2023年6月22日 星期四

美國首府華盛頓周末美術館 印象:National Mall and Main Street (Pennsylvania Avenue)

 Pennsylvania Avenue is a diagonal street in Washington, D.C., and Prince George's County, Maryland, that connects the White House and the United States Capitol and then crosses Washington, D.C. before entering Maryland. In Maryland, it becomes MD Route 4 (MD 4) and then MD Route 717 in Upper Marlboro, and finally Stephanie Roper Highway. The section between the White House and Congress is sometimes referred to as "America's Main Street";[1] it is the location of official parades and processions, and periodic protest marches. Pennsylvania Avenue is an important commuter road and is part of the National Highway System.[2][3]

Route[edit]

A 1942 photo of Pennsylvania Avenue and 14th Street, N.W.
Pennsylvania Avenue N.W. street sign near the White House

The avenue runs for 5.8 miles (9.3 km) inside Washington, D.C., but the 1.2 miles (1.9 km) of Pennsylvania Avenue from the White House to the United States Capitol building is far and away the most famed section of the avenue. It continues within the city for 3.5 miles (5.6 km), from the southeast corner of the Capitol grounds through the Capitol Hill neighborhood, and over the Anacostia River on the John Philip Sousa Bridge. Crossing most of Prince George's County, Maryland, it ends 9.5 miles (15.3 km) from the Washington, D.C. border in Maryland at the junction with MD 717 in Upper Marlboro, where the name changes to Stephanie Roper Highway, for a total length of 15.3 miles (24.6 km). Stephanie Roper Highway used to be Pennsylvania Avenue, but was renamed in 2012. In addition to its street names, in Maryland it is designated as Maryland Route 4.

Northwest of the White House, Pennsylvania Avenue runs for 1.4 miles (2.3 km) to its end at M Street N.W. in Georgetown, just beyond the Pennsylvania Avenue Bridge over Rock Creek. From 1862 to 1962, streetcars ran the length of the avenue from Georgetown to the Anacostia River.








https://en.wikipedia.org/wiki/Pennsylvania_Avenue


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National Mall


https://en.wikipedia.org/wiki/National_Mall

The National Mall is a landscaped park near the downtown area of Washington, D.C., the capital city of the United States. It contains and borders a number of museums of the Smithsonian Institution, art galleries, cultural institutions, and various memorials, sculptures, and statues. It is administered by the National Park Service (NPS) of the United States Department of the Interior as part of the National Mall and Memorial Parks unit of the National Park System.[4] The park receives approximately 24 million visitors each year.[5]

The core area of the National Mall extends between the United States Capitol grounds to the east and the Washington Monument to the west and is lined to the north and south by several museums and a federal office building.[6] The term National Mall may also include areas that are also officially part of neighboring West Potomac Park to the south and west and Constitution Gardens to the north, extending to the Lincoln Memorial on the west and Jefferson Memorial to the south.[7]

Landmarks, museums, and other features[edit]

2008 Map
Map of the National Mall and vicinity (2008)

Within the National Mall proper[edit]

2002 Satellite image
National Mall proper and adjacent areas (April 2002). The Mall had a grassy lawn flanked on each side by unpaved paths and rows of American elm trees as its central feature. (Numbers in the image correspond to numbers in the list of landmarks, museums and other features below.)

The National Mall proper contains the following landmarksmuseums and other features (including opening year):[7][6]

Andrew Jackson Downing Urn in May 2012

Not marked on the above image:

Above the Smithsonian Institution Building
Below the Smithsonian Institution Building
Above the Arts and Industries Building
  • Smithsonian Carousel (1967)[11]
To the left of the National Museum of American History
June 2004 view from the United States Capitol, facing west across the National Mall towards the Washington Monument
To the left of the Freer Gallery of Art
Facing east on the National Mall, as viewed near the 1300 block of Jefferson Drive, S.W. in April 2010. Rows of American elm trees line the sides of a path traversing the length of the Mall.

With the exception of the National Gallery of Art, all of the museums on the National Mall proper are part of the Smithsonian Institution. The Smithsonian Gardens maintains a number of gardens and landscapes near its museums.[14] These include:

East of the National Mall proper[edit]

West side of the U.S. Capitol building (September 2013)

Features east of the National Mall proper include:

李壬癸─思想因語言而存在; 台灣語言人與事:我的南島語學思追想

 我的學思歷程 4 (臺大)  李壬癸─思想因語言而存在



【台灣語言人與事:我的南島語學思追想】
本書為「台灣南島語言研究之父」李壬癸,回顧生涯之作透過李院士親身執筆的懷思追想,本書是他學術專業論著之外的一部感恩、知遇、生涯別記。李院士從他的出身地宜蘭冬山河寫起,一路追憶求學、留學、教學,以迄到中央研究院專研台灣南島語言,帶頭踏尋、蒐錄、整理多種即將消失的台灣南島語,留下彌足珍貴的文本記錄,引起國際南島語言學術界的關注和重視。
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本書聚焦在台灣語言之〔人〕與〔事〕:
〔人〕 李院士本是素樸、敦厚、堅韌、執著的性情中人,一生中每階段似都有「貴人浮現」,包括前輩學人胡適院長、小川尚義、趙元任、李方桂,宜蘭中學時代的李煥同學、台灣師範大學時代的良師,如林瑜鏗教授(他暱稱的Miss林)、許世瑛教授、梁實秋教授等,中央研究院任職時代的錢思亮院長、丁邦新、龔煌城、何大安、李亦園、高去尋、曾永義諸院士,學界友人王士元、鄭錦全、湯廷池等教授;乃至國際同行學者帥德樂(Stanley Starosta)、白樂思(Robert Blust)、土田滋等……這些名重一時的學界良師益友,在李院士懷帶感情的筆鋒寫來,公務私誼都栩栩如生,親切溫馨,並且兼有逸趣,偶爾也透露一些小秘辛。
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〔事〕 多樣性的世界南島民族,如南太平洋的新赫布里斯群島、斐濟、東加羅林群島、關島、夏威夷大島、雅普島……李院士都有親訪體驗的奇遇;而台灣多采多姿的諸多南島語,更是李院士終生投注的重點,他風塵僕僕尋訪,所幸還能找到幾個碩果僅存的南島語言發音人,本書留有寶貴的記錄。
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另有關台灣南島語的沿續、發展、困境與挑戰,在本書有李院士衷心的建言和論辯紀事,當可供此道中人省思參考。
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🌿
立足台灣,胸懷國際 序
輯一 關懷鄉土與憶往
輯二 紀念先賢
輯三 懷念良師益友
輯四 台灣學術寶藏
輯五 台灣學術爭論
輯六 島嶼奇遇
輯七 獲獎感言
輯八 序文
索引
🌿
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🐦出版社:前衛出版
🐦ISBN:9786267325124
🐦出版日期:2023年7月
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*本文引用文字介紹及目錄均屬各著作人版權所有
**本刊推介之書籍純以學術為考量標準,以饗學界同道
可能是 1 人和文字的圖像


漢清影片/自頻道



Hanching Chung
@hanchingchung9402


藝術家的書(從馬諦斯到當代藝術   大展)

 .....Matisse THE BOOKS..........藤田嗣治的百多本插畫書......Andy’s Magnificent Seven Illustrated Books 1952–1959        簡介Tériade的代表作"VERVE"藝術雜誌and "Great Books" 


https://www.facebook.com/hanching.chung/videos/229018529942232




Hokusai: Inspiration and Influence. "漢清講堂199 葛飾北齋と浮世絵" 葛飾北齋HOKUSAI (Japanese, 1760–1849)(2):The Waterfall Where Yoshitsune Washed His Horse from the series A Tour of Waterfalls in Various Provinces, ca. 1832






Hokusai: Inspiration and Influence

Through July 16, Museum of Fine Arts, Boston, 465 Huntington Avenue, Boston; 617-267-9300; mfa.org.


How Hokusai’s Art Crashed Over the Modern World

The MFA Boston shows how one of the greatest printmakers, from Edo Japan, inspired a tidal wave of followers, from Gauguin to Lichtenstein.

A woodblock print depicts Mount Fuji as a towering red peak in the clouds, with green lines at the base as forests.
Katsushika Hokusai, “Fine Wind, Clear Weather,” also known as Red Fuji, from the series “Thirty-Six Views of Mount Fuji,” about 1830–31. Woodblock print; ink and color on paper.Credit...Nellie Parney Carter Collection; via Museum of Fine Arts, Boston

Image
“Under the Wave Off Kanagawa,” in which the snow-capped Fuji nearly disappears beneath a tentacular blue breaker.
Hokusai, “Under the Wave Off Kanagawa,” known as the Great Wave, about 1830-31, from the series “Thirty-six Views of Mount Fuji.”


Image
How a global art star entered the popular culture: In this painting by Lichtenstein, a blue-haired woman vanished beneath silvery waves.
How Hokusai entered the popular culture: Roy Lichtenstein’s “Drowning Girl,” 1963.Credit...Estate of Roy Lichtenstein; The Museum of Modern Art/Licensed by SCALA/Art Resource, NY; via Museum of Fine Arts, Boston







21:33



葛飾北齋 熱:電影『HOKUSAI』(2021) 。漢清講堂 199: 葛飾北齋と浮世絵。「北齋:萬物繪本大全圖」Hokusai: The Great Picture Book of Everything | British Museum『知られざる北斎』 幻冬舎、2018;"北斎館(ほくさいかん)は長野県上高井郡小布施町にある美術館"的故事。大英博物館,失傳的葛飾北齋「萬物繪本大全圖」Did Hokusai invent manga?Crossing 70 years of Katsushika Hokusai北斎 幻の肉筆画~アメリカに眠る 画狂老人の魂~ - NHK


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Hokusai: The Great Picture Book of Everything | British Museum








https://www.britishmuseum.org





Discover a collection of rare drawings by Katsushika
Sep 30, 2021 - Jan 30, 2022
Hokusai: The Great ...





【國際藝壇|北齋:萬物繪本大全圖】

 從這組包羅萬象的圖畫可看出葛飾北齋如何賦予神話和佛教世界的人物可望亦可及的形象,對於外國人、動植物乃至礦物的描繪力求真實和傳神,偶爾還加入引人發噱的諧趣表現,既反映出他對大千世界的用心觀照和洞察力,也展現其透過想像的延伸來發掘「萬物」內蘊的無限世界。(撰文/朱惠慈)(節選自《藝術家》558期,2021年11月號)
https://pse.is/3qtmvh
查看更多







The Metropolitan Museum of Art, New York


This powerful graphic composition by Katsushika
According to literary accounts, Yoshitsune stopped to wash his favorite horse beneath a waterfall while fleeing from his older brother Yoritomo, who considered him a traitor for joining forces with Emperor Go-Shirakawa.
See this striking print on view in "Japan: A History of Style" through April 24. Learn more:
Katsushika Hokusai (Japanese, 1760–1849). The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province from the series A Tour of Waterfalls in Various Provinces, ca. 1832. On view in Gallery 231.


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British Museum



One chilly day in the shadow of Mt Fuji, a sudden gust of wind sends a straw hat spiralling into the sky
This woodblock print was made by Katsushika Hokusai. Almost like a photograph, the scene expertly captures the moment stormy weather disturbs people travelling through the marshes between Kyoto and Edo (now Tokyo).
This image is the tenth print from Hokusai’s renowned series ‘Thirty-Six Views of Mt Fuji’. Here the mountain has been drawn with a single calligraphic stroke, its stillness in contrast to the figures battling the wind
Though Fuji is the present in each of the thirty-six views, it is rarely placed front-and-centre. Hokusai took a similar approach in another famous image from the series the ‘Great Wave’, where the mountain becomes a tiny feature in the distance, being swallowed up by an enormous tide
If you’re hungry for more Hokusai, head over to our blog to learn more about the life and works of the master printmaker: http://ow.ly/jRGy50OfMF4
Katsushika Hokusai (1760–1849), ‘Eiji in Suruga Province’ from the series ‘Thirty-six Views of Mt. Fuji’. Colour woodblock print, from Japan, 1831. Read more: http://ow.ly/iwWB50OfxL7