引言好了。

 關於The Bauhaus School，英語書籍數以百計，日本對於核心的 Bauhaus 叢書，更是全數翻譯。

 "The Bauhaus"最簡單的歷史，可以參考Wikipedia 的條目及Peter Gay 的著作：

Weimar Culture: The Outsider as Insider, 1968
 《威瑪文化 : 一則短暫而璀璨的文化傳奇》，劉森堯譯，台北：立緒，2003，pp.168~76。

Gropius 所要傳達的，正是培根和笛卡爾以及啟蒙運動所注重的觀念：人必須和世界對抗並加以宰制，所以要治療現代的疾病乃是尋求更多更正確形式的現代化。 (《魏瑪文化》p.171)
所謂的"群英會"，師生和相關人物，起碼數百人，而且多是我們不熟悉的德國政壇、藝界 (可以肯定，20世紀上半葉，柏林同巴黎一樣，都是世界級的中心)。這些人的作品和互動之資訊，說不定是天文數字的。


"群英會"的串場，可以是The Bauhaus School的師生中的任何人，端看你的際遇：寫The Bauhaus Group: Six Masters of Modernism的NICHOLAS FOX WEBER，以
Anni and Josef Albers 夫婦為主, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe等四位為輔。

The Bauhaus Group一書中的 Paul Klee 和 Wassily Kandinsky，其實都是謎樣的人物。
.....實際的真實卻是：人複雜異常，無法被瞭解，其實，一個人最特殊最私密的內容，往往是不能寫的，會帶進棺材，......寫作的追求就是，透過無數細節和回憶，最大程度告訴讀者其中的一部分。金宇澄 https://www.openbook.org.tw/article/p-976

 然而，像我們這類以第二、第三手資料的報告，可以選的串場人物可能以Paul Klee 為主，主要是他在 Bauhaus 的經歷超過十年，有諸都筆記。又有人"詳記"其生平。



《非功效的共通體》（La Communauté désoeuvrée，1986）是南希第一本處理共同體問題的著作。本書是對於南希的一些重大哲學論題的引論。南希把共同體的觀念追溯到經驗、論述和個體的概念中，並主張說，共同體的概念主導著現代思想。南希推翻「共同體」的一般理解，例如視之為不同獨立個體的一個集合，或者視之為一個實體化的社群實在（例如法西斯主義），而試圖重新定義「共同體」。
南希指出，人類企圖按照預先制定的定義來規劃社會，經常導致社會暴力和政治恐怖。而所謂「非功效的共同體」，則意味著共同體不是社會活動、經濟活動、甚至政治活動產生出來的結果，共同體不是一個「作品」（oeuvre）。強調「共同體」之「同」（同一性），必然導致一種同質化，從而失卻「通」（交互相通）。由此，真正意義上的共同體，必定是一個「共通體」，拒絕任何齊一化。南希的共通體概念，可以說是對海德格爾 「共在」（Mit-sein）概念的改造。~~Wikipedia 讓-呂克·南希（Jean-Luc Nancy，1940年7月26日－），法國哲學家。




由於"The Bauhaus 群英會"的人數眾多，我們先決定此講的人數之上下界限。
當然，下限是1人，不管是"創始人" Walter Gropius 或其他"masters"。
不過，稍加擴張的方式是去查 E. N. Gombrich 的 《藝術的故事》中提到的。已雨芸翻譯的第12版 (台北:聯經，1989)為例，書中簡單提到Walter Gropius 設計的德劭 Bauhaus。藝術家介紹3位：Paul Klee、Wassily Kandinsky和 Lyonel Feininger 等3人。
E. N. Gombrich 另一本談應用藝術的The Sense of Order (1979) ，只提到 Klee.






 Walter Gropius 與工藝聯盟  the Werkbund 的角色：

 the office and factory building for the Werkbund Exhibition (1914) in Cologne.

找人：




1913

 In 1913, Gropius published an article about "The Development of Industrial Buildings," which included about a dozen photographs of factories and grain elevators in North America.

1914
Concept and Development of the State Bauhaus By Walter Gropius
遺澤：William Morris, Henry van de Velde, Olbrich, Behrens ...and others in Germany, and finally the German Werkbund. 1915

 Henry van de Velde, the master of the Grand-Ducal Saxon School of Arts and Crafts in Weimar was asked to step down in 1915 due to his Belgian nationality.

 Teachers taken over from the Weimar Institute of Fine Arts: Max Thedy 1919-20 Otto Fröhlich 1919-20 Richard Engelmann 1919-20 5. (Dezember 1868 in Bayreuth; † 11. September 1966 in Kirchzarten)

 Walther Klemm 1919-20 
Newly appointed teachers: LyonelFeininger 1919-25 Lyonel Feininger 1925-32 ...





1919

Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933, 

In 1919 Swiss painter Johannes Itten, German-American painter Lyonel Feininger, and German sculptor Gerhard Marcks, along with Gropius, comprised the faculty of the Bauhaus.
Georg Muche ( 1895 – 1987) 

 1920

Gropius and Alma divorced in 1920. (Alma had by that time established a relationship with Franz Werfel, whom she later married.) 

 Walter Gropius invited 

Georg Muche 


Muche in 1919 to join the Bauhaus faculty in Weimar. At the urging of Lyonel Feininger, he accepted, becoming the youngest Master of Form. At Bauhaus, he headed the weaving workshop from 1919 to 1925 and directed the preliminary course from 1921 to 1922. Muche married Elsa (El) Franke, who was a Bauhaus student, in 1922.[5] After 1922 his style evolved from pure abstraction towards more figurative and organic leanings, a sort of lyric surrealism.[6]Muche was in charge of the 1923 Bauhaus Exhibition, their first major exhibition,[5] for which he designed an experimental house known as "Haus am Horn". It was constructed in 1923 as the first practical implementation of the new Bauhaus building style. Such principles were key influences on 20th-century architecture.[8] Haus am Horn was designed to showcase economical housing, providing a functional design using prefabricated materials for quick and inexpensive construction.[9] The house, which demonstrates a keen understanding of the use of space, has been called "a true artwork of the realization of abstract monumental beauty".[10] In 1996, Bauhaus and its sites in Weimar and Dessau were declared a 20th-century World Heritage Site by the United Nations Educational, Scientific and Cultural Organization.[8] Muche was the leading proponent of the Bauhaus architectural group. In 1926 he, along with Richard Paulick, designed the innovative Stahlhaus (Steel House) at Dessau-Törten.[5][7] From 1925 to 1927 he headed the Bauhaus' weaving workshop in Dessau.


 1920.11.25
 Klee  (40歲) 受邀加入：Walter Gropius、Lyonel Feininger; Richard Engelmann, Gerhard Marcks  ,Johannes Itten,Georg Muche Walther Klemm 

 1921
Walter Gropius's Monument to the March Dead (1921) 

 1922
joined in 1922 by Russian painter Wassily Kandinsky
1923

On 16 October 1923, Gropius married Ilse (later changed to Ise  ~1983) Frank, and they remained together until his death in 1969

 1924
1925

 「muche bauhaus」の画像検索結果
Lyonel Feininger, Wassily Kandinsky, Oskar Schlemmer, Georg Muche and Paul Klee in Paul Klee's studio at the Bauhaus Weimar, 1925


Bauhaus (built 1925–26) in Dessau, 
Dessau from 1925 to 1932 
1926


1927

1928

1929

1930

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