Eugène Delacroix(1798-1863)歐仁 德拉克洛瓦

Title： Delacroix
Authors： Barthélémy Jobert, Eugène Delacroix
Edition illustrated
Publisher Princeton University Press, 1998
Length 335 pages
第104-05頁兩圖：剛好是阿邦請我們看的兩部戲：Macbeth and the Witches, 1825; Mephistopheles Appears before Faust, 1826-27

"The artist who aims at perfection in everything achieves it in nothing." Eugene Delacroix
Yola Lichtensztejn
History of Architecture and Sculpture











Art Paris Emoi


昨天上午1:03 ·







www.paris-que-j-aime.com Monument à Delacroix (1890) par Aimé Jules Dalou (1838-1902)
Sur le sommet de la stèle se trouve le buste de Delacroix, adossée à la paroi du fond de la fontaine rectangulaire en marbre. Au pied de la stèle, sur les gradins, se trouvent trois figures groupées : le Temps, la Gloire et le Génie des Arts.
Jardin du Luxembourg, Paris, France
.
Que visiter à Paris prestigieux, historique ou insolite sur www.paris-que-j-aime.com
Monument à Delacroix (1890) by Aimé Jules Dalou (1838-1902)
On the top of the stele is the bust of Delacroix, leaning against the back wall of the rectangular marble fountain. At the foot of the stele, on the stands, are three grouped figures: Time, Glory and the Genius of the Arts.
Luxembourg Gardens, Paris, France

Monument à Eugène Delacroix – Jardin du Luxembourg – Paris (75006)

Informations :

• Sculpteur 1: DALOU
• Fondeur: BINGEN
• Architecte: MENUEL
• Adresse ou lieu-dit: jardin du Luxembourg
• Code postal (en France): 75006
• Localité: Paris
• Région: Ile-de-France
• Pays: France
• Continent: Europe
• Matériau: Bronze
• Morphologie: groupe
• Année: 1890
• Titulaire(s) et droits sur les photos:
  Musée d'Orsay, Fonds Debuisson : Dominique Perchet 2011 et 2018

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"Delacroix (1798-1863)

Delacroix

Hippolyte-Charles Gaultron "Portrait de Delacroix", d’après l’Autoportrait peint par Eugène Delacroix et conservé aux Offices à Florence © Louvre Harry Bréjat

Portrait of Delacroix by Paul Cezanne

Eugène Delacroix, 1842 by Léon Riesener (daguerrotype). Musée d'Orsay et L'Orangerie

 Fascinated by wild animals, Delacroix painted them throughout his career. At a very young age, under the influence of his friend Géricault, he drew many horse studies. The attraction for big cats begins with escapades with his friend Antoine-Louis Barye, at “la foire de Saint-Cloud” where there was a wild animal menagerie and at the Natural History Museum’s menagerie. The two artists regularly go there and study animals on the spot.
🎨 Delacroix probably created this watercolour from one of his drawings, which has strong similarities with two studies by Barye kept at the Ecole des Beaux-Arts in Paris. The two artists would have drawn the same animal side by side. Over a quick graphite trace, Delacroix walked his brush on the sheet with a consummate science, sometimes using the point, sometimes bending it gently, in order to modulate by large brown and ochre flows the animal's coat and snout which emerges from a dark background, of variable intensity. Standing out in close-up from these moving shadows, the lion's head, whose mane is highlighted by long flames of bright ochre, stands out as an appearance, both threatening and majestic.
📍 For preventive conservation reasons, the prints drawings department’s works are not permanently on display. If you are interested to learn more about the techniques used for this work, we invite you to visit the “Cabinet of the prints drawings” in the Sully wing.



從1830年十月到十二月, 歐仁德拉·德拉德拉實現了他今天在盧浮宮博物館保留的最具標誌性的作品: 自由引導人民.
畫布的設計一直是許多草圖和研究的主題, 主要是鉛筆, 在筆記本中找到.
這裡的素描是他畫的唯一已知的. 在棕色和黑色的色調, 天空的藍色是柔和的, 大部分的構成已經在那裡.

"I surprised him [Delacroix] in ecstasy of rapture in front of a yellow lily whose" beautiful architecture "he had just understood, that is the happy term he used.
George Sand, The Revue des Deux Mondes, June 1, 1860
« Je le surpris [Delacroix] en extase de ravissement devant un lys jaune dont il venait de comprendre la ‘belle architecture’, c’est le terme heureux dont il s’est servi »
George Sand, La Revue des Deux Mondes, 1er juin 1860

" Les tigres, les panthères, les jaguars, les lions. d'où vient le mouvement que la vue de tout cela a produit chez moi ? "

Eugène Delacroix, Journal, février 1847

jeune tigre jouant avec sa mère, Eugène Delacroix

"The tigers, the panthers, the jaguars, the lions. Where does the movement that the sight of all this has made in me come from?"



 Eugène Delacroix, French painter and lithographer (d. 1863)
我在其他blogs都有他的紀錄。今晨，翻翻他的日記。
1824.4.27 (26歲)：討論"天才 vs 傑出人物"。
1855.5.22 (57歲)等"可憐的大仲馬"和半夜訪他等，都很有意思。
http://hcdailywisdom.blogspot.tw/…/426marcus-aurelius-eugen…



Paul Cézanne, "Apothéose de Delacroix", vers 1894 保羅·塞尚，“德拉克洛瓦的典範，”1894年左右



George a faithful friend.

Our mind is a box with compartments that communicate with each other by an admirable mechanism. A great spirit that gives itself to us gives us to breathe like a bouquet of flowers where certain perfumes, which would be harmful to us isolated, charm us and revive us by their mixture with the other perfumes that modify them.

These thoughts come to me about Eugene Delacroix. I could apply them to many other eminent natures that I had the pleasure of appreciating without causing them any concern by contradicting me and even making fun of me occasionally. I have been tenacious in my resistance to some of their statements, but tenacious in my affection for them and in my gratitude for the good they have done me by exciting in me the feeling of myself. They look at me like an incorrigible dreamer; but they know that I am a faithful friend.

George Sand, from the History of My Life, Volume Two, Thirty-third Chapter, page 146 of the Wolfgang Gerhard edition, 1855.

Pictures: Small box covered with green velvet now green, embroidered cover of foliage pattern hemmed with pearls, interior stretched with cream velvet. Initial on the lid "GS". Legacy Aurore Sand. Today exhibited at the Museum of Romantic Life in Paris. Eugène Delacroix (Eugène Delacroix Museum, Paris), George Sand by Nadar (BnF)

George une amie fidèle.
Notre esprit est une boîte à compartiments qui communiquent les uns avec les autres par un admirable mécanisme. Un grand esprit qui se livre à nous nous donne à respirer comme un bouquet de fleurs où certains parfums, qui nous seraient nuisibles isolés, nous charment et nous raniment par leur mélange avec les autres parfums qui les modifient.
Ces réflexions me viennent à propos d’Eugène Delacroix. Je pourrais les appliquer à beaucoup d’autres natures éminentes que j’ai eu le bonheur d’apprécier sans qu’elles m’aient causé aucun souci en me contredisant et même en se moquant de moi à l’occasion. J’ai été tenace dans ma résistance à certains de leurs dires, mais tenace aussi dans mon affection pour elles et dans ma reconnaissance pour le bien qu’elles m’ont fait en excitant en moi le sentiment de moi-même. Elles me regardent comme une rêveuse incorrigible ; mais elles savent que je suis une amie fidèle.
George Sand, extrait de l'Histoire de Ma vie, volume deux, trente-troisième chapitre, page 146 de l'édition Wolfgang Gerhard, 1855.
Photos : Petite boîte recouverte de velours violet désormais vert, couvercle brodé de motif de feuillages ourlés de perles, intérieur tendu de velours crème. Initiale sur le couvercle "GS". Legs Aurore Sand. Aujourd’hui exposé au musée de la Vie Romantique à Paris. Eugéne Delacroix (Musée Eugéne Delacroix, Paris), George Sand parNadar (BnF)



L'exécution du doge Marino Faliero, Eugène Delacroix


"Homage to Delacroix" by Fantin-Latour

Eugène Delacroix Museum

Eugène Delacroix Museum



"Through the unknown, we'll find the new."
–Charles Baudelaire, His favourite contemporary artist was Delacroix, whom he extolled for his imagination, intelligence, and technical skills.




The Karen B. Cohen Collection of Eugène Delacroix" opens today at The Met Fifth Ave. This exhibition highlights the ways in which drawing shaped Delacroix's artistic development throughout his career.

Eugène Delacroix, Etude pour Héliodore chassé du Temple, cheval et cavalier

Nu polonais Polish Nude


The Education of Achilles, by Eugène Delacroix.
https://en.wikipedia.org/wiki/Chiron




"Macbeth and the Three Witches"

Mephistopheles Receiving the Student, from Faust, 1828
Lithograph in black on light gray China paper laid down on white wove paper
264 x 217 mm (image); 425 x 280 mm (sheet)


Eugène Delacroix, Bacchus et un tigre, 1834

Albrecht Dürer     The Justice of Trajan by Eugène Delacroix, 1840.popularized by Dante in The Divine Comedy, alluded to in the Paradise, and recounted in Purgatory, X, 73-94:  https://en.wikipedia.org/wiki/Justice_of_Trajan

Marguerite's ghost appearing to Faust

EugèneDelacroix博物館 恭喜！它實際上是喬治沙。

正是在她留在家中的一次，德拉克洛瓦開始了這幅畫“聖母教育”（1842年），我們在諾漢特看到美麗的喬治沙公園。
EugèneDelacroix在1849年的沙龍展出了幾幅鮮花畫作，這是他的一個新主題。他對植物學與她的一個朋友，偉大的作家，誰把園區良好的照顧，其中德拉克洛瓦住過好幾次在1840年一嘗


奧菲斯用他的琴弦撫慰人和動物。在此組成的德拉克洛瓦奧菲斯反對遭受自然狀態的不幸男人的漫畫式表示：牧羊人和狩獵者，兒童，老人和薩特，半人馬，獸皮打扮，出現停了下來，彷彿凍結音樂家。

聖心的處女，

由沃爾特·斯科特，“艾芬豪”的小說，翻譯成法文在1820年這一文學作品的啟發1823年1858年之間啟發德拉克洛瓦許多作品有些學科有多個版本可用，是特別是Rebecca的綁架案。

To the untrained eye, these details of Delacroix’s “Selim and Zuleika” don’t look like much, but they speak volumes to an art conservator. Peter Van de Moortel, the Museum’s assistant conservator for paintings, will share some of his insights at his #ArtinContext lecture next Wednesday. Info: http://bit.ly/2iFqtDW

德拉克洛瓦的Fürstenberg街畫，在1859年，拉著我的充滿活力的情感，通過關注基督和他的親屬的痛苦，他還贏得了我的微妙感，使一個色彩繽紛的和諧，其中德拉克羅瓦回憶說，在聖蘇爾佩斯，魯本斯和威尼斯畫家的繪畫課程。

”瑪德琳在沙漠中“，德拉克洛瓦在1845年和年輕的詩人和評論家波德萊爾的喜愛繪畫畫這幅畫我感動多;.德拉克洛瓦顯示了一個女人都感性和嚴重，陷入了強烈的感情壓垮。一路畫家也是非常精緻的; 他巧妙地構成了燈光出現的豐富多彩的觸覺。


Eugène Delacroix (French, 1798–1863) | The Abduction of Rebecca | 1846

The prisoner of Chillon



Between 1826 and 1827, Delacroix produced, at the request of the Parisian publisher Charles Motte, a series of seventeen lithographs to illustrate Goethe's "Faust", which had just been translated into French by Albert Stapfer.
This is the first board: Mephistopheles, all wings spread, flying above the city plunged into darkness. From the start Delacroix shows that his key character is Mephistopheles, demonic figure, romantic hero par excellence, and places the action in a fantastic atmosphere ... Follow this link to learn more about this work: bit.ly/NoticeMephistopheles


Eugène Delacroix, Esquisse pour le Cardinal de Richelieu dans sa chapelle du Palais-Royal © RMN-Grand Palais (musée du Louvre) / Adrien Didierjean

Eugène Delacroix, "Scène des massacres de Scio", Musée du Louvre

Church of Saint-Sulpice, Paris
サン＝シュルピス教会

Eugène Delacroix added murals (1855–1861) that adorn the walls of the Chapel of the Holy Angels (first side-chapel on the right).


Profitez à 15h d'une visite proposée par les agents du musée et partez ensuite à 16h à la découverte de l'église Saint-Sulpice.
作者:  Spector, Jack J
                    書名:  The murals of Eugene Delacroix at Saint-Sulpice

"Maurice Denis et le maître de Saint-Sulpice"
Demain soir à 18h30 aura lieu la première conférence au musée Delacroix en lien avec l'exposition "Maurice Denis et Eugène Delacroix".
Fabienne Stahl, rédactrice du catalogue raisonné de Maurice Denis et auteur au catalogue de l'exposition, parlera de l'admiration de Denis pour les peintures de Saint-Sulpice de Delacroix. Venez nombreux !
Informations pratiques ici ☞ bit.ly/2pYt3bn


Heliodorus Driven from the Temple

Jocob Wrestling with the Angel
Claude Lorrain（1672）的“雅各與天使的鬥爭”。





『悪魔を撃つ大天使ミカエル』St. Michael Vanquishing
Lucifer

The library is housed in the Strahov Monastery, part of the historical Clementium building complex in Prague.



Eugène Delacroix, vue de Champrosay, vers 1850
✨ The Eugène-Delacroix National Museum is fortunate to exceptionally receive, as a private collection deposit, this small view of Champrosay painted by the artist around 1850. ✨

The painter has realized very few landscapes over his career and this small oil on cardboard with soft colors is a rare and moving testimony of the fascination of Delacroix for nature. 🌿 We can guess the light in the foliage and it is touching to imagine the painter stop for a moment in his wanderings, moved by the beauty of the undergrowth. 🌲

Near the forest of Sénart where the artist loved to walk a notebook drawing in hand, the village of Champrosay was an intimate refuge away from the bustle of Paris. 🌳 A place for tree watching and introspection, Delacroix stayed there several times from 1844, before buying a house a few years later.


The Strahov Library in Prague is the most beautiful library in the world - Business Insider
There are two halls in the Strahav library. The first one to be built, between 1671 and 1679, is the Theological Hall.
Source: Office of the Royal Canonry of Premonstratensians at Strahov

By the end of the century, the library's Philosophical Hall was built.



 Eugène Delacroix, "Apollon et le Serpent Python" Ⓒ RMN-Grand Palais (musée du Louvre)

Odilon Redon after Eugène Delacroix, "Apollo and the Python Serpent",
Odilon Redon d'après Eugène Delacroix, "Apollon et le Serpent Python" Ⓒ RMN-Grand Palais (musée du Louvre) / Stéphane Maréchalle


“The Sea Viewed from the Heights of Dieppe” and “Scenes from the Massacres at Chios”

"Etude de fleurs", vers 1845-1850
aquarelle, sur traits de graphite




"Coteaux verdoyant au soleil", aquarelle et gouache
太陽下蔥蘢斜坡
Atelier aquarelle



The Good Samaritan (1849)


Van Gogh, The Good Samaritan (after Delacroix)
early May 1890. Oil on canvas, 73 x 60 cm. Kröller-Müller Museum, Otterlo.

DELACROIX 1798-1863  向Goya 和Richardson 學




Eugène Delacroix, « Femmes d'Alger dans leur appartement ».

"Un couple d'amoureux assis",

🌍 Delacroix's sister, Henriette de Verninac, has been painted in 1799, one year after her young brother's birthday in 1798, by one of the most famous French painters. Who was he?

Roméo et Juliette au Tombeau des Capulets,
1850




METMUSEUM.ORG
Tracing the Artistic Practice of Delacroix with Devotion to Drawing Curator Ashley Dunn


Eugène Delacroix (French, 1798–1863). Left: Écorché: Three Studies of a Male Cadaver, n.d. Pen and brown ink, graphite, 9 5/8 x 14 1/16 in. (24.4 x 35.7 cm). The Metropolitan Museum of Art, New York, Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of David and Constance Yates, 2013 (2013.1135.13). Right: Ecorché: The Backs of Two Seated Figures, n.d. Red and black fabricated chalk, sheet: 11 5/8 x 18 7/16 in. (29.6 x 46.8 cm). Promised Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Philippe de Montebello

Eugène Delacroix (French, 1798–1863). Studies after Rubens's The Flight into Egypt, ca. 1830. Graphite, 6 1/2 x 8 3/4 in. (16.5 x 22.2 cm). Promised Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Patricia Reddington Harvey

Eugène Delacroix (French, 1798–1863). Figure Studies, after Veronese's The Martyrdom of Saint Sebastian, ca. 1823. Pen and brown ink, 9 x 14 in. (22.9 x 35.6 cm). Promised Gift from the Karen B. Cohen Collection of Eugène Delacroix

Eugène Delacroix (French, 1798–1863). Fir Tree, 1850s. Graphite, 9 7/8 x 13 in. (25.1 x 33 cm). Promised Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Andrew Bardolf

Eugène Delacroix (French, 1798–1863). Left: The Agony in the Garden, 1823–24. Brush and brown wash over graphite, 5 1/4 x 7 5/8 in. (13.4 x 19.4 cm). The Metropolitan Museum of Art, New York, Gift from the Karen B. Cohen Collection of Eugène Delacroix, in memory of Jacob Bean, 2013 (2013.1135.4). Right: The Agony in the Garden, ca. 1849. Brush and brown and black wash, sheet: 4 7/16 x 7 5/8 in. (11.3 x 19.4 cm). Promised Gift from the Karen B. Cohen Collection of Eugène Delacroix

Eugène Delacroix (French, 1798–1863). Study for The Sultan of Morocco and His Entourage, 1832–33. Brush and brown ink, 7 5/8 x 9 15/16 in. (19.4 x 25.2 cm). The Metropolitan Museum of Art, New York, Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Henri Loyrette, 2013 (2013.1135.20).

Left: Study for The Sultan of Morocco and His Entourage, 1845. Graphite, squared in white chalk, sheet: 23 1/2 x 19 9/16 in. (59.7 x 49.7 cm). The Metropolitan Museum of Art, New York, Rogers Fund, 1961 (61.202). Right:Study for The Sultan of Morocco and His Entourage, ca. 1855–56. Graphite, 8 1/4 x 10 1/8 in. (20.9 x 25.7 cm). The Metropolitan Museum of Art, New York, Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Henri Loyrette, 2013 (2013.1135.21)

歐仁德拉德拉, 肖像肖像, 自畫像和裸畫, 大約1891年.

Eugène Delacroix (French, 1798–1863). A Wall Decorated in Spanish Tiles, 1832. Watercolor over graphite, 4 1/2 x 7 1/8 in. (11.4 x 18.1 cm). The Metropolitan Museum of Art, New York, Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Dr. Harvey Wolinsky, 2013 (2013.1135.16)