江戶的史地、乃是浮世繪的根本。
Take a relaxing stroll down the Sumida River or be entertained by the stars of the Kabuki theatre – discover the city of Edo (Tokyo) in the early 19th century in our blog post: http://ow.ly/iur230r5PZ0
TASCHEN
The Japanese woodblock print is a phenomenon with no Western equivalent, one where breathtaking landscapes exist alongside blush-inducing erotica; where demons and otherworldly creatures torment the living; and where sumo wrestlers, kabuki actors, and courtesans are rock stars. This XXL book lifts the veil on a much-loved but little-understood art, revealing the stories and people behind the 200 most exceptional prints from 1680–1938. Drawing from the finest impressions in museums and private collections around the world, it features the work of 89 artists as well as 17 fold-outs. Take a look at all preview images from ‘Japanese Woodblock Prints’ here: http://bit.ly/JapaneseWoodblockPrints
Below: ‘Poem by Minamoto no Muneyuki Ason’, Katsushika Hokusai, c. 1835/36. © Minneapolis Institute of Art.
最近新出版的《浮世繪三傑》，以喜多川歌麿、葛飾北齋、歌川廣重三位大師作為代表，介紹浮世繪的起源和演變，這些獨特的畫作也影響了歐洲的藝術家，並隨著日本時代慢慢傳入臺灣，出現在如鳥瞰圖系列的部分作品中
比起動輒上千的畫冊，這本《浮世繪三傑》也是收錄許多彩圖的大本精裝，價格卻很實惠！
如果你也喜歡這樣的繪畫風格，想要進一步了解的話，是不錯的入門書唷！
浮世繪三傑：喜多川歌麿、葛飾北齋、歌川廣重
聚珍：http://gjtaiwan.com/r/ig
280 歌川國芳:悪魔の浮世絵
hc iTaiwan forum
https://www.youtube.com/watch?v=KKyMgSYZEh0&t=10s
Wiki: (In this Japanese name, the family name is Utagawa).—Utagawa Kuniyoshi (UK: /ˌuːtəˈɡɑːwə ˌkuːnɪˈjoʊʃi/;[1] Japanese: 歌川 國芳 [ɯtaɡaɰa kɯɲijoɕi]; January 1, 1798[2] – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.[3] He was a member of the Utagawa school.[4]
18:25
261 日本浮世繪大師 -- 喜多川歌麿
14:49
251 日本浮世繪大師--歌川廣重 (歌川広重) 漢清講堂
21:33
199 葛飾北齋と浮世絵 2017-09-15 漢清講堂
835 views1 year ago
TASCHEN
The Japanese woodblock print is a phenomenon with no Western equivalent, one where breathtaking landscapes exist alongside blush-inducing erotica; where demons and otherworldly creatures torment the living; and where sumo wrestlers, kabuki actors, and courtesans are rock stars. This XXL book lifts the veil on a much-loved but little-understood art, revealing the stories and people behind the 200 most exceptional prints from 1680–1938. Drawing from the finest impressions in museums and private collections around the world, it features the work of 89 artists as well as 17 fold-outs. Take a look at all preview images from ‘Japanese Woodblock Prints’ here: http://bit.ly/JapaneseWoodblockPrints
Below: ‘Poem by Minamoto no Muneyuki Ason’, Katsushika Hokusai, c. 1835/36. © Minneapolis Institute of Art.
最近新出版的《浮世繪三傑》，以喜多川歌麿、葛飾北齋、歌川廣重三位大師作為代表，介紹浮世繪的起源和演變，這些獨特的畫作也影響了歐洲的藝術家，並隨著日本時代慢慢傳入臺灣，出現在如鳥瞰圖系列的部分作品中
比起動輒上千的畫冊，這本《浮世繪三傑》也是收錄許多彩圖的大本精裝，價格卻很實惠！
如果你也喜歡這樣的繪畫風格，想要進一步了解的話，是不錯的入門書唷！
浮世繪三傑：喜多川歌麿、葛飾北齋、歌川廣重
聚珍：http://gjtaiwan.com/r/ig
280 歌川國芳:悪魔の浮世絵
hc iTaiwan forum
https://www.youtube.com/watch?v=KKyMgSYZEh0&t=10s
Wiki: (In this Japanese name, the family name is Utagawa).—Utagawa Kuniyoshi (UK: /ˌuːtəˈɡɑːwə ˌkuːnɪˈjoʊʃi/;[1] Japanese: 歌川 國芳 [ɯtaɡaɰa kɯɲijoɕi]; January 1, 1798[2] – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.[3] He was a member of the Utagawa school.[4]
18:25
261 日本浮世繪大師 -- 喜多川歌麿
14:49
251 日本浮世繪大師--歌川廣重 (歌川広重) 漢清講堂
In Japan, February 22th is the "Neko no hi", or cat day. Indeed, in Japanese 22/2 (for 22 February) can be pronounced " Neither-nor-nor ", a onomatopoeia that reminds the caterwauling of cats in the language Japanese (" nya ").
On this occasion, gallica presents you one of his favorite cats, portrayed by ando hiroshige (1797-1858) on the print of the " Rice Fields of asakusa at the time of the rooster's day ", taken from the famous " hundred views of Edo " : https://c.bnf.fr/AEX
And if you like the work of hiroshige, the bnf offers you a book-Poster of a selection of his prints: https://c.bnf.fr/AE0
Utagawa Hiroshige (1797-1858)
Edo period (1615-1868), 1857
An oban tate-e print
Private collection
Edo period (1615-1868), 1857
An oban tate-e print
Private collection
[Haïku]
Brume et pluie
Fuji caché. Mais cependant je vais
Content.
Fuji caché. Mais cependant je vais
Content.
霧しぐれ
富士を見ぬ日ぞ
面白き
富士を見ぬ日ぞ
面白き
- Matsuo Bashō (1644-1695)
Un haïku pour accompagner la vue de Shono, station de la route du Tokaido où s'abat le mauvais temps, et pour braver le vent et la baisse des températures en ce début de semaine. Bon lundi à tous ! 🎐
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Cinquante-trois relais du Tokaido
Shono, Pluie d'orage (46e vue)
Shono, Pluie d'orage (46e vue)
Utagawa Hiroshige (1797-1858)
Japon, époque d’Edo, vers 1833-1834
Japon, époque d’Edo, vers 1833-1834
Editeur : Takenouchi Magohachi (Hôeidô)
Impression polychrome nishiki-e, format oban horizontal (env. 25 x 36 cm)
Impression polychrome nishiki-e, format oban horizontal (env. 25 x 36 cm)
Fondation Jerzy Leskowicz, collection Leskowicz
© Fondation Jerzy Leskowic
© Fondation Jerzy Leskowic
21:33
199 葛飾北齋と浮世絵 2017-09-15 漢清講堂
835 views1 year ago
From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. The woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe—often as a misunderstood “exotic” artifact that served to inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art—including, as Karl Marx put it, that “all that is solid melts into air”—were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
Our new XXL book ‘Japanese Woodblock Prints’ lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
‘The Actor Segawa Kikunojō V as the Nun Myōchin’, Utagawa Kunisada II, 1852. Featured in ‘Japanese Woodblock Prints’:
👉 http://bit.ly/JapaneseWoodblockPrints
👉 http://bit.ly/JapaneseWoodblockPrints
【穿越時空？！】英電腦系畢業生製浮世繪地圖 即時對照當年今日真實地點
2019/2/20 — 14:52A
AA
日本浮世繪的魅力有幾大？當年梵高雖然買不起像葛飾北齋《冨嶽三十六景》這些精品浮世繪，但前後依舊買了六百多幅價廉物美的作品私藏，後來更開始臨摹浮世繪。藝術家用創作向浮世繪致敬，現在又有英國電腦科學系畢業生兼浮世繪愛好者 George，根據浮世繪畫家歌川廣重的作品按圖索驥，找出畫中風景的確實位置，製作「浮世繪 Google Map」。 大家可以跟著這另類 Google Map 故地重游，展開一場浮世繪之旅。
左：梵高，《雨中橋》（臨摹作品），創作時間：約1887年；右：歌川廣重，《大橋安宅驟雨》，創作時間：約1857年。 （圖片來源：Van Gogh Museum）
凡走過必留痕跡，Google Map 上那些密密麻麻的紅、綠、藍色圈圈又分別代表什麼？
連成一條線的藍圈，其實是歌川廣重在 1833 年至 1834 年間創作的《東海道五十三次》，這 55 幅系列畫作描繪日本舊時由江戶（今東京）至京都所經過的 53 個宿場（相當於驛站）的景色。該系列畫作包含起點的江戶和終點的京都，所以共有 55 景。大家不妨跟著這條歌川廣重走過的路線走一趟，對比下這 53 個驛站的前世今生。
ukiyo-e Map 截圖
離開江戶 首站：日本橋— 朝之景
41站： Miya Utagawa Hiroshige
最終站 京師：三條大橋
紅色圈圈就是歌川廣重於 1856 年到 1858 年之間創作的《名所江戶百景》中的地點 ； 綠色圈圈則標註了《六十餘州名所圖會》各畫作的地點。若大家發現其他浮世繪地點或地圖建議，浮世繪 Google Map 創辦人George 亦非常歡迎大家在 Twitter 上與他聯絡。
《六十餘州名所圖會》— 摂津 (Settsu)
東京増上寺
《名所江戶百景》上野清水堂不忍ノ池 (Ueno Kiyomizu-dō Shinobazu no ike) (歌川 広重)
上圖浮世繪中上野公園清水觀音堂嗰棵「圈圈樹枝」樹，唔知係咪下面呢棵「月之松」呢？據聞「月之松」的確曾出現在歌川廣重的《上野清水堂不忍之池》中。但月之松早在明治初期的台風災害中已慘遭摧毀，永遠的消失在人們的視野中，後來為再現浮世繪中所描繪的江戶風景，於2012年(平成24)進行複原再造，成為我們今日在清水堂看到的模樣。
圖片來源：清水觀音堂網站
浮世繪紀錄了幾百年前日本的人間百態，如今一個「浮世繪 Google Map」整理了歌川廣重年作品，現代生活與歷史漸漸重疊。
很多外國遊客都覺得「去了日本，就能看到好多很美的浮世繪了」。有這種期待是人之常情。只可惜現實還是很冷淡的，只會讓他們失望。
上野的東京國立博物館有松方收藏展，專門展出浮世繪的太田紀念美術館則在原宿。2016年墨田北齋美術館在東京都墨田區開館。但這並不表示常設展覽裡就一定會有你想看的作品。我印象中常設展覽反而都很單薄。
浮世繪版畫很容易褪色，無法長期展出。比如墨田北齋美術館，據說內部規定每件作品的展覽時間「每年只有一個月」。因此凡是展出過一次的作品，即便再適合下次策劃的專題展，那也是「不可能拿出來給你看」的。
https://www.nippon.com/hk/in-depth/d00488/
上野的東京國立博物館有松方收藏展，專門展出浮世繪的太田紀念美術館則在原宿。2016年墨田北齋美術館在東京都墨田區開館。但這並不表示常設展覽裡就一定會有你想看的作品。我印象中常設展覽反而都很單薄。
浮世繪版畫很容易褪色，無法長期展出。比如墨田北齋美術館，據說內部規定每件作品的展覽時間「每年只有一個月」。因此凡是展出過一次的作品，即便再適合下次策劃的專題展，那也是「不可能拿出來給你看」的。
https://www.nippon.com/hk/in-depth/d00488/
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