tag:blogger.com,1999:blog-28941486634524127652024-03-21T14:23:01.574-07:00漢清講堂 Hanching Forum人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.comBlogger433125tag:blogger.com,1999:blog-2894148663452412765.post-4551145468685041392024-03-17T18:17:00.000-07:002024-03-17T18:17:31.812-07:00漢清講堂(2014~2019) 分類草稿 曹永洋與 漢清講堂(2014~2019 YouTube ) 256 videos 22片相關<div><br /></div><div><p><span style="font-size: x-large;">漢清講堂</span><span style="font-size: large;">各回胡適之先生紀念演說 :</span></p><p><a href="https://www.youtube.com/watch?v=t8qud5GxOFU&t=14s"><span style="font-size: x-large;">270 胡適與大學 (2018年胡適紀念II) 漢清講堂</span></a></p><p><span style="font-size: x-large;"><br /></span></p><p><span style="font-size: x-large;"><br /></span></p><p><a href="https://www.youtube.com/watch?v=QLWBIhe_ke4&t=80s"><span style="font-size: x-large;">217 記美國弗勒斯納(Abraham Flexner)先生(胡適日記) 2018-02-21 漢清講堂</span></a></p><p><span style="font-size: x-large;"><br /></span></p><p><a href="https://www.youtube.com/watch?v=-v7Yflff-08&t=17s">201 胡適與時事漫畫 2017-12-16 漢清講堂</a></p><p><br /><a href="https://www.youtube.com/watch?v=Kxq1vjdL3xs&t=11s">200 《胡適留學日記》中的諸多寶貝 2017-12-17 漢清講堂</a></p><p><br /><a href="https://www.youtube.com/watch?v=xWgY4cDnoZ4">135 譯人胡適與其翻譯事業 鍾漢清 2017ー01−12</a><br /></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=N_yEmDdaZ34">130 胡適與禪學 :林義正老師講評 2016-12-17</a><br /><a href="https://www.youtube.com/watch?v=15v4GwogVyY&t=173s"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=15v4GwogVyY&t=173s">129 胡適與日本禪學學者之交流 2016-12-17 鍾漢清</a><a href="https://www.youtube.com/watch?v=x8Z0N5au2MM"><br /><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=x8Z0N5au2MM">128 胡適與禪學研究 2016-12-17 蘇錦坤</a><a href="https://www.youtube.com/watch?v=m68oNsF-v-U&t=902s"><br /></a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=8J2MXN_D0_0">2015 紀念胡適之先生 上篇 part one 漢清講堂</a><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=fda1N42bF3I"><img src="https://i.ytimg.com/vi/fda1N42bF3I/hqdefault.jpg?sqp=-oaymwEcCPYBEIoBSFXyq4qpAw4IARUAAIhCGAFwAcABBg==&rs=AOn4CLCfB22yTlMStbTZgbq-jy1GOeQatQ" /><br /><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=fda1N42bF3I">2015 紀念胡適之先生 part three 鍾漢清</a><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=mKh_Jk_hnQ0"><img src="https://i.ytimg.com/vi/mKh_Jk_hnQ0/hqdefault.jpg?sqp=-oaymwEcCPYBEIoBSFXyq4qpAw4IARUAAIhCGAFwAcABBg==&rs=AOn4CLDPRYuPmKQ9T1Stw4Te9cWKr_hSLg" /><br /><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=mKh_Jk_hnQ0">2015 紀念胡適之先生 下篇 part two 漢清講堂</a><br /><br /><br /><a href="https://www.youtube.com/watch?v=rgwcAiJIQEI"><img src="https://i.ytimg.com/vi/rgwcAiJIQEI/hqdefault.jpg?sqp=-oaymwEcCPYBEIoBSFXyq4qpAw4IARUAAIhCGAFwAcABBg==&rs=AOn4CLDNksB004SuoSoyGg12C7gx-hm2Sg" /><br /><br /><br /></a><br /></p><p><br /></p><div class="Z26q7c UK95Uc" data-content-feature="1" data-sokoban-feature="nke7rc" style="background-color: white; color: #202124; contain: layout paint; flex: 0 0 auto; font-family: arial, sans-serif; overflow: hidden;"><div class="VwiC3b yXK7lf MUxGbd yDYNvb lyLwlc lEBKkf" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; color: #4d5156; display: -webkit-box; margin-bottom: 0px; overflow: hidden; padding-top: 0px;"><span style="color: #ea4335; font-size: large;"></span></div></div><blockquote><div class="Z26q7c UK95Uc" data-content-feature="1" data-sokoban-feature="nke7rc" style="background-color: white; color: #202124; contain: layout paint; flex: 0 0 auto; font-family: arial, sans-serif; overflow: hidden;"><div class="VwiC3b yXK7lf MUxGbd yDYNvb lyLwlc lEBKkf" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; color: #4d5156; display: -webkit-box; margin-bottom: 0px; overflow: hidden; padding-top: 0px;"><span style="font-size: large;"><span style="color: #ea4335;">胡適</span>(1891年12月17日-1962年2月24日),</span></div></div></blockquote></div><div><br /></div><div><br /></div><div><br /></div><br /><br />懷念師長<br /><br /><a href="https://www.youtube.com/watch?v=0vmSLu2aliQ&t=44s">302 熊維強 遊戲中學習:橡皮筋遊戲的改善案例</a><br /><br /><br /><a href="https://www.youtube.com/watch?v=QVaOIOMr5EI&t=44s"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=QVaOIOMr5EI&t=44s">301 戴明法之我見〈一切法因緣生〉 林公孚</a><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=L-5r4tYCSDs&t=479s"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=L-5r4tYCSDs&t=479s">300 Wait, What?三一微功夫 王晃三教授(Sameul Wang)</a><a href="https://www.youtube.com/watch?v=vDI4R90CvmM">10:34</a><br /><a href="https://www.youtube.com/watch?v=vDI4R90CvmM">NOW PLAYING<br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=vDI4R90CvmM">299 紫式部源氏物語 (續:297 雪月花時最懷友) HC朗読</a><br /><br /><a href="https://www.youtube.com/watch?v=NVm4HayFCMo&t=259s"><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=NVm4HayFCMo&t=259s">298 唐香燕【時光悠悠美麗島】讀書座談</a><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=u-Xa6Y5FN08&t=5s"><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=u-Xa6Y5FN08&t=5s">297 雪月花時最懷友 (續:295 喬炳南譯『美しい日本の私』) HC主講</a><br /><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=lg_36iwp2Kw&t=223s">296 憶章青駒先生 蕭新忠</a><br /><br /><a href="https://www.youtube.com/watch?v=c2sXs4rJgg8&t=32s"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=c2sXs4rJgg8&t=32s">295 喬炳南譯川端康成『美しい日本の私』(一、月歌的桂冠) HC主講</a><br /><br /><a href="https://www.youtube.com/watch?v=EDrx4AoqSkU"><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=EDrx4AoqSkU">294 郭維租與高千穗丸沈船生還經歷 2019-06-24 曹永洋</a><br /><br /><a href="https://www.youtube.com/watch?v=7HYaKY3vNVk&t=37s"><br /><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=7HYaKY3vNVk&t=37s">293 妙峰山進香記(文:莊嚴; 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Scherkenbach</a><br /><a href="https://www.youtube.com/watch?v=hjQk-Yr3Flk"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=hjQk-Yr3Flk">265 ROC中小學校長協會 課程模組(4) 一紅珠實驗與心理學</a><br /><br /><a href="https://www.youtube.com/watch?v=61EnCo3GyWo&t=177s">264 ROC中小學校長協會 課程模組(3) - 漏斗實驗</a><br />148 views1 year ago<br /><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=tgT8vyfLXcs">263 ROC中小學校長協會 課程模組(2) 一變異與績效 鍾漢清</a><br /><a href="https://www.youtube.com/watch?v=S7svDVrleDU&t=2s"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=S7svDVrleDU&t=2s">262 ROC中小學校長協會 課程模組(1) 一戴明博士的系統觀 熊維強</a><br /><br /><br /><a href="https://www.youtube.com/watch?v=SQcZY5ziqX0&t=6s">261 日本浮世繪大師 -- 喜多川歌麿</a><br /><a href="https://www.youtube.com/watch?v=ledeAq0sw6A&t=19s">260 兩位苗栗出身的傑出台中一中校友 (陳雲輝 洪信佳)</a><br />126 views2 years ago<br /><br /><br /><a href="https://www.youtube.com/watch?v=VedY3s88IYE&t=139s"><br /></a><br /><br /><a 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style="background: rgb(255, 255, 255); border: 0px; display: flex; flex-direction: row; font-family: Roboto, Arial, sans-serif; font-size: 10px; margin: 0px; padding: 6px 0px;"></div></div><p><span style="background-color: white; font-size: 20px;"><span face="nyt-imperial, georgia, times new roman, times, serif" style="color: #363636;">https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw</span></span></p><p><span style="background-color: white; font-size: 20px;"><span face="nyt-imperial, georgia, times new roman, times, serif" style="color: #363636;"><br /></span></span></p><p><a href="https://www.youtube.com/watch?v=EDrx4AoqSkU">294 郭維租與高千穗丸沈船生還經歷 2019-06-24 曹永洋</a></p><p><br /><a href="https://www.youtube.com/watch?v=vVTSRMEfFPA">292 東海大學中文系第一屆 - 陳淑女女士 2019-09-01 曹永洋老師/HC</a></p><p>已經刪去</p><p><br /></p><p>漢清講堂<a href="https://www.youtube.com/watch?v=DoeVpY6FfAM&t=142s">272 (</a><a href="https://www.youtube.com/watch?v=DoeVpY6FfAM&t=142s">youtube</a>) :介紹東海二位業餘漫畫家 :吳肇熙及陳道亮<br />吳肇𤋮的《我愛東海》 (曹永洋,致謝)2023</p><p><a href="https://www.youtube.com/watch?v=H6wF51ExRZ4&t=691s">252 從張清吉的「新潮文庫」談起 2018 Oct. 曹永洋 鍾漢清</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=qEgu82gtifg&t=1s">211 「東海文庫」規劃及(杜蘅之教授)文獻整理専案報告 2018-01-18 吳福助 謝鶯興</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=1NLzwUiitAw">204 台灣史懷哲之友協會 2017-12-07 曹永洋</a></p><p><a href="https://www.youtube.com/watch?v=fiQjRnjfAP8&t=9s">197 《耕甘薯園的人》:郭振純先生訪談 2017-11-08 曹永洋</a><br /></p><p><a href="https://www.youtube.com/watch?v=4ICgUvtZ2mA">173 簡介協志叢書與志文出版社 2017-07-22 漢清講堂</a></p><p><a href="https://www.youtube.com/watch?v=ieeWhqgghbQ&t=53s">164 劉述先及其【馬爾勞與中國】 鍾漢清 2017-06-17</a><br /><br /><br /><a href="https://www.youtube.com/watch?v=OXpqF1fZEOU">163 劉述先及其【文學欣賞的靈魂】 曹永洋 2017-06-17</a></p><p><a href="https://www.youtube.com/watch?v=dj3M8MERo7s">162 何懷碩, 依然如士:Salute to Mr. Ho Hwai-shouh 2017-06-17</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=plBTKN9OqZk&t=559s">155 赤峰街五號的那些事 李日章 2017-05-20</a></p><p><a href="https://www.youtube.com/watch?v=XFVF_wL5Z_0&t=18s">141 金恆鑣博士:環境生態與文學 2017-02-18</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=35__geErQdk">149 東方白の台大生活 鍾漢清 2017-04-21</a><br /><a href="https://www.youtube.com/watch?v=krC9er62Tz0&t=196s"><br /></a><br /><a href="https://www.youtube.com/watch?v=krC9er62Tz0&t=196s">148 東方白の文學心路 曹永洋 2017-04-22</a></p><p><a href="https://www.youtube.com/watch?v=FDF9nTlZjGY">121 人文促進獎:曹永洋先生 (頒獎, 陳忠信, 廖志峰) 2016-Oct-01</a><br /><a href="https://www.youtube.com/watch?v=m7fmC1Z5LGk"><br /></a><br /><br /><a href="https://www.youtube.com/watch?v=m7fmC1Z5LGk">120 譯藝人生 梁祥美 2016-Oct-01</a></p><p><br /></p><p><br /><a href="https://www.youtube.com/watch?v=62B8dYo0n78&t=9s">曹永洋談徐復觀教授與東海早期的門生 2016-07-27</a></p><p><br /></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=vNJR4yS-NMY">傳記文學之路 曹永洋</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=rgwcAiJIQEI">紀念 Peter Drucker 討論會 2015 鍾漢清 曹永洋、戴久永</a></p><p><br /></p><p><a href="https://www.youtube.com/watch?v=Nx0a2LhsDwY&t=368s">談《東海大學學報》第一期 曹永洋</a></p><p><br /></p><p><span color="var(--color-content-secondary,#363636)" face="nyt-imperial, georgia, "times new roman", times, serif" style="background-color: white; font-size: 1.25rem;"> </span><span color="var(--color-content-secondary,#363636)" face="nyt-imperial, georgia, "times new roman", times, serif" style="background-color: white; font-size: 1.25rem;">Their curiosity piqued, they went inside, where they found Mr. Rossellini’s “Paisan” (1946) still playing on the screen. They were hooked.</span></p><p class="css-at9mc1 evys1bk0" style="background-color: white; border: 0px; color: var(--color-content-secondary,#363636); font-family: nyt-imperial, georgia, "times new roman", times, serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.25rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 1.875rem; margin: 0px auto 0.9375rem; max-width: 600px; overflow-wrap: break-word; padding: 0px; text-size-adjust: 100%; vertical-align: baseline; width: calc(100% - 40px);">“Seeing it made us realize that through art we can gain an understanding of our experiences that’s greater than what we derive from living them directly,” Paolo Taviani told The Los Angeles Times in 1994. “By the time we left the theater, we’d decided to dedicate our lives to making movies.”</p><div class="css-1vkm6nb ehdk2mb0" style="background-color: white; border: 0px; color: #333333; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 16px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><h1 class="css-1l8buln e1h9rw200" data-testid="headline" id="link-5ce237d3" style="border: 0px; color: var(--color-content-primary,#121212); font-family: nyt-cheltenham, georgia, "times new roman", times, serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 2.5rem; font-stretch: inherit; font-style: italic; font-variant: inherit; font-variation-settings: inherit; line-height: 2.875rem; margin: 0px auto 0.5rem; max-width: none; padding: 0px; position: relative; text-size-adjust: 100%; vertical-align: baseline; width: 600px;">Paolo Taviani, Half of a Famed Italian Filmmaking Duo, Dies at 92</h1></div><p class="css-1n0orw4 e1wiw3jv0" id="article-summary" style="background-color: white; border: 0px; color: var(--color-content-secondary,#363636); font-family: nyt-cheltenham, georgia, "times new roman", times, serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.4375rem; font-stretch: normal; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 1.875rem; margin: 0px auto 1.875rem; max-width: 600px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline; width: 600px;">He and his brother Vittorio made films, including “Padre Padrone,” that mixed neorealism with a lyrical, almost magical sense of storytelling.</p><p class="css-at9mc1 evys1bk0" style="background-color: white; border: 0px; color: var(--color-content-secondary,#363636); font-family: nyt-imperial, georgia, "times new roman", times, serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.25rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 1.875rem; margin: 0px auto 0.9375rem; max-width: 600px; overflow-wrap: break-word; padding: 0px; text-size-adjust: 100%; vertical-align: baseline; width: calc(100% - 40px);"><br /></p><p class="css-at9mc1 evys1bk0" style="background-color: white; border: 0px; color: var(--color-content-secondary,#363636); font-family: nyt-imperial, georgia, "times new roman", times, serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.25rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 1.875rem; margin: 0px auto 0.9375rem; max-width: 600px; overflow-wrap: break-word; padding: 0px; text-size-adjust: 100%; vertical-align: baseline; width: calc(100% - 40px);"><br /></p></div></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-24464558797338897872024-03-13T23:46:00.000-07:002024-03-13T23:46:05.040-07:00head /head between <p> <script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7969654151510316"</p><p> crossorigin="anonymous"></script></p>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-71675423177360559622024-03-12T18:14:00.000-07:002024-03-12T18:23:52.579-07:00佳美 補述書與展 Le Corbusier: An Atlas of Modern Landscapes 2013MoMA. Le Corbusier: 1887 - 1965: the Lyricism of Architecture in the Machine Age. 偉大的勒·柯布西耶. "Le Corbusier’s Models of Worldmaking" 2023,2017紀念 Le Corbusier 和王錦堂 "Le Corbusier, the Artist – Works from Six Decades" 2017紀念 Le Corbusier 和王錦堂 7 講:漏網之魚;柯比意130歲紀念特展/ Le Corbusier : Exposition rétrospective du père fondateur de l’architecture moderne <div class="celwidget" data-cel-widget="titleblock_feature_div" data-csa-c-asin="3836560356" data-csa-c-content-id="titleblock" data-csa-c-id="c6xsaq-qatz1b-3485c3-bcp62v" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="titleblock_feature_div" data-csa-c-type="widget" data-feature-name="titleblock" id="titleblock_feature_div" style="background-color: white; box-sizing: border-box;"><div class="a-section a-spacing-none" style="box-sizing: border-box; margin-bottom: 0px;"><h1 class="a-spacing-none a-text-normal" id="title" style="box-sizing: border-box; line-height: 36px; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; margin: 0px; padding: 0px; text-rendering: optimizelegibility;"><span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="wzgz85-4uxgtc-4pxhbi-jyg2nm" style="box-sizing: border-box; line-height: 36px; text-rendering: optimizelegibility;"><p style="border: 0px; box-sizing: border-box; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><span style="font-family: MoMA Sans, MoMA Sans, Helvetica, sans-serif;"><span style="font-size: 25.6px; font-weight: 400;">佳美 補述書與展 Le Corbusier: An Atlas of Modern Landscapes 2013MoMA. Le Corbusier: 1887 - 1965: the Lyricism of Architecture in the Machine Age. 偉大的勒·柯布西耶. "Le Corbusier’s Models of Worldmaking" 2023,2017紀念 Le Corbusier 和王錦堂 "Le Corbusier, the Artist – Works from Six Decades" 2017紀念 Le Corbusier 和王錦堂 7 講:漏網之魚;柯比意130歲紀念特展/ Le Corbusier : Exposition rétrospective du père fondateur de l’architecture moderne </span></span></p><p style="border: 0px; box-sizing: border-box; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><span style="font-family: MoMA Sans, MoMA Sans, Helvetica, sans-serif;"><span style="font-size: 25.6px; font-weight: 400;"><br /></span></span></p><p style="border: 0px; box-sizing: border-box; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><span style="font-family: MoMA Sans, MoMA Sans, Helvetica, sans-serif;"><span style="font-size: 25.6px; font-weight: 400;"><br /></span></span></p><p style="border: 0px; box-sizing: border-box; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><span style="font-family: MoMA Sans, MoMA Sans, Helvetica, sans-serif;"><span style="font-size: 25.6px; font-weight: 400;"><br /></span></span></p><p style="border: 0px; box-sizing: border-box; color: black; font-family: "MoMA Sans", "MoMA Sans", Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.6rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; font-weight: 400; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><br /></p><p style="border: 0px; box-sizing: border-box; color: black; font-family: "MoMA Sans", "MoMA Sans", Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.6rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; font-weight: 400; line-height: 2.4rem; margin: -1.2rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;">MoMA presents its first major exhibition on the work of Le Corbusier (Charles-Édouard Jeanneret, 1887–1965), encompassing his work as an architect, interior designer, artist, city planner, writer, and photographer. Conceived by guest curator Jean-Louis Cohen, the exhibition reveals the ways in which Le Corbusier observed and imagined landscapes throughout his career, using all the artistic techniques at his disposal, from his early watercolors of Italy, Greece, and Turkey, to his sketches of India, and from the photographs of his formative journeys to the models of his large-scale projects. His paintings and drawings also incorporate many views of sites and cities. All of these dimensions are present in the largest exhibition ever produced in New York of his prodigious oeuvre.</p><blockquote id="credits" style="--typography--size: 14; border: 0px; box-sizing: border-box; color: rgba(0, 0, 0, 0.54); font-family: "MoMA Sans", "MoMA Sans", Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.4rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; font-weight: 400; line-height: 2.4rem; margin: 1.2rem 0px 0px; padding: 0px; quotes: none; text-size-adjust: none; vertical-align: top;"><p style="border: 0px; box-sizing: border-box; font: inherit; margin: 0px; padding: 0px; text-size-adjust: none; vertical-align: top;">Organized by guest curator Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, with Barry Bergdoll, The Philip Johnson Chief Curator of Architecture and Design at MoMA.</p></blockquote></span></h1><div style="color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"><span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="wzgz85-4uxgtc-4pxhbi-jyg2nm" style="box-sizing: border-box; line-height: 36px; text-rendering: optimizelegibility;"><div class="publication__image-container" style="border: 0px; box-sizing: border-box; color: black; flex-shrink: 0; font-family: "MoMA Sans", "MoMA Sans", Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 10px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; height: 7.2rem; line-height: inherit; 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text-size-adjust: none;" />of Modern Landscapes</span><span class="publication-info__author-date__text balance-text" style="border: 0px; box-sizing: border-box; display: block; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.6rem; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: 2rem; margin: 0px; padding: 0px; text-size-adjust: none; vertical-align: top;">Jean-Louis Cohen, 2013</span><span class="publication-info__details__text balance-text" style="border: 0px; box-sizing: border-box; color: #888888; display: block; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.4rem; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: 2rem; margin: 0px; padding: 0px; text-size-adjust: none; vertical-align: top;">Exhibition catalogue,<br aria-hidden="true" data-owner="balance-text" style="box-sizing: border-box; text-size-adjust: none;" />Hardcover, 404 pages</span></div><div class="publication-links" style="border: 0px; box-sizing: border-box; display: flex; flex-direction: column; font: inherit; margin: 2.8rem 0px 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><ul class="supplemental" data="publication-links" style="align-items: flex-start; border: 0px; box-sizing: border-box; display: flex; flex-direction: column; font: inherit; list-style: none; margin: 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><li class="supplemental__item--list" style="align-items: flex-start; border: 0px; box-sizing: border-box; display: flex; flex-direction: column; font: inherit; margin: 0px; padding: 0px; text-size-adjust: none; vertical-align: top;"><a class="icon-link" href="https://www.moma.org/d/pdfs/W1siZiIsIjIwMTgvMDYvMTMvNmlpeG1nbjBhX0xlQ29yYnVzaWVyX1BSRVZJRVcyLnBkZiJdXQ/LeCorbusier_PREVIEW2.pdf?sha=c0917f8280580df8" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0.07); 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line-height: 36px; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; margin: 0px; padding: 0px; text-rendering: optimizelegibility;"><span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="wzgz85-4uxgtc-4pxhbi-jyg2nm" id="productTitle" style="box-sizing: border-box; line-height: 36px; text-rendering: optimizelegibility;">Le Corbusier: 1887 - 1965: the Lyricism of Architecture in the Machine Age </span><span class="a-size-large a-color-secondary celwidget" color="rgb(86, 89, 89) !important" data-cel-widget="productSubtitle" data-csa-c-id="keh4ce-8dsna9-h3uip7-w2ic0x" id="productSubtitle" style="box-sizing: border-box; font-size: 24px; line-height: 32px; text-rendering: optimizelegibility;">Hardcover – 2015年 11月 23日</span></h1></div></div><div class="celwidget" data-cel-widget="bylineInfo_feature_div" data-csa-c-asin="3836560356" data-csa-c-content-id="bylineInfo" data-csa-c-id="t8x2nm-m45j8s-52r88b-pvpkap" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="bylineInfo_feature_div" data-csa-c-type="widget" data-feature-name="bylineInfo" id="bylineInfo_feature_div" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"><div class="a-section a-spacing-micro bylineHidden feature" data-cel-widget="bylineInfo" id="bylineInfo" style="box-sizing: border-box; margin-bottom: 0px;">作者 <span class="author notFaded" data-width="" style="box-sizing: border-box;"><a class="a-link-normal" href="https://www.amazon.com/-/zh_TW/Jean-Louis-Cohen/e/B001HP4IJ6/ref=dp_byline_cont_book_1" style="box-sizing: border-box; color: #007185; text-decoration-line: none;">Jean-Louis Cohen</a> <span class="contribution" spacing="none" style="box-sizing: border-box;"><span class="a-color-secondary" color="rgb(86, 89, 89) !important" style="box-sizing: border-box;">(Author), </span></span></span><span class="author notFaded" data-width="" style="box-sizing: border-box;"><a class="a-link-normal" href="https://www.amazon.com/-/zh_TW/s/ref=dp_byline_sr_book_2?ie=UTF8&field-author=Peter+Gossel&text=Peter+Gossel&sort=relevancerank&search-alias=books" style="box-sizing: border-box; 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line-height: 20px;">4.7 </span><i class="a-icon a-icon-star a-star-4-5 cm-cr-review-stars-spacing-big" style="background-image: url("https://m.media-amazon.com/images/S/sash/9DuIU8ZS5i377uD.png"); background-position: -2px -43px; background-repeat: no-repeat; background-size: 512px 512px; box-sizing: border-box; display: inline-block; height: 18px; margin-top: 1px; position: relative; vertical-align: text-top; width: 80px;"><span class="a-icon-alt" style="box-sizing: border-box; clip-path: circle(0px); display: block; font-size: inherit; height: 18px; left: auto; line-height: normal; opacity: 0; overflow: hidden; position: absolute; top: auto; width: 80px;">4.7 顆星,最高 5 顆星</span></i> <i class="a-icon a-icon-popover" style="background-image: url("https://m.media-amazon.com/images/S/sash/McBZv0ZvnbehkIx.png"); background-position: -90px -5px; background-repeat: no-repeat; background-size: 400px 900px; box-sizing: border-box; display: inline-block; height: 5px; margin: 5px 0px 0px 0.385em; opacity: 0.6; vertical-align: text-top; width: 7px;"></i></a> </span><span class="a-letter-space" style="box-sizing: border-box; display: inline-block; width: 0.385em;"></span> </span><span class="a-letter-space" style="box-sizing: border-box; display: inline-block; width: 0.385em;"></span> <span class="a-declarative" data-acrlink-click-metrics="{}" data-action="acrLink-click-metrics" data-csa-c-func-deps="aui-da-acrLink-click-metrics" data-csa-c-id="nkmc5w-px2q07-px7muh-g58les" data-csa-c-type="widget" style="box-sizing: border-box;"><a class="a-link-normal" href="https://www.amazon.com/Corbusier-Basic-Art-2-0/dp/3836560356#customerReviews" id="acrCustomerReviewLink" style="box-sizing: border-box; color: #007185; text-decoration-line: none;"><span class="a-size-base" id="acrCustomerReviewText" style="box-sizing: border-box; line-height: 20px;">220 個評分</span></a></span></div></div><div class="celwidget" data-cel-widget="seriesBulletWidget_feature_div" data-csa-c-asin="3836560356" data-csa-c-content-id="seriesBulletWidget" data-csa-c-id="gwvplk-pl7ft0-u6hz0p-68ppis" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="seriesBulletWidget_feature_div" data-csa-c-type="widget" data-feature-name="seriesBulletWidget" id="seriesBulletWidget_feature_div" style="box-sizing: border-box;"><a class="a-link-normal" href="https://www.amazon.com/-/zh_TW/dp/B09ZRSLDSX?binding=hardcover&ref=dbs_dp_rwt_sb_pc_thcv" style="box-sizing: border-box; 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box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"></div><div class="celwidget" data-cel-widget="productOverview_feature_div" data-csa-c-asin="3836560356" data-csa-c-content-id="productOverview" data-csa-c-id="39r629-l8wbsj-oxa6v2-24tzoa" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="productOverview_feature_div" data-csa-c-type="widget" data-feature-name="productOverview" id="productOverview_feature_div" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"></div><div class="celwidget" data-cel-widget="bookDescription_feature_div" data-csa-c-asin="3836560356" data-csa-c-content-id="bookDescription" data-csa-c-id="nhdl9o-tug5fy-qgvoe8-6u2n55" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="bookDescription_feature_div" data-csa-c-type="widget" data-feature-name="bookDescription" id="bookDescription_feature_div" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; margin-bottom: 10px;"><div class="a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container" data-a-expander-collapsed-height="280" data-a-expander-name="book_description_expander" style="box-sizing: border-box; margin-bottom: 12px; max-height: 280px; overflow: hidden; position: relative; width: 665.406px;"><div aria-expanded="false" class="a-expander-content a-expander-partial-collapse-content" style="box-sizing: border-box; overflow: hidden; position: relative;"><p style="box-sizing: border-box; margin: 0px; padding: 0px;"><span style="box-sizing: border-box;">Born Charles-Édouard Jeanneret, Le Corbusier (1887–1965) is widely acclaimed as the most influential architect of the 20th century. From private villas to mass social housing projects, his radical ideas, designs, and writings presented a whole-scale reinvention not only of individual structures, but of entire concepts of modern living.Le Corbusier’s work made distinct developments over the years, from early vernacular houses in Switzerland through dazzling white, purist villas to dynamic syntheses of art and architecture such as the chapel at Ronchamp and the civic buildings in Chandigarh, India. A hallmark throughout was his ability to combine functionalist aspirations with a strong sense of expressionism, as well as a broader and empathetic understanding of urban planning. He was a founding member of the Congrès international d’architecture moderne (CIAM), which championed “architecture as a social art.”This book presents some of Le Corbusier’s landmark projects to introduce an architect, thinker, and modern pioneer who, even in his unrealized projects, offered discussion and inspiration for generations to come.</span></p></div></div></div><br /><div class="celwidget" data-cel-widget="editorialReviews_feature_div" data-csa-c-asin="" data-csa-c-content-id="editorialReviews" data-csa-c-id="8539rt-lq081l-1qt83h-jy2qfb" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="editorialReviews_feature_div" data-csa-c-type="widget" data-feature-name="editorialReviews" id="editorialReviews_feature_div" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"><div class="a-section a-spacing-small a-padding-base" style="box-sizing: border-box; margin-bottom: 0px; padding: 10px 14px;"><h3 style="box-sizing: border-box; font-size: 18px; line-height: 24px; margin: 0px; padding: 0px 0px 4px; text-rendering: optimizelegibility;"><span style="box-sizing: border-box;">作者簡介</span></h3><div class="a-section a-spacing-small a-padding-small" style="box-sizing: border-box; margin-bottom: 0px; padding: 6px 10px;"><p style="box-sizing: border-box; margin: 0px 0px 14px; padding: 0px;"><span style="box-sizing: border-box;">In 1997, the French Minister of Culture appointed </span><span class="a-text-bold" style="box-sizing: border-box; font-weight: 700;">Jean-Louis Cohen</span><span style="box-sizing: border-box;"> to create the Cité de l’architecture―a museum, research, and exhibition center in Paris’s Palais de Chaillot. Cohen’s research has focused principally on 20th-century architecture and urban planning, and his studies on German and Soviet architectural cultures. The author and curator of numerous books and exhibitions on architecture, he is an internationally acknowledged authority on Le Corbusier’s work.</span></p><span style="box-sizing: border-box;"><br style="box-sizing: border-box;" /><br style="box-sizing: border-box;" /></span><p style="box-sizing: border-box; margin: 0px; padding: 0px;"><span class="a-text-bold" style="box-sizing: border-box; font-weight: 700;">Peter Gössel </span><span style="box-sizing: border-box;">runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.</span></p></div></div></div><div class="celwidget" data-cel-widget="detailBullets_feature_div" data-csa-c-asin="" data-csa-c-content-id="detailBullets" data-csa-c-id="1hhl6z-v3fc6c-htrmvq-8qx7du" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="detailBullets_feature_div" data-csa-c-type="widget" data-feature-name="detailBullets" id="detailBullets_feature_div" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;"><div class="a-section feature detail-bullets-wrapper bucket" data-cel-widget="detailBulletsWrapper_feature_div" data-feature-name="detailBullets" data-template-name="detailBullets" id="detailBulletsWrapper_feature_div" style="box-sizing: border-box; margin-bottom: 4.5px; padding: 5px 0px;"><hr aria-hidden="true" class="a-divider-normal bucketDivider" style="background-color: transparent; border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-color: rgb(187, 191, 191); border-top-style: solid; box-sizing: border-box; clear: left; height: 1px; line-height: 19px; margin-bottom: 14px; margin-top: 0px;" /><h2 style="box-sizing: border-box; font-size: 24px; font-weight: 400; line-height: 32px; margin: 0px; padding: 0px 0px 4px; text-rendering: optimizelegibility;">產品詳細資訊</h2><div id="detailBullets_feature_div" style="box-sizing: border-box;"><ul class="a-unordered-list a-nostyle a-vertical a-spacing-none detail-bullet-list" style="box-sizing: border-box; margin: 0px 0px 1px 18px; padding: 0px;"><li style="box-sizing: border-box; list-style: none; margin: 0px 0px 5.5px; overflow-wrap: break-word;"><span class="a-list-item" style="box-sizing: border-box;"><span class="a-text-bold" style="box-sizing: border-box; font-weight: 700;">出版者 : </span><span style="box-sizing: border-box;">Taschen America Llc; Illustrated版 (2015年 11月 23日)</span></span></li><li style="box-sizing: border-box; list-style: none; margin: 0px 0px 5.5px; overflow-wrap: break-word;"><span class="a-list-item" style="box-sizing: border-box;"><span class="a-text-bold" style="box-sizing: border-box; font-weight: 700;">語言 : </span><span style="box-sizing: border-box;">English</span></span></li><li style="box-sizing: border-box; list-style: none; margin: 0px 0px 5.5px; overflow-wrap: break-word;"><span class="a-list-item" style="box-sizing: border-box;"><span class="a-text-bold" style="box-sizing: border-box; font-weight: 700;">Hardcover : </span><span style="box-sizing: border-box;">96 頁</span></span></li></ul><div><br /></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="color: #050505; font-size: 15px; white-space-collapse: preserve;">●偉大的勒·柯布西耶(1887—1965年)是現代主義中*影響力的建築師、城市規劃者和理論家之一。 巨細靡遺地介紹這位20世紀的建築巨匠、傑出設計師的生活和工作,堪稱一本完美、宏大的視覺傳記。 書中收錄了他的工作草圖、繪畫、日常信件、生活照片以及各種建築作品,所有圖片多達2000餘張。</span></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="color: #050505; font-size: 15px; white-space-collapse: preserve;"><br /></span></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="color: #050505; font-size: 15px; white-space-collapse: preserve;"><br /></span></div><div><div class="mod type02_p002 clearfix" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.38; margin: 0px 0px 10px; padding: 0px;"><h1 style="font-size: 17.004px; margin: 0px; padding: 0px;">偉大的柯布西耶</h1><h2 style="font-size: 13px; font-weight: normal; margin: 0px; padding: 0px;"><a style="outline: none;"></a></h2></div><div class="type02_p003 clearfix" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.7; margin: 0px; padding: 0px; position: relative;"><ul style="margin: 0px; padding: 0px;"><li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">作者: <a href="https://search.books.com.tw/search/query/key/%EF%BC%88%E6%B3%95%EF%BC%89%E8%AE%93%C2%B7%E8%B7%AF%E6%98%93%C2%B7%E7%A7%91%E6%81%A9/adv_author/1/" style="color: #333333; outline: none; text-decoration-line: none;">(法)讓·路易·科恩</a></li><li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版社:<a href="https://www.books.com.tw/web/sys_puballb/china/?pubid=0000000452" style="color: #333333; outline: none; text-decoration-line: none;">華中科技大學出版社</a></li><li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版日期:2020/04/01</li><li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">語言:簡體中文</li></ul></div><div class="cnt_prod002 clearfix" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px; margin: 0px; padding: 0px;"><div class="mod prd002" style="line-height: 1.7; margin: 0px 0px 10px; padding: 0px; position: relative;"><div class="prod_cont_b" style="margin: 0px; padding: 0px;"><ul class="price" style="color: #6c6c6c; line-height: 1.7; margin: 0px; padding: 0px;"><li style="line-height: 1.7; list-style: none; margin: 0px; padding: 0px;">定價:<span style="text-decoration-line: line-through;">2388</span>元</li><li style="line-height: 1.7; list-style: none; margin: 0px; padding: 0px;">優惠價:<span style="color: #d93800; margin: 0px 2px;"><b style="font-size: 15.08px;">87</b></span>折<span class="price01" style="color: #d93800; margin: 0px 2px;"><b style="font-size: 15.08px;">2078</b></span>元</li></ul></div></div></div></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="color: #050505; font-size: 15px; white-space-collapse: preserve;"><br /></span></div><div><div class="mod_b type02_m057 clearfix" style="color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.8em; margin: 0px 0px 35px; padding: 0px; position: relative;"><h3 style="border-bottom: 1px dotted rgb(216, 216, 216); color: #f28900; font-size: 15.08px; line-height: 1.5; margin: 0px 0px 10px; padding: 0px;">目錄</h3><div class="bd" style="margin: 0px; overflow: hidden; padding: 0px 5px; position: relative;"><div class="content" id="M201105_0_getProdTextInfo_P00a400040009_h2" style="margin: 0px; min-height: 300px; padding: 0px;">千面之人 讓·路易·科恩<br />1 童年與早期遊歷時期(1887—1917年)<br />2 成為勒·柯布西耶(1917—1926年)<br />3 城市願景與純粹主義別墅(1922—1935年)<br />4 尋找大專案(1926—1942年)<br />5 巴黎、維希和戰爭(1937—1943年)<br />6 人性化尺度的大專案(1942—1952年)<br />7 印度之行(1950—1962年)<br />8 神聖與崇高(1950—1959年)<br />9 地中海的時光(1950—1959年)<br />10 回顧(1954—1965年)<br />附錄<br />注釋<br />年表<br />精選文獻<br />索引</div></div><div class="ft" style="margin: 15px 0px 0px; overflow: hidden; padding: 0px 5px;"><a class="M201105_0_getProdTextInfo_P00a400040009 more off" id="M201105_0_getProdTextInfo_P00a400040009_m2" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: -588px -197px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_icon1.png") -588px -197px no-repeat; color: #333333; outline: none; padding-left: 15px;">收回</a></div></div><div class="mod_b type02_m058 clearfix" style="color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.8em; margin: 0px 0px 35px; padding: 0px;"><a name="P00a400040016" style="color: #333333; outline: none;"> </a><h3 style="border-bottom: 1px dotted rgb(216, 216, 216); color: #f28900; font-size: 15.08px; line-height: 1.5; margin: 0px 0px 10px; padding: 0px;">詳細資料</h3><div class="bd" style="margin: 0px; overflow: hidden; padding: 0px 5px;"><ul style="margin: 0px; padding: 0px;"><li style="list-style: none; margin: 0px; padding: 0px;">ISBN:9787568058766</li><li style="list-style: none; margin: 0px; padding: 0px;">規格:平裝 / 847頁 / 16k / 19 x 26 x 4.24 cm / 普通級 / 單色印刷 / 初版</li><li style="list-style: none; margin: 0px; padding: 0px;">出版地:中國</li></ul><ul class="sort" style="margin: 20px 0px 0px; padding: 0px;"></ul></div></div><div id="br_veqmfy3c" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px; margin: 0px; padding: 0px;"></div><div class="mod type02_m065 clearfix" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px; margin: 0px 0px 10px; padding: 0px; position: relative;"><h3 style="border-bottom: 1px dotted rgb(216, 216, 216); color: #f28900; font-size: 15.08px; line-height: 1.5; margin: 0px 0px 10px; padding: 0px;">最近瀏覽商品</h3></div></div><div><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="color: #050505; font-size: 15px; white-space-collapse: preserve;"><br /></span></div><div><br /></div></div></div></div><a 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href="https://www.facebook.com/groups/Bauhaus.Art/?__cft__[0]=AZXhc2wVVGEjljeRrs1kDnva6jmz4M1hf_7ImFO930N2qxPfxDBSGygeKoXS87HMvBMPgmnADo1BrSnjzayTQ3-Ax4zwIyijOrKaDx514GTTXtn33n9Gz6hXDOt1PRk1sZFImWuopYvK0HsZYD6sSD55vO8YkCLzTCKIgXrR3QB2KxCy30g3qAd7kqRfQIWvYcGAJJeV63ayrQqLQzXqJ9U5&__tn__=-UC%2CP-y-R">Bauhaus Art</a><br /><a href="https://www.facebook.com/hanching.chung#">troosnpdeSam91ci91umt 8457時5581fcm2a90小g227aaiuimc0g12ffuhm2</a> · <br /><br /><a href="https://www.facebook.com/figprojects/photos/pcb.6211177858940012/6211174552273676/?__cft__[0]=AZXhc2wVVGEjljeRrs1kDnva6jmz4M1hf_7ImFO930N2qxPfxDBSGygeKoXS87HMvBMPgmnADo1BrSnjzayTQ3-Ax4zwIyijOrKaDx514GTTXtn33n9Gz6hXDOt1PRk1sZFImWuopYvK0HsZYD6sSD55vO8YkCLzTCKIgXrR3QB2KxCy30g3qAd7kqRfQIWvYcGAJJeV63ayrQqLQzXqJ9U5&__tn__=*bH-y-y-R"><img src="https://scontent.ftpe8-2.fna.fbcdn.net/v/t39.30808-6/336874109_883441492723953_4878993162029593738_n.jpg?stp=dst-jpg_p640x640&_nc_cat=101&ccb=1-7&_nc_sid=730e14&_nc_ohc=fLnCueCC3-cAX_zFk32&_nc_ht=scontent.ftpe8-2.fna&oh=00_AfCIFdL1MVnjhSYE1cHL8MYc3LsVVDPSnjwrJsU9LCHIpQ&oe=641DAF20" /><br /><br /></a><br /><a href="https://www.facebook.com/figprojects/photos/pcb.6211177858940012/6211174865606978/?__cft__[0]=AZXhc2wVVGEjljeRrs1kDnva6jmz4M1hf_7ImFO930N2qxPfxDBSGygeKoXS87HMvBMPgmnADo1BrSnjzayTQ3-Ax4zwIyijOrKaDx514GTTXtn33n9Gz6hXDOt1PRk1sZFImWuopYvK0HsZYD6sSD55vO8YkCLzTCKIgXrR3QB2KxCy30g3qAd7kqRfQIWvYcGAJJeV63ayrQqLQzXqJ9U5&__tn__=*bH-y-y-R"><img src="https://scontent.ftpe8-3.fna.fbcdn.net/v/t39.30808-6/336915492_709973840918542_5725198109344873885_n.jpg?stp=dst-jpg_p640x640&_nc_cat=111&ccb=1-7&_nc_sid=730e14&_nc_ohc=8rpv5rumiLoAX9nK4P8&_nc_ht=scontent.ftpe8-3.fna&oh=00_AfDqpC_2BdUwFBrmXYU3yI_Xi8br0YT049ePnKW4qOUNqA&oe=641D3F2F" /><br /><br /></a><br /><a href="https://www.facebook.com/figprojects/photos/pcb.6211177858940012/6211174942273637/?__cft__[0]=AZXhc2wVVGEjljeRrs1kDnva6jmz4M1hf_7ImFO930N2qxPfxDBSGygeKoXS87HMvBMPgmnADo1BrSnjzayTQ3-Ax4zwIyijOrKaDx514GTTXtn33n9Gz6hXDOt1PRk1sZFImWuopYvK0HsZYD6sSD55vO8YkCLzTCKIgXrR3QB2KxCy30g3qAd7kqRfQIWvYcGAJJeV63ayrQqLQzXqJ9U5&__tn__=*bH-y-y-R"><img src="https://scontent.ftpe8-3.fna.fbcdn.net/v/t39.30808-6/337015622_1049334329358611_1626612628135501768_n.jpg?stp=dst-jpg_p640x640&_nc_cat=106&ccb=1-7&_nc_sid=730e14&_nc_ohc=PLlGso1Ww3cAX9hQ4pt&_nc_ht=scontent.ftpe8-3.fna&oh=00_AfDDxUtz_vu9Wk0z5MBb3qKa9yLRFalE5ytoRyS53_PWnQ&oe=641BD2D1" /><br /><br /></a><br /><a href="https://www.facebook.com/figprojects/?__cft__[0]=AZXhc2wVVGEjljeRrs1kDnva6jmz4M1hf_7ImFO930N2qxPfxDBSGygeKoXS87HMvBMPgmnADo1BrSnjzayTQ3-Ax4zwIyijOrKaDx514GTTXtn33n9Gz6hXDOt1PRk1sZFImWuopYvK0HsZYD6sSD55vO8YkCLzTCKIgXrR3QB2KxCy30g3qAd7kqRfQIWvYcGAJJeV63ayrQqLQzXqJ9U5&__tn__=-UC%2CP-y-y-R">FIG Projects</a><br /><a href="https://www.facebook.com/hanching.chung#">troosnpdeSam91ci91umt 8457時6581fcm2a90小g227aaiuimc0g12ffuhm2</a> · <br /><br />A tad fetishist, but somehow fascinating. Make 156 models of Le Corbusier's projects (built and unbuilt). Make an exhibition and also organize a symposium about them.<br />"Le Corbusier’s Models of Worldmaking", in London at the School of The Built Environment and Architecture at London South Bank University.<br /><a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.eventbrite.co.uk%2Fe%2Fle-corbusiers-models-of-worldmaking-tickets-592126023877%3Ffbclid%3DIwAR3Je5jE0BEwt4k7ghHCH5RaPj2D0EyT_-CiJLvBczdqDDBl9RBJi9m-lY4&h=AT1hFlxSwNX1x8h6JG1me3xMHReSp6dFqJ_UC2OkhVS-X0y5i1csT3EuRaBh0nUEcxm0Wxe9dmZMS2T_UxcPHUmZepPsYMf9kRaLrqBIz7n8ZAK7l4_4-RMYVF1Wxm4P9En5&__tn__=-UK-y-y-R&c[0]=AT0VAa4lUlnyx5CE8TCMRIfdMnd3lZ5OimAZlVuhc9iKdhTpxPtDjjq0pfSawHQJwHOHvO96IOGex4YkUAydmjLinRNbOcF1eFtiMatnjQqO9eT2TUJoHMKSC3dgku_llPNnR2y4WIURVRrZcUhMMOEHa6SIdKb8bnwQk4Dd9PCjVjGzGX3WYY1JZXp1hGXVOkZdS3cDhIZ7MvsybLRIJeK9Quc6XHpU3IfW6kIvypp_beA">https://www.eventbrite.co.uk/....../le-corbusiers......</a>?<br /><br /><br /><br />In his eulogy to Le Corbusier in 1965, French Culture Minister André Malraux said: "Le Corbusier had some great rivals, but none of them had the same significance in the revolution of architecture, because none bore insults so patiently and for so long.” <br />Le Corbusier did indeed draw criticism – for example, he wanted to abolish city streets, and some saw his mass-housing developments as concrete eyesores. <br />He was certainly one of the most controversial, and influential, architects of the 20th century. <br /><a href="https://www.facebook.com/Fondationlecorbusier/?__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=kK-R">Fondation Le Corbusier</a> <br /><a href="https://www.facebook.com/hashtag/lecorbusier?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#lecorbusier</a> <a href="https://www.facebook.com/hashtag/architecture?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#architecture</a> <a href="https://www.facebook.com/hashtag/lecorbusiercolours?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#lecorbusiercolours</a> <a href="https://www.facebook.com/hashtag/lecorbusierarchitecture?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#lecorbusierarchitecture</a> <a href="https://www.facebook.com/hashtag/modernism?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#modernism</a> <a href="https://www.facebook.com/hashtag/modernistarchitect?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#modernistarchitect</a> <a href="https://www.facebook.com/hashtag/archilovers?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#archilovers</a> <a href="https://www.facebook.com/hashtag/archidaily?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#archidaily</a> <a href="https://www.facebook.com/hashtag/architecturequote?__eep__=6&__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=*NK-R">#architecturequote</a><br /><a href="https://www.facebook.com/lescouleurslecorbusier/photos/a.501444883320980/2427454567386659/?__cft__[0]=AZU3nnFDfHrRsjfowbOcoezU89asHfq5BQAio9IdM5B6CJ0mzLq89fJn316izA5vrBpc1JWIl-IMDrntFDhVsDLhnNhlnhJe1cJP1x_YaOUu8RGfVlzsVyPgFHjhGAYmDtgT5-Ksbzen9kmjpOZswzc6t1EPWuwobX8aHi-rXSTQ5TshVPjnrJeVmh2q19kbiluBhsmTApynI7tue805SRBA&__tn__=EH-R"><img src="https://scontent.ftpe8-4.fna.fbcdn.net/v/t39.30808-6/p843x403/272458904_2427454557386660_8828628270137353807_n.jpg?_nc_cat=104&ccb=1-5&_nc_sid=9267fe&_nc_ohc=mMvuPYxbRP4AX_WM89V&_nc_ht=scontent.ftpe8-4.fna&oh=00_AT83clh0fykB1xuZtqEf8JdByli0shE2M2E8L34RkfmhnQ&oe=61F3A730" /><br /><br /></a><br /> <a href="https://www.youtube.com/watch?v=KF8CQDp0kyQ&fbclid=IwAR3x_Qjsq4l9V3eRmvP9VUYbp27xTsMd4Mt2HY_m9Oa15UYX_5f2f-SoQdM"> Le Corbusier 基金會 Slides showThe Architectural Work of Le Corbusier. An exceptional contribution to the Modern Movement.</a><br /> <br /> <a href="https://www.youtube.com/watch?v=KF8CQDp0kyQ&fbclid=IwAR3x_Qjsq4l9V3eRmvP9VUYbp27xTsMd4Mt2HY_m9Oa15UYX_5f2f-SoQdM">https://www.youtube.com/watch?v=KF8CQDp0kyQ&fbclid=IwAR3x_Qjsq4l9V3eRmvP9VUYbp27xTsMd4Mt2HY_m9Oa15UYX_5f2f-SoQdM</a><br /> <a href="https://www.facebook.com/hanching.chung/posts/716186115058865">2013年12月14日下午5:58</a> · <br /> <br />聚會<br /> <br /> 參與人:羅時瑋、陳函谿和陳立儂、鍾漢清、林世堂 (會前與鍾電話) ,陳忠信<br /> <br /> <br /> 時間:12月14日周六下午一點半.......<br /> <br /> <br /> 事由:紀念王錦堂老師逝世15周年於2014年當年,擬在東海大學創意設計暨藝術學院設『我的學習、設計與創業過程』講座<br /> <br /> 說明:<br /> <br /> 據我所知,故王錦堂院長 ( -1999)與東海大學的工業設計系之設立有關,他的博士論文是《論建築創意》….. ,所以此講座的精神符合王先生的志業......<br /> <br /> 結論:<br /> <br /> <br /> 林世堂博士的『我的學習、設計與創業過程』,由羅院長負責聯絡,並可向他要求多捐鐘點費去印書。<br /> <br /> <br /> (英國) Poetic Lab 負責人陳函谿及其夥伴在2014五月底至六月第一周間,到東海大學舉行3小時的演講-討論,主題為『我的學習、設計與創業過程』,並繳交可印書的圖文,報酬5萬元及印書50本。<br /> <br /> <br /> 種子捐款20萬,待東海大學創意設計暨藝術學院提出簡單辦法後電匯出。<br /> <br /> <br /> (送20年前以DuPont合成大理石所作出的高級原子筆當見面禮,因為他們有朋友採用"水泥"作出類似的禮品........)<br /> <br /><br /> <br /> <br /> <a href="https://www.facebook.com/lescouleurslecorbusier/?__tn__=kC-R&eid=ARA_OBHBYAb31Z0MDqCOoJGCtbY8wHm7dGN-Mn-rtrNSzrzNGHrDnOPx1VoE5Vncuo8XuY_hw2feY2eZ&hc_ref=ARTbxi4mRnJlRuAyinNy45am7nJRj1y7nKJH655oFLr-sLd1lyprdbM_D5cyya4p8Jk&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew">Les Couleurs Le Corbusier</a> 分享了 1 則<a href="https://www.facebook.com/wohnrevue/posts/2760617763955002?__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew&__tn__=C-R">貼文</a>。 <br /> · <a href="https://www.facebook.com/#"></a> <br /> <br /> As Le Corbusier’s last draft, completed in 1967, two years after his surprising death, the Le Corbusier pavilion in Zurich deserves special attention. <br /> Want to know more? Read one of our articles at <a href="https://www.lescouleurs.ch/en/journal/posts/the-pavilion-le-corbusier-genesis-of-a-masterpiece/?fbclid=IwAR2TDr7ZR47OeRXW8kaTixRhf_ODD1gnUJnPpiDzNGO3tvjWv4Zz94Hi-M0">https://www.lescouleurs.ch/…/the-pavilion-le-corbusier-gen…/</a> <br /> <a href="https://www.facebook.com/hashtag/lecorbusier?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew&__tn__=%2ANK-R">#LeCorbusier</a> <a href="https://www.facebook.com/hashtag/corbu?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew&__tn__=%2ANK-R">#Corbu</a> <a href="https://www.facebook.com/hashtag/architecture?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew&__tn__=%2ANK-R">#architecture</a> <a href="https://www.facebook.com/hashtag/architektur?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew&__tn__=%2ANK-R">#architektur</a> <a href="https://www.facebook.com/pages/Pavillon-Le-Corbusier/132564326781669?__tn__=K-R&eid=ARCGDNTdxMWM-dxBA7MVyOvCHsTzRIJOtORri_i3NZb2vnDcAscPYG0kr13RSBwr3SZg1gtIqJ8HhoS1&fref=mentions&__xts__%5B0%5D=68.ARCnZgn7C9L7gFB8g7ZL_NTPXzN70NzB_wgLL6Ix1NLtayONP5Sy25p4P3fuka2z1dHCWkmpPLwtpIr4s2jT-qOi4ras5zkfbFwvnh66L3wcF925fb_d3cEJ43sjlC8JRkiplC7huW91jpPv-ibrFC-AnDDqUs1Y5TTAcZiyXVPxtmK_gFczPua0siTLGX2gREAgWfjH4ifdwG_5edkGd8tUHVV3UWcW8T6BjoG4cPnygppxM9IEIchzMaImcmJpbVoyp2Pbn4IMtnUeyaKaiqCuUlWIYc4GfOV3ZEINimmLLx2qKNypqB5f2z1GMlpA-s_ca6B3MO0oYeAydfyh1aZH53sZvRGsxeXsmZCzioTMFQ03EXZkTqFA31rmu8cp-31Bvee3oNUELpYZ9k_CuAQfcvYYEEUoE3B89dseS10X3HofAhqSROQZYf3qH9DVK_U2EZIp9qN1saKhzPWJIzW_-V4RZev0IWEn6IKRxzCHjTJKXtIGXZz5w3qUYbT7nxiBM1hqWtKlMvEFGrew">Pavillon Le Corbusier</a>Le Corbusier by Heidi Weber <br /> <br /> <br />0<br /> <a href="https://www.blogger.com/#"><img src="https://scontent.ftpe1-3.fna.fbcdn.net/v/t1.0-9/s960x960/61746883_2760617457288366_685418617994477568_o.jpg?_nc_cat=101&_nc_oc=AQlQRM5HaGKtjYLi1hvrFEwUX3i0VKmozvn5KjkXMtPTCCBmsxKSZcMrOvPLaKgEvAo&_nc_ht=scontent.ftpe1-3.fna&oh=5e37f57847a7339b28b7cfbcacbd0e0c&oe=5D78ED6D" /></a> <a href="https://www.blogger.com/#"> </a> <br /> <a href="https://www.blogger.com/#">Wohnrevue</a>說這專頁讚<br /> <br /> <br /> <a href="https://www.blogger.com/#">6月10日下午2:00</a> · <a href="https://www.blogger.com/#"></a> <br /> <br /> <br /> 06—19 | Auftakt | Architektur <br /> Im renovierten Pavillon Le Corbusier wird neu jedes Jahr eine Wechselausstellung präsentiert. Highlight bleibt nach wie vor das legendäre Bauwerk. Mehr dazu unter: <a href="https://www.blogger.com/#">https://www.wohnrevue.ch/…/architekturperle-aus-glas-und-s…/</a> <br /> <br /> <br /> <a href="https://www.blogger.com/#">2017年6月26日上午10:32</a> · <br /> <br /> <a href="https://www.blogger.com/#"></a> <br /> <br /> <br /> 我們幸運,在網路上有機會看照片,感動。<br /> (雖然,正如The Ideal Palace 等所有的建設,都必須親歷其境才算圓滿,但是,我想,這輩子不夠花。) <a href="https://www.blogger.com/#"><br />Opening of "Le Corbusier, the Artist – Works from Six Decades"<br />https://he-il.facebook.com/...le-corbusier-the-artist-works-from-six-</a><br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><div>
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*https://www.archdaily.com/549522/10-modernist-projects-receive-conservation-grants-from-getty-foundation <br />
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<span style="color: #595959; font-family: "arial"; font-size: 30pt; vertical-align: baseline; white-space: pre-wrap;">第7講:綜述Corbu 一生:</span><span style="color: blue; font-family: "arial"; font-size: 30pt; vertical-align: baseline; white-space: pre-wrap;">Who Was Le Corbusier</span><span style="color: #595959; font-family: "arial"; font-size: 30pt; vertical-align: baseline; white-space: pre-wrap;"> 9月23</span><br />
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建築家 Le Corbusier : 最終講 (近代建築の父の真実) 2017-09-15</h1>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6">Happy Birthday <a aria-controls="js_hc5" aria-describedby="js_hc6" aria-haspopup="true" class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=105564176143200&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/pages/Le-Corbusier/105564176143200?fref=mentions" id="js_hc7" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Le Corbusier</a>! He helped form the basis of almost all modernist architecture and urban planning, with almost all contemporary theory essentially acting as a continuation of, or a rejection of, his ideals.</span></div></div></div><div class="_3x-2" style="font-family: inherit;"><div data-ft="{"tn":"H"}" style="font-family: inherit;"><div class="mtm" style="font-family: inherit; margin-top: 10px;"><div class="_6m2 _1zpr clearfix _dcs _4_w4 _59ap" data-ft="{"tn":"H"}" id="u_fetchstream_29_4" style="background-color: white; box-shadow: rgba(0, 0, 0, 0.15) 0px 0px 0px 1.5px inset, rgba(0, 0, 0, 0.05) 0px 1px 1px; font-family: inherit; max-width: max-content; overflow: hidden; position: relative; z-index: 0; zoom: 1;"><div class="clearfix _2r3x" style="font-family: inherit; zoom: 1;"><div class="lfloat _ohe" style="float: left; font-family: inherit; width: 476px;"><div class="_6ks" style="font-family: inherit; line-height: 0; position: relative; z-index: 1;">
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_3m6-" style="font-family: inherit;"><a data-lynx-mode="async" href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.archdaily.com%2F434972%2Fhappy-birthday-le-corbusier-2&h=ATOMN6m77QuBT_Rn_mtQbYfWMKTT1XbCLwZkMcELEHxMTPLvB-A0bSpXbXLO3NTsz3uJCZJBb71DXWY98nU9RlzlHYLGALURuRqA-n-ZOoQFHSVG2aN8gsXPvIL8gNWRn-5G_klOsIR7AvH8YksQQoNor7rCAAq1PMeEpKdIm_g0laXlbOKqluvJ6ivyxuWXtygXomsmRYHbIRStmCsZ_HE9KN3Qk5boDSAZ5tiKxof5JnZcLAXFTljDzUavVXk1d2hQxKLz-QcPwTSjnGjdMwAmR1HL8PuX" rel="noopener" style="color: #1d2129; cursor: pointer; font-family: inherit; text-decoration-line: none; transition: color 0.1s ease-in-out 0s;" target="_blank">Spotlight: Le Corbusier</a></span></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_3m6-" style="font-family: inherit;">Born in the small Swiss city of La Chaux-de-Fonds, Charles-Édouard Jeanneret-Gris—better known by his pseudonym Le Corbusier (October 6, 1887 –...</span></span></div>
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<div class="_cgc kno-fb-ctx" data-hveid="203" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQziAIywEoADAc" style="margin: 13px 0px; overflow: visible;">
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6">Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. <a class="q _KCd _tWc fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmhMIzAEwHA" href="https://en.wikipedia.org/wiki/Le_Corbusier" style="color: #1a0dab; cursor: pointer; text-decoration-line: none; white-space: nowrap;">Wikipedia</a></span></div>
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<div class="mod" data-hveid="206" data-md="1001" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQkCkIzgEoAzAe" style="clear: none; line-height: 1.24; padding-left: 15px; padding-right: 15px;">
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<div class="_mr kno-fb-ctx" data-attrid="kc:/people/person:born" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQyxMIzwEoADAe" style="margin-top: 7px;">
<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI0AEoADAe" href="https://www.google.com.tw/search?q=le+corbusier+born&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNISy0620i9IzS_ISQVSRcX5eVZJ-UV5AALZExokAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI0AEoADAe" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Born</a>: </span><span class="_Xbe kno-fv">October 6, 1887, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI0QEoATAe" href="https://www.google.com.tw/search?q=La+Chaux-de-Fonds+Switzerland&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiBLFMs5OrDLTEspOt9AtS8wtyUoFUUXF-nlVSflEeABh1NFEvAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI0QEoATAe" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">La Chaux-de-Fonds, Switzerland</a></span></span></div>
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<div class="_mr kno-fb-ctx" data-attrid="kc:/people/deceased_person:died" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQyxMI0wEoADAf" style="margin-top: 7px;">
<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI1AEoADAf" href="https://www.google.com.tw/search?q=le+corbusier+died&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNKSz0620i9IzS_ISdVPSU1OTSxOTYkvSC0qzs-zSslMTQEAqqma7C0AAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI1AEoADAf" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Died</a>: </span><span class="_Xbe kno-fv">August 27, 1965, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI1QEoATAf" href="https://www.google.com.tw/search?q=Roquebrune-Cap-Martin+France&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiBLMyzAqyteSzk630C1LzC3JS9VNSk1MTi1NT4gtSi4rz86xSMlNTAEVM_0A4AAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI1QEoATAf" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Roquebrune-Cap-Martin, France</a></span></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI2AEoADAg" href="https://www.google.com.tw/search?q=le+corbusier+artworks&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNJSyk620i_LLC5NzIlPLCpBYmYWl1iV5xdlFwMAU1nvFTAAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI2AEoADAg" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Artworks</a>: </span><span class="_Xbe kno-fv"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI2QEoATAg" href="https://www.google.com.tw/search?q=Abstract+Composition&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiArGMCy0r80y1lLKTrfTLMotLE3PiE4tKkJiZxSVW5flF2cUAncfAlzwAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI2QEoATAg" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Abstract Composition</a>, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI2gEoAjAg" href="https://www.google.com.tw/search?q=Still+Life+Filled+with+Space&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiArGMC5NSzAq1lLKTrfTLMotLE3PiE4tKkJiZxSVW5flF2cUAOcF_VzwAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI2gEoAjAg" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Still Life Filled with Space</a>, <a class="fl" href="https://www.google.com.tw/search?q=le+corbusier+artworks&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNJSyk620i_LLC5NzIlPLCpBYmYWl1iV5xdlFwMAU1nvFTAAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ44YBCNsBKAMwIA" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;"><span class="_Mft" face=""arial" , , sans-serif" style="display: inline-block; line-height: 14px;">MORE<span class="_Nft _wtf _Htf" style="display: inline-block; fill: currentcolor; height: 18px; line-height: 24px; margin: -4px 0px; position: relative; width: 18px;"><svg focusable="false" viewbox="0 0 24 24" xmlns="http://www.w3.org/2000/svg"><path d="M16.59 8.59L12 13.17 7.41 8.59 6 10l6 6 6-6z"></path></svg></span></span></a></span></span></div>
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<div class="_mr kno-fb-ctx" data-attrid="kc:/visual_art/visual_artist:period_by_artworks" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQyxMI3QEoADAh" style="margin-top: 7px;">
<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI3gEoADAh" href="https://www.google.com.tw/search?q=le+corbusier+periods&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNLSz0620i_LLC5NzIlPLCpBYmYWl1gVpBZl5qfEJ1WCBMrzi7KLAZo3j009AAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI3gEoADAh" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Periods</a>: </span><span class="_Xbe kno-fv"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI3wEoATAh" href="https://www.google.com.tw/search?q=Cubism&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFICsyzT0oy19LOTrfTLMotLE3PiE4tKkJiZxSVWBalFmfkp8UmVIIHy_KLsYgDJ_HmHRwAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI3wEoATAh" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Cubism</a>, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI4AEoAjAh" href="https://www.google.com.tw/search?q=Expressionism&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFICswoqk3K09LOTrfTLMotLE3PiE4tKkJiZxSVWBalFmfkp8UmVIIHy_KLsYgAwX50ZRwAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI4AEoAjAh" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Expressionism</a>, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI4QEoAzAh" href="https://www.google.com.tw/search?q=Constructivism&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiBLHM06rSzbT0s5Ot9Msyi0sTc-ITi0qQmJnFJVYFqUWZ-SnxSZUggfL8ouxiABG--TFIAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI4QEoAzAh" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Constructivism</a></span></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI5AEoADAi" href="https://www.google.com.tw/search?q=le+corbusier+project&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNKSyyi30k_Oz8lJTS7JzM_TL0jNL8hJtSooys8CihQDAOdt8IUsAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI5AEoADAi" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Project</a>: </span><span class="_Xbe kno-fv"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI5QEoATAi" href="https://www.google.com.tw/search?q=Ville+Radieuse&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiArMqM4wrzLTkMsqt9JPzc3JSk0sy8_P0C1LzC3JSrQqK8rOAIsUAuJCSgTgAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI5QEoATAi" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Ville Radieuse</a></span></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><span class="_xdb" style="font-weight: bolder;"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI6AEoADAj" href="https://www.google.com.tw/search?q=le+corbusier+structures&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNJSzk620k8sSs7ILElNLiktSkVwrFJSizPT81JTAGkeIwMxAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ6BMI6AEoADAj" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Structures</a>: </span><span class="_Xbe kno-fv"><a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6QEoATAj" href="https://www.google.com.tw/search?q=Notre+Dame+du+Haut&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiBLFMLSpN8rSUs5Ot9BOLkjMyS1KTS0qLUhEcq5TU4sz0vNQUAHySBrI8AAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6QEoATAj" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Notre Dame du Haut</a>, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6gEoAjAj" href="https://www.google.com.tw/search?q=Unit%C3%A9+d%27habitation&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFLiBLGMcs3MkrSUs5Ot9BOLkjMyS1KTS0qLUhEcq5TU4sz0vNQUALdhVOM8AAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6gEoAjAj" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Unité d'habitation</a>, <a class="fl" data-ved="0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6wEoAzAj" href="https://www.google.com.tw/search?q=Villa+Savoye&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzFICs8yrCuK1lLOTrfQTi5IzMktSk0tKi1IRHKuU1OLM9LzUFAClsTQ4OwAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQmxMI6wEoAzAj" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">Villa Savoye</a>, <a class="fl" href="https://www.google.com.tw/search?q=le+corbusier+structures&stick=H4sIAAAAAAAAAOPgE-LQz9U3MMmqzNJSzk620k8sSs7ILElNLiktSkVwrFJSizPT81JTAGkeIwMxAAAA&sa=X&ved=0ahUKEwjm1pXi_tvWAhWElZQKHTuxBMQQ44YBCOwBKAQwIw" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;"><span class="_Mft" face=""arial" , , sans-serif" style="display: inline-block; line-height: 14px;">MORE<span class="_Nft _wtf _Htf" style="display: inline-block; fill: currentcolor; height: 18px; line-height: 24px; margin: -4px 0px; position: relative; width: 18px;"><svg focusable="false" viewbox="0 0 24 24" xmlns="http://www.w3.org/2000/svg"><path d="M16.59 8.59L12 13.17 7.41 8.59 6 10l6 6 6-6z"></path></svg></span></span></a></span></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><i>Architecture is the learned game, correct and magnificent, of forms assembled in the light.</i></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><i>I prefer drawing to talking. Drawing is faster, and leaves less room for lies.</i></span></div>
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<span id="docs-internal-guid-bce02889-e080-4ef2-1b5e-d46f03d331e6"><i>A house is a machine for living in.</i></span></div>
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<a href="https://www.youtube.com/watch?v=nUAtgkbiLi4&t=33s"><img src="https://i.ytimg.com/vi/nUAtgkbiLi4/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLCePuBSe3W_haNqtbFpsp48gehKTA" /><br />13:01</a><br />
<a href="https://www.youtube.com/watch?v=nUAtgkbiLi4&t=33s">181 le Corbusier:Back to Nature 第5講: 新建築の5要点 2017-08-03 漢清講堂</a><br />
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8 views1 month ago<br />
Le Corbusier 第5講: Back to Nature 漢清講堂2017-08-03 Villa Savoye, 薩伏伊別墅是1930年代極具代表性的一座建築,別墅實踐了 ...<br />
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<a href="https://www.youtube.com/watch?v=OPaqmISoAw0"><img src="https://i.ytimg.com/vi/OPaqmISoAw0/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLDOxOFTnAs3x8-yuIzH8j9hjVHrpg" /><br />2</a>017<br />
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1954的"柯比意",注意,牆面如未完成的教堂.....<br />
背景音樂,隨便選:J.S. Bach - Cantata BWV 66 Erfreut euch, ihr Herzen ,Corbu 該不介意.....</div>
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<a href="https://www.youtube.com/watch?v=OPaqmISoAw0" style="background-color: transparent;">175 Le Corbusier : 新建築の出発, The Hero of the Heroic Period(1917-1928)</a><a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw" style="background-color: transparent;">hc iTaiwan forum</a></div>
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分享題目:Le Corbusier 第四講: 新建築の出発The Hero of the Heroic Period(1917-1928) 漢清講堂2017-08-03.<br />
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<a href="https://www.youtube.com/watch?v=cKDJvEVd5Oc&t=11s"><img src="https://i.ytimg.com/vi/cKDJvEVd5Oc/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLBki7eDxghqRvhU3LWkji2DW5n3hg" /><br />36:30</a><br />
<a href="https://www.youtube.com/watch?v=cKDJvEVd5Oc&t=11s">169 Le Corbusier東方之旅: Greece 2017-06-17 鍾漢清</a><br />
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Le Corbusier東方之旅: Greece 鍾漢清【漢清講堂】 心得分享與討論會日期:2017年6月17日(周六),10:00~ 13:00 地址:台北市新生 ...<br />
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<a href="https://www.youtube.com/watch?v=cCoZ2SRZuAQ&t=1725s"><img src="https://i.ytimg.com/vi/cCoZ2SRZuAQ/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLCGuLcMQhee1lQfgskNGDfxeHRKrg" /><br /><br /><br />1:00:07</a><br />
<a href="https://www.youtube.com/watch?v=cCoZ2SRZuAQ&t=1725s">150 東方之旅:The Voyage to the East (紀念Le Corbusier和王錦堂) 鍾漢清 2017-04-22</a><br />
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Hanching Chung<br />
2015年5月20日 17:11 ·</div>
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有感於今日IS對人類古文明的摧毀。<br />
讀Claude Levi-Strauss 的文集《我們都是食人族》中的《藝術家的畫像》 (pp.121~134,1992):<span class="text_exposed_hide" style="display: inline-block; font-family: inherit; margin-right: 4px;">⋯⋯</span></div>
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Journey to the East by Charles-Edouard Jeanneret 東方之旅(紀念Le Corbusier和王錦堂) 【漢清講堂】 2017.4.22 心得分享與討論會 ...<br />
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<a href="https://www.youtube.com/watch?v=uCn0QJQRxR4&t=12s"><img src="https://i.ytimg.com/vi/uCn0QJQRxR4/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLC8BQqvGS7oGPw0RRmhAKSi1NeWOA" /><br />31:47</a><br />
<a href="https://www.youtube.com/watch?v=uCn0QJQRxR4&t=12s">161 Istanbul (III) : Le Corbusier 的伊斯坦堡之行(1911) 漢清講堂 2017-05-19</a><br />
<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a><br />
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【漢清講堂】 心得分享與討論會2017—05—19 伊斯坦堡三部曲160 Istanbul (II):John Berger 在博斯普鲁斯海峡 ...<br />
<br /><br /><br /><br /><br /><a href="https://www.facebook.com/franceataiwan/?hc_ref=ARQQr3FtoQejBMSgsIo_pGHozQ3J8d4hwJQ5V2yf1O_DgN8jub2tXjLThQxz8SL-CUI&fref=nf">Bureau Français de Taipei - 法國在台協會</a><br /><br /><br />現代主義建築教父-柯比意130歲紀念特展/ Le Corbusier : Exposition rétrospective du père fondateur de l’architecture moderne<br /><br /><br />今年是現代主義建築教父柯比意130歲冥誕,這位養成於二十世紀的法國建築師致力讓居住在擁擠都市的人們有更好的生活環境。若沒有他,許多建築和城市風景將不會是現在我們所看到的樣子。即將在10月於台北和台中登場的«現代主義建築教父-柯比意130歲紀念特展»將是個絕佳的機會,讓大眾一窺這位有遠見的城市設計家、現代主義理論家、畫家也是雕刻家精彩燦爛的一生。<br /><br /><br />Il y a 130 ans naissait Le Corbusier. Il était un architecte différent. On prétend que sans lui, les maisons et les villes ne seraient pas les mêmes. Taipei et Taichung consacrent une exposition à l’œuvre de ce Français, né sous le nom de Charles-Edouard Jeanneret, urbaniste visionnaire, théoricien de la modernité, mais aussi peintre et sculpteur. Il a profondément marqué le 20e siècle en bouleversant la création architecturale et la façon « d’habiter ». L’exposition nous rappelle que le corps de l'homme était au centre de son travail et définissait sa conception de l'espace et les dimensions de son architecture. N’attendez plus pour aller admirer les œuvres du Corbusier, telles que des dessins, des maquettes, des tableaux ou encore des photographies, réunies pour l'occasion.<br /><br />2017.10.12 約9點半~10點半:去看了展,還不錯,請帶好相機去! 淋濕一身!<br /><br /><br /> <a href="https://www.facebook.com/ArchDaily/?hc_ref=ARQSBAaqcXn4y1UA9DUzF6UBdcNa1w_Hy6rJ-xiWqWGx0Ko1xDASLXXSlkjFqgEgoik&fref=nf">ArchDaily</a>😍<br /><br /><br /><a href="https://www.facebook.com/pages/Lecorbusier/137469766274115?fref=mentions">Lecorbusier</a><br /><br /><a href="https://www.facebook.com/unesco/?fref=mentions">UNESCO</a><br /><br /><a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.archdaily.com%2F791607%2F17-le-corbusier-projects-named-unesco-world-heritage-sites&h=ATN55I1XzVKL1EWZKPx81KddCfykufanlS5HTCrU0hWQe4Zk78IV1tRY_VcgtdfBBg0dkizNDl4RGpwsQ3xIak6Z4NW3eJpqcQ_lUfHrBf8K2Os-BWtks_qm1GzSpvKHvHMTsilkwPh9R56tgbhQrNxsLVWW1VhfbkoyDjWRPhqNayaBpPpg0GhALkQDLYr490TfJBN6i8Vvo7fqeBMFIbGWPa0uuDwS6R159PPwUscJ7zxVyHvc5rO5Lb40pImLEM33uUS3cahPDbypBWCw1DE0811CLZED">See the 17 Le Corbusier Projects Named as UNESCO World Heritage Sites</a><br /><br />ARCHDAILY.COM<br /><br /><br />The revolutionary city that revived Indian pride<br /><br /><a href="http://www.bbc.com/news/magazine-38145408"><img src="https://external.ftpe8-1.fna.fbcdn.net/safe_image.php?d=AQDGnyyDVRrr7s9T&w=476&h=249&url=http%3A%2F%2Fichef-1.bbci.co.uk%2Fnews%2F1024%2Fcpsprodpb%2F9791%2Fproduction%2F_92710883_p04jbqf4.jpg&cfs=1&upscale=1&fallback=news_d_placeholder_publisher&_nc_hash=AQC-xFhqVzc7BPop" /></a><br /><br /><br /><a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.bbc.com%2Fnews%2Fmagazine-38145408&h=ATPAjVMF0dURfblsfxzZynlNSIuAZgkZy7PH2GVLsgJlO33k6ibgkRYL-eTyDdmj3-NqLqZG-3rdrkZ470slMz1rz-NpgQyj6qGL7uvGTxyf-bujvlIIHcC1LgMYpbES810NL34NIM0LbKuFm_IAJgEAqKQdqLARHW_ucXU8SLPnb6pegltJgtaZGrZ2blIwqhzAoOHMu4XZ9zcVXWqXAKUt9BysSHNywDO_-v7eE3wrSRok4ogQmEJSVkyPAYL2wUHpiwLj_ynvB9li0GH7EV98HnaLeTppkZQ5weV5u6Wz9hMVLQ">The revolutionary city that revived Indian pride - BBC News</a><br /><br /><br />In 1950, renowned architect Le Corbusier was invited to create India's most modern city<br />BBC.COM<br /><br /><br /><br /><br />2003年之後臺灣唯一的柯比意展覽<br /><br />展覽資訊 :<br /><br />台北展場<br />展期:10/06(五)~10/23(一)<br />地點:國立台北科技大學藝文中心<br />地址:106台北市大安區忠孝東路三段1號<br /><br /><br />某書商的訂購單<br /><br /><br /><a href="https://www.facebook.com/hanching.chung/posts/900923843251757">2014年11月27日 22:36</a> · <br /><br /><br /><a href="https://www.facebook.com/onthisday/?source=bookmark#"></a><br /><br /><br />20世紀名建築師、藝術家。法國國葬,日本電視轉播.....<br /><br /><br /><br /><br /><a href="http://architizer.com/blog/corbusier-videos/"><img src="https://external.ftpe7-2.fna.fbcdn.net/safe_image.php?w=476&h=249&url=http%3A%2F%2Facdn.architizer.com%2Fthumbnails-PRODUCTION%2F0f%2Fc6%2F0fc6e62cee17edca9565c4f48cb9d950.jpg&cfs=1&upscale=1&fallback=news_d_placeholder_publisher&_nc_hash=AQBp7ytnvAh888BX" /></a><br /><br /><a href="http://architizer.com/blog/corbusier-videos/"> </a><br /><br /> <br /><br /><br /><a href="https://l.facebook.com/l.php?u=http%3A%2F%2Farchitizer.com%2Fblog%2Fcorbusier-videos%2F&h=ATO1Rx74KqQBJW_OdOvO6fwd3Wcv9z8KfIQQSNbFyFCx211EPlbBszIV7FGPrdJ5Q_Gp4o3_Gyx8LkvZ3whe1eTlu2TWjEZMsGjeOAX0cXvdM6-pvQyInkKDM3k6jMFRhtbMGUtVREw25Z4idn3VVXcSX8vRkK0Ke7EMSPZ_6bch42MZbfXbRmDA1LwNtj4cpUJVM4MOkFSAwoWbmlrbO4IXO2k3VX9bFzgIuRv64JiaGubJZ78VoAzZ_drtmcLoELR4X3z-BewY87G1s3d4QspRbLrj9qMUxWX08D47qQ">Revisit The Modern Man's Philosophy, Animated</a><br /><br /><br />Le Corbusier: whether you agree with his principles or fume at them, his influence on contemporary architecture cannot be overemphasized. His obsession with ...<br /><br /><br />HTTP://ARCHITIZER.COM/BLOG/CORBUSIER-VIDEOS/<br /><br /><br /><br /><br /><a href="https://www.facebook.com/hanching.chung/posts/1640841195926681">2017年6月26日上午10:32</a> · <br /><br />"後來者"的幸運和感動。今年的【漢清講堂】,我要紀念王錦堂和"柯比意" (L-C, Le Corbusier 1887-1965<br /><br />)130歲,分好幾個月講。<br /><br />講完L-C在1911年的【東方之旅】(約1914年寫完,1966年出版),要進入L-C 30歲,要到巴黎闖天下。<br /><br />我特別關心L-C的晚年或臨終的壯志待酬。<br /><br />他最後設計的教堂,法國人在2006年才將它蓋好。<br /><br />我們幸運,在網路上有機會看照片,感動。<br /><br />(雖然,正如The Ideal Palace 等所有的建設,都必須親歷其境才算圓滿,但是,我想,這輩子不夠花。)<br /><br /><br /><br /><div class="dati1w0a f10w8fjw hv4rvrfc pybr56ya" style="font-family: inherit; padding: 12px 16px;"><div class="kbf60n1y btwxx1t3 j83agx80 cwj9ozl2" style="display: flex; flex-direction: row; font-family: inherit; min-height: 40px;"><div class="buofh1pr" style="flex-grow: 1; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; 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position: relative; text-decoration: inherit; vertical-align: inherit;">2017年6月3日</span></span></span></span></a></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><div class="taijpn5t pq6dq46d bp9cbjyn" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; 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display: flex; font-family: inherit; justify-content: center;"><div aria-hidden="false" class="taijpn5t pq6dq46d bp9cbjyn cgat1ltu" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center; margin-right: 4px;"><img alt="所有人" class="hu5pjgll m6k467ps" height="12" src="https://static.xx.fbcdn.net/rsrc.php/v3/y0/r/EV6ei3atxZg.png" style="border: 0px; filter: var(--filter-secondary-icon); vertical-align: -0.25em;" width="12" /></div><div class="rl04r1d5" style="font-family: inherit; margin-left: -4px;"></div></div><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -4px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></span></span></div></span></span></div></div></div></div></div><div dir="auto" style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">【柯比意 Le Corbusier:現代建築與純粹主義大師】吳礽喻/編譯,藝術家出版社,2011 </div><div dir="auto" style="font-family: inherit;"> "世界名畫家全集"叢書127號</div><div dir="auto" style="font-family: inherit;">這本編譯本,選文/選圖都不錯,如果不考慮各篇文章作者的版權。缺點是圖片說明過於簡單,正文中,"柯比意在紐約(尼沃拉.卡斯坦提諾撰文)"的原作者名字漏印。</div></div></span></div></div></div></div></div><div class="l9j0dhe7 jxk88fls rops0bsn n851cfcs" style="font-family: inherit; 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height: 139px; left: 0px; position: absolute; top: 0px; width: 139px;" width="278" /></div></div></div></div></div></div><div class="bp9cbjyn j83agx80 buofh1pr d76ob5m9 eg9m0zos pybr56ya hv4rvrfc f10w8fjw dati1w0a" id="jsc_c_8f" style="align-items: center; background-color: #f0f2f5; color: #1c1e21; display: flex; flex-grow: 1; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px; overflow: auto; padding: 12px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="sqxagodl" style="font-family: inherit; text-transform: uppercase;">BOOKS.COM.TW</div></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db a5q79mjw g1cxx5fr lrazzd5p oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 1.0625rem; font-weight: 600; line-height: 1.1765; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="a8c37x1j ni8dbmo4 stjgntxs l9j0dhe7 ojkyduve" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; display: -webkit-box; font-family: inherit; overflow: hidden; padding-bottom: 1px; position: relative;"><div style="font-family: inherit;">柯比意:現代建築與純粹主義大師</div></span></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="a8c37x1j ni8dbmo4 stjgntxs l9j0dhe7" style="-webkit-box-orient: vertical; -webkit-line-clamp: 3; display: -webkit-box; font-family: inherit; overflow: hidden; position: relative;">書名:柯比意:現代建築與純粹主義大師,原文名稱:Le Corbusier,語言:繁體中文,ISBN:9789862820346,頁數:256,出版社:藝術家,作者:吳礽喻/編譯,出版日期:2011/09/12,類別:藝術設計</span><div><br /></div></span></div></div></div></div></div></div></div><br /><br /><div class="du4w35lb k4urcfbm l9j0dhe7 sjgh65i0" style="font-family: inherit; margin-bottom: 16px; position: relative; width: 476px; z-index: 0;"><div class="du4w35lb l9j0dhe7" style="font-family: inherit; position: relative; z-index: 0;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div aria-describedby="jsc_c_6h jsc_c_6i jsc_c_6j jsc_c_6l jsc_c_6k" aria-labelledby="jsc_c_6g" aria-posinset="6" class="lzcic4wl" role="article" style="font-family: inherit; outline: none;"><div class="j83agx80 cbu4d94t" style="display: flex; flex-direction: column; font-family: inherit;"><div class="rq0escxv l9j0dhe7 du4w35lb" style="box-sizing: border-box; font-family: inherit; position: relative; z-index: 0;"><div class="j83agx80 l9j0dhe7 k4urcfbm" style="display: flex; font-family: inherit; position: relative; width: 476px;"><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs sbcfpzgs" style="--t68779821: 0 1px 2px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 1px 2px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 476px; z-index: 0;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div class="pybr56ya dati1w0a hv4rvrfc n851cfcs btwxx1t3 j83agx80 ll8tlv6m" style="align-items: flex-start; display: flex; flex-direction: row; font-family: inherit; margin-bottom: 12px; padding-left: 16px; padding-right: 16px; padding-top: 12px;"><div class="buofh1pr" style="flex-grow: 1; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span id="jsc_c_6h" style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" href="https://www.facebook.com/memories/?source=bookmark#" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;"><span aria-labelledby="jsc_c_6o" class="j1lvzwm4 stjgntxs ni8dbmo4 q9uorilb gpro0wi8" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; font-weight: 600; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;">2017年6月8日</span></span></span></span></a></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><div class="taijpn5t pq6dq46d bp9cbjyn" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="l9j0dhe7" style="font-family: inherit; position: relative;"><span class="q45zohi1 g0aa4cga pmk7jnqg" style="clip-path: polygon(0px 0px, 0px 0px, 0px 0px, 0px 0px); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; position: absolute;">分享對象:所有人</span><div aria-label="編輯隱私設定" class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl hwddc3l5 abiwlrkh p8dawk7l" role="button" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; position: static; text-align: inherit; touch-action: manipulation; user-select: none;" tabindex="0"><div class="bp9cbjyn j83agx80 taijpn5t" style="align-items: center; display: flex; font-family: inherit; justify-content: center;"><div aria-hidden="false" class="taijpn5t pq6dq46d bp9cbjyn cgat1ltu" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center; margin-right: 4px;"><img alt="所有人" class="hu5pjgll m6k467ps" height="12" src="https://static.xx.fbcdn.net/rsrc.php/v3/y0/r/EV6ei3atxZg.png" style="border: 0px; filter: var(--filter-secondary-icon); vertical-align: -0.25em;" width="12" /></div><div class="rl04r1d5" style="font-family: inherit; margin-left: -4px;"></div></div><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -4px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></span></span></div></span></span></div></div></div><div class="nqmvxvec j83agx80 jnigpg78 cxgpxx05 dflh9lhu sj5x9vvc scb9dxdr odw8uiq3" style="align-self: flex-start; display: flex; font-family: inherit; height: 20px; padding: 8px; width: 20px;"><div aria-expanded="false" aria-haspopup="menu" aria-label="可對此貼文採取的動作" class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 pq6dq46d mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l dwo3fsh8 pzggbiyp pkj7ub1o bqnlxs5p kkg9azqs c24pa1uk ln9iyx3p fe6kdd0r ar1oviwq l10q8mi9 sq40qgkc s8quxz6p pdjglbur" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; appearance: none; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><i class="hu5pjgll m6k467ps sp_mV3TW2nNl4B_2x sx_163c97" data-visualcompletion="css-img" style="background-image: url("/rsrc.php/v3/yx/r/vRVp43-DqZY.png"); background-position: 0px -473px; background-repeat: no-repeat; background-size: 33px 916px; display: inline-block; filter: var(--filter-secondary-icon); height: 20px; vertical-align: -0.25em; width: 20px;"></i><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -8px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_6i" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">我喜歡名詞、 動詞間用的字,譬如說,此兩圖(P. Matisse;Le</div><div dir="auto" style="font-family: inherit;">Corbusier) 為"clown"。</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">譯者之言</div><div dir="auto" style="font-family: inherit;">//事實上,在英國的新聞機構,做文稿編輯工作人員的職銜是subeditor,簡稱sub,而這個字也常用作動詞。同事間問某一篇文章已經被編輯修改了沒有,一般不説「Has it been edited? 」,而是說「Has it been subbed? 」。....."</div></div></span></div></div></div></div><div class="cwj9ozl2 qbxu24ho bxzzcbxg lxuwth05 h2mp5456 ue3kfks5 pw54ja7n uo3d90p7 l82x9zwi goun2846 ccm00jje s44p3ltw mk2mc5f4 frvqaej8 ed0hlay0 afxsp9o4 jcgfde61 tvfksri0 ozuftl9m" style="border-bottom-color: var(--divider); border-left-color: var(--divider); border-radius: 8px; border-right-color: var(--divider); border-style: solid; border-top-color: var(--divider); border-width: 1px; font-family: inherit; margin-left: 12px; margin-right: 12px;"><div style="font-family: inherit;"><div class="hqeojc4l" style="font-family: inherit; margin-top: -1px;"><div class="l9j0dhe7 jxk88fls rops0bsn n851cfcs" style="font-family: inherit; margin-bottom: 12px; margin-left: -13px; margin-right: -13px; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div style="font-family: inherit;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; padding-top: 476px; position: relative;"><div class="ni8dbmo4 stjgntxs pmk7jnqg" style="font-family: inherit; inset: calc(0% + 0px) calc(0% + 0px) calc(50% + 1.01px); overflow: hidden; position: absolute;"><a aria-label="可能是 2 個人的圖像" class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 q9uorilb mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso pmk7jnqg i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l i09qtzwb n7fi1qx3 j9ispegn kr520xx4 tm8avpzi" href="https://www.facebook.com/photo/?fbid=1619267781417356&set=pcb.1619268251417309&__cft__[0]=AZVaQEflPUjoCgXESJZ2UzijminnlnqEMzjzM_7ecMJR0n0R0msTB6UsCzCLobP02Mw2uV69rriogl89EOUraxA_YuBYyM2ZRZ7FylNnNGxzsM0ZHs7p0vh3r9H7-k0dfAdqpQzVHbz-s7ReWCROqY3Wc0WAir8Qz25abJGkI-RgJuN5gILQz-onhAibOZh2n0k&__tn__=*bH-y-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="stjgntxs ni8dbmo4" style="font-family: inherit; overflow: hidden;"><div class="do00u71z ni8dbmo4 stjgntxs l9j0dhe7" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 238px; position: relative;"><div class="pmk7jnqg kr520xx4" style="font-family: inherit; height: 399.116px; position: absolute; top: -43.9286px; width: 476px;"><img alt="" class="i09qtzwb n7fi1qx3 datstx6m pmk7jnqg j9ispegn kr520xx4 k4urcfbm" referrerpolicy="origin-when-cross-origin" src="https://scontent.frmq3-2.fna.fbcdn.net/v/t31.18172-8/18920774_1619267781417356_1361423425334080655_o.jpg?_nc_cat=100&ccb=1-3&_nc_sid=730e14&_nc_ohc=CvWm2M7yPIMAX-Mreoe&tn=a2b8XuXIE7Tor_kZ&_nc_ht=scontent.frmq3-2.fna&oh=0948f6ba39b41a6353b5c5215c2cf69a&oe=60E4AEAA" style="border: 0px; height: 399.116px; inset: 0px; position: absolute; width: 476px;" /></div></div><div class="hzruof5a opwvks06 linmgsc8 kr520xx4 j9ispegn pmk7jnqg n7fi1qx3 rq0escxv i09qtzwb" style="border-bottom: 1px solid var(--media-inner-border); border-top: 1px solid var(--media-inner-border); box-sizing: border-box; font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div></div><div class="n00je7tq arfg74bv qs9ysxi8 k77z8yql i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="ni8dbmo4 stjgntxs pmk7jnqg" style="font-family: inherit; inset: calc(50% + 1.01px) calc(0% + 0px) calc(0% + 0px); overflow: hidden; position: absolute;"><a aria-label="可能是 3 個人的圖像" class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 q9uorilb mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso pmk7jnqg i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l i09qtzwb n7fi1qx3 j9ispegn kr520xx4 tm8avpzi" href="https://www.facebook.com/photo/?fbid=1619267898084011&set=pcb.1619268251417309&__cft__[0]=AZVaQEflPUjoCgXESJZ2UzijminnlnqEMzjzM_7ecMJR0n0R0msTB6UsCzCLobP02Mw2uV69rriogl89EOUraxA_YuBYyM2ZRZ7FylNnNGxzsM0ZHs7p0vh3r9H7-k0dfAdqpQzVHbz-s7ReWCROqY3Wc0WAir8Qz25abJGkI-RgJuN5gILQz-onhAibOZh2n0k&__tn__=*bH-y-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="stjgntxs ni8dbmo4" style="font-family: inherit; overflow: hidden;"><div class="do00u71z ni8dbmo4 stjgntxs l9j0dhe7" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 238px; position: relative;"><div class="pmk7jnqg kr520xx4" style="font-family: inherit; height: 239.188px; position: absolute; top: 0px; width: 476px;"><img alt="" class="i09qtzwb n7fi1qx3 datstx6m pmk7jnqg j9ispegn kr520xx4 k4urcfbm" referrerpolicy="origin-when-cross-origin" src="https://scontent.frmq3-2.fna.fbcdn.net/v/t31.18172-0/p600x600/18953232_1619267898084011_4294962924257322417_o.jpg?_nc_cat=108&ccb=1-3&_nc_sid=730e14&_nc_ohc=qQroFn7uAyQAX-38bSU&tn=a2b8XuXIE7Tor_kZ&_nc_ht=scontent.frmq3-2.fna&tp=6&oh=cd43d4b185fe204bf06013dc70679611&oe=60E5F201" style="border: 0px; height: 239.188px; inset: 0px; position: absolute; width: 476px;" /></div></div><div class="hzruof5a opwvks06 linmgsc8 kr520xx4 j9ispegn pmk7jnqg n7fi1qx3 rq0escxv i09qtzwb" style="border-bottom: 1px solid var(--media-inner-border); border-top: 1px solid var(--media-inner-border); box-sizing: border-box; font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div></div><div class="n00je7tq arfg74bv qs9ysxi8 k77z8yql i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div></div></div></div></div><div class="stjgntxs ni8dbmo4" style="font-family: inherit; overflow: hidden;"></div></div><div class="dati1w0a hv4rvrfc osnr6wyh" style="font-family: inherit; padding-bottom: 10px; padding-left: 16px; padding-right: 16px;"><div class="btwxx1t3 j83agx80 cwj9ozl2" style="display: flex; flex-direction: row; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><h4 class="gmql0nx0 l94mrbxd p1ri9a11 lzcic4wl aahdfvyu hzawbc8m" dir="auto" style="color: inherit; font-family: inherit; font-size: inherit; font-weight: inherit; margin: 4px 0px 0px; outline: none; padding: 0px;"><span class="nc684nl6" style="display: inline; font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p" href="https://www.facebook.com/hanching.chung?__cft__[0]=AZVaQEflPUjoCgXESJZ2UzijminnlnqEMzjzM_7ecMJR0n0R0msTB6UsCzCLobP02Mw2uV69rriogl89EOUraxA_YuBYyM2ZRZ7FylNnNGxzsM0ZHs7p0vh3r9H7-k0dfAdqpQzVHbz-s7ReWCROqY3Wc0WAir8Qz25abJGkI-RgJuN5gILQz-onhAibOZh2n0k&__tn__=-UC%2CP-y-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; font-weight: 600; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">Hanching Chung</span></a></span></h4></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" href="https://www.facebook.com/hanching.chung/posts/1619268251417309?__cft__[0]=AZVaQEflPUjoCgXESJZ2UzijminnlnqEMzjzM_7ecMJR0n0R0msTB6UsCzCLobP02Mw2uV69rriogl89EOUraxA_YuBYyM2ZRZ7FylNnNGxzsM0ZHs7p0vh3r9H7-k0dfAdqpQzVHbz-s7ReWCROqY3Wc0WAir8Qz25abJGkI-RgJuN5gILQz-onhAibOZh2n0k&__tn__=%2CO%2CP-y-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;"><span aria-labelledby="jsc_c_6u" class="j1lvzwm4 stjgntxs ni8dbmo4 q9uorilb gpro0wi8" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"><span aria-labelledby="jsc_c_6v" style="font-family: inherit;"></span><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; font-weight: 600; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;">2017年6月7日</span></span></span></span></a></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><div class="taijpn5t pq6dq46d bp9cbjyn" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="l9j0dhe7" style="font-family: inherit; position: relative;"><span class="q45zohi1 g0aa4cga pmk7jnqg" style="clip-path: polygon(0px 0px, 0px 0px, 0px 0px, 0px 0px); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; position: absolute;">分享對象:所有人</span><div aria-label="編輯隱私設定" class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl hwddc3l5 abiwlrkh p8dawk7l" role="button" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; position: static; text-align: inherit; touch-action: manipulation; user-select: none;" tabindex="0"><div class="bp9cbjyn j83agx80 taijpn5t" style="align-items: center; display: flex; font-family: inherit; justify-content: center;"><div aria-hidden="false" class="taijpn5t pq6dq46d bp9cbjyn cgat1ltu" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center; margin-right: 4px;"><img alt="所有人" class="hu5pjgll m6k467ps" height="12" src="https://static.xx.fbcdn.net/rsrc.php/v3/y0/r/EV6ei3atxZg.png" style="border: 0px; filter: var(--filter-secondary-icon); vertical-align: -0.25em;" width="12" /></div><div class="rl04r1d5" style="font-family: inherit; margin-left: -4px;"></div></div><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -4px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></span></span></div></span></span></div></div></div></div><div dir="auto" style="font-family: inherit;"></div></div></div></div></div><div style="font-family: inherit;"><div class="stjgntxs ni8dbmo4 p13mx040 l82x9zwi uo3d90p7 h905i5nu monazrh9" style="border-radius: 0px 0px 8px 8px; font-family: inherit; min-height: 12px; overflow: hidden;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div class="bp9cbjyn m9osqain j83agx80 jq4qci2q bkfpd7mw a3bd9o3v kvgmc6g5 wkznzc2l oygrvhab dhix69tm jktsbyx5 rz4wbd8a osnr6wyh a8nywdso s1tcr66n" style="align-items: center; border-bottom: 1px solid var(--divider); color: var(--secondary-text); display: flex; font-family: inherit; font-size: 0.9375rem; justify-content: flex-end; line-height: 1.3333; margin: 0px 16px; padding: 10px 0px;"><div class="bp9cbjyn j83agx80 buofh1pr" style="align-items: center; display: flex; flex-grow: 1; font-family: inherit;"><span aria-label="看看誰對這個傳達了心情" class="du4w35lb" role="toolbar" style="font-family: inherit; z-index: 0;"><span class="bp9cbjyn j83agx80 b3onmgus" id="jsc_c_6l" style="align-items: center; display: flex; font-family: inherit; padding-left: 4px;"><span class="np69z8it et4y5ytx j7g94pet b74d5cxt qw6c0r16 kb8x4rkr ed597pkb omcyoz59 goun2846 ccm00jje s44p3ltw mk2mc5f4 qxh1up0x qtyiw8t4 tpcyxxvw k0bpgpbk hm271qws rl04r1d5 l9j0dhe7 ov9facns kavbgo14" style="border-bottom-color: var(--card-background); border-left-color: var(--card-background); border-radius: 11px; border-right-color: var(--card-background); border-style: solid; border-top-color: var(--card-background); border-width: 2px; font-family: inherit; height: 18px; margin-left: -4px; position: relative; width: 18px; z-index: 2;"><span class="t0qjyqq4 jos75b7i j6sty90h kv0toi1t q9uorilb hm271qws ov9facns" style="border-radius: 9px; display: inline-block; font-family: inherit; height: 18px; width: 18px;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div aria-label="讚:4人" class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 pq6dq46d mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"></div></span></span></span></span></span><div style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 a8c37x1j p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl l9j0dhe7 abiwlrkh p8dawk7l gmql0nx0 ce9h75a5 ni8dbmo4 stjgntxs" role="button" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none;" tabindex="0"><span class="gpro0wi8 cwj9ozl2 bzsjyuwj ja2t1vim" style="float: left; font-family: inherit; margin-left: -100px;"><span style="font-family: inherit;"><span class="pcp91wgn" style="font-family: inherit; padding-left: 6px;">ang和其他2人</span></span></span></div></span></div></div><div class="kb5gq1qc pfnyh3mw c0wkt4kp" style="flex-grow: 0; flex-shrink: 0; font-family: inherit; width: 7px;"></div><div class="bp9cbjyn j83agx80 pfnyh3mw p1ueia1e" style="align-items: center; display: flex; flex-shrink: 0; font-family: inherit; height: 22px;"><div class="gtad4xkn" style="font-family: inherit; margin-left: 7px;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 pq6dq46d mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh gpro0wi8 dwo3fsh8 ow4ym5g4 auili1gw gmql0nx0" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; appearance: none; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh m9osqain" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><br /></span></div></span></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><div><br /></div><div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div class="pybr56ya dati1w0a hv4rvrfc n851cfcs btwxx1t3 j83agx80 ll8tlv6m" style="align-items: flex-start; display: flex; flex-direction: row; font-family: inherit; margin-bottom: 12px; padding-left: 16px; padding-right: 16px; padding-top: 12px;"><div class="buofh1pr" style="flex-grow: 1; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span id="jsc_c_hx" style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" href="https://www.facebook.com/hanching.chung#" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">10小時</span></a></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><div class="taijpn5t pq6dq46d bp9cbjyn" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="l9j0dhe7" style="font-family: inherit; position: relative;"><span class="q45zohi1 g0aa4cga pmk7jnqg" style="clip-path: polygon(0px 0px, 0px 0px, 0px 0px, 0px 0px); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; position: absolute;">分享對象:所有人</span><div aria-label="編輯隱私設定" class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl hwddc3l5 abiwlrkh p8dawk7l" role="button" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; position: static; text-align: inherit; touch-action: manipulation; user-select: none;" tabindex="0"><div class="bp9cbjyn j83agx80 taijpn5t" style="align-items: center; display: flex; font-family: inherit; justify-content: center;"><div aria-hidden="false" class="taijpn5t pq6dq46d bp9cbjyn cgat1ltu" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center; margin-right: 4px;"><img alt="所有人" class="hu5pjgll m6k467ps" height="12" src="https://static.xx.fbcdn.net/rsrc.php/v3/y0/r/EV6ei3atxZg.png" style="border: 0px; filter: var(--filter-secondary-icon); vertical-align: -0.25em;" width="12" /></div><div class="rl04r1d5" style="font-family: inherit; margin-left: -4px;"></div></div><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -4px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></span></span></div></span></span></div></div></div><div class="nqmvxvec j83agx80 jnigpg78 cxgpxx05 dflh9lhu sj5x9vvc scb9dxdr odw8uiq3" style="align-self: flex-start; display: flex; font-family: inherit; height: 20px; padding: 8px; width: 20px;"><div aria-expanded="false" aria-haspopup="menu" aria-label="可對此貼文採取的動作" class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 pq6dq46d mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l dwo3fsh8 pzggbiyp pkj7ub1o bqnlxs5p kkg9azqs c24pa1uk ln9iyx3p fe6kdd0r ar1oviwq l10q8mi9 sq40qgkc s8quxz6p pdjglbur" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; appearance: none; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><i class="hu5pjgll m6k467ps sp_mV3TW2nNl4B_2x sx_163c97" data-visualcompletion="css-img" style="background-image: url("/rsrc.php/v3/yx/r/vRVp43-DqZY.png"); background-position: 0px -473px; background-repeat: no-repeat; background-size: 33px 916px; display: inline-block; filter: var(--filter-secondary-icon); height: 20px; vertical-align: -0.25em; width: 20px;"></i><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: -8px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div class="cwj9ozl2 qbxu24ho bxzzcbxg lxuwth05 h2mp5456 ue3kfks5 pw54ja7n uo3d90p7 l82x9zwi goun2846 ccm00jje s44p3ltw mk2mc5f4 frvqaej8 ed0hlay0 afxsp9o4 jcgfde61 tvfksri0 ozuftl9m" style="background-color: var(--card-background); border-bottom-color: var(--divider); border-left-color: var(--divider); border-radius: 8px; border-right-color: var(--divider); border-style: solid; border-top-color: var(--divider); border-width: 1px; font-family: inherit; margin-left: 12px; margin-right: 12px;"><div style="font-family: inherit;"><div class="hqeojc4l" style="font-family: inherit; margin-top: -1px;"><div class="l9j0dhe7 jxk88fls rops0bsn n851cfcs" style="font-family: inherit; margin-bottom: 12px; margin-left: -13px; margin-right: -13px; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><a class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 a8c37x1j mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l tm8avpzi" href="https://www.facebook.com/lecorbusierbyheidiweber/photos/a.491815374227592/4019392504803177/?__cft__[0]=AZUZirHz6VSjjoXF8tHNdGjii9MyqVEoW2p0-wwKFYgCVRcLaxU2K-gwVKFj1X_kvAVgoum1pgKwObNchtPdQzWWxyN-8CYYd9QHjqgQ3F8zbp7Wke9Pf8lBy5RuE7f7-UcMh7KqyFC-Qfgfa3yckWXq64yMixvSNDkdL3mZ3lxORg&__tn__=EH-y-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="bp9cbjyn cwj9ozl2 j83agx80 cbu4d94t ni8dbmo4 stjgntxs l9j0dhe7 k4urcfbm" style="align-items: center; background-color: black; display: flex; flex-direction: column; font-family: inherit; overflow: hidden; position: relative; width: 500px;"><div style="font-family: inherit; max-width: 100%; min-width: 500px; width: calc((100vh + -325px) * 0.698333);"><div class="do00u71z ni8dbmo4 stjgntxs l9j0dhe7" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 715.982px; position: relative;"><div class="pmk7jnqg kr520xx4" style="font-family: inherit; height: 715.982px; left: 0px; position: absolute; top: 0px; width: 500px;"><img alt="可能是顯示的文字是「ド LEGER AUSSTELLUNG 17. JUNI BIS ENDE JULI 1970 STADT FARBIGE EINE FÜR ENTWÜRFE UND IDEEN FORUM FÜR UMWELTSFRAGEN HEIDI WEBER CENTRE LE CORBUSIER Zürich Offnungszeiten: Dienstag Freitag Dienstag und Freitagabend: Dokumentarfilm 14-1 Uhr F.Leger 」的插圖" class="i09qtzwb n7fi1qx3 datstx6m pmk7jnqg j9ispegn kr520xx4 k4urcfbm bixrwtb6" height="1200" referrerpolicy="origin-when-cross-origin" src="https://scontent.frmq3-2.fna.fbcdn.net/v/t1.6435-9/197389999_4019392508136510_6644089162497969906_n.png?_nc_cat=101&ccb=1-3&_nc_sid=730e14&_nc_ohc=VeBfxAPqr_kAX8uexJp&tn=a2b8XuXIE7Tor_kZ&_nc_ht=scontent.frmq3-2.fna&oh=fda898d9a27028b2f33a0746a61dc1f5&oe=60E67C0C" style="border: 0px; height: 715.982px; inset: 0px; object-fit: cover; position: absolute; width: 500px;" width="838" /></div></div></div></div><div class="linmgsc8 opwvks06 i09qtzwb n7fi1qx3 hzruof5a pmk7jnqg j9ispegn kr520xx4" style="border-bottom: 1px solid var(--media-inner-border); border-top: 1px solid var(--media-inner-border); font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div><div class="n00je7tq arfg74bv qs9ysxi8 k77z8yql i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="stjgntxs ni8dbmo4" style="font-family: inherit; overflow: hidden;"></div></div><div class="dati1w0a hv4rvrfc osnr6wyh" style="font-family: inherit; padding-bottom: 10px; padding-left: 16px; padding-right: 16px;"><div class="btwxx1t3 j83agx80 cwj9ozl2" style="background-color: var(--card-background); display: flex; flex-direction: row; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><h3 class="gmql0nx0 l94mrbxd p1ri9a11 lzcic4wl aahdfvyu hzawbc8m" dir="auto" style="color: inherit; font-family: inherit; font-size: inherit; font-weight: inherit; margin: 4px 0px 0px; outline: none; padding: 0px;"><span class="nc684nl6" style="display: inline; font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p" href="https://www.facebook.com/lecorbusierbyheidiweber/?__cft__[0]=AZUZirHz6VSjjoXF8tHNdGjii9MyqVEoW2p0-wwKFYgCVRcLaxU2K-gwVKFj1X_kvAVgoum1pgKwObNchtPdQzWWxyN-8CYYd9QHjqgQ3F8zbp7Wke9Pf8lBy5RuE7f7-UcMh7KqyFC-Qfgfa3yckWXq64yMixvSNDkdL3mZ3lxORg&__tn__=-UC%2CP-y-R" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; font-weight: 600; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">Le Corbusier by Heidi Weber</span></a></span></h3></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" href="https://www.facebook.com/hanching.chung#" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">19小時</span></a></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><span class="g0qnabr5" style="font-family: inherit; white-space: nowrap;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="ormqv51v l9j0dhe7" style="font-family: inherit; position: relative; top: -2px;"><i aria-label="分享對象:所有人" class="hu5pjgll m6k467ps sp_gGfrwqkHlI3_2x sx_cf8575" data-visualcompletion="css-img" role="img" style="background-image: url("/rsrc.php/v3/y0/r/Jb7OT8_s7Cn.png"); background-position: 0px -605px; background-repeat: no-repeat; background-size: 25px 735px; display: inline-block; filter: var(--filter-secondary-icon); height: 12px; vertical-align: -0.25em; width: 12px;"></i></span></span></span></span></span></div></div></div></div><div dir="auto" style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Exhibition Poster, 1970</div><div dir="auto" style="font-family: inherit;">"Ideas and designs for a colorful city"</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Centre Le Corbusier - Forum for environmental issues. Urban planning utopias and approaches to changing society were discussed and environmental issues explained.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Current exhibition in the pavilion Le Corbusier:</div><div dir="auto" style="font-family: inherit;">Le Corbusier and the color, May 7th - November 28th, 2021</div><div dir="auto" style="font-family: inherit;">Comprehensive documentation on the museum</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Comprehensive documentation on the museum</div><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://www.heidiweber-centrelecorbusier.com/?fbclid=IwAR11dK-gf1J6gSGbvfbtvNt91kbIZrtPoZJtpQ-XdPvshSnOzy3C0Z-mfqw" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://www.heidiweber-centrelecorbusier.com</a></span></div></div></span></div></div></div></div></div></div></div></div></div></div><div><br /></div><div><br /></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbN1zbB_CvHHNjwFZOme741smGToVXfEBIO4Ch8s1xUoKlGh8LMnF-zAS6eIGeJh-EBwj8uq_xGBOdDv4pp6Vjftk9E9UBhsQpM__68Z5Vu6CoOwezKR4WNWPW180DDy4BDoLyRhtNXgQ/s1600/18838807_1619267898084011_4294962924257322417_n+LE+CORBUSIER+CLOWNING.jpg"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbN1zbB_CvHHNjwFZOme741smGToVXfEBIO4Ch8s1xUoKlGh8LMnF-zAS6eIGeJh-EBwj8uq_xGBOdDv4pp6Vjftk9E9UBhsQpM__68Z5Vu6CoOwezKR4WNWPW180DDy4BDoLyRhtNXgQ/s320/18838807_1619267898084011_4294962924257322417_n+LE+CORBUSIER+CLOWNING.jpg" /></a><br /><br /><div class="_3x-2" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 13px;">
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人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-35957605384022292022024-02-14T17:32:00.000-08:002024-02-14T17:32:30.350-08:00 日本浮世繪大師--Three Beauties of the Present Day by Kitagawa Utamaro。 歌川廣重 Hiroshige (歌川広重) (1797-1858);"Hiroshige and the Fan. Journey to 19th Century Japan".「名所江戸百景 浅草川首尾の松御厩河岸」本朝名所 薩多富士」Pine of Success and Oumayagashi, Asakusa River <div class="p-episodeV2__meta" style="font-family: "Helvetica Neue", Helvetica, Roboto, "Droid Sans", Arial, Verdana, sans-serif; padding-bottom: 8px; padding-left: 30px; position: relative;"><h1 class="p-episodeV2__title" style="font-size: 1.875rem; line-height: 1.2; margin: 0px;">Three Beauties of the Present Day by Kitagawa Utamaro</h1><div class="p-episodeV2__info" style="margin-top: 8px;"><h2 class="p-episodeV2__subTitle" style="display: inline-block; font-size: 1.25rem; line-height: 1.2; margin: 0px 16px 0px 0px;"><a href="https://www3.nhk.or.jp/nhkworld/en/ondemand/program/video/ukiyoeedolife/" style="color: black; text-decoration-line: none;">Ukiyoe EDO-LIFE</a></h2> <div class="p-episodeV2__duration" style="color: #666666; display: inline-block; font-size: 0.75rem;"><i class="c-icon -video" style="background-attachment: initial; background-clip: initial; background-image: url("../images/icon-video.svg"); background-origin: initial; background-position: 50% center; background-repeat: no-repeat; background-size: contain; display: inline-block; height: 10px; margin-right: 5px; position: relative; width: 15px;"></i>5m 00s</div></div><div class="p-episodeV2__date" style="font-size: 0.875rem; line-height: 1.4; margin-top: 4px;"><span style="display: inline-block;">Broadcast on <span style="font-weight: bolder;">March 31, 2018</span></span> <span style="display: inline-block;">Available until <span style="font-weight: bolder;">March 31, 2030</span></span></div></div><ul class="p-episodeV2__tags c-tags" style="font-family: "Helvetica Neue", Helvetica, Roboto, "Droid Sans", Arial, Verdana, sans-serif; font-size: 0px; list-style: none; margin: 20px 0px 0px 30px; padding: 0px;"><li class="" style="display: inline-block; margin-bottom: 3px; margin-right: 0px;"></li></ul><div class="p-episodeV2__body" style="font-family: "Helvetica Neue", Helvetica, Roboto, "Droid Sans", Arial, Verdana, sans-serif; overflow-wrap: break-word;"><div class="p-episodeV2__description"><p>The top 3 female celebrities in Edo: Tomimoto Toyohina, Takashima Ohisa and Naniwaya Kita. See how Utamaro, the master of female beauty has illustrated them so differently.</p></div></div><div class="p-episodeV2__extra" id="p-episodeV2__extra" style="font-family: "Helvetica Neue", Helvetica, Roboto, "Droid Sans", Arial, Verdana, sans-serif;"></div><div class="p-episodeV2Program" style="border-top: 1px solid rgb(229, 229, 229); font-family: "Helvetica Neue", Helvetica, Roboto, "Droid Sans", Arial, Verdana, sans-serif; margin-top: 24px; padding-top: 36px;"><h3 style="font-size: 1rem; margin: 0px;">Program Outline</h3><div class="p-episodeV2Program__item" style="display: flex; margin-top: 12px;"><div class="p-episodeV2Program__pic" style="position: relative; width: 200px;"><a href="https://www3.nhk.or.jp/nhkworld/en/ondemand/program/video/ukiyoeedolife/"><img alt="Ukiyoe EDO-LIFE" src="https://www3.nhk.or.jp/nhkworld/en/ondemand/program/video/ukiyoeedolife/images/xXBB6cySaf9RnqLMk2SwArnaTyn4ahgzoydfJyEY.jpeg" style="border-style: none; height: auto; vertical-align: top; width: 200px;" /></a></div><div class="p-episodeV2Program__info" style="box-sizing: border-box; padding-left: 24px; width: calc(100% - 200px);"><div class="p-episodeV2Program__title" style="font-size: 1.375rem; font-weight: 700;"><a href="https://www3.nhk.or.jp/nhkworld/en/ondemand/program/video/ukiyoeedolife/" style="color: black; text-decoration-line: none;">Ukiyoe EDO-LIFE</a></div><div class="c-item__count c-time" style="font-size: 0.8125rem; letter-spacing: 0px; line-height: 1; margin-bottom: 10px; margin-top: 10px;"><span style="display: inline-block;"><i class="c-icon -video" style="background-attachment: initial; background-clip: initial; background-image: url("../images/icon-video.svg"); background-origin: initial; background-position: 50% center; background-repeat: no-repeat; background-size: contain; display: inline-block; height: 10px; margin-right: 5px; position: relative; vertical-align: bottom; width: 15px;"></i>36 episodes</span></div><p style="margin: 8px 0px 0px;">Centuries ago, Tokyo was known as Edo. More than a million people enjoyed life in this small but abundant city. They live on in ukiyo-e woodblock prints. Each episode is a deep dive into a single print, and an exploration of the soul of Old Tokyo. We examine works by artists like Hokusai and Hiroshige not just for their aesthetic and historical value, but for the stories they tell of everyday life. That is how the people of Edo themselves enjoyed this mass-produced medium.</p></div></div></div><br />https://www3.nhk.or.jp/nhkworld/en/ondemand/video/6030002/?fbclid=IwAR0ivpG96T6Ek13lVQ_BtA_muMpyPQK-UQewoBBdSdYs7VViiI5ked8Uvos<br /><br /><a href="https://www.facebook.com/britishmuseum?__cft__[0]=AZVzy7nIySNejfHfGxHD0vdTvgp9WKSfS6sblkt6OK3_69A1MOpsd0cLgB18Bhk_pDkjHclcQO3mlB7cGz0HbCx9LtM4D4EbGy5s4C6X1H5Ix0yfAUzJ8kkRv_oYtwQJMj9cry8F8CXnCgf2lwW8angf8hAy6aZMjJ9LT_wzNXqxKlU2CYtTylqWYv9wXZr8m6chNfM-C3vFz7BL77mQtAXT&__tn__=-UC%2CP-R">British Museum</a> <br /><br /><br />Dancing until the sun comes up takes on a new meaning in this Japanese woodblock print, which tells the story of the sun goddess Amaterasu <img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t4d/3/16/1f304.png" /><br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t6f/3/16/2600.png" /> As goddess of the sun Amaterasu ruled over the entire celestial realm as one of the most important kami – deities in the native Shintō religion. <br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t87/3/16/1f5fb.png" /> Her brother, the storm god Susanoo, was jealous and destroyed her fields and palaces. The grieving Amaterasu retreated to a mountain cave, plunging the world into darkness. <br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/tac/3/16/1f413.png" /> The other kami gathered to lure the sun goddess out. They found cockerels, whose crowing precedes the dawn, and hung a mirror in front of her cave. See if you can spot the mirror in the upper right of the print!<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t5/3/16/1f483.png" />The goddess of dance, Amenouzume, lit a bonfire and began to perform. Amenouzume can be seen holding a ‘gohei’ (a wooden wand with paper streamers) and a ‘suzu’ bell tree, both of which are still used in ‘kagura’ Shintō dances today.<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/tca/3/16/1f389.png" /> Raucous laughter from the assembled deities encouraged Amaterasu to peak out from the cave and light was thus restored to the world. <br />This print is the work of Utagawa Hiroshige – a master of the ukiyo-e woodblock printing tradition. Throughout his long career he created a phenomenal 8000 prints, mostly subtle and soft landscapes with mist or moonlight <img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t71/3/16/1f319.png" /><br />Hiroshige died <a href="https://www.facebook.com/hashtag/onthisday?__eep__=6&__cft__[0]=AZVzy7nIySNejfHfGxHD0vdTvgp9WKSfS6sblkt6OK3_69A1MOpsd0cLgB18Bhk_pDkjHclcQO3mlB7cGz0HbCx9LtM4D4EbGy5s4C6X1H5Ix0yfAUzJ8kkRv_oYtwQJMj9cry8F8CXnCgf2lwW8angf8hAy6aZMjJ9LT_wzNXqxKlU2CYtTylqWYv9wXZr8m6chNfM-C3vFz7BL77mQtAXT&__tn__=*NK-R">#OnThisDay</a> in 1858.<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t80/3/16/1f50e.png" /> Utagawa Hiroshige (1797–1858), ‘A Musical Performance by the Deities Entices the Divine Radiance’ from the series ‘Illustrated Guide to the History of Japan’. Colour woodblock print on paper, Japan, 1847–52. Read more: <a href="https://ow.ly/fwLB50PR629?fbclid=IwAR1FfYHDdQu0rLy6-J0YSmfToENzcnFq2y4WneA-2xoynBzDM5Tt7Mqswpg">https://ow.ly/fwLB50PR629</a><br /><a href="https://www.facebook.com/photo/?fbid=712046837624046&set=a.635973961898001&__cft__[0]=AZVzy7nIySNejfHfGxHD0vdTvgp9WKSfS6sblkt6OK3_69A1MOpsd0cLgB18Bhk_pDkjHclcQO3mlB7cGz0HbCx9LtM4D4EbGy5s4C6X1H5Ix0yfAUzJ8kkRv_oYtwQJMj9cry8F8CXnCgf2lwW8angf8hAy6aZMjJ9LT_wzNXqxKlU2CYtTylqWYv9wXZr8m6chNfM-C3vFz7BL77mQtAXT&__tn__=EH-R"><img height="282" src="https://scontent.ftpe8-3.fna.fbcdn.net/v/t39.30808-6/384223277_712046830957380_28968658244335524_n.jpg?_nc_cat=106&ccb=1-7&_nc_sid=5f2048&_nc_ohc=4TV3WoeFuIEAX8ah22y&_nc_ht=scontent.ftpe8-3.fna&oh=00_AfAiPNOp1t9DyOv5ldxpWooACrY_Uu6-8b-8CS_lhrJMJw&oe=65327B72" width="640" /><br /><br /></a><br /><br /><br /><br /><br /><br />501<br /><br /><br /><br /><br /><br /><br />英國博物館
3天
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跳舞直到太陽升起在這幅日本木版畫中被賦予了新的意義,它講述了太陽女神天照的故事🌄
☀ 身為太陽女神,天照作為本土神道教中最重要的神祇之一統治著整個天界。
🗻 她的哥哥,風暴之神須佐之男嫉妒並摧毀了她的田地和宮殿。悲傷的天照退入山洞,世界陷入黑暗。
🐓 其他神聚集在一起引誘太陽女神。他們發現了黎明前的公雞,並在她的洞穴前掛了一面鏡子。看看你是否能發現印刷品右上角的鏡子!
💃舞蹈女神天女點燃營火開始表演。可以看到雨乃手拿一根「gohei」(有紙飄帶的木杖)和一棵「suzu」鈴樹,這兩種樹至今仍在「神樂」神道舞蹈中使用。
🎉眾神喧鬧的笑聲鼓勵天照從洞穴中爬出,世界因此恢復了光明。
這幅版畫是浮世繪木刻印刷傳統大師歌川廣重的作品。在他漫長的職業生涯中,他創作了 8000 幅驚人的版畫,大部分都是帶有薄霧或月光的微妙而柔和的風景畫 🌙
廣重於 1858 年#OnThisDay 逝世。
🔎 歌川廣重(1797-1858),《日本歷史圖鑑》系列中的《神靈演奏引得神聖光輝》。紙上彩色木版畫,日本,1847-52 年。了解更多:https://ow.ly/fwLB50PR629<br /><br />HIROSHIGE<br /><br />There are only a few days left to admire Hiroshige's prints for fans, a little-known part of the master printmaker's work.
Uncut and in their first printing, these unique prints have never been exhibited before.
An exhibition produced with exceptional loans from the Georges Leskowicz Collection.
"Hiroshige and the Fan. Journey to 19th Century Japan".
📆 Until May 29 at the Guimet Museum
© Fundacja Jerzego Leskowicza<br /><br /><br /><a href="https://www.facebook.com/museeguimet?__cft__[0]=AZU2hPsL7JPTlAO79cBiGcRjy0kVn-YIoI9YjyNwPNYTv-I9fYVOxKXPb0XEWYfSH8EDFGe22DbTTvQDYurAsz5gsqDznkfXlYZZJfsrv4ydsIzqkVcotf94kqFlzZ3y1JIruvdWUaVFGqJKUUc-lLV3O1lGzdTRzUXztYZLVG3U6XBePqqCBtDMA3nJc0r-f0Y&__tn__=-UC%2CP-R">Musée national des arts asiatiques - Guimet</a> <br /><br /><br /><br /><a href="https://www.facebook.com/#"><br /></a><br /><br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t8f/2/16/1f338.png" /> | HIROSHIGE<br /><a href="https://www.facebook.com/hashtag/derniersjours?__eep__=6&__cft__[0]=AZU2hPsL7JPTlAO79cBiGcRjy0kVn-YIoI9YjyNwPNYTv-I9fYVOxKXPb0XEWYfSH8EDFGe22DbTTvQDYurAsz5gsqDznkfXlYZZJfsrv4ydsIzqkVcotf94kqFlzZ3y1JIruvdWUaVFGqJKUUc-lLV3O1lGzdTRzUXztYZLVG3U6XBePqqCBtDMA3nJc0r-f0Y&__tn__=*NK-R">#DerniersJours</a> <img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t38/2/16/23f3.png" /> <br />Il ne reste plus que quelques jours pour admirer les estampes pour éventails de Hiroshige, pan méconnu de l'œuvre du maître de l'estampe. <br />Non découpées et dans leur premier tirage, ces estampes uniques n'avaient jamais été exposées auparavant. <br />Une exposition réalisée avec des prêts exceptionnels de la Collection Georges Leskowicz.<br />"Hiroshige et l'éventail. Voyage dans le Japon du 19e siècle".<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t9e/2/16/1f4c6.png" /> Jusqu'au 29 mai au musée Guimet<br />© Fundacja Jerzego Leskowicza<br /><br /><br /><br /><br /><br /> <br /><br /><a href="https://www.facebook.com/museeguimet?__cft__[0]=AZVCJSid09_LkX7Nc38wUSVFUaLj6PVqlcsAa6aos24WQwHj9iDPU9cTq-M2mSOrAAIkx_DaJoaeZWEyLSiX5XQTlA_NCbTHEm9-mhyowmmFURETygPD2bfl0X6HFp0zOi5eRiTUUEZMHhT2sIzhjYDPQDgL-7u5zYv8tZvRJ5IAIIAohvsX19BW3VZ62sVRpKU&__tn__=-UC%2CP-R">Musée national des arts asiatiques - Guimet</a> <br /><br /><br /><br /><a href="https://www.facebook.com/#"><br /></a><br /><br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t88/1.5/16/1f315.png" /> | PLEINE LUNE<br />À l'image du lièvre de cette estampe, vous aussi vous pourrez admirer la pleine lune ce soir.<br />Le motif pictural qui associe le lièvre et la pleine lune trouve son origine dans des légendes bouddhiques indiennes diffusées au Japon. Dans cette estampe, Hiroshige supprime les lignes de contour du dessin pour n'utiliser que des aplats de couleurs, et joue sur les effets de motifs en réserve.<br />Une exposition réalisée avec des prêts exceptionnels de la Collection Georges Leskowicz.<br />"Hiroshige et l'éventail. Voyage dans le Japon du 19e siècle".<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t58/1.5/16/1f4c6.png" /> Du 15 février au 29 mai au musée Guimet<br /><a href="https://www.facebook.com/photo/?fbid=573502528144841&set=a.472876451540783&__cft__[0]=AZVCJSid09_LkX7Nc38wUSVFUaLj6PVqlcsAa6aos24WQwHj9iDPU9cTq-M2mSOrAAIkx_DaJoaeZWEyLSiX5XQTlA_NCbTHEm9-mhyowmmFURETygPD2bfl0X6HFp0zOi5eRiTUUEZMHhT2sIzhjYDPQDgL-7u5zYv8tZvRJ5IAIIAohvsX19BW3VZ62sVRpKU&__tn__=EH-R"><img src="https://scontent.ftpe8-3.fna.fbcdn.net/v/t39.30808-6/332261834_1255793188351571_8436287062931385990_n.jpg?stp=dst-jpg_p843x403&_nc_cat=107&ccb=1-7&_nc_sid=730e14&_nc_ohc=vQNn5RIB_tYAX-nfqyw&_nc_ht=scontent.ftpe8-3.fna&oh=00_AfD4jLNB1wd-fPMHy3GcBWGgGWwWS6v08VvmP1sEG49x4w&oe=640B390B" /><br /><br /></a><br /><br /><br /><br /><br /><br />487<br /><br /> <br /> <br /> <br /> <br />
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<a href="https://www.youtube.com/watch?v=UiE_e7iIBC8"><img src="https://i.ytimg.com/vi/UiE_e7iIBC8/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLDKeQKy6R53W3vPDgnV8RryDnipZg" /></a><br />
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<a href="https://www.youtube.com/watch?v=UiE_e7iIBC8">251 日本浮世繪大師--歌川廣重 (歌川広重) 漢清講堂</a><br />
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----<span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">本朝名所 薩多富士」</span><div><br /></div><div><div data-pagelet="FeedUnit_{n}" style="font-family: inherit;"><div class="du4w35lb k4urcfbm l9j0dhe7 sjgh65i0" style="font-family: inherit; margin-bottom: 16px; position: relative; width: 500px; z-index: 0;"><div class="du4w35lb l9j0dhe7" style="font-family: inherit; position: relative; z-index: 0;"><div data-testid="Keycommand_wrapper_feed_story" style="font-family: inherit;"><div data-testid="Keycommand_wrapper" style="font-family: inherit;"><div aria-describedby="jsc_c_15i jsc_c_15j jsc_c_15k jsc_c_15m jsc_c_15l" aria-labelledby="jsc_c_15h" aria-posinset="10" class="lzcic4wl" role="article" style="font-family: inherit; outline: none;"><div class="j83agx80 cbu4d94t" style="display: flex; flex-direction: column; font-family: inherit;"><div class="rq0escxv l9j0dhe7 du4w35lb" style="box-sizing: border-box; font-family: inherit; position: relative; z-index: 0;"><div class="j83agx80 l9j0dhe7 k4urcfbm" style="display: flex; font-family: inherit; position: relative; width: 500px;"><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c ue3kfks5 pw54ja7n uo3d90p7 l82x9zwi ni8dbmo4 stjgntxs k4urcfbm sbcfpzgs" style="--t68779821: 0 1px 2px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 1px 2px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 500px; z-index: 0;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_15j" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">This colourful scene by Hiroshige depicts the rocky and dangerous coastline at Satta on the Tokaido Road in Japan. </div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Satta was well known for its spectacular views of Mount Fuji. Until 1655, when a pass was made through the mountains, the road led directly along the shore at this point, and could only be crossed at low tide. Here travellers trudge up the steep slope of the pass, seemingly oblivious of the view and the dramatic sunset.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Would you attempt to cross it?!</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Detail of a woodblock print by Hiroshige, 1855.</div></div></span></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><div><br /></div><div><br /></div><div><br /><br />https://collections.mfa.org/objects/498617<br /><div class="detailField titleField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;"><h2 style="box-sizing: border-box; font-size: 22px; font-weight: 400; line-height: 1.3; margin: 0px;">Pine of Success and Oumayagashi, Asakusa River (Asakusagawa Shubi no matsu Oumayagashi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)</h2><br style="box-sizing: border-box;" /><span class="detailedTitles" style="box-sizing: border-box;">「名所江戸百景 浅草川首尾の松御厩河岸」</span></div><div class="detailField peopleField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;"><a href="https://collections.mfa.org/advancedsearch/Objects/peopleSearch%3AUtagawa%20Hiroshige%20I;jsessionid=944BA9D5013FF24B569C3A59EC71C44B" style="background: 0px 0px; box-sizing: border-box; color: #b81d28; outline: 0px; text-decoration-line: none;">Utagawa Hiroshige I</a> (Japanese, 1797–1858)<br style="box-sizing: border-box;" />Publisher: <a href="https://collections.mfa.org/advancedsearch/Objects/peopleSearch%3AUoya%20Eikichi;jsessionid=944BA9D5013FF24B569C3A59EC71C44B" style="background: 0px 0px; box-sizing: border-box; color: #b81d28; outline: 0px; text-decoration-line: none;">Uoya Eikichi</a> (Japanese)</div><div class="detailField cultureField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;">Japanese</div><div class="detailField periodField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;">Edo period</div><div class="detailField displayDateField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;">1856 (Ansei 3), 8th month</div><div class="detailField displayDateField" style="background-color: white; box-sizing: border-box; color: #1a1a1a; float: left; font-family: "Open Sans", sans-serif; font-size: 16px; margin-bottom: 10px; width: 614.5px;"><span style="background-color: transparent;">----</span><span style="background-color: transparent;">Otori Shrine. Hiroshige. 1857.</span></div>
<a href="https://www.facebook.com/78derngate/photos/a.377907058917041/4173611716013204/?__cft__[0]=AZUy5UOrgcN98G8kn-HPZly6qPZuUbBjZ6juPVv6spqSa-amruxb4p0wFipSb16LZQ0M6eWydwxkp3cbliQsDr6dkw2KACl1xhAdjLHOEosQ1PkqiGM0_xgzRN_hC8cxCFiE81KKPwieoE5CQhQJJgQQytK8k3BWpo9lD3guN15LkWOtRFxJiWUfxRb5M6o1q0SiIrVOKsHDOtqvnJNyHSsY&__tn__=EH-R"><img height="640" src="https://scontent.frmq3-2.fna.fbcdn.net/v/t1.0-9/117341051_4173611719346537_9064622271597083678_o.jpg?_nc_cat=107&_nc_sid=2c4854&_nc_ohc=3Qd7xzvz7aAAX8E4g-H&_nc_ht=scontent.frmq3-2.fna&oh=c752fb00d7ca62b308d2e588e0ebc2cc&oe=5F56FDC3" width="496" /></a>這幅值得與Manet 的封面<br />
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山海見立相撲 </h3>
這組我以前沒注意<br />
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<div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="animation-name: none; font-family: inherit; margin: 0px; overflow-wrap: break-word; transition-property: none; white-space: pre-wrap;">
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<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j s89635nw ew0dbk1b jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto" style="animation-name: none; display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -5px; margin-top: -3px; max-width: 100%; overflow-wrap: break-word;">Feeling a bit overwhelmed by the news right now? We recommend staring at this Hiroshige print for an extended period of time (and washing your hands, of course) <span aria-label="😌" class="q9uorilb tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me fgm26odu gl3lb2sf hhz5lgdu" style="animation-name: none; display: inline-block; font-family: inherit; height: 16px; margin: 0px 1px; vertical-align: text-bottom; width: 16px;"><span aria-hidden="true" style="animation-name: none; font-family: inherit;"><img alt="" height="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t20/2/16/1f60c.png" style="animation-name: none; border: 0px; transition-property: none;" width="16" /></span></span></span></div>
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<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j s89635nw ew0dbk1b jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto" style="animation-name: none; display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -5px; margin-top: -3px; max-width: 100%; overflow-wrap: break-word;"></span></div>
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<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j s89635nw ew0dbk1b jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto" style="animation-name: none; display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -5px; margin-top: -3px; max-width: 100%; overflow-wrap: break-word;">This work, called Mount Tatsu in Harima Province, is a woodblock print by Japanese artist Utagawa Hiroshige (1797–1858). It comes from a series called 'Wrestling Matches between Mountains and Sea'.</span></div></div></div></div></div></div><div class="l9j0dhe7" style="animation-name: none; font-family: inherit; position: relative; transition-property: none;"><div class="l9j0dhe7" style="animation-name: none; font-family: inherit; position: relative; transition-property: none;"><div style="animation-name: none; font-family: inherit; transition-property: none;">
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<a href="http://ch.kanagawa-museum.jp/dm/ukiyoe/kanagawa/meisyo/d_meisyo15.html" ping="/url?sa=t&source=web&rct=j&url=http://ch.kanagawa-museum.jp/dm/ukiyoe/kanagawa/meisyo/d_meisyo15.html&ved=2ahUKEwilibCRvKboAhUHx4sBHV-XB88QFjASegQIAhAB" style="background-color: white; color: #660099; cursor: pointer; font-family: arial, sans-serif; font-size: small;"></a><br />
<h3 class="LC20lb DKV0Md" style="display: inline-block; font-size: 20px; font-weight: normal; line-height: 1.3; margin: 0px 0px 3px; padding: 4px 0px 0px; text-decoration: underline;">
山海見立相撲 相模大山 - 神奈川県立歴史博物館</h3>
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<table border="0" cellpadding="0" cellspacing="0" style="background-color: black; height: 400px;"><tbody>
<tr><td align="center" rowspan="14" valign="top" width="410"><table border="0" cellpadding="0" cellspacing="0" style="width: 380px;"><tbody>
<tr><td height="10"><a href="http://ch.kanagawa-museum.jp/dm/ukiyoe/kanagawa/meisyo/d_meisyo15_zoom.html" style="text-decoration-line: none;"><img alt="山海見立相撲 相模大山" border="0" height="253" src="https://ch.kanagawa-museum.jp/dm/ukiyoe/kanagawa/meisyo/image/img_meisyo015.jpg" width="380" /></a></td><td height="10"><img height="253" src="https://ch.kanagawa-museum.jp/dm/image/waku_right.gif" width="10" /></td></tr>
<tr><td height="10" width="10"><img height="10" src="https://ch.kanagawa-museum.jp/dm/image/waku_down_left.gif" width="10" /></td><td height="10"><img height="10" src="https://ch.kanagawa-museum.jp/dm/image/waku_down.gif" width="380" /></td><td height="10" width="10"><img height="10" src="https://ch.kanagawa-museum.jp/dm/image/waku_down_right.gif" width="10" /></td></tr>
</tbody></table>
</td><td align="center" height="25" width="300"><span style="color: #990033;"><b>山海見立相撲 相模大山</b></span></td></tr>
<tr><td align="center" height="10" width="300"><span style="color: #990033;">サンカイミタテズモウ サガミオオヤマ</span></td></tr>
<tr><td align="center" height="5" width="300"></td></tr>
<tr><td align="center" height="18" width="300"><span style="color: #996600;">制作年代</span></td></tr>
<tr><td align="center" height="20" valign="top" width="300"><b>安政5年(1858)</b></td></tr>
<tr><td width="300"><img height="5" src="https://ch.kanagawa-museum.jp/dm/image/line02.gif" width="290" /></td></tr>
<tr><td align="center" height="18" width="300"><span style="color: #996600;">サイズ</span></td></tr>
<tr><td align="center" height="20" valign="top" width="300"><b>(大判横1枚)</b></td></tr>
<tr><td width="300"><img height="5" src="https://ch.kanagawa-museum.jp/dm/image/line02.gif" width="290" /></td></tr>
<tr><td align="center" height="18" width="300"><span style="color: #996600;">作者名/落款</span></td></tr>
<tr><td align="center" height="20" valign="top" width="300"><b>歌川広重(初代)/広重画</b></td></tr>
<tr><td width="300"><img height="5" src="https://ch.kanagawa-museum.jp/dm/image/line02.gif" width="290" /></td></tr>
<tr><td align="center" height="18" width="300"><span style="color: #996600;">解説</span></td></tr>
<tr><td valign="top" width="300"><b>広重最晩年の作で、全国各地の名所を描いた二十枚揃いの一枚である。行司が使う軍配がタイトルの枠となっている所から、山海見立相撲の表題がついた。図様は、良弁滝を主題として行き交う参詣人や左に近くの大山寺の一部を描いている。滝の描写も含めて画面全体がやや形式化している。</b></td></tr>
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白居易:不堪紅葉青苔地,又是涼風暮雨天。<br />
日本浮世繪大師--歌川廣重 Hiroshige (歌川広重)<br />
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Hiroshige (1797–1858)<br />
"The moon over a waterfall</div>
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251 日本浮世繪大師--歌川廣重 (歌川広重) 漢清講堂<br />
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https://www.youtube.com/watch?v=UiE_e7iIBC8&feature=push-u-sub&attr_tag=t3ebEVMgWrwKw_UM%3A6<br />
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Comme ces voyageurs, prenez la route du Musée Guimet aujourd'hui pour découvrir les chefs-d'œuvre de la Collection Leskowicz ! <span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t73/1.5/16/1f45c.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">👜</span></span> C'est votre toute dernière chance pour découvrir l'exposition : elle se termine ce soir ! <span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t63/1.5/16/26a0.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">⚠️</span></span> <a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/expotokaido?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARCYWJ-uJDtyy2Fc0gYQ6oa8K4M0E04eC8uK2oQLk3ZIrxRWlFzwqnWXbuHjfm39hvaYhwS1g3OwmxQGImXWLHDMOUYz7fua1DACisWiswX8K_PcWJCG91pzvBAkw8O3WUEmvjgW5rx7StEL_DGHhwhYjiPiULLjnZC5km0sq6YOFMdG-3e0Zg2h5yQbZPN4mkNRvm_zj9R-vfhXaZHLDbWEKKbGs3YS4se_5wzLYJfAXYMFfSw7Y8-ihpoZadCud7T3lIdHyH_teOsybhoVZ1OA_g9EvPOcFeBxdh_4yTp4_G7vModOAey8ZUeDtx0yWvKYwd-tMZLRUrQCjQ0EHdTZtZUMkkCZCJL3ZNbFv-cWbnA&__tn__=%2ANK-R" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">ExpoTokaido</span></span></a></div>
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<span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t37/1.5/16/1f4f8.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">📸</span></span> Cinquante-trois relais du Tokaido<br />
Vue du pont Nihonbashi au petit matin (1ère vue). Détail.</div>
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Utagawa Hiroshige (1797-1858)<br />
Japon, époque d’Edo, vers 1833-1834</div>
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Editeur : Takenouchi Magohachi (Hôeidô)<br />
Impression polychrome<br />
nishiki-e, format oban horizontal (env. 25 x 36 cm)</div>
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Fondation Jerzy Leskowicz, collection Leskowicz<br />
© Fondation Jerzy Leskowic</div>
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全圖 東海道五十五....<br />
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<a href="http://www.japanfm.fr/article-6461-partirsur-la-route-du-tokaidopuis-rejoindreappel-a-lactionde-mr-et-pharrell-williams.html">http://www.japanfm.fr/article-6461-partirsur-la-route-du-tokaidopuis-rejoindreappel-a-lactionde-mr-et-pharrell-williams.html</a><br />
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梵谷<br />
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辛波絲卡(Wislawa Szymborska): The People On The Bridge;一首詩/思索辛波絲卡的命運</h3>
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<a href="https://en.wikipedia.org/wiki/Wis%C5%82awa_Szymborska" style="background: none rgb(248, 249, 250); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="">Wisława Szymborska</a><br />
5018.10.27<br />
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Utagawa Hiroshige 歌川広重 1797-1858<br />
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https://www.youtube.com/watch?v=qpDloaPywJs</div>
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503. The People On The Bridge - Wislawa Szymborska (1)</h3>
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(Hiroshige Utagawa: "The Landscape")<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1DqMAvQNeY_ah_yw4noMRH3mgby7APQ8UeVO9x0YXlAsUNTAQd6TWayon5bN99PjIG1DvtZZGfFzxdSCU8awN5BexuOLyy2v-Qr44mYojxV4U1IhZAhqnvlbufKkVm_0MGmzTJs88Dp0/s1600-h/The+Bridge.JPG" style="color: #993322; text-decoration-line: none;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5118973566912185474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1DqMAvQNeY_ah_yw4noMRH3mgby7APQ8UeVO9x0YXlAsUNTAQd6TWayon5bN99PjIG1DvtZZGfFzxdSCU8awN5BexuOLyy2v-Qr44mYojxV4U1IhZAhqnvlbufKkVm_0MGmzTJs88Dp0/s320/The+Bridge.JPG" style="background: rgb(255, 255, 255); border: none; box-shadow: rgba(0, 0, 0, 0.5) 1px 1px 5px; cursor: pointer; padding: 8px; position: relative;" /></a><br />
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Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh<br />
<br />
An odd planet, and those on it are odd, too.<br />
They're subject to time, but they won't admit it.<br />
They have their own ways of expressing protest.<br />
They make up little pictures, like for instance this:<br />
<br />
At first glance, nothing special.<br />
What you see is water.<br />
And one of its banks.<br />
And a little boat sailing strenuously upstream.<br />
And a bridge over the water, and people on the bridge.<br />
It appears that the people are picking up their pace<br />
because of the rain just beginning to lash down<br />
from a dark cloud.<br />
<br />
The thing is, nothing else happens.<br />
The cloud doesn't change its color or its shape.<br />
The rain doesn't increase or subside.<br />
The boat sails on without moving.<br />
The people on the bridge are running now<br />
exactly where they ran before.<br />
<br />
It's difficult at this point to keep from commenting.<br />
This picture is by no means innocent.<br />
Time has been stopped here.<br />
Its laws are no longer consulted.<br />
It has been relieved of its influence over the course of events.<br />
It has been ignored and insulted.<br />
<br />
On account of a rebel,<br />
one Hiroshige Utagawa<br />
(a being who, by the way,<br />
died long ago and in due course),<br />
time has tripped and fallen down.<br />
<br />
<br />
It might well be simply a trifling prank,<br />
an antic on the scale of just a couple of galaxies,<br />
let us, however, just in case,<br />
add one final comment for the record:<br />
<br />
For generations, it's been considered good form here<br />
to think highly of this picture,<br />
to be entranced and moved.<br />
<br />
There are those for whom even this is not enough.<br />
They go so far as to hear the rain's spatter,<br />
to feel the cold drops on their necks and backs,<br />
they look at the bridge and the people on it<br />
as if they saw themselves there,<br />
running the same never-to-be-finished race<br />
through the same endless, ever-to-be-covered distance,<br />
and they have the nerve to believe<br />
that this is really so.</div>
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Utagawa Hiroshige (1797-1858)<br />
Edo period (1615-1868), 1857<br />
An oban tate-e print<br />
Private collection</div>
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Hiroshige (1797–1858)<br />
"The moon over a waterfall</div>
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“Utagawa Hiroshige (歌川 広重), Heavy Rain on a Pine Tree, c. 1834. ”</div>
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[Haïku]</div>
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Brume et pluie<br />
Fuji caché. Mais cependant je vais<br />
Content.</div>
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霧しぐれ<br />
富士を見ぬ日ぞ<br />
面白き</div>
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- Matsuo Bashō (1644-1695)</div>
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Un haïku pour accompagner la vue de Shono, station de la route du Tokaido où s'abat le mauvais temps, et pour braver le vent et la baisse des températures en ce début de semaine. Bon lundi à tous ! <span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t41/2/16/1f390.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">🎐</span></span></div>
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Cinquante-trois relais du Tokaido<br />
Shono, Pluie d'orage (46e vue)</div>
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Utagawa Hiroshige (1797-1858)<br />
Japon, époque d’Edo, vers 1833-1834</div>
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Editeur : Takenouchi Magohachi (Hôeidô)<br />
Impression polychrome nishiki-e, format oban horizontal (env. 25 x 36 cm)</div>
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Fondation Jerzy Leskowicz, collection Leskowicz<br />
© Fondation Jerzy Leskowic</div>
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<span class="fbPhotosPhotoContext" id="fbPhotoSnowliftContext" style="font-family: inherit;"></span><span aria-live="polite" class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" style="display: inline; font-family: inherit; font-size: 15px; line-height: 18px; outline: none; width: auto;" tabindex="0">Everyone’s talking about the <a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/superbowl?epa=HASHTAG" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">#Superbowl</a> today, so here’s a superb owl from the collection! <span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t6b/1.5/16/1f989.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">🦉</span></span><span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t19/1.5/16/1f3c8.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">🏈</span></span><br /><br />This sleepy owl was made in the 19th century by Japanese artist Utagawa Hiroshige. The inscription is a haiku written in cursive script, which roughly translates as:<br /><br />‘The old maple <span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />looks rosy and refreshed<br />from end to end.’<br /><br />Hiroshige designed at least two prints with anwl taking a nap, so it seems to have been a popular theme <a data-lynx-mode="asynclazy" data-lynx-uri="https://l.facebook.com/l.php?u=http%3A%2F%2Fow.ly%2FA2vt30nvCNl%3Ffbclid%3DIwAR2SU--oG2V2_GecvYzGFL4tJxed1HsrTee6tCBaZY-hVBqZKfDB29KozsI&h=AT0RK_3XxyaL_BAyZS9vC3OMI4SXXQPSpuOQqtPBvcdQ6NA1jiWcuG00A8jHvRFI6_3IsIRj2kgKifF3dmykFDNHFZC0YAJoD7IJuhc3hxIQBMyDuSR_P7W5AfrMNOOpod50wWbLXA" href="http://ow.ly/A2vt30nvCNl?fbclid=IwAR2SU--oG2V2_GecvYzGFL4tJxed1HsrTee6tCBaZY-hVBqZKfDB29KozsI" rel="nofollow noopener" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="_blank">http://ow.ly/A2vt30nvCNl</a></span></span></div>
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<img alt="廣重TOKYO 名所江戶百景:與浮世繪大師一同尋訪今日東京的昔日名勝" class="cover" src="https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/001/079/71/0010797102.jpg&v=5b83e0bc&w=140&h=140" /><br />
廣重 Tokyo 名所江戶百景<br />
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<div class="mod type02_p002 clearfix" style="background-color: white; color: #333333; font-family: arial, helvetica, sans-serif, pmingliu; font-size: 13px; line-height: 1.38; margin: 0px 0px 10px; padding: 0px;">
<h1 style="font-size: 17.004px; margin: 0px; padding: 0px;">
廣重TOKYO 名所江戶百景:與浮世繪大師一同尋訪今日東京的昔日名勝</h1>
<h2 style="font-size: 13px; font-weight: normal; margin: 0px; padding: 0px;">
<a href="https://search.books.com.tw/search/query/cat/all/key/%E5%BA%83%E9%87%8DTOKYO%E3%80%80%E5%90%8D%E6%89%80%E6%B1%9F%E6%88%B8%E7%99%BE%E6%99%AF" style="color: #333333; outline: none;">広重TOKYO 名所江戸百景</a></h2>
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<div class="type02_p003 clearfix" style="background-color: white; line-height: 1.7; margin: 0px; padding: 0px; position: relative;">
<ul style="color: #666666; font-family: arial, helvetica, sans-serif, pmingliu; font-size: 13px; margin: 0px; padding: 0px;">
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">作者: <a href="https://search.books.com.tw/search/query/key/%E5%B0%8F%E6%B1%A0%E6%BB%BF%E7%B4%80%E5%AD%90/adv_author/1/" style="color: #333333; outline: none;">小池滿紀子</a>, <a href="https://search.books.com.tw/search/query/key/%E6%B1%A0%E7%94%B0%E8%8A%99%E7%BE%8E/adv_author/1/" style="color: #333333; outline: none;">池田芙美</a> <a class="type02_btn02" href="https://www.blogger.com/null" id="trace_btn1" style="background: none; border: none; color: #333333; cursor: pointer; display: inline-block; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; outline: none; overflow: visible; padding: 0px; white-space: nowrap;"><span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") right -300px no-repeat; display: block; height: 20px; padding-right: 8px;"><span class="trace_txt" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 0% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") left -300px no-repeat; display: block; height: 20px; line-height: 20px; padding-left: 8px; padding-right: 0px;"><br /></span></span></a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">譯者: <a href="https://search.books.com.tw/search/query/key/%E9%BB%83%E5%8F%8B%E7%8E%AB/adv_author/1/" style="color: #333333; outline: none;">黃友玫</a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版社:<a href="https://www.books.com.tw/web/sys_puballb/books/?pubid=jog" style="color: #333333; outline: none;">遠足文化</a> <a class="type02_btn02" href="https://www.blogger.com/null" id="trace_btn2" style="background: none; border: none; color: #333333; cursor: pointer; display: inline-block; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px; outline: none; overflow: visible; padding: 0px; white-space: nowrap;"><span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") right -300px no-repeat; display: block; height: 20px; padding-right: 8px;"><span class="trace_txt" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 0% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") left -300px no-repeat; display: block; height: 20px; line-height: 20px; padding-left: 8px; padding-right: 0px;"><br /></span></span></a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版日期:2018/</li>
</ul>
<div>
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="color: #666666; font-size: 13px;">台灣這本書,缺點之一是消滅"江戶",用"</span><span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="color: #666666;"><span style="font-size: 13px;">Tokyo" 取代。</span></span></div>
<div>
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="color: #666666;"><span style="font-size: 13px;">西方可能有好幾本廣重江戶 名所將護百景。印刷更豪華。</span></span></div>
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="color: #666666;"><span style="font-size: 13px;">然而,《廣重 Tokyo 名所江戶百景》說明更好。</span></span></div>
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舉一例:</div><div><br /></div><div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div class="pybr56ya dati1w0a hv4rvrfc n851cfcs btwxx1t3 j83agx80 ll8tlv6m" style="align-items: flex-start; display: flex; flex-direction: row; font-family: inherit; margin-bottom: 12px; padding-left: 16px; padding-right: 16px; padding-top: 12px;"><div class="buofh1pr" style="flex-grow: 1; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span id="jsc_c_20j" style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div aria-label="1 分鐘" class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" role="button" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;"><span aria-labelledby="jsc_c_20p" class="gpro0wi8 j1lvzwm4 stjgntxs ni8dbmo4 q9uorilb" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; font-weight: 600; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;">剛剛</span></span></span></span></div></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><div class="taijpn5t pq6dq46d bp9cbjyn" style="align-items: center; display: inline-flex; font-family: inherit; justify-content: center;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="l9j0dhe7" style="font-family: inherit; 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box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><i class="hu5pjgll m6k467ps sp_mXKGRU8VcJv_2x sx_63b946" style="background-image: url("/rsrc.php/v3/y5/r/_B3VnVpGob2.png"); background-position: 0px -201px; background-repeat: no-repeat; background-size: 25px 770px; display: inline-block; filter: var(--filter-secondary-icon); height: 20px; vertical-align: -0.25em; width: 20px;"></i><div class="s45kfl79 emlxlaya bkmhp75w spb7xbtv i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: 50%; bottom: -8px; font-family: inherit; inset: -8px; left: -8px; opacity: 0; pointer-events: none; position: absolute; right: -8px; top: -8px; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_20k" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">湯島聖堂;昌平橋聖堂神田川 廣重 名所江戸百図1857;胡適海外買書記 湯島聖堂 1953;漢寶德 東京孔廟 198?</div></div></span></div></div></div></div><div class="l9j0dhe7" id="jsc_c_20l" style="font-family: inherit; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div style="font-family: inherit;"><div class="b3i9ofy5 l9j0dhe7" style="background-color: var(--comment-background); font-family: inherit; position: relative;"><div class="j83agx80 soycq5t1 ni8dbmo4 stjgntxs l9j0dhe7" style="display: flex; font-family: inherit; line-height: 0; overflow: hidden; position: relative;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 datstx6m k4urcfbm" href="https://hushihhc.blogspot.com/2020/09/1857.html?fbclid=IwAR0g2YqNXoZMhvMFiZdnwvNCvlZeHHRr-SHWF66BRgcXvid3qFsz97II0g8" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; 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position: relative;"><span dir="auto" style="font-family: inherit;">湯島聖堂;昌平橋聖堂神田川 廣重 名所江戸百図1857;胡適海外買書記 湯島聖堂 1953;漢寶德 東京孔廟 198?</span></span></span></div></div></div></div></div></div></a></div></div></div></div></div><div><br /></div><div><br /></div><div><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDq7Zsm3UmkVgZVUu1QN4FeF83kamUwxkfFXYyN8o92PV5v6UX739D9EVam6PqR-9Tl47hJL1b1AgGC5_4cuFz4FLbzsqHOj9z6GgrajHQAQbbFpy7pRCPCA_yTVLo1yYxxhYZoRoFz9a/s1600/img609.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1160" data-original-width="1600" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDq7Zsm3UmkVgZVUu1QN4FeF83kamUwxkfFXYyN8o92PV5v6UX739D9EVam6PqR-9Tl47hJL1b1AgGC5_4cuFz4FLbzsqHOj9z6GgrajHQAQbbFpy7pRCPCA_yTVLo1yYxxhYZoRoFz9a/s320/img609.jpg" width="320" /></a></div>
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<strong>★2018浮世繪名師歌川廣重逝世160周年紀念★</strong></div>
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<strong>從對景物的描寫,一睹日本版畫藝術的巔峰</strong></div>
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<strong>完整收錄歌川廣重晚年代表作《名所江戶百景》全系列119幅作品與解說</strong></div>
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<strong>一場超越時空的江戶風景之旅,帶你重遊幕末江戶的名勝美景</strong></div>
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<strong>發掘畫作背後的歷史足跡與趣聞軼事</strong></div>
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<strong>【記錄幕末風景的代表性繪師——歌川廣重】</strong></div>
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出生於消防世家的歌川廣重(1797-1858)於15歲時開始學習繪畫,擅於寫生的他在作品中除了風景,也記錄下百姓的日常生活,並善用多種技巧呈現鮮明的季節變換,讓人彷彿穿越時空,身歷其境。描寫了東海道(連通江戶與京都的主要幹道)沿途宿場(類似驛站)風景的《東海道五拾三次之內》系列堪稱其不朽名作,《名所江戶百景》則是廣重晚年剃髮出家後另一創作巔峰,在民眾間廣受好評,是當時與葛飾北齋(1760-1849)齊名的風景版畫大師。</div>
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<strong>【透過遊覽紙上名勝,輕鬆探索浮世繪的奧妙】</strong></div>
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<strong>◆品味平易近人卻匠心獨具的浮世繪藝術</strong></div>
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起源於17世紀的浮世繪是足以代表日本傳統藝術文化的繪畫形式,舉凡人物、風景、歷史和戲劇,人世間的生活百態都可以是浮世繪的表現題材。由於可以大量印刷而在大眾間迅速普及,並於江戶時代迎來鼎盛期。其中在19世紀初以葛飾北齋的名作《富嶽三十六景》為首開始盛行稱為「名所繪」的風景畫形式,不僅滿足了當時與遊山玩水無緣的百姓對名山秀水的憧憬,也作為一種旅遊導覽而廣受歡迎。浮世繪鮮活、不受拘束又極具感染力的藝術風格,甚至遠渡重洋引起不少西方畫家與藝術愛好者的熱烈追捧;其製作工藝之精,表現範圍之廣,至今仍值得人們去細細琢磨。</div>
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<strong>◆收錄江戶各地季節美景的《名所江戶百景》系列</strong></div>
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由廣重創作的《名所江戶百景》描繪了江戶在不同季節的風景名勝,堪稱是名所繪中完成度最高的作品。變化多端的視角與遠近景的極端取捨在視覺上帶來全新的體驗,同時活用多種木版印刷技法,營造出光影甚至是凹凸變化,讓畫面更顯生動,令人不禁讚嘆製作者的巧思。書中所收皆出自20世紀日本商人原安三郎的收藏,包含梵谷曾臨摹的〈大橋安宅夕立〉、〈龜戶梅屋舖〉在內,全都是珍貴且保存狀態極佳的初摺(首批印刷的版本)版畫,比起為節省工時而在色彩表現上變得相對簡略的後摺(再刷版本),更能完整呈現繪師最原始的創作初衷。</div>
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<strong>【跟隨浮世繪大師的視角,看見今日東京的昔日風情】</strong></div>
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<strong>◆淺草、上野、日本橋、新宿……發掘近代東京的風景變遷,旅行風光趣味倍增</strong></div>
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書中除了帶領讀者欣賞廣重的構圖和色彩細節,也解說與景物相關的由來典故,並將這些場所按照地區分類,搭配現代地圖及照片,以便讀者實際前往探訪至今留存在東京某處的江戶遺址,進而發現人們熟悉的「TOKYO」與眾不同的一面。</div>
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<strong>◆尋訪凝聚於廣重筆下的江戶人情百景</strong></div>
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廣重生活的江戶並不總是風光明媚,生活上多有辛苦。然而他所描繪的江戶卻是如此愜意優美,不但沒有表現出逆境,更能透過觀察風景中的人物找到幾分樂趣。不論是船上只有剪影的藝伎、與小狗玩耍的孩童還是高掛空中的風箏,每一幅景色與人物都有獨自的寓意,成為作品最耐人尋味之處。讀者不妨從細部觀察,找出對作品獨到的見解與詮釋。</div>
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<strong>本書特色</strong></div>
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◆台灣第一本介紹歌川廣重作品的入門書籍,全彩收錄119幅初版印刷的《名所江戶百景》+目錄,完整解說畫中景物、相關典故及使用技法</div>
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◆全圖附加作品所描繪地點的地圖與照片,感受對照今昔的樂趣</div>
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◆鑑賞浮世繪不可不知的基礎知識與技法入門</div>
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◆本書裝訂採用PUR膠裝,使書冊能夠平整地展開於桌面上,更便於讀者閱讀與賞析</div>
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作者介紹</h3>
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<strong>作者簡介<br /><br />小池滿紀子 Koike Makiko</strong><br />
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生於山梨縣,畢業於都留文科大學文學部國文系。曾任櫛形町立春仙美術館(現南阿爾卑斯市立美術館)學藝員,現任中外產業株式會社美術負責人、公益社團法人川崎砂子之里資料館理事、國際浮世繪學會理事。共著及論文有《日本近代繪畫》(Brain出版)、〈甲州谷村的浮世繪〉(《浮世繪的現在》,勉誠出版)、《月岡芳年 魁題百撰相》(二玄社)、〈浮世繪中的川崎與高僧〉(《同行二人》,Art Days)等。主要負責策劃的展覽有「橫濱浮世繪」展(橫濱高島屋)、「原安三郎藏品 廣重Vivid」展(三得利美術館及其他)等。<br />
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<strong>池田芙美 Ikeda Fumi </strong><br />
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生於福岡縣,三得利美術館學藝員。東京大學人文社會系研究科碩士。二〇〇八年起擔任現職,專門研究日本近世繪畫史。主要論文有〈英一蝶《四季日待圖卷》釋義〉(《風俗繪畫的文化學II》,思文閣出版)。主要負責策展的展出有「歌麿、寫樂的幕後推手 其名為蔦屋重三郎」展、「老爺和狗都去旅行 廣重.東海道五拾三次——以保永堂版.隸書版為中心——」展、「逆境的繪師 久隅守景 對熟悉之物的視線」展、「原安三郎藏品 廣重Vivid」展等。二〇一三年獲得第二十回鹿島美術財團賞。<br />
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<strong>譯者簡介<br /><br />黃友玫</strong><br />
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一九七四年生,畢業於日本愛知縣立藝術大學,主修多媒體設計;作品曾獲選為愛知縣長久手町文化之家舞臺布幔。現為專職翻譯,具有日文檢定一級資格,及中國生產力中心「中日同步口譯研習班」結業。<br />
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譯有藝術大師世紀畫廊叢書多本,《不為設計而設計=最好的設計》、《繪畫的教室》、《問出世界名畫大秘密》、《安野光雅寫給大家的七堂繪畫課》、《有故事的昭和現代建築(西日本篇)》、《美術館,原來如此》等。</div>
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目錄</h3>
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《名所江戶百景》——廣重生活的江戶<br />
如何使用本書<br />
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<strong>日本橋‧霞之關一帶</strong><br />
日本橋雪晴<br />
日本橋江戶橋<br />
駿河町<br />
日本橋通一丁目略圖<br />
八見橋<br />
鎧之渡船頭小網町<br />
大傳馬町木棉店<br />
大傳馬町吳服店<br />
神田紺屋町<br />
馬喰町初音馬場<br />
市中繁榮七夕祭<br />
京橋竹河岸<br />
比丘尼橋雪中<br />
山下町日比谷外櫻田<br />
外櫻田弁慶堀糀町<br />
糀町一丁目山王祭遊行<br />
霞之關<br />
虎之門外葵坂<br />
赤坂桐畑雨中夕景<br />
赤坂桐畑<br />
紀伊國坂赤坂溜池遠景<br />
市谷八幡<br />
<br />
<strong>兩國‧淺草‧上野一帶</strong><br />
兩國橋大川端<br />
兩國花火<br />
淺草川大川端宮戶川<br />
兩國回向院元柳橋<br />
淺草川首尾之松御廄河岸<br />
御廄河岸<br />
駒形堂吾嬬橋<br />
吾妻橋金龍山遠望<br />
淺草金龍山<br />
真乳山山谷堀夜景<br />
墨田河橋場渡船頭瓦窯<br />
猿若町夜景<br />
吉原日本堤<br />
廓中東雲<br />
淺草田甫酉之町詣<br />
上野清水堂不忍池<br />
上野山內月之松<br />
上野山下<br />
下谷廣小路<br />
湯島天神坂上眺望<br />
神田明神曙之景<br />
筋違內八小路<br />
昌平橋聖堂神田川<br />
水道橋駿河台<br />
千駄木團子坂花屋敷<br />
日暮里寺院林泉<br />
日暮里諏訪台<br />
簑輪金杉三河島<br />
<br />
<strong>佃島‧深川‧向島一帶</strong><br />
永代橋佃島<br />
佃島住吉祭<br />
鐵炮洲築地門跡<br />
鐵炮洲稻荷橋湊神社<br />
三叉分流處<br />
大橋安宅夕立<br />
深川萬年橋<br />
深川八幡山開<br />
深川三十三間堂<br />
深川木場<br />
深川洲崎十萬坪<br />
砂村元八幡<br />
小奈木川五本松<br />
五百羅漢榮螺堂<br />
中川口<br />
逆井渡口<br />
龜戶天神境內<br />
龜戶梅屋舖<br />
吾嬬之森連理梓<br />
柳島<br />
小梅堤<br />
請地秋葉境內<br />
<br />
<strong>品川‧大森‧目黑‧新宿一帶</strong><br />
愛宕下藪小路<br />
芝愛宕山<br />
芝浦風景<br />
增上寺塔赤羽根<br />
芝神明增上寺<br />
金杉橋芝浦<br />
高輪牛町<br />
月之岬<br />
品川洲崎<br />
品川御殿山<br />
南品川鮫洲海岸<br />
八景坂鎧掛松<br />
蒲田梅園<br />
羽田渡口弁天神社<br />
千束之池袈裟懸松<br />
目黑元不二<br />
目黑新富士<br />
目黑爺爺茶屋<br />
目黑千代池<br />
目黑太鼓橋夕日之岡<br />
廣尾古川<br />
四之谷內藤新宿<br />
玉川堤之花<br />
角筈熊野十二社俗稱十二所<br />
高田馬場<br />
高田姿見橋俤之橋砂利場<br />
關口上水端芭蕉庵椿山<br />
井之頭之池弁天神社<br />
<br />
<strong>江戶川‧隅田川上游‧王子一帶</strong><br />
真間紅葉手古那神社繼橋<br />
鴻之台利根川風景<br />
利根川分散松<br />
堀江貓實<br />
由真崎邊看水神之森內川關屋之里圖<br />
隅田川水神之森真崎<br />
木母寺內川御前栽畑<br />
綾瀨川鐘之淵<br />
堀切菖蒲園<br />
四之木通用水引舟<br />
新宿渡口<br />
千住大橋<br />
川口渡口善光寺<br />
飛鳥山北眺望<br />
王子音無川堰埭世俗稱大瀧<br />
王子不動之瀧<br />
王子瀧之川<br />
王子稻荷社<br />
王子裝束榎木大晦日狐火<br />
<br />
目錄 一立齋廣重一世一代 江戶百景<br />
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浮世繪 技法解說<br />
原安三郎與浮世繪收藏<br />
歌川廣重<br />
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Considered the last great master of the ukiyo-e genre (“pictures of the floating world”), the Japanese artist Utagawa Hiroshige (1797–1858) was a hugely influential figure, not only in his homeland but also on Western painting.</div>
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Towards the end of the nineteenth century, as a part of the trend in “Japonism”, European artists such as Monet, Whistler, and Cézanne, looked to Hiroshige’s work for inspiration, and a certain Vincent van Gogh was known to paint copies of his prints.</div>
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Hiroshige was born in 1797 to a samurai family in Edo (modern Tokyo).</div>
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After his parents died, around the age of fourteen, Hiroshige began to take up painting and studied for several years under the artist Toyohiro. During this period he produced many works reflecting traditional ukiyo-e themes such as women and actors, but upon Toyohiro’s death in 1928 he underwent a pronounced shift toward the landscapes for which he is best known today, as well as bird and flower images. His most famous series include Famous Views of the Eastern Capital (1831), The Fifty-three Stations of the Tōkaidō (1833–1834), The Sixty-nine Stations of the Kisokaidō (1834–1842) and Thirty-six Views of Mount Fuji (1852–1858).</div>
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In 1856, around the age of 60, Hiroshige “retired from the world”, becoming a Buddhist monk. Two years later he passed away (during the great Edo cholera epidemic, though it’s not known if this was the cause of death) and was buried in a Zen temple in Asakusa. Just before his passing, he wrote the following poem:</div>
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I leave my brush in the East<br />
And set forth on my journey.<br />
I shall see the famous places in the Western Land.</div></div></div></div></div>
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</div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-78251722601011580912024-01-18T17:10:00.000-08:002024-01-18T17:10:46.738-08:002024年重讀《羅浮宮私人辭典》未來: “盲人體驗” 日本阿含宗 。貝聿銘、金字塔之爭。十八世紀巴黎風俗寫真"大畫師。 漢清講堂:大羅孚計畫金字塔完成30年紀念 2019.5.30 :I. M. Pei (貝聿銘) : Mandarin of Modernism <div><br /></div><div><br /></div><div><br /></div><div><p>2024年重讀《羅浮宮私人辭典》未來: “盲人體驗” 日本阿含宗 。貝聿銘、金字塔之爭。十八世紀巴黎風俗寫真"大畫師。 </p><p> </p><p>感動 (110) 《羅浮宮私人辭典》羅浮宮的未來:</p><p> “盲人體驗” 日本阿含宗 。</p><p>貝聿銘、金字塔之爭。</p><p>十八世紀巴黎風俗寫真"大畫師。 <span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px;">加布里埃爾·雅克·德·聖歐班 Gabriel de Saint-Aubin, 1724~80 </span><span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-size: 22px;">《羅浮宮私人辭典》</span><span style="font-size: 22px;">說他留下上萬張以上</span></span></p><div><span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-size: 22px;">https://hccart.blogspot.com/2024/01/gabriel-de-saint-aubin-172480.html</span></span></div><div><span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-size: 22px;"><br /></span></span></div><p>日本阿含宗 羅浮宮私人辭典未來 “盲人”。貝聿銘。金字塔之爭日。十八世紀巴黎風俗寫真</p></div><div><br /></div><div><br /></div><br />
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大羅孚計畫金字塔完成30年紀念 2019.5.30 :I. M. Pei (貝聿銘) 102歲;I.M. Pei: Mandarin of Modernism 《貝聿銘-現代主義泰斗》<br />
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我在籌劃一討論會:大羅孚計畫金字塔完成30年紀念2019.5.30 :I. M. Pei (貝聿銘) 102歲<br />
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2019年4月11日,漢清講堂有一天/幾場的座談/presentations--敬邀您們參加。<br />
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<a href="https://www.facebook.com/museedulouvre/photos/a.234367634925/10156259735889926/?type=3&eid=ARAgNv2xfY1uqzc_X7ELK9WIgIWkNnseg97z84-Guj8D2gWdzpJy2lUmI9g5NGLI13vOEUAOXxHZp76_&__xts__%5B0%5D=68.ARC1DsV-Valy4FakMrLzl-PIMOnZShiXuTRlMsaz-8TJ2O2zfmqgyg8ZSJzNOA0S6UUGw2RI9lDThfAowJz4EJ_vQuCtt9L5z1j0cVLbKwvZmNpAh2xTvpe1EX_T7N7nClSji2Edr4kT89tKYsicszODkMyErklmZmLMtTjDg0bRqtLPltjBzoxC-BnlnEgFpLgOt7JG58Y8FxPr8xjoDvtU7OOslCzss6d4z175qPPsLCx7ge1zXXsgXRil8p2xXOeDcqTSfFJTFzYUWUCPzPMEiIcBWWGPwLKn7QTLYTP-0Zyd87yYemg3jUQpI1AgqHzVJdjJLlH7qpUg8_mEYw&__tn__=EHH-R"></a><br />
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<a href="https://www.facebook.com/museedulouvre/photos/a.234367634925/10156259735889926/?type=3&eid=ARAgNv2xfY1uqzc_X7ELK9WIgIWkNnseg97z84-Guj8D2gWdzpJy2lUmI9g5NGLI13vOEUAOXxHZp76_&__xts__%5B0%5D=68.ARC1DsV-Valy4FakMrLzl-PIMOnZShiXuTRlMsaz-8TJ2O2zfmqgyg8ZSJzNOA0S6UUGw2RI9lDThfAowJz4EJ_vQuCtt9L5z1j0cVLbKwvZmNpAh2xTvpe1EX_T7N7nClSji2Edr4kT89tKYsicszODkMyErklmZmLMtTjDg0bRqtLPltjBzoxC-BnlnEgFpLgOt7JG58Y8FxPr8xjoDvtU7OOslCzss6d4z175qPPsLCx7ge1zXXsgXRil8p2xXOeDcqTSfFJTFzYUWUCPzPMEiIcBWWGPwLKn7QTLYTP-0Zyd87yYemg3jUQpI1AgqHzVJdjJLlH7qpUg8_mEYw&__tn__=EHH-R"><img src="https://scontent.ftpe1-2.fna.fbcdn.net/v/t1.0-0/p180x540/48395070_10156259735894926_8738667084667420672_o.png?_nc_cat=108&_nc_ht=scontent.ftpe1-2.fna&oh=adfd9aaa77c5a10bfe27ecc67aff310b&oe=5C8BADF4" /></a><br />
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<a href="https://www.facebook.com/museedulouvre/photos/a.234367634925/10156259735889926/?type=3&eid=ARAgNv2xfY1uqzc_X7ELK9WIgIWkNnseg97z84-Guj8D2gWdzpJy2lUmI9g5NGLI13vOEUAOXxHZp76_&__xts__%5B0%5D=68.ARC1DsV-Valy4FakMrLzl-PIMOnZShiXuTRlMsaz-8TJ2O2zfmqgyg8ZSJzNOA0S6UUGw2RI9lDThfAowJz4EJ_vQuCtt9L5z1j0cVLbKwvZmNpAh2xTvpe1EX_T7N7nClSji2Edr4kT89tKYsicszODkMyErklmZmLMtTjDg0bRqtLPltjBzoxC-BnlnEgFpLgOt7JG58Y8FxPr8xjoDvtU7OOslCzss6d4z175qPPsLCx7ge1zXXsgXRil8p2xXOeDcqTSfFJTFzYUWUCPzPMEiIcBWWGPwLKn7QTLYTP-0Zyd87yYemg3jUQpI1AgqHzVJdjJLlH7qpUg8_mEYw&__tn__=EHH-R"></a><br />
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https://fr.wikipedia.org/wiki/Pyramide_du_Louvre<br />
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<br /><a href="https://www.facebook.com/museedulouvre/?__tn__=kC-R&eid=ARAKDhHoS-WQKzUttshRu1LUZHWbJNK0LDF4M01SFluD1UAZ_t9EW9QYUA7rIa_A4TwJRArfTbVTE7Uj&hc_ref=ARQdQdNi9suyGzqAKmjOtN11QfmJLxI_TwjR4pbfyeTrpD86FIiFIRG1QVYkr1s2QYU&fref=nf&__xts__%5B0%5D=68.ARC2piE-nXbMYwfZ8JsM34kFErlIkpJQ6tEsUK9f3eZ3ElroOqWNzRmn4KUFvH-8oHGMYGZ45n9PVMHtqC0UXbjh80rv3_jlp7jG5MjXW3tnq2XSvMIXhfbhx6KySBRG53P4VDQTL06WgWgxfNlVsjd6fGI7kwBoGWf2_RHTuu4LOVO46dfFAfpVXwfuIcjYQD-G726PKvwghzIifBH4JFBmMIdkQx4yuZwPjbMzmAkPXERp_5TPYcoltV3xURxD39TOISJVGNOUIzHbmmmZNlEdg586poRj0rKs3_GuDMYymX0R5oti8GOjOxuhk-fImaQqUE-YBclEg6jMiRm9gdcqUrFaAF0fx2XA74ZUsphAng">Musée du Louvre</a> <br /> <br /> <a href="https://www.facebook.com/#"></a> <br /> <br /> ❄ Snow fell silently on the Louvre this morning! The cour Napoléon, the roof of the Islamic Arts department, and the arc du Carrousel are wearing a pretty white coat... <br /><br /> ----
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<span style="color: #33aaff; font-size: 22px;">Pierre Rosenberg《盧浮宮私人詞典.金字塔之爭》2014,華東師範大學出版社,526~28</span></div>
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貝聿銘-現代主義泰斗(I. M. Pei- Mandarin of Modernism )-</div>
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麥可.坎奈爾著</div>
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蕭美惠譯</div>
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智庫股份有限公司出版日期:1996/02</div>
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《貝聿銘-現代主義泰斗》</div>
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貝聿銘</div>
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貝聿銘所到之處都引人注意。儘管它長袖善舞、八面玲瓏,與企業大老闆、藝術家和國家元首交情匪淺,私底下的貝聿銘仍是難以捉摸的。恍如童年時代四面高牆的祖宅,它的內心世界不是西方人所能了解的;;即使是他以前的合夥人也表示不曾真正跟他親近過。解開這謎團的線索就在上海複雜的社會階級,甚至在古老庭園的石頭和潺潺流水之間。</div>
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這是一本有關建築物和權力、移民和同化、美式奔放和中式收斂、實用主義和華麗報導、東方和西方的傳記。書中附有珍貴照片幾十幀,均為貝聿銘和世界名人合照及其代表性建築作品:如中國香山飯店、香港中銀大廈、甘迺迪紀念圖書館、美國國家藝廊東廂、巴黎羅浮宮金字塔等膾炙人口的經典之作。 </div>
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作者簡介</div>
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麥可.坎奈爾</div>
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畢業於普林斯敦大學和哥倫比亞大學新聞學院,曾供稿紐約客、時代、新聞週刊、紐約時報雜誌、運動畫報和國際合眾社。目前與妻子住在紐約。</div>
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譯者簡介</div>
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蕭美惠</div>
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國立政治大學西洋語文學系畢業,現任報社國際祖召集人。</div>
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目錄</div>
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貝聿銘-現代主義泰斗-目錄</div>
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一位最傑出的同學----貝聿銘 王大閎</div>
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前言</div>
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第一章 <b>金字塔之夜 </b></div>
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第二章 上海與蘇州</div>
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第三章 一名劍橋的中國留學生</div>
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第四章 我們將改變這一切</div>
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第五章 未能實現的諾言</div>
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第六章 甘迺迪的祝福</div>
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第七章 成立建築師事務所</div>
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第八章 柯普利廣場上的窗戶</div>
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第九章 美國最敏感的地帶</div>
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第十章 不朽的建築</div>
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第十一章 辯護</div>
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第十二章 回歸中國</div>
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第十三章 壞風水</div>
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第十四章 尾聲----</div>
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The Louvre pyramid is a pyramid made of glass and metal in the middle of the Cour Napoléon of the Louvre museum in Paris. It houses the main entrance to the museum. It was inaugurated by President François Mitterrand on March 4, 19881.<br />
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Commissioned by François Mitterrand in 1983, the pyramid was designed by Chinese-American architect IM Pei. The metal structure that supports the glass cladding is made of steel and aluminum and weighs 200 tons; it is 21.64 meters on a square base of 35.42 meters. It is covered with 603 diamonds and 70 glass triangles and is the first large building to use laminated glass.<br />
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Although the pyramid has aroused great controversy at the presentation of his project in 1984, it became the beginning of the twenty-first century the third work of the Louvre's most popular after the Mona Lisa and the Venus de Milo2.<br />
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Summary<br />
1 Background<br />
1.1 An idea from the 19th century<br />
1.2 Conduct of the proposal<br />
1.3 Construction<br />
2 Controversies<br />
3 Architecture<br />
3.1 The Louvre Pyramid<br />
3.2 The inverted pyramid<br />
3.3 The prowess of transparency<br />
4 Popular culture<br />
4.1 The Louvre meridian<br />
5 Projects and renovation works<br />
5.1 New lighting<br />
5.2 Project "Pyramid"<br />
6 Notes and references<br />
7 See also<br />
7.1 Bibliography<br />
7.2 Related article<br />
7.3 External links<br />
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Context<br />
On September 24, 1981, the President of the Republic François Mitterrand announced at a press conference his intention to install the Louvre Museum in the entire palace, a part then being occupied by the Ministry of Finance. The goal of Mitterrand is to make the Louvre a "mass museum", to initiate a museum revolution 3. In October 1982, Émile Biasini is named responsible for the Grand Louvre project which is part of the Grands Travaux (Big Operations). Architecture and Urbanism) whose idea was launched on July 27, 1981. Without resorting to the procedure of the architectural competition or the call for tenders, François Mitterrand chose the architect Ieoh Ming Pei who accepted the commissioned in June 1983 and proposed a plan to use the Napoleon courtyard as a new central entrance (a central lobby was a long-needed improvement to facilitate public access through the front door of the building). Denon wing, insufficient entry for such a project), which would give access not only to the existing rooms, but also to the spaces liberated from the Richelieu wing4.<br />
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An idea from the nineteenth century<br />
A pyramid in the Napoleon courtyard was initially proposed for the celebrations of the French Revolution, especially for the centenary (cyclopean pyramid project of the architect Louis Ernest Lheureux of neo-Aztec style, for 18895). We also find this idea in a small booklet "Memoirs on two great obligations to be filled by the French" written by Bernard François Balzac and published in 1809. One of these obligations was to raise, in the courtyard of the Louvre, a pyramid that would be a national monument of recognition to the Emperor (Napoleon). It is possible that the architect Ieoh Ming Pei was made aware of this proposal when he chose the shape of a pyramid.<br />
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Conduct of the proposal<br />
In the first project presented to François Mitterrand by Ieoh Ming Pei on June 21, 1983, the pyramid is integrated into his final project in 1984: the goal is to build a large, bright entrance hall with a shape that contrasts with the surrounding buildings7.<br />
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Marcel Herfray, the government commissioner and head of the central administration, is the legal director of the operation.<br />
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An idea from the nineteenth century<br />
A pyramid in the Napoleon courtyard was initially proposed for the celebrations of the French Revolution, especially for the centenary (cyclopean pyramid project of the architect Louis Ernest Lheureux of neo-Aztec style, for 18895). We also find this idea in a small booklet "Memoirs on two great obligations to be filled by the French" written by Bernard François Balzac and published in 1809. One of these obligations was to raise, in the courtyard of the Louvre, a pyramid that would be a national monument of recognition to the Emperor (Napoleon). It is possible that the architect Ieoh Ming Pei was made aware of this proposal when he chose the shape of a pyramid.<br />
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Conduct of the proposal<br />
In the first project presented to François Mitterrand by Ieoh Ming Pei on June 21, 1983, the pyramid is integrated into his final project in 1984: the goal is to build a large, bright entrance hall with a shape that contrasts with the surrounding buildings7.<br />
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Marcel Herfray, the government commissioner and head of the central administration, is the legal director of the operation.<br />
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Construction<br />
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The pyramid in 1987<br />
The pyramid of the Louvre was built between 1985 and 1989. It was first inaugurated on March 4, 19881 by François Miterrand, then a second time on March 29, 1989: on the occasion of the opening to the public, a more modest ceremony , with ribbon cut, was held in the presence of the President 8.<br />
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controversies<br />
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Comparison of approximate profiles of notable monuments of pyramidal or almost pyramidal shape.<br />
The official announcement of the project took place at the hearing of Mr. Pei January 23, 1984 before the National Commission of Historic Monuments, which he is disconcerted in front of the perplexity of the members of the Commission. The project is made public the next day in a headline of France-Soir titrant: "The new Louvre is already scandal". Published on the front page of the daily, the photo of the pyramid is controversial. Much of the press is also hateful: "Zero degree of architecture" according to Pierre Vaisse du Figaro, "Call for insurrection" for Jean Dutourd9,10. Opponents of the project, such as the art historian André Fermigier (who personally nicknamed the project "The zircon") then compare the pyramid to a "House of the dead" to a "funnel", evoking alternately this object everything<br />
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Architecture<br />
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Night view on the big pyramid and the little one, on the left.<br />
The Louvre pyramid<br />
The pyramid is not placed on the historical axis of Paris. But the "Great Pyramid" is not alone: it is indeed surrounded by three smaller replicas constituting skylights and a fifth pyramid, inverted, built under the Carrousel du Louvre.<br />
<br />
It consists of a 95-tonne steel structure and a 105-tonne aluminum chassis. Its structure is composed of a mesh of 2,100 nodes, 6,000 bars, 603 diamonds22 and 70 triangles of glass whose glazing has a thickness of 21 mm. In reality, there are few real diamonds, most of the pieces are parallelograms that are almost diamonds and which, in perspective, give the impression of being lozenges23. Its surface at the base is 1,254 m2, the width of its square of 35,42 meters. It measures 21.64 meters in height while the three replicas, surrounding the main pyramid lined with triangular water basins, make only five. The fifth is seven meters high24.<br />
<br />
The inverted pyramid<br />
Main article: Inverted pyramid of the Louvre.<br />
The inverted Pyramid of the Louvre is built in the same constructive logic but with only 7 triangles at the base of each face. It consists of 84 diamonds and 28 triangles.<br />
<br />
This reversed pyramid can not be directly in contact with the outside because the water would accumulate there, it is covered by a glazed surface of the same almost flat type, hidden at the level of the natural ground by the hedges in the center of the place of the Carrousel.<br />
<br />
The prowess of transparency<br />
The architect had the requirement that the glass that composes the facets of the construction is as transparent as possible. But at the time this represented a technical challenge that remained to be realized.<br />
<br />
Indeed, any glass contains impurities that have the property of absorbing more light as the glazing is thicker23. The main contributors to this absorption of light are the heavy metals that are incorporated into the raw material during the melting of the glass. That's why it was very difficult to meet the requirements of the architect and deliver a glass as colorless as possible despite the 2.1 cm thick plates.<br />
<br />
I.M.Pei rejected the idea of using techniques capable of neutralizing iron oxides including, for example, the addition of arsenic, because he knew that they solarize over time23; too exposed to the sun, they turn yellow and turn brown.<br />
<br />
The French glassware company that won the contract opted for the supply of a type of glass that is not sensitive for this purpose.<br />
<br />
In order to meet the challenge, the engineers of this company produced a glass-float using the technique of an electric furnace, consisting of graphite electrodes, or molybdenum23.<br />
<br />
Popular culture<br />
The pyramid has 673 glass panels, a number close enough to 666 to feed the esoteric interpretations. An urban legend wants this number of 666 glass panels was chosen at the "express request" of President Mitterrand, 666 being according to the Apocalypse, the "Figure of the Beast". This controversy resumed in 2003 with the release of Dan Brown's novel Da Vinci Code (Chapter 4).<br />
<br />
With some calculations and based on a photograph of the face of the building with the entrance, it is however easy to confirm the account of 673 plates. Counting the number of plates along an edge connected to the top of the pyramid gives us 18 plates. The pyramid being regular, this number is the same for each edge and allows us to calculate the number of plates per full face: indeed, it is easily calculated according to the following {\ displaystyle u_ {n} = u_ {n- 1} + n} {\ displaystyle u_ {n} = u_ {n-1} + n}, with {\ displaystyle n} n the number of plates per edge and {\ displaystyle u_ {1} = 1} u_ {1 } = 1 (of which {\ displaystyle n} n triangular plates at the base). We obtain the result {\ displaystyle u_ {18} = 171} u _ {{18}} = 171. Multiplied by 4 faces, this gives 684 plates. To this total must be removed the missing plates due to the opening on the face that we will call "before", opening serving as entrance to the building. This opening is divisible into three horizontal rows. A first row of 4 triangles, which are not to be subtracted from the total because they are not whole plates that have been removed: simply the diamonds above the opening that have been cut, and this does not affect the number of plates (on the other hand, it changes the ratio between the number of lozenges and the number of triangles). A second row of 5 diamonds, and finally a third row, at the base, of 6 triangles. This gives us a total of 11 plates removed to form the entrance to the building. So we arrive at a total of 673 plates.<br />
<br />
Architecture<br />
<br />
Night view on the big pyramid and the little one, on the left.<br />
The Louvre pyramid<br />
The pyramid is not placed on the historical axis of Paris. But the "Great Pyramid" is not alone: it is indeed surrounded by three smaller replicas constituting skylights and a fifth pyramid, inverted, built under the Carrousel du Louvre.<br />
<br />
It consists of a 95-tonne steel structure and a 105-tonne aluminum chassis. Its structure is composed of a mesh of 2,100 nodes, 6,000 bars, 603 diamonds22 and 70 triangles of glass whose glazing has a thickness of 21 mm. In reality, there are few real diamonds, most of the pieces are parallelograms that are almost diamonds and which, in perspective, give the impression of being lozenges23. Its surface at the base is 1,254 m2, the width of its square of 35,42 meters. It measures 21.64 meters in height while the three replicas, surrounding the main pyramid lined with triangular water basins, make only five. The fifth is seven meters high24.<br />
<br />
The inverted pyramid<br />
Main article: Inverted pyramid of the Louvre.<br />
The inverted Pyramid of the Louvre is built in the same constructive logic but with only 7 triangles at the base of each face. It consists of 84 diamonds and 28 triangles.<br />
<br />
This reversed pyramid can not be directly in contact with the outside because the water would accumulate there, it is covered by a glazed surface of the same almost flat type, hidden at the level of the natural ground by the hedges in the center of the place of the Carrousel.<br />
<br />
The prowess of transparency<br />
The architect had the requirement that the glass that composes the facets of the construction is as transparent as possible. But at the time this represented a technical challenge that remained to be realized.<br />
<br />
Indeed, any glass contains impurities that have the property of absorbing more light as the glazing is thicker23. The main contributors to this absorption of light are the heavy metals that are incorporated into the raw material during the melting of the glass. That's why it was very difficult to meet the requirements of the architect and deliver a glass as colorless as possible despite the 2.1 cm thick plates.<br />
<br />
I.M.Pei rejected the idea of using techniques capable of neutralizing iron oxides including, for example, the addition of arsenic, because he knew that they solarize over time23; too exposed to the sun, they turn yellow and turn brown.<br />
<br />
The French glassware company that won the contract opted for the supply of a type of glass that is not sensitive for this purpose.<br />
<br />
In order to meet the challenge, the engineers of this company produced a glass-float using the technique of an electric furnace, consisting of graphite electrodes, or molybdenum23.<br />
<br />
Popular culture<br />
The pyramid has 673 glass panels, a number close enough to 666 to feed the esoteric interpretations. An urban legend wants this number of 666 glass panels was chosen at the "express request" of President Mitterrand, 666 being according to the Apocalypse, the "Figure of the Beast". This controversy resumed in 2003 with the release of Dan Brown's novel Da Vinci Code (Chapter 4).<br />
<br />
With some calculations and based on a photograph of the face of the building with the entrance, it is however easy to confirm the account of 673 plates. Counting the number of plates along an edge connected to the top of the pyramid gives us 18 plates. The pyramid being regular, this number is the same for each edge and allows us to calculate the number of plates per full face: indeed, it is easily calculated according to the following {\ displaystyle u_ {n} = u_ {n- 1} + n} {\ displaystyle u_ {n} = u_ {n-1} + n}, with {\ displaystyle n} n the number of plates per edge and {\ displaystyle u_ {1} = 1} u_ {1 } = 1 (of which {\ displaystyle n} n triangular plates at the base). We obtain the result {\ displaystyle u_ {18} = 171} u _ {{18}} = 171. Multiplied by 4 faces, this gives 684 plates. To this total must be removed the missing plates due to the opening on the face that we will call "before", opening serving as entrance to the building. This opening is divisible into three horizontal rows. A first row of 4 triangles, which are not to be subtracted from the total because they are not whole plates that have been removed: simply the diamonds above the opening that have been cut, and this does not affect the number of plates (on the other hand, it changes the ratio between the number of lozenges and the number of triangles). A second row of 5 diamonds, and finally a third row, at the base, of 6 triangles. This gives us a total of 11 plates removed to form the entrance to the building. So we arrive at a total of 673 plates.<br />
<br />
<br />
Architecture<br />
<br />
Night view on the big pyramid and the little one, on the left.<br />
The Louvre pyramid<br />
The pyramid is not placed on the historical axis of Paris. But the "Great Pyramid" is not alone: it is indeed surrounded by three smaller replicas constituting skylights and a fifth pyramid, inverted, built under the Carrousel du Louvre.<br />
<br />
It consists of a 95-tonne steel structure and a 105-tonne aluminum chassis. Its structure is composed of a mesh of 2,100 nodes, 6,000 bars, 603 diamonds22 and 70 triangles of glass whose glazing has a thickness of 21 mm. In reality, there are few real diamonds, most of the pieces are parallelograms that are almost diamonds and which, in perspective, give the impression of being lozenges23. Its surface at the base is 1,254 m2, the width of its square of 35,42 meters. It measures 21.64 meters in height while the three replicas, surrounding the main pyramid lined with triangular water basins, make only five. The fifth is seven meters high24.<br />
<br />
The inverted pyramid<br />
Main article: Inverted pyramid of the Louvre.<br />
The inverted Pyramid of the Louvre is built in the same constructive logic but with only 7 triangles at the base of each face. It consists of 84 diamonds and 28 triangles.<br />
<br />
This reversed pyramid can not be directly in contact with the outside because the water would accumulate there, it is covered by a glazed surface of the same almost flat type, hidden at the level of the natural ground by the hedges in the center of the place of the Carrousel.<br />
<br />
The prowess of transparency<br />
The architect had the requirement that the glass that composes the facets of the construction is as transparent as possible. But at the time this represented a technical challenge that remained to be realized.<br />
<br />
Indeed, any glass contains impurities that have the property of absorbing more light as the glazing is thicker23. The main contributors to this absorption of light are the heavy metals that are incorporated into the raw material during the melting of the glass. That's why it was very difficult to meet the requirements of the architect and deliver a glass as colorless as possible despite the 2.1 cm thick plates.<br />
<br />
I.M.Pei rejected the idea of using techniques capable of neutralizing iron oxides including, for example, the addition of arsenic, because he knew that they solarize over time23; too exposed to the sun, they turn yellow and turn brown.<br />
<br />
The French glassware company that won the contract opted for the supply of a type of glass that is not sensitive for this purpose.<br />
<br />
In order to meet the challenge, the engineers of this company produced a glass-float using the technique of an electric furnace, consisting of graphite electrodes, or molybdenum23.<br />
<br />
Popular culture<br />
The pyramid has 673 glass panels, a number close enough to 666 to feed the esoteric interpretations. An urban legend wants this number of 666 glass panels was chosen at the "express request" of President Mitterrand, 666 being according to the Apocalypse, the "Figure of the Beast". This controversy resumed in 2003 with the release of Dan Brown's novel Da Vinci Code (Chapter 4).<br />
<br />
With some calculations and based on a photograph of the face of the building with the entrance, it is however easy to confirm the account of 673 plates. Counting the number of plates along an edge connected to the top of the pyramid gives us 18 plates. The pyramid being regular, this number is the same for each edge and allows us to calculate the number of plates per full face: indeed, it is easily calculated according to the following {\ displaystyle u_ {n} = u_ {n- 1} + n} {\ displaystyle u_ {n} = u_ {n-1} + n}, with {\ displaystyle n} n the number of plates per edge and {\ displaystyle u_ {1} = 1} u_ {1 } = 1 (of which {\ displaystyle n} n triangular plates at the base). We obtain the result {\ displaystyle u_ {18} = 171} u _ {{18}} = 171. Multiplied by 4 faces, this gives 684 plates. To this total must be removed the missing plates due to the opening on the face that we will call "before", opening serving as entrance to the building. This opening is divisible into three horizontal rows. A first row of 4 triangles, which are not to be subtracted from the total because they are not whole plates that have been removed: simply the diamonds above the opening that have been cut, and this does not affect the number of plates (on the other hand, it changes the ratio between the number of lozenges and the number of triangles). A second row of 5 diamonds, and finally a third row, at the base, of 6 triangles. This gives us a total of 11 plates removed to form the entrance to the building. So we arrive at a total of 673 plates.人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-79688995683360530922023-11-30T13:33:00.000-08:002023-11-30T13:33:32.221-08:00 陳續升:談凌純聲與張光直的傳承;Mt. Auburn Cemetery, Cambridge, USA 陳紹馨社會學講座<ytd-thumbnail class="style-scope ytd-video-renderer" style="-webkit-text-stroke-width: 0px; background-color: #fafafa; color: black; display: inline-block; flex: 0 0 auto; font-family: Roboto, Arial, sans-serif; font-size: 10.9091px; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; height: 138px; letter-spacing: normal; margin-right: 16px; orphans: 2; position: relative; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; width: 246px; word-spacing: 0px;"><a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=EVmEfEEb5dM" id="thumbnail" style="bottom: 0px; color: var(--yt-endpoint-color, hsl(0, 0%, 6.7%)); cursor: pointer; display: block; height: 137.997px; inset: 0px; left: 0px; margin-left: auto; margin-right: auto; overflow: hidden; position: absolute; right: 0px; text-decoration: none; top: 0px;" tabindex="-1"><yt-img-shadow class="style-scope ytd-thumbnail no-transition" loaded="" style="background-color: transparent; display: block; flex: 0 0 auto; left: 0px; opacity: 1; position: absolute; top: 68.9915px; transform: translateY(-50%); transition: none 0s ease 0s; width: 245.994px;"><img class="style-scope yt-img-shadow" id="img" src="https://i.ytimg.com/vi/EVmEfEEb5dM/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLC3y3RVgP3X9BlgUfnSKU2V7CXYlQ" style="background: transparent; border: 0px; display: block; margin: 0px auto; max-height: var(--yt-img-max-height, none); max-width: var(--yt-img-max-width, 100%); padding: 0px;" width="246" /></yt-img-shadow></a></ytd-thumbnail><br />
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漢清講堂等你回來談這師生三代的故事。</div>
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還有 2 張</div>
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<span class="_1nb_ fwn fcg" data-ft="{"tn":"C"}" style="color: #90949c; font-family: inherit;"><span class="fwb" style="font-family: inherit; font-weight: bold;"><a class="profileLink" data-ft="{"tn":"l"}" data-hovercard-prefer-more-content-show="1" data-hovercard-referer="ARTihj1_wRxO5oPymW4b50DP9Imdr6uYQYdyKAqCpOCgBUHVV_GpQTU-knrtm10F9b4" data-hovercard="/ajax/hovercard/user.php?id=1139232310&extragetparams=%7B%22hc_ref%22%3A%22ARTihj1_wRxO5oPymW4b50DP9Imdr6uYQYdyKAqCpOCgBUHVV_GpQTU-knrtm10F9b4%22%7D" href="https://www.facebook.com/profile.php?id=1139232310&hc_ref=ARTihj1_wRxO5oPymW4b50DP9Imdr6uYQYdyKAqCpOCgBUHVV_GpQTU-knrtm10F9b4" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">陳續升</a></span>新增了 6 張相片。</span><div class="_171_" style="font-family: inherit; padding-right: 80px;">
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<span class="_5paw _14zs" data-ft="{"tn":"j"}" style="font-family: inherit;"></span><span style="font-family: inherit;"><span class="fsm fwn fcg" style="font-family: inherit;"><a class="_5pcq" href="https://www.facebook.com/media/set/?set=a.10205360813516688.1073741833.1139232310&type=3" style="color: #90949c; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="">2015年10月13日 8:39</a></span></span><span aria-hidden="true" role="presentation" style="font-family: inherit;"> · </span><div aria-label="分享對象:陳續升的朋友" class="_6a _29ee _4f-9 _43_1" data-hover="tooltip" data-tooltip-content="分享對象:陳續升的朋友" role="img" style="display: inline-block; font-family: inherit; padding: 3px 0px; position: relative; vertical-align: middle;">
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今日(Columbus Day)的重要任務便是前往Cambridge的一座大型公墓Mt. Auburn Cemetery,找尋張光直先生。</div>
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Mt. Auburn Cemetery有多大?現已超過90000人在此安息,其中包括許多極為之名的人物,例如哈佛校史上極重要的校長Charles William Eliot(183<span class="text_exposed_show" style="display: inline; font-family: inherit;">4–1926)、政治哲學家John Rawls(1921-2002)。</span></div>
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在墓園入口處,我向服務中心詢問了光直先生的位置,他們極為專業的拿了張地圖給我,並詳細的和我解說了最近路線。告訴我光直先生葬於某一個藝術品的南側。</div>
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從Mt. Auburn Cemetery入口走到光直先生所在地,大約得花上20-25分鐘。起初,我一直在草地上看著每一塊石碑,卻怎麼樣也找不到。想找個地方稍作休息時,我走到了藝術品下,坐在小徑旁的石階上。</div>
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這才發現,原來小徑之側的石階有些也刻有名字,而我坐的位置旁邊即是光直先生!<br /> <br />我雖不從事考古學,也不甚了解此一學科,但光直先生卻對我產生巨大的影響。光直先生的學生,巫鴻與王明珂二位,分別已不同的角度展現了一種極為相似的方法論思維,在看他們的書時讓我極為神往讚嘆,而後來才發現原來他們二位是出於共同的師門,而光直先生正是格外強調方法論的反省與思索。</div>
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我的碩論有很大的部分在寫凌純聲先生,凌先生又是光直先生的老師之一,這一路師承,同中求異,異中有同,才人輩出,讓人神往。其中,光直先生是關鍵的樞紐,他恰巧接連著西學與中學。他不僅是位擺渡者,更是位搭橋者,在開創之內又細緻地呵護著學術之傳統。</div>
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<br /><div><br /></div><div><div>台大社會系成立「陳紹馨社會學講座」</div><div><br /></div><div>陳紹馨(1906-1966)為台灣社會學研究的先行者,也是台大社會系的創辦人之一。為了紀念這位極具開創性的社會學家,開疆闢土的實驗精神,以及對於社會學研究的深遠影響,台大社會學系於2023年11月成立了「陳紹馨社會學講座」,定期邀請國內外社會學者前來本系講學,與台灣各界交流。</div><div><br /></div><div>(一)陳紹馨生平簡介</div><div>陳紹馨於1906年生於汐止。1920年他進入總督府商業專門學校,並師從林茂生先生。1926年,年僅20歲的陳紹馨加入強調發展台灣文化的文化協會,並在文協的夏季學校擔任講師,主講社會學。他於1929年前往日本仙台的東北帝大法文學部就讀,展開他的學術生涯。當時他主要的論述發表以歐洲社會學思想為主。他於1932年東北帝大畢業後,留校擔任講座副手,並於1935年升任講座助手,並多次發表論文,側重知識社會學與市民社會理論。</div><div><br /></div><div>1936年返回台灣後,他先協助家中經營農場,也與台灣文學社群密切往來,並參加台灣文藝聯盟。他於1941年進入臺北帝大土俗人種學研究室工作,並參與《民俗台灣》的建立,力圖累積與殖民統治不同的台灣社會文化知識,並集結台灣知識份子,一同為建立在地文化而努力。</div><div><br /></div><div>戰後台北帝大接收為台灣大學,陳紹馨先後擔任史學系教授,主持民族學研究室與社會學研究室,於1949年參與創立台大考古人類學系,並於1960年參與創立台大社會學系。陳紹馨開拓性的知識生產,涵括歷史學、人類學、人口學,與社會學。他與不同領域的知識份子建立研究團隊,同時進行質性的田野調查以及量性的人口與家庭調查。他也赴美進行研究考察,並與美國學者開展合作,探究台灣社會變遷,包括日本統治五十年對台灣人口的影響,以及台灣城鄉的生育現況等等。他的英文論著也獲得美國學界的高度讚譽。他以「台灣社會變遷與人口變遷」為博士題目,於1957年於關西學院大學取得社會學博士。除了豐沛的學術研究成果之外,他也透過籌辦學術期刊(包括主持《台灣文化》以及創辦《台灣研究》)、深化當代社會科學的理論與方法,以及建立大學社會科學的課程等等行動,戮力建立以現代學術為基礎的台灣研究。</div><div><br /></div><div>陳紹馨在1960-1966年在台大社會系任教期間,開展了都市社會學、社區調查、社會階層等課程與研究,並深化他致力已有的人口研究。1964年台大社會系師生以校園周邊的古亭區進行社區調查,陳紹馨主導最複雜的抽樣調查部分。在此時期,他也以社會學的取向,撰寫省通志稿人口篇,完整估計臺灣從荷蘭時代到日治時代的人口變化。他的方志書寫揚棄傳統以菁英為主角的政治事蹟,主張運用多種素材來建立紀錄一般人民的生活。</div><div><br /></div><div>陳紹馨於1965年發表了最廣為人知的論文“Taiwan as a Laboratory for the study of Chinese Society and Culture” (中譯版標題為「中國社會文化研究的實驗室:台灣」),提出台灣研究的獨特貢獻。他認為台灣歷經荷蘭、日本、中國等多種文化的影響,亦有多種語言的文獻資料,而在現代化的初期,就因為殖民的日本累積了詳細完整的資料,使得台灣研究可以橫跨前現代到當代等不同類型的社會。陳紹馨在文中引用了黑格爾在其著作所提出的諺語「密諾瓦的貓頭鷹黃昏才飛」,說明西方社會理論家認為,往往要在每個歷史社會階段發展一陣子之後,知識份子才會意識到需要進行該階段的社會研究。而陳紹馨以台灣社會在現代化歷程以及資料累積的特性,來說明台灣研究有潛力超越西方社會理論之處。政大社會系教授鄭力軒在為陳紹馨書寫傳記時,即以《不待黃昏的貓頭鷹》為書名來凸顯陳紹馨的洞見。</div><div><br /></div><div>陳紹馨歷經多樣的歷史社會變遷,赴日求學、在台深耕、與美交流,以橫跨哲學、民俗學、台灣史、人類學、社會學、人口學等學門,開展出前瞻性的知識探索。他的學術語言橫跨日文、德文、中文、英文,研究方法涵括理論研究、田野工作、抽樣調查、人口分析與歷史檔案。他對於社會學的完整涵蓋,幾乎無人能出其右。在他過世後十多年於1979年出版的《台灣的人口變遷與社會變遷》一書,是目前台灣社會學界引用最多的單一作品,顯見他對於台灣社會科學發展的影響力。</div><div><br /></div><div>陳紹馨歷經日治殖民時期與戰後威權體制,卻能持續開拓以台灣為主體的研究,在1990年代以來深受台灣社會學界的器重。而他的學思歷程向多樣的世界取經,也因此屢屢開展新局。他不只是留下了豐富的知識資產,在地且國際,畢生更積極串連知識份子,為深化理解台灣社會而建立諸多新制。陳紹馨為台灣社會科學發展,留下厚實的遺產,而作為知識工作者的行誼,在此劇變的時代,更深具啟發性。</div><div><br /></div><div>參考資料:</div><div>陳東升,2020,「迎見破曉天光的社會學開創者:評《不待黃昏的貓頭鷹》」。《台灣社會學》44: 157-169。</div><div>陳紹馨,1966,”Taiwan as a Laboratory for the Study of Chinese Society and Culture” 、「中國社會文化研究的實驗室:台灣」,《中央研究院民族學研究所集刊》14:1-14。</div><div>鄭力軒,2022,《不待黃昏的貓頭鷹:陳紹馨的學術生命與台灣研究》。台北:台大出版中心。</div><div><br /></div><div>(二)陳紹馨社會學講座</div><div>台大社會系於2006年舉辦了「從『實驗室的臺灣』到臺灣研究的深化:紀念陳紹馨教授百年冥誕研討會」,緬懷這位台灣研究主體性的開創者,同時思索台灣研究的新局。為了紀念這位台灣研究的先驅,我們於2023年以陳紹馨之名,建立社會學講座。除了感念他的知識企圖與思想資源,也期許本系持續思索如何開墾台灣社會學的新境地。</div><div><br /></div><div>「陳紹馨社會學講座」得以建立,受惠於台大社會系系友黃再添先生,以及其夫人楊淑卿女士(台大動物系畢業)。他們為了擴展本系國際交流,於2021年慷慨捐款給本系,促成了我們建立講座的規劃,在此深表感謝。講座建立過程中,我們獲得陳紹馨教授的家人—陳清清女士、陳學潛先生、陳光華女士、陳依聯女士,以及陳皆福先生等人的鼓勵與捐款支持,令人感動。也特別感謝鄭力軒教授的居中聯繫與協助。講座海報由台大社會系系友劉彥岑所設計;其中飛翔的貓頭鷹標誌,為參考《民俗台灣》、《台灣文化》的版畫風格而繪製。</div><div><br /></div><div>(三)第一屆陳紹馨社會學講座</div><div>第一屆陳紹馨社會學講座將於2023年12月18日舉行。講者是國際知名的社會學家Peggy Levitt。Levitt教授是美國衛斯理學院社會系的系主任,哈佛大學韋勒黑德國際事務中心的研究員,並創辦了Global (De)Centre。此次講題為Hybrid Transnational Social Protection: Social Welfare across National Borders,是以混種跨國社會保護的新穎分析架構,在遷移與全球化的脈絡,重新檢視空間/地點、政策,以及社會保護體制的相互運作。以下為完整演講資訊,歡迎大家前來共襄盛舉。</div><div><br /></div><div>講者:Peggy Levitt (美國衛斯理學院社會學系教授暨系主任)</div><div>講題:Hybrid Transnational Social Protection: Social Welfare across National Borders</div><div>時間:2023年12月18日(一)10:00-12:00</div><div>地點:台大社會科學院一樓108室 & Webex</div><div>報名連結請見留言一。</div><div><br /></div><div>主持人:呂青湖(台大社會學系副教授)</div><div>回應人:藍佩嘉(台大社會學系特聘教授)、Elaine Lynn-Ee Ho(新加坡國立大學地理系教授)</div><div>主辦單位:臺灣大學社會學系</div><div>協辦單位:臺灣大學亞洲比較研究中心、臺灣大學臺灣韌性社會研究中心</div></div><div><br /></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-83316498050251134262023-11-23T18:22:00.000-08:002023-11-23T18:22:50.059-08:00 True Dog Stories BY WALTER BENJAMIN真實的狗故事。Radio Benjamin有漢譯。Medor的人生故事 法蘭西拿破崙帝國<h1 class="article-title" style="border: 0px; font-family: Larish, "Helvetica Neue", Helvetica, sans-serif; font-size: 2.77778em; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-weight: inherit; line-height: 1.344em; margin: -0.17778em auto 0.17778em; padding: 0em 0px; text-align: center; vertical-align: baseline; width: 973px;">
<span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="vertical-align: inherit;">真實的狗故事</span></h1>
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<span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><a href="https://hazlitt.net/authors/1954/walter-benjamin" style="border: 0px; color: black; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration-line: none; transition: color 0.175s ease-in-out 0s; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="vertical-align: inherit;">沃爾特·本傑明</span></a></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">沒有兩隻狗是一樣的,</span></span><span style="font-size: 0.94444em; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">他們的故事</span><span style="font-size: 0.94444em; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; vertical-align: inherit;">也如此。取自《</span><span style="font-size: 0.94444em; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; vertical-align: inherit;">沃爾特·本傑明的無線電廣播稿</span><span style="font-size: 15.8572px; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">集</span><span style="font-size: 15.8572px; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">》</span><span style="font-size: 0.94444em; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit;">。</span></div>
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True Dog Stories</h1>
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<span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">BY</span> <span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><a href="https://hazlitt.net/authors/1954/walter-benjamin" style="border: 0px; color: black; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration-line: none; transition: color 0.175s ease-in-out 0s; vertical-align: baseline;">WALTER BENJAMIN</a></span></div>
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No two dogs are alike, nor are their stories. An excerpt from Radio Benjamin, the collected radio broadcasts of Walter Benjamin.</div>
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<span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="font-size: 17px;">You probably think you know dogs. By this I mean, when I read you a famous description of dogs, you will have the same feeling I did when I first read it. I said to myself: if the word “dog” had not appeared in the description, I wouldn’t have guessed which animal it was about; things look so new and special when a great scientist looks at them, as if they had never before been seen. The name of this scientist is Linnaeus, the very same Linnaeus you all know from botany and the man responsible for the system we still use today to classify plants. Here’s what he has to say about dogs:</span><br />
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">你可能自認為了解狗。</span><span style="vertical-align: inherit;">我的意思是,當我將一段</span></span>對狗的著名描述<span style="vertical-align: inherit;">讀給你聽時,你</span>的感覺<span style="vertical-align: inherit;">會和我第一次讀它時一樣。</span><span style="vertical-align: inherit;">我自言自語:如果該段描述中沒出現“狗”這個詞,我就不會猜到它描述的是哪個動物了;由</span><span style="vertical-align: inherit;">一個大科學家來看他們時,看法竟然如此新穎而特別,就好像他們以前從未被這樣見過。</span><span style="vertical-align: inherit;">這個科學家的名字叫林奈,林奈,你們在博物學都聽過的,他設想的</span>植物分類系統,我們今天還在用它<span style="vertical-align: inherit;">。</span><span style="vertical-align: inherit;">以下是他對狗的說法:</span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Feeds on meat, carcasses, farinaceous grains, but not leaves; digests bones, vomits up grass; defecates onto stone: Greek white, exceedingly acidic. Drinks by lapping; urinates to the side, up to one hundred times in good company, sniffs at its neighbor’s anus; moist nose, excellent sense of smell; runs on a diagonal, walks on toes; perspires very little, lets tongue hang out in the heat; circles its sleeping area before retiring; hears rather well while sleeping, dreams. The female is vicious with jealous suitors; fornicates with many partners when in heat; bites them; intimately bound during copulation; gestation is nine weeks, four to eight compose a litter, males resemble the father, females the mother. Loyal above all else; house companion for humans; wags its tail upon master’s approach, defends him; runs ahead on a walk, waits at crossings; teachable, hunts for missing things, makes the rounds at night, warns of those approaching, keeps watch over goods, drives livestock from fields, herds reindeer, guards cattle and sheep from wild animals, holds lions in check, rustles up game, locates ducks, lies in wait before pouncing on the net, retrieves a hunter’s kill without partaking of it, rotates a skewer in France, pulls carts in Siberia. Begs for scraps at the table; after stealing it timidly hides its tail; feeds greedily. Lords it over its home; is the enemy of beggars, attacks strangers without being provoked. Heals wounds, gout and cancers with tongue. Howls to music, bites stones thrown its way; depressed and foul-smelling before a storm. Afflicted by tapeworm. Spreads rabies. Eventually goes blind and gnaws at itself.</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">飼料在肉,屍體,穀物,但不是葉; </span><span style="vertical-align: inherit;">消化骨頭,嘔吐草; </span><span style="vertical-align: inherit;">排到石頭上:希臘白,極度酸性。</span><span style="vertical-align: inherit;">飲料通過研磨; </span><span style="vertical-align: inherit;">在一家好的公司裡,小便到一百次,嗅到鄰居的肛門; </span><span style="vertical-align: inherit;">鼻子潮濕,嗅覺極佳; </span><span style="vertical-align: inherit;">跑在對角線上,走在腳趾上; </span><span style="vertical-align: inherit;">出汗很少,讓舌頭掛在熱氣中; </span><span style="vertical-align: inherit;">在退休之前圍繞睡覺區域; </span><span style="vertical-align: inherit;">在睡夢中聽得很清楚。</span><span style="vertical-align: inherit;">女性對嫉妒的追求者是惡毒的; </span><span style="vertical-align: inherit;">在炎熱的時候與許多伴侶一起狂歡; </span><span style="vertical-align: inherit;">咬他們; </span><span style="vertical-align: inherit;">在交配期間密切結合; </span><span style="vertical-align: inherit;">懷孕九週,四至八個亂寫垃圾,男性像父親,女性母親。</span><span style="vertical-align: inherit;">忠於一切; </span><span style="vertical-align: inherit;">家庭伴侶為人類; </span><span style="vertical-align: inherit;">向主人的方向搖尾巴,為他辯護; </span><span style="vertical-align: inherit;">跑步前進,等待在十字路口; </span><span style="vertical-align: inherit;">教導,尋找失踪的東西,晚上打發時間,警告那些正在接近的人,看守物品,從田地裡趕牲畜,馴鹿,從野獸中守護牛羊,控制獅子,沙沙地響,找鴨子,等在網上沖刺之前,獵人沒有參與獵殺,在法國轉圈,在西伯利亞拉車。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">接近的警告,守望物品,從田間,牧場馴鹿,從野獸守衛牛羊,控制獅子,沙沙地遊戲,定位鴨子,等待在網上,獵取獵人的殺了它,在法國轉了一圈,在西伯利亞拉車。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">接近的警告,守望物品,從田間,牧場馴鹿,從野獸守衛牛羊,控制獅子,沙沙地遊戲,定位鴨子,等待在網上,獵取獵人的殺了它,在法國轉了一圈,在西伯利亞拉車。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">從野獸看守牛羊,抱獅子,沙沙作響,找鴨子,躺在網上等著網上,不獵取獵人的屍體,在法國轉圈,在西伯利亞拉車。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">從野獸看守牛羊,抱獅子,沙沙作響,找鴨子,躺在網上等著網上,不獵取獵人的屍體,在法國轉圈,在西伯利亞拉車。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span><span style="vertical-align: inherit;">乞討在桌子上的碎片; </span><span style="vertical-align: inherit;">竊取後膽怯地隱藏它的尾巴; </span><span style="vertical-align: inherit;">貪婪地餵食。</span><span style="vertical-align: inherit;">把它放在家裡; </span><span style="vertical-align: inherit;">是乞丐的敵人,攻擊陌生人而不被挑釁。</span><span style="vertical-align: inherit;">用舌頭治癒傷口,痛風和癌症。</span><span style="vertical-align: inherit;">嚎to大哭,叮噹作響; </span><span style="vertical-align: inherit;">在暴風雨前沮喪和惡臭。</span><span style="vertical-align: inherit;">受絛蟲傷害。</span><span style="vertical-align: inherit;">傳播狂犬病 </span><span style="vertical-align: inherit;">最終會失明,啃咬自己。</span></span></div>
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That was Linnaeus. After a description like that, most of the stories frequently told about dogs seem rather boring and run-of-the-mill. In any case, they can’t rival this passage in terms of peculiarity or flair, even those told by people out to prove how clever dogs are. Is it not an insult to dogs that the only stories about them are told in order to prove something? As if they’re only interesting as a species? Doesn’t each individual dog have its own special character?</div>
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No single dog is physically or temperamentally like another. Each has its own good and bad tendencies, which are often in stark contradiction, giving dog owners precious conversation material. Everyone’s dog is cleverer than his neighbor’s! When an owner recounts his dog’s silly tricks, he is illuminating its character, and when the dog experiences some remarkable fate, it becomes something greater, part of a life story. It is special even in its death.</div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">那是林奈。</span><span style="vertical-align: inherit;">經過這樣的描述之後,大多數關於狗狗的故事都顯得枯燥無味。</span><span style="vertical-align: inherit;">在任何情況下,他們都不能以特殊性或天賦來對抗這段話,即使是那些被人們告知證明狗是多麼聰明的人。</span><span style="vertical-align: inherit;">為了證明一些事情,告訴他們唯一的故事是不是對狗的侮辱?</span><span style="vertical-align: inherit;">就好像它們只是一個有趣的物種一樣?</span><span style="vertical-align: inherit;">每隻狗都不是每個人都有自己的特色嗎?</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">沒有任何一隻狗在身體上或氣質上與另一隻狗相似。</span><span style="vertical-align: inherit;">每個人都有自己的好壞傾向,這往往是矛盾尖銳的,給狗主們寶貴的談話材料。</span><span style="vertical-align: inherit;">每個人的狗比鄰居都聰明!</span><span style="vertical-align: inherit;">當一個主人講述他的狗的愚蠢的技巧,他正在照亮它的性格,當這條狗經歷了一些顯著的命運,它變得更大,生活故事的一部分。</span><span style="vertical-align: inherit;">即使在死亡中也是特別的。</span></span><a href="https://www.blogger.com/null" id="isbn9781781685754" name="isbn9781781685754" style="border: 0px; color: #c14130; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; transition: color 0.175s ease-in-out 0s; vertical-align: baseline;"></a></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Now let’s hear about some of these peculiarities. It must also be true of other animals that they possess many unique qualities that are not found in the species as a whole. But humans make this observation so readily and definitively only with dogs, with whom they have a closer bond than with any other animal, except perhaps horses. It all began thousands of years ago with man’s great victory over the dog, or more precisely, over the wolf and the jackal; yielding to man, allowing themselves to be tamed, these wild animals became dogs. However, the most ancient dogs, which first appeared around the end of the Stone Age, were far removed from our pets and hunting dogs of today. They were more similar to the halfwild dogs of Eskimos, which have to fend for themselves for months at a time and resemble the Arctic wolf in every respect, as well as the fearful, treacherous, and currish dogs of Kamchatka, which, according to one traveler’s account, haven’t the slightest love for or loyalty to their master—in fact, they constantly try to kill him. The domesticated dog must have arisen from such a beast. It is truly regrettable that later on, some dogs, especially mastiffs, returned to their old savagery as a consequence of breeding, becoming even more dreadful and bloodthirsty than they had been in their primitive state. Here is the story of the most famous of all bloodhounds, named Bezerillo, whom the Spaniards of Fernando Cortez came upon while conquering Mexico, and then trained most hideously.</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">現在讓我們來聽聽其中的一些特點。</span><span style="vertical-align: inherit;">對於其他動物來說,它們也必須是真的,因為它們擁有許多在整個物種中都沒有的獨特品質。</span><span style="vertical-align: inherit;">但是,人類只能對狗隻進行這樣的觀察,這種狗與其他任何動物(除了馬)之外都有著更密切的聯繫。</span><span style="vertical-align: inherit;">這一切都是在數千年前開始的,人類對狗的勝利,或者更確切地說是對狼和jack狼的勝利。</span><span style="vertical-align: inherit;">屈服於人,讓自己被馴服,這些野生動物成了狗。</span><span style="vertical-align: inherit;">然而,最早出現在石器時代末期的最古老的狗,遠離我們今天的寵物和獵狗。</span><span style="vertical-align: inherit;">它們更像愛斯基摩人的半隻狗,它們每次都要為自己奮鬥幾個月,在各方面都像北極狼,</span><span style="vertical-align: inherit;">以及堪察加半島的恐懼,奸詐的狗,根據一個旅行者的說法,他們對主人沒有絲毫的愛或忠誠 - 事實上,他們經常試圖殺死他。</span><span style="vertical-align: inherit;">家養的狗一定是從這樣的野獸中產生的。</span><span style="vertical-align: inherit;">後來有些狗,特別是藏獒,由於繁殖而回到原來的野蠻狀態,變得比原始狀態更加恐怖和嗜血,這真是令人遺憾。</span><span style="vertical-align: inherit;">這裡有最有名的獵犬故事,名叫比澤洛(Bezerillo),費爾南多·科爾特斯(Fernando Cortez)的西班牙人在征服墨西哥的時候遇到了這個故事,然後受到了極大的傷害。</span><span style="vertical-align: inherit;">他們不斷地試圖殺死他。</span><span style="vertical-align: inherit;">家養的狗一定是從這樣的野獸中產生的。</span><span style="vertical-align: inherit;">後來有些狗,特別是藏獒,由於繁殖而回到原來的野蠻狀態,變得比原始狀態更加恐怖和嗜血,這真是令人遺憾。</span><span style="vertical-align: inherit;">這裡有最有名的獵犬故事,名叫比澤洛(Bezerillo),費爾南多·科爾特斯(Fernando Cortez)的西班牙人在征服墨西哥的時候遇到了這個故事,然後受到了極大的傷害。</span><span style="vertical-align: inherit;">他們不斷地試圖殺死他。</span><span style="vertical-align: inherit;">家養的狗一定是從這樣的野獸中產生的。</span><span style="vertical-align: inherit;">後來有些狗,特別是藏獒,由於繁殖而回到原來的野蠻狀態,變得比原始狀態更加恐怖和嗜血,這真是令人遺憾。</span><span style="vertical-align: inherit;">這裡有最有名的獵犬故事,名叫比澤洛(Bezerillo),費爾南多·科爾特斯(Fernando Cortez)的西班牙人在征服墨西哥的時候遇到了這個故事,然後受到了極大的傷害。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">In earlier times the Mexican bulldog was used in the nastiest way. It was trained to catch people, tackle them to the ground, and even kill them. During the conquest of Mexico, the Spaniards deployed such dogs against the Indians and one of them, by the name of Bezerillo, became famous, or rather, infamous. It can no longer be said whether or not he was an actual Cuban mastiff, which is considered to be a mongrel of a bulldog and a bloodhound. He is described as mediumsized, red in color, but black around the nose and up to the eyes. His audacity and intelligence were equally extraordinary. He enjoyed the highest status among the dogs and received twice as much food as the others. When on the attack he would hurl himself against swarms of Indians while taking care to lock onto an arm so he could drag away a captive. If they complied, the dog would inflict no further harm; if they refused to accompany him, in a flash he would pin them to the ground and strangle them. He could tell exactly which Indians had capitulated and let them be, focusing instead on the resisters. Although so cruel and so fierce, he sometimes showed himself to be much more humane than his masters. One morning, so the story goes, Captain Jago de Senadza wanted to have a little barbarous fun by letting Bezerillo rip to shreds an old captive Indian woman. He gave her a letter and ordered her to deliver it to the governor of the island; the letter instructed that the dog be let loose on the old woman to rip her apart. When the poor, defenseless Indian woman saw the ferocious dog storming after her, she fell to the ground in fear, desperately begging him for mercy. She showed him the letter, explaining that she had brought it to the commander on orders. The ferocious dog hesitated at these words, and, after a moment’s contemplation, approached the old woman tenderly. This incident astounded the Spaniards, appearing to them as something mystical, or supernatural, which is probably why the governor set the old Indian free. Bezerillo met his end in a skirmish with Caribs, who felled him with a poison dart. It’s easy to see how the unfortunate Indians saw such dogs as four-legged abettors of the two-legged devil.</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">在較早的時候,墨西哥牛頭犬被用於最惡劣的方式。</span><span style="vertical-align: inherit;">它被訓練抓人,把他們打倒在地,甚至殺死他們。</span><span style="vertical-align: inherit;">在征服墨西哥的時候,西班牙人把這樣的狗部署在印第安人身上,其中一個名叫Bezerillo的人變得有名,甚至是臭名昭著的。</span><span style="vertical-align: inherit;">他不能說自己是不是真正的古巴藏獒,被認為是牛頭犬和獵狗的混血兒。</span><span style="vertical-align: inherit;">他被描述為中等顏色,紅色,但黑色的鼻子,直到眼睛。</span><span style="vertical-align: inherit;">他的大膽和智慧同樣非凡。</span><span style="vertical-align: inherit;">他享有最高的地位,獲得兩倍的食物。</span><span style="vertical-align: inherit;">在攻擊時,他會把自己投向印度群眾,同時小心地鎖在一隻胳膊上,這樣他就可以把俘虜拖走。</span><span style="vertical-align: inherit;">如果他們遵守,</span><span style="vertical-align: inherit;">狗不會造成進一步的傷害; </span><span style="vertical-align: inherit;">如果他們拒絕陪他,一會兒他就會把他們釘在地上掐死他們。</span><span style="vertical-align: inherit;">他可以確切地告訴哪些印度人投降了,讓他們知道,把重點放在抗議者身上。</span><span style="vertical-align: inherit;">他雖然如此殘酷而如此凶狠,但有時卻表現出比主人更為人性化。</span><span style="vertical-align: inherit;">有一天早上,故事發生了,Jago de Senadza上尉想讓Bezerillo撕裂一個老俘虜的印第安女人,讓他有點野蠻的樂趣。</span><span style="vertical-align: inherit;">他給了她一封信,命令她把信交給島上的總督。</span><span style="vertical-align: inherit;">這封信指示說,這隻狗讓老太太把她撕開。</span><span style="vertical-align: inherit;">當那個可憐的手無寸鐵的印度女人看到兇猛的狗在她身後襲來,她恐懼地倒在地上,拼命地求他憐憫。</span><span style="vertical-align: inherit;">她給他看了這封信,</span><span style="vertical-align: inherit;">解釋說她已經把命令帶到了指揮官那裡。</span><span style="vertical-align: inherit;">兇猛的狗猶豫了一下,沉思了一會兒,溫柔地走近老太太。</span><span style="vertical-align: inherit;">這一事件使西班牙人感到震驚,他們認為這些東西是神秘的或超自然的,這可能就是州長為什麼讓老印度人自由了。</span><span style="vertical-align: inherit;">比塞羅在與加勒比人的衝突中遇見了他,他用毒鏢擊倒了他。</span><span style="vertical-align: inherit;">很容易看到不幸的印度人如何將這種狗看作是雙腿魔鬼的四足神甫。</span><span style="vertical-align: inherit;">比塞羅在與加勒比人的衝突中遇見了他,他用毒鏢擊倒了他。</span><span style="vertical-align: inherit;">很容易看到不幸的印度人如何將這種狗看作是雙腿魔鬼的四足神甫。</span><span style="vertical-align: inherit;">比塞羅在與加勒比人的衝突中遇見了他,他用毒鏢擊倒了他。</span><span style="vertical-align: inherit;">很容易看到不幸的印度人如何將這種狗看作是雙腿魔鬼的四足神甫。</span></span></div>
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The following story tells of a breed of wild mastiff that roams in packs about Madagascar:</div>
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On the island of Madagascar, large hordes of dogs roam wild. Their bitterest enemy is the caiman, which would frequently devour them as they swam from one riverbank to the next. Over the years of struggle against the beast, the dogs have invented a trick that enables them to stay clear of the caiman’s jaws. Before diving into the water, they gather in a large group by the shore and bark as loudly as they can. Drawn to the noise, all the alligators in the vicinity raise their giant heads out of the water just below the spot on the bank where the pack is waiting. At this point the dogs gallop along the bank and then swim across the water unmolested, as the ungainly alligators are not able to keep up. It is also interesting to observe that dogs brought to the island by new settlers fall victim to the caiman, while their offspring later save themselves from certain death by employing the trick invented by the indigenous dogs.</div>
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<span style="vertical-align: inherit;">下面的故事講述了一群狂野的藏獒在馬達加斯加漫遊:</span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">在馬達加斯加島上,大群的狗在野外漫遊。</span><span style="vertical-align: inherit;">他們最痛苦的敵人就是凱門鱷,在他們從一個河岸游到另一個河岸的時候,凱門鱷會經常吞噬它們。</span><span style="vertical-align: inherit;">多年來與獸的鬥爭中,狗發明了一種技巧,使他們能夠避開凱門鱷的頜骨。</span><span style="vertical-align: inherit;">在潛入水中之前,他們聚集在岸邊的一大群人中,盡可能大聲地吠叫。</span><span style="vertical-align: inherit;">聽到這些聲音,附近的所有短吻鱷都把他們的巨頭從水下正在等待的銀行的正下方抬出水面。</span><span style="vertical-align: inherit;">在這一點上,狗沿著岸邊馳騁,然後不受摩擦地游過水面,因為那些不可靠的短吻鱷不能跟上。</span><span style="vertical-align: inherit;">觀察到由新定居者帶到島上的狗是凱門鱷的受害者,</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">We have seen that dogs know how to help one another. Now let’s see how helpful they’ve been to humans. I’m thinking of age-old human activities such as the hunt, the night watch, trekking, war, in all of which dogs have cooperated with humans, spanning various epochs of world history and the most remote corners of the Earth. Some ancient peoples, like those from Colophon, waged wars using great packs of dogs, who would attack first in all their battles. But I’m thinking not only of dogs’ heroism throughout history, but also of their roles in society, and the assistance they give people in countless aspects of everyday life. There is no end to the number of stories, but I will tell only three very short ones, the Boot Dog, the Coach Poodle, and the Death Hound.</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">我們已經看到,狗知道如何互相幫助。</span><span style="vertical-align: inherit;">現在讓我們看看他們對人類有多大的幫助。</span><span style="vertical-align: inherit;">我正在考慮古老的人類活動,例如狩獵,夜間觀看,徒步旅行,戰爭,所有這些都與人類合作,跨越世界歷史的各個時代和地球上最偏遠的角落。</span><span style="vertical-align: inherit;">一些古代民族,如同發生在殖民地的古代民族一樣,用大量的狗進行戰爭,這些狗會在所有的戰鬥中首先發起攻擊。</span><span style="vertical-align: inherit;">但是我不僅想到狗歷史上的英雄主義,還想到了他們在社會中的角色,以及在日常生活的無數方面給予人們的幫助。</span><span style="vertical-align: inherit;">故事的數量是沒有盡頭的,但我只會告訴三個很短的故事,引導狗,教練貴賓犬和死亡獵犬。</span></span></div>
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At the Pont-Neuf in Paris there was a young bootblack who trained a poodle to dip her thick hairy paws in the water and then tread on the feet of passersby. The people would cry out, the bootblack would appear and thereby multiply his earnings. As long as he was busy shining someone’s shoes, the dog behaved, but when the footstool became free, the game would begin anew.</div>
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Brehm tells us about a poodle he knew whose intelligence brought great amusement. He was trained in all sorts of things and, in a manner of speaking, understood every word. Whatever his master sent him to fetch, he was sure to deliver what was asked. He would say: “Go fetch a carriage!” and the dog would run to the spot where the cabs wait, jump into a coach and keep barking until the carriage drove off; if the coachman took a wrong turn, the dog began barking again, and in some cases would even run along ahead of the wagon until they reached his master’s home.</div>
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An English newspaper reports: In Campbelltown in the province of Argyllshire, every funeral procession, with very few exceptions, makes its way from the church to the cemetery accompanied by a quiet mourner in the form of a huge, black dog. He always takes his place beside those immediately following the casket and escorts the funeral cortege to the grave. Once there, he lingers until the final words of the eulogy have come and gone. With much gravitas he then turns around and exits the graveyard at a solemn pace. This remarkable dog seems instinctively to know when and where a funeral will occur, as he always shows up just at the right moment. Because he has been shouldering this freely chosen obligation for years, his presence has become more or less expected, such that his failure to appear would be conspicuous. At first the dog was always chased from the open grave, his preferred spot to sit, but he would always return to accompany the mourners at the earliest opportunity. Eventually people gave up chasing away the quiet sympathy-bearer, and he has since had an official role in every funeral procession. However, the most remarkable thing was when a chartered steamer pulled into the harbor, carrying a recently deceased man and his attendant mourners: the dog waited right where the ship would dock and then accompanied the funeral procession to the cemetery in his usual way.</div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">在巴黎的新橋(Pont-Neuf),有一位年輕的黑靴子,他訓練了一隻獅子狗,把她那厚厚的毛茸茸的爪子浸在水里,然後踩在路人腳上。</span><span style="vertical-align: inherit;">人們會哭喊,靴子會出現,從而增加他的收入。</span><span style="vertical-align: inherit;">只要他在忙著點鞋子,那隻狗就會表現出來,但是當腳凳開放時,遊戲就會重新開始。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">布雷姆告訴我們一條獅子狗,他知道誰的智慧帶來了很大的樂趣。</span><span style="vertical-align: inherit;">他受過各種各樣的訓練,用一種說話的方式來理解每一個字。</span><span style="vertical-align: inherit;">無論他的主人送他去取什麼東西,他肯定會提出所要求的。</span><span style="vertical-align: inherit;">他會說:“去找一輛馬車吧!”那狗就跑到出租車等候的地方,跳進教練,不停地叫,直到馬車開走了。</span><span style="vertical-align: inherit;">如果車夫錯誤地轉彎,狗便再次吠叫,有時甚至會跑到旅行車前面,直到他們到達主人的家。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">英國的一家報紙報導:在阿蓋爾郡的坎貝爾鎮,除了極少數例外,每一個葬禮隊伍都從教堂走到墓地,還有一個安靜的哀悼者,一隻黑色的大狗。</span><span style="vertical-align: inherit;">他總是坐在棺木旁邊的那個地方,把葬禮護送到墳墓裡。</span><span style="vertical-align: inherit;">一旦到了那裡,他就會徘徊,直到頌詞的最後一句話消失。</span><span style="vertical-align: inherit;">然後,他轉過身來,嚴肅地離開了墳墓場。</span><span style="vertical-align: inherit;">這只卓越的狗似乎本能地知道什麼時候和什麼地方會發生葬禮,因為他總是在正確的時刻出現。</span><span style="vertical-align: inherit;">因為他多年來一直承擔著這個自由選擇的義務,所以他的存在已經或多或少地受到了期待,以至於他的失敗顯而易見。</span><span style="vertical-align: inherit;">起初,狗總是從露天墳墓中追趕,他最喜歡坐的地方,但他總是會回來陪伴悼念者。</span><span style="vertical-align: inherit;">最終,人們放棄追逐安靜的同情者,而且他在每一個葬禮過程中都有一個正式的角色。</span><span style="vertical-align: inherit;">然而,最令人矚目的是,一艘特許火輪駛入港口,載著一名剛剛死去的男子及其陪同的送葬員:狗等候在船上停靠的地方,然後以通常的方式陪同葬禮隊伍到墓地。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Incidentally, did you know there’s an encyclopedia of famous dogs? It was made by a man who busied himself with all sorts of obscure things. For instance, he compiled a lexicon of famous shoemakers, and wrote a whole book titled Soup, as well as other, similarly esoteric works. The dog book is very handy. Every dog known to man is in it, including some that the writer has conceived of himself. It was in this book that I found the wonderful and true story of Medor the dog, who took part in the Paris Revolution of 1831 and the storming of the Louvre, but lost his master there. I’ll tell it to you now in closing, just as its author Ludwig Börne wrote it.</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">順便說一下,你知道有一個著名的狗的百科全書?</span><span style="vertical-align: inherit;">它是由一個人用各種晦澀的東西忙著自己做的。</span><span style="vertical-align: inherit;">例如,他編了一本著名鞋匠的詞彙,寫了一本名為“湯”的書,以及其他類似的深奧作品。</span><span style="vertical-align: inherit;">這本狗書很好用。</span><span style="vertical-align: inherit;">每個人都知道的狗,其中包括一些作者自己設想的狗。</span><span style="vertical-align: inherit;">正是在這本書中,我找到了Medor這隻狗的美妙而真實的故事,他參加了1831年的巴黎革命和盧浮宮風暴,但在那裡失去了主人。</span><span style="vertical-align: inherit;">我現在要告訴你,正如其作者路德維希·伯恩(LudwigBörne)所寫的那樣。</span></span></div>
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I left Napoleon’s coronation for another spectacle that was more after my own heart. I visited the noble Medor. If virtue were rewarded with a title on this Earth, Medor would be the emperor of all dogs. Consider his story. After the storming of the Louvre in July, those who died in the battle were buried in the square in front of the palace, on the side where the delightful columns stand. When the bodies were laid onto carts to carry them to the grave, a dog jumped with heartrending sorrow onto one of the wagons, and from there into the large pit into which the dead were thrown. Great efforts were made to pull him out; he would have been scorched by the scattered lime even before being buried under the dirt. That was the dog people would later call Medor. During battle he always stood beside his master. He was wounded himself. Since his master’s death he never left the graves, moaning day and night before the door to the narrow cemetery, or howling while running back and forth in front of the Louvre.</div>
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No one paid much attention to Medor, because no one knew him or could guess his pain. His master must have been one of the many foreigners that came to Paris in those days, fought unnoticed for the freedom of his homeland, bled there, died there, and was buried anonymously. Only after several weeks did people begin to take notice of Medor. He was emaciated about the ribs and covered in festering wounds. People gave him food, but for a long time he refused it. Finally the persistent compassion of a good townswoman succeeded in alleviating Medor’s grief. She took him in, bandaged and healed his wounds, and made him strong again. Medor was more content, but his heart lay in his master’s grave, where his caretaker took him after his recovery and where he would stay for the next seven months. A few times greedy people sold him to rich curiosity seekers; once he was taken thirty hours from Paris, but he always found his way back. Medor is often seen unearthing a small piece of fabric; he becomes excited upon finding it and then sadly reburies it. It’s probably a piece of his master’s shirt. If he’s given a piece of bread or cake, he buries it in the ground, as if wanting to feed his friend in the grave, and then retrieves it, repeating this process several times a day. For the first few months the national guardsman at the Louvre would invite Medor into the guardhouse every night. Later on the guard saw to it that a hut was built for Medor beside the grave.</div>
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Medor quickly found his Plutarch, his rhapsodists, his painters. When I visited the square in front of the Louvre, peddlers offered me Medor’s life story, songs of his exploits, his portrait. For ten sous I purchased Medor’s immortality. The little graveyard was surrounded by a thick wall of people, all poor folks from the street. Here lies buried their pride and joy. This is their opera, their ballroom, their court, their church. They’re thrilled to get close enough to pet Medor. I too managed to edge my way through the crowd. Medor is a large, white poodle. I bent down to pet him, but he took no notice of me; my jacket was too fine. But when approached and stroked by a man in rough clothes, or a ragged woman, he responded warmly. Medor knows very well where to find the true friends of his master. A young girl, all in tatters, came to him. He jumped up to greet her, clung to her and wouldn’t let go. He was so happy, so at ease with her. To ask something of the poor girl, he didn’t need to first bend before her and touch the hem of her skirt as with a groomed and genteel lady. Wherever he bit at her dress was a rag that fit snug in his mouth. The child was very proud of Medor’s familiarity with her. I crept away, ashamed of my tears.</div>
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And with this we are through with dogs for the day.</div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">****</span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><span style="background-color: white; color: #4d5156; font-family: arial, sans-serif; font-size: 14px;">Amazon.com: </span><span style="background-color: white; color: #ea4335; font-family: arial, sans-serif; font-size: 14px;">Radio Benjamin</span><span style="background-color: white; color: #4d5156; font-family: arial, sans-serif; font-size: 14px;">: 9781781685754: </span><span style="background-color: white; color: #ea4335; font-family: arial, sans-serif; font-size: 14px;">Benjamin</span><span style="background-color: white; color: #4d5156; font-family: arial, sans-serif; font-size: 14px;">, </span><span style="background-color: white; color: #ea4335; font-family: arial, sans-serif; font-size: 14px;">Walter</span><span style="background-color: white; color: #4d5156; font-family: arial, sans-serif; font-size: 14px;">, Rosenthal, Lecia, Lutes, Jonathan:</span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><br /></span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">我離開了拿破崙的加冕儀式,這是另外一個更令我心動的景象。</span><span style="vertical-align: inherit;">我參觀了高貴的Medor。</span><span style="vertical-align: inherit;">如果美德在這個地球上獲得了頭銜,Medor將成為所有狗的皇帝。</span><span style="vertical-align: inherit;">考慮他的故事。</span><span style="vertical-align: inherit;">7月份盧浮宮突襲之後,在戰鬥中死去的人們被埋在了宮殿前方的廣場上,在那些令人愉快的立柱旁邊。</span><span style="vertical-align: inherit;">當屍體被放在推車上運到墳墓時,一隻狗心疼地跳上一輛貨車,從那裡進入了一個死人被投擲的大坑里。</span><span style="vertical-align: inherit;">他竭盡全力把他拉出來。</span><span style="vertical-align: inherit;">即使在埋在泥土之前,他也會被散落的石灰燒焦。</span><span style="vertical-align: inherit;">那是後來人們稱之為Medor的狗。</span><span style="vertical-align: inherit;">在戰鬥中,他總是站在主人的旁邊。</span><span style="vertical-align: inherit;">他自己受傷了。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">沒有人注意到Medor,因為沒有人知道他或可以猜測他的痛苦。</span><span style="vertical-align: inherit;">他的主人肯定是當時來到巴黎的許多外國人之一,為了祖國的自由而不被人注意,在那裡流血,死在那裡,被匿名埋葬。</span><span style="vertical-align: inherit;">只有幾個星期後,人們開始注意到Medor。</span><span style="vertical-align: inherit;">他消瘦的肋骨和覆蓋著潰爛的傷口。</span><span style="vertical-align: inherit;">人們給了他食物,但是很長一段時間他拒絕了。</span><span style="vertical-align: inherit;">最後,一位好市民的持續同情成功地緩解了梅爾的悲痛。</span><span style="vertical-align: inherit;">她把他抱進去,包紮起來,癒合了他的傷口,又使他強壯了起來。</span><span style="vertical-align: inherit;">梅多更加滿足,但是他的心卻躺在主人的墳墓裡,看守者在康復之後把他帶走,並在那裡待了七個月。</span><span style="vertical-align: inherit;">有幾次貪婪的人把他賣給了富有好奇心的求職者; </span><span style="vertical-align: inherit;">一旦他從巴黎被帶走三十個小時,但他總是找回自己的路。</span><span style="vertical-align: inherit;">Medor經常被看見發掘一小塊織品; </span><span style="vertical-align: inherit;">他發現後很興奮,然後悲傷地重新埋葬它。</span><span style="vertical-align: inherit;">這可能是他主人的一件襯衫。</span><span style="vertical-align: inherit;">如果他給了一塊麵包或蛋糕,他把它埋在地上,彷彿想把他的朋友餵到墳墓裡,然後找回來,每天重複這個過程幾次。</span><span style="vertical-align: inherit;">前幾個月,盧浮宮的國家衛隊每晚都會邀請Medor進入警衛室。</span><span style="vertical-align: inherit;">後來守衛看到一座小屋在墳墓旁邊的梅多爾修建。</span><span style="vertical-align: inherit;">如果他給了一塊麵包或蛋糕,他把它埋在地上,彷彿想把他的朋友餵到墳墓裡,然後找回來,每天重複這個過程幾次。</span><span style="vertical-align: inherit;">前幾個月,盧浮宮的國家衛隊每晚都會邀請Medor進入警衛室。</span><span style="vertical-align: inherit;">後來守衛看到一座小屋在墳墓旁邊的梅多爾修建。</span><span style="vertical-align: inherit;">如果他給了一塊麵包或蛋糕,他把它埋在地上,彷彿想把他的朋友餵到墳墓裡,然後找回來,每天重複這個過程幾次。</span><span style="vertical-align: inherit;">前幾個月,盧浮宮的國家衛隊每晚都會邀請Medor進入警衛室。</span><span style="vertical-align: inherit;">後來守衛看到一座小屋在墳墓旁邊的梅多爾修建。</span></span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Medor很快找到了他的普魯塔克,他的狂熱分子,他的畫家。</span><span style="vertical-align: inherit;">當我走訪盧浮宮前的廣場時,小販們向我提供了Medor的人生故事,他的故事歌曲和他的肖像。</span><span style="vertical-align: inherit;">十個蘇我購買了Medor的不朽。</span><span style="vertical-align: inherit;">這個小墳場周圍是一堵厚厚的人牆,街上所有的窮人。</span><span style="vertical-align: inherit;">這裡隱藏著他們的驕傲和喜悅。</span><span style="vertical-align: inherit;">這是他們的歌劇,他們的舞廳,他們的法庭,他們的教堂。</span><span style="vertical-align: inherit;">他們很高興能夠親近Medor。</span><span style="vertical-align: inherit;">我也設法通過人群的方式。</span><span style="vertical-align: inherit;">Medor是一隻大型的白色貴賓犬。</span><span style="vertical-align: inherit;">我彎下身去撫摸他,但卻沒有註意到我。</span><span style="vertical-align: inherit;">我的夾克太好了。</span><span style="vertical-align: inherit;">但是,當一個穿著粗糙衣服的男人或一個衣衫襤褸的女人接近和撫摸他時,他熱烈地回應。</span><span style="vertical-align: inherit;">Medor非常清楚在哪裡可以找到他主人的真正朋友。</span><span style="vertical-align: inherit;">一個年輕的女孩,一切都落到了他的面前。</span><span style="vertical-align: inherit;">他跳起來迎接她,緊緊抓住她,不肯放手。</span><span style="vertical-align: inherit;">他太高興了,她很安心。</span><span style="vertical-align: inherit;">要問這個可憐的女孩,他不需要先在她面前彎下腰,像一個穿著整齊的高雅女士一樣觸摸裙子的下擺。</span><span style="vertical-align: inherit;">無論他穿什麼衣服,都是一張貼合在他嘴裡的破布。</span><span style="vertical-align: inherit;">孩子對Medor對她的熟悉感到非常自豪。</span><span style="vertical-align: inherit;">我為了眼淚而感到羞愧。</span></span></div>
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<span style="vertical-align: inherit;">就這一點,我們和狗一起度過了一天。</span></div>
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<span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="vertical-align: inherit;"></span></span><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">本傑明電台</span><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="vertical-align: inherit;">摘錄 </span></span></span><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="vertical-align: inherit;"><span style="vertical-align: inherit;">,由Lecia Rosenthal編輯,由Jonathan Lutes翻譯。 </span></span><a href="http://www.versobooks.com/books/1720-radio-benjamin" rel="nofollow" style="border: 0px; color: #c14130; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration-line: none; transition: color 0.175s ease-in-out 0s; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">由Verso Books出版</span></span></a><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">。</span></span></span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">****</span></span></span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><br /></span></span></span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">***</span></span></span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><div style="font-family: inherit;"><div class="" dir="auto" style="font-family: inherit;"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":r2bp:" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" dir="auto" style="color: var(--primary-text); display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">▋法蘭西拿破崙帝國</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">喪失第一個海外帝國後,法蘭西人幾乎立刻開始建立第二個陸地帝國(如果把六邊形當成第一個陸地帝國)。那個帝國的名字永遠都和拿破崙.波拿巴連在一起。他先成為軍總司令(一七九五─一七九九),接著是執政府(Consulate)的第一執政(一七九九─一八○四),而且終於,從一八○四年開始,自行稱呼,並自行加冕為「法蘭西人的皇帝」(這個頭銜在拿破崙於一八○六年廢除神聖羅馬帝國,並於一八一○年迎娶哈布斯堡皇帝之女瑪麗.路易莎〔Maria-Louise〕後更有意義,也因此宣布拿破崙為神聖羅馬帝國的遺產受贈人)。因此,後來人稱的「第一帝國」(一八○四─一八一五)就這麼建立;拿破崙的侄子路易.拿破崙.波拿巴(Louis Napoleon Bonaparte),即拿破崙三世,建立的「第二帝國」(一八五二─一八七○)接續在後。</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>到了最後,拿破崙帝國幾乎完全是個歐陸帝國,但這不是因為拿破崙非常崇拜亞歷山大大帝,所以沒有超越歐洲的野心。法蘭西征服埃及(一七九八─一八○一)雖然非常短暫,卻是在為大東方帝國鋪路,想把不列顛趕出印度,重建法蘭西在亞洲的影響與勢力。不列顛的海軍中將霍雷肖.納爾遜(Horatio Nelson)領導尼羅河戰役(Battle of the Nile,又名「阿布基爾灣海戰」〔Aboukir Bay, 1798〕)終結這個夢想,再次阻撓法國人的帝國大業。但是法蘭西在埃及的興趣與影響相當長久,持續整個十九世紀,直到不列顛再次、而且終於,於一八八○與一八九○年代黯淡。拿破崙本身對埃及文化與宗教深感興趣;他身穿伊斯蘭服裝現身,展開大規模的埃及研究與記錄,並且運出許多埃及古董到巴黎。他非常清楚亞歷山大大帝就在和他同樣的年紀時征服埃及──二十九歲,而且渴望像亞歷山大一樣,在該地區建立自己的文化印記。征服失敗帶給他的沮喪既深又遠。(Englund 2004: 136; Jasanoff 2005: 117-48; Cole 2007)</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">拿破崙建立海外帝國的其他企圖一樣沒有成功。在東方受挫後,他想要在西方建立新的法蘭西帝國,復興法蘭西在北美和加勒比海的強權。剛剛收復的路易斯安那州原本會是帝國連結到聖多明哥和其他加勒比海殖民地的關鍵。但是一八○三年和不列顛意外再戰,粉碎這些希望,同時導致一八○三年以一千五百萬美元出售路易斯安那州給美國─簡直是跳樓大拍賣。同時,拿破崙在聖多明哥重新實施蓄奴,儘管逮捕杜桑─盧維杜爾(Toussaint L’Ouverture),仍然引發黑人再次叛亂,最終造成一八○四年海地獨立。法蘭西意圖重建大西洋的帝國,反而促使西半球第一個獨立的黑人國家誕生,鼓勵其他國家在接下來幾年內紛紛獨立。對於這次損失,以及該地區其他失利,拿破崙的反應眾所皆知──「該死的糖,該死的咖啡,該死的殖民地!」(Quinn 2002: 77)</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">.</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">但是,如果拿破崙海外帝國競爭失利,他在建立歐洲帝國方面則可謂卓有成效。拿破崙的Grand Empire,就像多數帝國,是個以不同方式與皇帝個人相連的領土雜燴。但到了一八一二年,拿破崙的帝國實際上包含當代歐盟所有的土地,而且透過結盟,甚至包括俄羅斯。拿破崙的「歐陸系統」其實是不列顛封鎖法蘭西對外貿易的結果,然而卻是歐洲經濟共同體早期極為成功的實例。拿破崙帝國是查理曼以來最大的歐洲帝國,也常與查理曼的帝國比較。但是也常見拿破崙帝國與羅馬帝國比較,而拿破崙則與凱撒比較。拿破崙無法和亞歷山大連結東西的帝國相提並論,但他的成就比起羅馬的皇帝,若非超越,至少也是相當。(Englund 2004: 332-39)</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">理解拿破崙帝國最重要的遺產──法蘭西「教化使命」,也就是la mission civilisatrice──羅馬的類比可能別具啟發。這當然不是法蘭西人第一次把他們的帝國和教化使命相連。中世紀以來,先是對於法蘭西島大區比鄰的地區,也就是與「內部帝國」相連的領土,接著對於海外帝國,法蘭西的國王認為散播法蘭西文明到世界是他們的使命。這個時候,文明主要是意謂天主教,以及法蘭西的專制制度(Stanbridge 1997)。如同往常,這是一個普世觀點;就和羅馬或不列顛帝國一樣,法蘭西帝國的統治者認為他們已經找到對全世界最好的事物。</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">法國革命斷然終止這個意義的法蘭西帝國使命。教會、國王、司鐸、貴族──全都遭到殘酷否決。取而代之的是「人民」和「國家」。君主變成「共和」;臣民變成公民。理性取代宗教(或成為新的「公民宗教」);平等與博愛取代特權與階級。法蘭西仍然是世界的老師,甚至比從前更甚。但是課程內容現在大不相同。「法蘭西文明」現在具有不同意義。教化使命必須隨之改變。</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">這就是拿破崙的成就。拿破崙的帝國在法蘭西帝國當中的重要性,便是代表法蘭西帝國的使命徹底轉變,從保皇主義與天主教,轉為共和主義與世俗主義。從那個時候起,而且從此以後,貶低拿破崙的人可能認為拿破崙敗壞、侵蝕法國革命的訊息──帝國、獨裁與「自由、平等、博愛」似乎毫無關係。但是以長期的眼光來看,許多方面而言,拿破崙其實鞏固革命的成就(Woolf 1992: 95-98;亦見Woolf 1989)。拿破崙法典結合許多革命引進的法律與行政變革。許多拿破崙帝國的國家採用法典作為法律系統基礎,獨立之後依然持續。拿破崙的軍隊將革命的口號與革命的歌曲〈馬賽曲〉帶到歐洲大陸每個角落,刺激各地居民在自己的社會追求必要改變,而且雖諷刺但也不罕見的是,成為他們自己起身對抗法蘭西主人的意識形態彈藥。法蘭西的教化使命換上全新、徹底的現代性格。這個使命承諾世界的,不是宗教與君王,而是理性與共和主義──如果必要的話,透過革命手段達成。</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">瑪雅.賈莎諾夫的說明很清楚,這些新的發展深深改變的,不只是法蘭西對自己的認知,還有世紀以來,法蘭西與不列顛爭奪全球霸權的本質。</div><div dir="auto" style="font-family: inherit;">⠀</div><div dir="auto" style="font-family: inherit;">──摘錄自《帝國統治世界的邏輯》〈第七章 法蘭西帝國:帝國的民族國家〉。</div></div></span></div></div></div></div><div class="x1n2onr6" id=":r2bq:" style="font-family: inherit; 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font-size: 0.9375rem; justify-content: flex-end; line-height: 1.3333; margin: 0px 16px; padding: 10px 0px;"><div class="x6s0dn4 x78zum5 x1iyjqo2 x6ikm8r x10wlt62" style="align-items: center; background-color: white; color: #65676b; display: flex; flex-grow: 1; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; overflow: hidden;"><span aria-label="看看誰對這個傳達了心情" class="x1ja2u2z" role="toolbar" style="font-family: inherit; z-index: 0;"><span class="x6s0dn4 x78zum5 x1e558r4" id=":r2bs:" style="align-items: center; display: flex; font-family: inherit; padding-left: 4px;"><span class="x6zyg47 x1xm1mqw xpn8fn3 xtct9fg x13zp6kq x1mcfq15 xrosliz x1wb7cse x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi xamhcws xol2nv xlxy82 x19p7ews xmix8c7 x139jcc6 x1n2onr6 x1xp8n7a xhtitgo" style="border-bottom-color: var(--card-background); border-left-color: var(--card-background); border-radius: 11px; border-right-color: var(--card-background); border-style: solid; border-top-color: var(--card-background); border-width: 2px; font-family: inherit; height: 18px; margin-left: -4px; position: relative; width: 18px; z-index: 2;"><span class="x12myldv x1udsgas xrc8dwe xxxhv2y x1rg5ohu xmix8c7 x1xp8n7a" style="border-radius: 9px; display: inline-block; font-family: inherit; height: 18px; width: 18px;"><span class="x4k7w5x x1h91t0o x1h9r5lt x1jfb8zj xv2umb2 x1beo9mf xaigb6o x12ejxvf x3igimt xarpa2k xedcshv x1lytzrv x1t2pt76 x7ja8zs x1qrby5j" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div aria-label="讚:24人" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x3nfvp2 x1q0g3np x87ps6o x1lku1pv x1a2a7pz" role="button" style="-webkit-tap-highlight-color: transparent; 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vertical-align: top;" width="18" /></div></span></span></span></span></span><div class="" style="font-family: inherit;"><span class="x4k7w5x x1h91t0o x1h9r5lt x1jfb8zj xv2umb2 x1beo9mf xaigb6o x12ejxvf x3igimt xarpa2k xedcshv x1lytzrv x1t2pt76 x7ja8zs x1qrby5j" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1n2onr6 x87ps6o x1lku1pv x1a2a7pz x1heor9g xnl1qt8 x6ikm8r x10wlt62 x1vjfegm x1lliihq" role="button" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-radius: inherit; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 1;" tabindex="0"><div class="x9f619 x1ja2u2z xzpqnlu x1hyvwdk xjm9jq1 x6ikm8r x10wlt62 x10l6tqk x1i1rx1s" style="box-sizing: border-box; clip-path: inset(50%); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px; z-index: 0;">所有心情:</div><span aria-hidden="true" class="xrbpyxo x6ikm8r x10wlt62 xlyipyv x1exxlbk" style="float: left; font-family: inherit; overflow: hidden; text-overflow: ellipsis; width: 100px;"><span style="font-family: inherit;"><span class="xt0b8zv x1e558r4" style="font-family: inherit; padding-left: 4px;">24</span></span></span><span class="xt0b8zv x2bj2ny xrbpyxo xl423tq" style="background-color: var(--surface-background); float: left; font-family: inherit; margin-left: -100px;"><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;">24</span></span></span><div><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;"><br /></span></span></div></div></span></div></div><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 x2lah0s x1qughib x1qjc9v5 xozqiw3 x1q0g3np xykv574 xbmpl8g x4cne27 xifccgj" style="align-items: stretch; background-color: white; box-sizing: border-box; color: #65676b; display: flex; flex-flow: row; flex-shrink: 0; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; justify-content: space-between; margin: -6px; position: relative; z-index: 0;"></div></div></div></div></div></div></div></div></span></span></span></span></span></div><div style="border: 0px; font-family: "Franziska Regular", "Helvetica Neue", Helvetica, sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 28px; margin-bottom: 1.77778em; margin-top: 0em; padding: 0em 0px; vertical-align: baseline;"><span face=""franziska italic" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span face=""franziska regular" , "helvetica neue" , "helvetica" , sans-serif" style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><br /></span></span></span></span></span></div>
人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-74798456778201404032023-11-23T18:16:00.000-08:002023-11-23T18:16:05.851-08:00 赤峰街五號的那些事 (李日章);台大哲學系事件加害主謀就是蔣經國。赤峰街,時光旅行地圖 現代與歷史激盪的風情 (廖志峰)<div><br /></div><div><div style="font-family: inherit;"><div class="x1cy8zhl x78zum5 x1q0g3np xod5an3 x1pi30zi x1swvt13 xz9dl7a" style="align-items: flex-start; display: flex; flex-direction: row; font-family: inherit; margin-bottom: 12px; padding-left: 16px; padding-right: 16px; padding-top: 12px;"><div class="x1iyjqo2" style="flex-grow: 1; font-family: inherit;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xi81zsa x1yc453h" dir="auto" style="color: var(--secondary-text); display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><h4 class="x1heor9g x1qlqyl8 x1pd3egz x1a2a7pz x1gslohp x1yc453h" id=":r204:" style="color: inherit; font-family: inherit; font-size: inherit; font-weight: inherit; margin: 4px 0px 0px; outline: none; padding: 0px;"><span class="xt0psk2" style="display: inline; font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv xzsf02u x1s688f" href="https://www.facebook.com/profile.php?id=100010246565309&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=-UC%2CP-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; font-weight: 600; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">廖志峰</span></a></span></h4></span></div><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x x4zkp8e x676frb x1nxh6w3 x1sibtaa xo1l8bm xi81zsa x1yc453h" dir="auto" style="color: var(--secondary-text); display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span id=":r205:" style="font-family: inherit;"><span style="font-family: inherit;"><img alt="" class="xz74otr x1jyxor1 x150jy0e" height="12" referrerpolicy="origin-when-cross-origin" src="https://www.facebook.com/images/assets_DO_NOT_HARDCODE/facebook_icons/star_filled_24_fds-gray-70.png" style="border: 0px; margin-bottom: -1px; object-fit: fill; padding-right: 4px;" width="12" /><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1nxh6w3 x1sibtaa x1s688f xi81zsa" style="color: var(--secondary-text); font-family: inherit; font-size: 0.8125rem; font-weight: 600; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;">最愛</span></span><span class="xh99ass" style="font-family: inherit;"><span style="font-family: inherit;"><span class="xzpqnlu xjm9jq1 x6ikm8r x10wlt62 x10l6tqk x1i1rx1s" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><span style="font-family: inherit;"><span class="x4k7w5x x1h91t0o x1h9r5lt x1jfb8zj xv2umb2 x1beo9mf xaigb6o x12ejxvf x3igimt xarpa2k xedcshv x1lytzrv x1t2pt76 x7ja8zs x1qrby5j" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz x1heor9g xt0b8zv xo1l8bm" href="https://www.facebook.com/permalink.php?story_fbid=pfbid0B92cvLzRWqbsxMhMKT6FBv7TRds2kVoHzkXh9pa9vCKxYLzqiGyDDx4sXBcCXyNTl&id=100010246565309&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=%2CO%2CP-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;"><span aria-labelledby=":r20c:" class="x1rg5ohu x6ikm8r x10wlt62 x16dsc37 xt0b8zv" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x1g77sc7" style="cursor: inherit; display: flex; font-family: inherit; font-size: inherit; line-height: inherit; order: 0; position: relative;"><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x2r4l8e irhKlDJm kdyy" style="font-family: inherit; order: 8; position: absolute; text-decoration: inherit; top: 3em;">t</span><span class="xmper1u x1qlqyl8 x1r8a4m5 x1n2onr6 x17ihmo5 xde8tdn irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; font-size: inherit; order: 52; position: absolute; text-decoration: inherit; top: 3em;">r</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x1pvdv19 irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 45; position: absolute; top: 3em;">s</span><span class="xi7du73 x1n2onr6 x17ihmo5 xzfnrur irhKlDJm kdyy" style="font-family: inherit; order: 42; position: absolute; top: 3em; vertical-align: inherit;">n</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 xlmi2g5 irhKlDJm kdyy" style="font-family: inherit; order: 35; position: absolute; text-decoration: inherit; top: 3em;">o</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 x4ffpxb irhKlDJm kdyy" style="font-family: inherit; order: 51; position: absolute; text-decoration: inherit; top: 3em;">o</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x1hzvdaj irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 34; position: absolute; top: 3em;">p</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x16kj9vd irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 22; position: absolute; top: 3em;">S</span><span class="x1qlqyl8 x15bjb6t x1r8a4m5 xi7du73 x1n2onr6 x17ihmo5 xccpzn3 irhKlDJm kdyy" style="font-family: inherit; font-size: inherit; line-height: inherit; order: 58; position: absolute; text-decoration: inherit; top: 3em; vertical-align: inherit;">e</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x1nicfno irhKlDJm kdyy" style="font-family: inherit; order: 59; position: absolute; text-decoration: inherit; top: 3em;">d</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x1h3rv7z irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 5; position: absolute; top: 3em;">c</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x7zgzr6 irhKlDJm kdyy" style="font-family: inherit; order: 56; position: absolute; text-decoration: inherit; top: 3em;">4</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xal98gn irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 16; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x9ek82g" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 1; position: relative; vertical-align: inherit;">1</span><span class="x1qlqyl8 x15bjb6t x1r8a4m5 xi7du73 x1n2onr6 x17ihmo5 xd1zjae irhKlDJm kdyy" style="font-family: inherit; font-size: inherit; line-height: inherit; order: 27; position: absolute; text-decoration: inherit; top: 3em; vertical-align: inherit;">u</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1wx7m7v irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 50; position: absolute; top: 3em; vertical-align: inherit;">a</span><span class="xmper1u x1qlqyl8 x1r8a4m5 x1n2onr6 x17ihmo5 x4g1k81" style="cursor: inherit; font-family: inherit; font-size: inherit; order: 21; position: relative; text-decoration: inherit;">時</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 xclvua8 irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 60; position: absolute; top: 3em;">8</span><span class="xi7du73 x1n2onr6 x17ihmo5 xgeagd7 irhKlDJm kdyy" style="font-family: inherit; order: 46; position: absolute; top: 3em; vertical-align: inherit;">6</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x7txf1f irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 24; position: absolute; top: 3em;">c</span><span class="x1qlqyl8 x15bjb6t x1r8a4m5 xi7du73 x1n2onr6 x17ihmo5 x1ee9ax4 irhKlDJm kdyy" style="font-family: inherit; font-size: inherit; line-height: inherit; order: 39; position: absolute; text-decoration: inherit; top: 3em; vertical-align: inherit;">m</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 x1wa695h irhKlDJm kdyy" style="font-family: inherit; order: 36; position: absolute; text-decoration: inherit; top: 3em;">7</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xdc8zo0 irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 53; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 xo1ph6p irhKlDJm kdyy" style="font-family: inherit; order: 3; position: absolute; text-decoration: inherit; top: 3em;">7</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x1n901it irhKlDJm kdyy" style="font-family: inherit; order: 13; position: absolute; text-decoration: inherit; top: 3em;">4</span><span class="x1qlqyl8 x15bjb6t x1r8a4m5 xi7du73 x1n2onr6 x17ihmo5 xt5e8co irhKlDJm kdyy" style="font-family: inherit; font-size: inherit; line-height: inherit; order: 17; position: absolute; text-decoration: inherit; top: 3em; vertical-align: inherit;">m</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x1meexak irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 55; position: absolute; top: 3em;">8</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1hrcb2b irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 6; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="xi7du73 x1n2onr6 x17ihmo5 xnlcnb7 irhKlDJm kdyy" style="font-family: inherit; order: 31; position: absolute; top: 3em; vertical-align: inherit;">f</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 xnt8be4 irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 29; position: absolute; top: 3em;">0</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x1g88jzi irhKlDJm kdyy" style="font-family: inherit; order: 11; position: absolute; text-decoration: inherit; top: 3em;">l</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x8onsx5 irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 48; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1xxvtuq irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 38; position: absolute; top: 3em; vertical-align: inherit;">i</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x1iapmwa irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 9; position: absolute; top: 3em;">3</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1o7lsid irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 15; position: absolute; top: 3em; vertical-align: inherit;">9</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1o75cna irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 49; position: absolute; top: 3em; vertical-align: inherit;">i</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 xsmz2so irhKlDJm kdyy" style="font-family: inherit; order: 37; position: absolute; text-decoration: inherit; top: 3em;">4</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 xwmoq1i" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 18; position: relative;"> </span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x4pqqfc irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 54; position: absolute; top: 3em;">0</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 x36lzlx" style="font-family: inherit; order: 19; position: relative; text-decoration: inherit;">小</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x182iqb8 irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 4; position: absolute; top: 3em;">h</span><span class="xmper1u xt0psk2 xjb2p0i x1qlqyl8 x15bjb6t x1n2onr6 x17ihmo5 x1esxh7v irhKlDJm kdyy" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; order: 7; position: absolute; top: 3em;">0</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x1pt730z irhKlDJm kdyy" style="font-family: inherit; order: 47; position: absolute; text-decoration: inherit; top: 3em;">t</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 x434fd irhKlDJm kdyy" style="font-family: inherit; order: 20; position: absolute; text-decoration: inherit; top: 3em;">4</span><span class="x1qlqyl8 x15bjb6t x1r8a4m5 xi7du73 x1n2onr6 x17ihmo5 x13rv6gb irhKlDJm kdyy" style="font-family: inherit; font-size: inherit; line-height: inherit; order: 28; position: absolute; text-decoration: inherit; top: 3em; vertical-align: inherit;">u</span><span class="xmper1u x1qlqyl8 x1r8a4m5 x1n2onr6 x17ihmo5 x1ihsnu5 irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; font-size: inherit; order: 44; position: absolute; text-decoration: inherit; top: 3em;">2</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1ocldi irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 12; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x1eopwuj irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 23; position: absolute; top: 3em; vertical-align: inherit;">1</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x1sjo555 irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 10; position: absolute; top: 3em;">c</span><span class="xt0psk2 x1qlqyl8 x1n2onr6 x17ihmo5 x1162wnf irhKlDJm kdyy" style="display: inline; font-family: inherit; font-size: inherit; order: 25; position: absolute; top: 3em;">c</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xpchg7c irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 40; position: absolute; top: 3em; vertical-align: inherit;">a</span><span class="xmper1u x1qlqyl8 x1r8a4m5 x1n2onr6 x17ihmo5 x14yy4lh irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; font-size: inherit; order: 2; position: absolute; text-decoration: inherit; top: 3em;">2</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 x8o8amb irhKlDJm kdyy" style="font-family: inherit; order: 43; position: absolute; text-decoration: inherit; top: 3em;">g</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xi695je irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 14; position: absolute; top: 3em; vertical-align: inherit;">9</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 x8az3br irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 32; position: absolute; top: 3em; vertical-align: inherit;">i</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xv5skbt irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 30; position: absolute; top: 3em; vertical-align: inherit;">9</span><span class="xjb2p0i x1r8a4m5 x1n2onr6 x17ihmo5 xax70vg irhKlDJm kdyy" style="font-family: inherit; order: 57; position: absolute; text-decoration: inherit; top: 3em;">l</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xt3tw32 irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 26; position: absolute; top: 3em; vertical-align: inherit;">9</span><span class="x1r8a4m5 x1n2onr6 x17ihmo5 x1vqz4hg irhKlDJm kdyy" style="font-family: inherit; order: 33; position: absolute; text-decoration: inherit; top: 3em;">7</span><span class="xmper1u x15bjb6t xi7du73 x1n2onr6 x17ihmo5 xhp99yf irhKlDJm kdyy" style="cursor: inherit; font-family: inherit; line-height: inherit; order: 41; position: absolute; top: 3em; vertical-align: inherit;">i</span></span></span></span></a></span></span><span class="xh99ass" style="font-family: inherit;"><span style="font-family: inherit;"><span class="xzpqnlu xjm9jq1 x6ikm8r x10wlt62 x10l6tqk x1i1rx1s" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><span class="xuxw1ft" style="font-family: inherit; text-wrap: nowrap;"><span class="x4k7w5x x1h91t0o x1h9r5lt x1jfb8zj xv2umb2 x1beo9mf xaigb6o x12ejxvf x3igimt xarpa2k xedcshv x1lytzrv x1t2pt76 x7ja8zs x1qrby5j" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="x1rg5ohu x1n2onr6 xs7f9wi" style="display: inline-block; font-family: inherit; position: relative; top: 2px;"><svg class="x19dipnz x1lliihq x1k90msu x2h7rmj x1qfuztq" fill="currentColor" height="12" style="--color: var(--secondary-icon);" title="分享對象:所有人" viewbox="0 0 16 16" width="12"><g fill-rule="evenodd" transform="translate(-448 -544)"><g><path d="M109.5 408.5c0 3.23-2.04 5.983-4.903 7.036l.07-.036c1.167-1 1.814-2.967 2-3.834.214-1 .303-1.3-.5-1.96-.31-.253-.677-.196-1.04-.476-.246-.19-.356-.59-.606-.73-.594-.337-1.107.11-1.954.223a2.666 2.666 0 0 1-1.15-.123c-.007 0-.007 0-.013-.004l-.083-.03c-.164-.082-.077-.206.006-.36h-.006c.086-.17.086-.376-.05-.529-.19-.214-.54-.214-.804-.224-.106-.003-.21 0-.313.004l-.003-.004c-.04 0-.084.004-.124.004h-.037c-.323.007-.666-.034-.893-.314-.263-.353-.29-.733.097-1.09.28-.26.863-.8 1.807-.22.603.37 1.166.667 1.666.5.33-.11.48-.303.094-.87a1.128 1.128 0 0 1-.214-.73c.067-.776.687-.84 1.164-1.2.466-.356.68-.943.546-1.457-.106-.413-.51-.873-1.28-1.01a7.49 7.49 0 0 1 6.524 7.434" transform="translate(354 143.5)"></path><path d="M104.107 415.696A7.498 7.498 0 0 1 94.5 408.5a7.48 7.48 0 0 1 3.407-6.283 5.474 5.474 0 0 0-1.653 2.334c-.753 2.217-.217 4.075 2.29 4.075.833 0 1.4.561 1.333 2.375-.013.403.52 1.78 2.45 1.89.7.04 1.184 1.053 1.33 1.74.06.29.127.65.257.97a.174.174 0 0 0 .193.096" transform="translate(354 143.5)"></path><path d="M110 408.5a8 8 0 1 1-16 0 8 8 0 0 1 16 0zm-1 0a7 7 0 1 0-14 0 7 7 0 0 0 14 0z" fill-rule="nonzero" transform="translate(354 143.5)"></path></g></g></svg></span></span></span></span></span></div></div></div><div class="xqcrz7y x78zum5 x1qx5ct2 x1y1aw1k x1sxyh0 xwib8y2 xurb0ha xw4jnvo" style="align-self: flex-start; 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border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><svg class="x19dipnz x1lliihq x1k90msu x2h7rmj x1qfuztq" fill="currentColor" height="20" style="--color: var(--secondary-icon);" viewbox="0 0 20 20" width="20"><g fill-rule="evenodd" transform="translate(-446 -350)"><path d="M458 360a2 2 0 1 1-4 0 2 2 0 0 1 4 0m6 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0m-12 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0"></path></g></svg><div class="x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h x14yjl9h xudhj91 x18nykt9 xww2gxu" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div></div><div style="font-family: inherit;"><div class="" dir="auto" style="font-family: inherit;"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":r206:" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" dir="auto" style="color: var(--primary-text); display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">休假回來後幾乎每天行程都滿檔。不過,是因為行程早已排滿,才找出幾天出國放空。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">下午要先帶幾位大哥大姊走一段貴德街、迪化街,會經過陳天來故居、李春生紀念教堂、李臨秋故居。這個行程是早就約定了,沒想到還會再帶一次雙連小旅行,就是星期天下午,其實雙連是因雙連埤而來,只是埤已經填平了,只剩下地下水路。在這區裏,曾住有《赤峰街五號》的作者,李日章老師,他因台大哲學系事件被離開教職,也曾有音樂人楊三郎老師,可惜我不知道他的舊居位址,只知在赤峰街附近、承德路巷內。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">城市的人文故事就是城市的底蘊,這是探訪的意義。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/%E5%8E%BB%E5%B9%B4%E8%B5%B0%E8%A1%97%E5%B7%A7%E9%81%87%E9%9B%99%E9%80%A3%E7%A4%BE%E9%99%A3%E9%A0%AD%E5%BD%BC%E6%97%A5%E5%9C%8B%E8%B3%93%E9%A3%AF%E5%BA%97%E4%BB%8D%E5%9C%A8?__eep__=6&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0">#去年走街巧遇雙連社陣頭彼日國賓飯店仍在</a></span></div></div></span></div></div></div></div><div class="x1n2onr6" id=":r207:" style="font-family: inherit; position: relative;"><div class="x1n2onr6" style="font-family: inherit; position: relative;"><div style="font-family: inherit;"><div class="x1n2onr6" style="font-family: inherit; position: relative;"><div class="x1n2onr6" style="font-family: inherit; padding-top: 500px; position: relative;"><div class="x6ikm8r x10wlt62 x10l6tqk" style="font-family: inherit; inset: calc(0% + 0px) calc(33.3333% + 1.01px) calc(0% + 0px) calc(0% + 0px); overflow: hidden; position: absolute;"><a aria-label="可能是 2 個人、街道和文字的圖像" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1rg5ohu x1a2a7pz x1ey2m1c xds687c x10l6tqk x17qophe x13vifvy x1pdlv7q" href="https://www.facebook.com/photo/?fbid=2070716263279906&set=pcb.2070720906612775&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=*bH-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; transform: none; user-select: none; z-index: 0;" tabindex="0"><div class="x6ikm8r x10wlt62" style="font-family: inherit; overflow: hidden;"><div class="xqtp20y x6ikm8r x10wlt62 x1n2onr6" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 498.494px; position: relative;"><div class="x10l6tqk x13vifvy" style="font-family: inherit; height: 498.494px; left: -20.767px; position: absolute; top: 0px; width: 373.864px;"><img alt="" class="xz74otr x1ey2m1c xds687c x5yr21d x10l6tqk x17qophe x13vifvy xh8yej3" referrerpolicy="origin-when-cross-origin" src="https://scontent.ftpe8-1.fna.fbcdn.net/v/t39.30808-6/405226785_2070721056612760_7644890636127641805_n.jpg?stp=dst-jpg_p720x720&_nc_cat=105&ccb=1-7&_nc_sid=5f2048&_nc_ohc=Z-ECJ6Jcu4cAX-cWihh&_nc_ht=scontent.ftpe8-1.fna&oh=00_AfClWcUxfm9ipK7igGm26RxTXYmzBsfc02GbJ80djHIl0Q&oe=6563FEA4" style="border: 0px; height: 498.494px; inset: 0px; object-fit: fill; position: absolute; width: 373.864px;" /></div></div><div class="x1nb4dca x1q0q8m5 xso031l x1exxf4d x13fuv20 x178xt8z x1ey2m1c x9f619 xds687c x47corl x10l6tqk x17qophe x13vifvy" style="border-bottom-color: var(--media-inner-border); border-bottom-style: solid; border-bottom-width: 1px; border-top-color: var(--media-inner-border); border-top-style: solid; border-top-width: 1px; box-sizing: border-box; font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div></div><div class="x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="x6ikm8r x10wlt62 x10l6tqk" style="font-family: inherit; inset: calc(0% + 0px) calc(0% + 0px) calc(66.6667% + 1.01px) calc(66.6667% + 1.01px); overflow: hidden; position: absolute;"><a aria-label="可能是街道的圖像" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1rg5ohu x1a2a7pz x1ey2m1c xds687c x10l6tqk x17qophe x13vifvy x1pdlv7q" href="https://www.facebook.com/photo/?fbid=2070716289946570&set=pcb.2070720906612775&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=*bH-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="x6ikm8r x10wlt62" style="font-family: inherit; overflow: hidden;"><div class="xqtp20y x6ikm8r x10wlt62 x1n2onr6" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 165.668px; position: relative;"><div class="x10l6tqk x13vifvy" style="font-family: inherit; height: 220.881px; position: absolute; top: 0px; width: 165.668px;"><img alt="" class="xz74otr x1ey2m1c xds687c x5yr21d x10l6tqk x17qophe x13vifvy xh8yej3" referrerpolicy="origin-when-cross-origin" src="https://scontent.ftpe8-3.fna.fbcdn.net/v/t39.30808-6/404610447_2070721063279426_8709314515295154977_n.jpg?stp=dst-jpg_p720x720&_nc_cat=111&ccb=1-7&_nc_sid=5f2048&_nc_ohc=8cExxZFnmbwAX-5uiCp&_nc_ht=scontent.ftpe8-3.fna&oh=00_AfB7F_vCBHzZA4_ikcQUPY1sMqMecDjpQZx3TO-9ohQEMQ&oe=65644D33" style="border: 0px; height: 220.881px; inset: 0px; object-fit: fill; position: absolute; width: 165.668px;" /></div></div><div class="x1nb4dca x1q0q8m5 xso031l x1exxf4d x13fuv20 x178xt8z x1ey2m1c x9f619 xds687c x47corl x10l6tqk x17qophe x13vifvy" style="border-bottom-color: var(--media-inner-border); border-bottom-style: solid; border-bottom-width: 1px; border-top-color: var(--media-inner-border); border-top-style: solid; border-top-width: 1px; box-sizing: border-box; font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div></div><div class="x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="x6ikm8r x10wlt62 x10l6tqk" style="font-family: inherit; inset: calc(33.3333% + 1.01px) calc(0% + 0px) calc(33.3333% + 1.01px) calc(66.6667% + 1.01px); overflow: hidden; position: absolute;"><a aria-label="可能是 3 個人、道路、街道、摩天大樓和雲的圖像" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1rg5ohu x1a2a7pz x1ey2m1c xds687c x10l6tqk x17qophe x13vifvy x1pdlv7q" href="https://www.facebook.com/photo/?fbid=2070716313279901&set=pcb.2070720906612775&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=*bH-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="x6ikm8r x10wlt62" style="font-family: inherit; overflow: hidden;"><div class="xqtp20y x6ikm8r x10wlt62 x1n2onr6" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 165.668px; position: relative;"><div class="x10l6tqk x13vifvy" style="font-family: inherit; height: 220.881px; position: absolute; top: 0px; width: 165.668px;"><img alt="" class="xz74otr x1ey2m1c xds687c x5yr21d x10l6tqk x17qophe x13vifvy xh8yej3" referrerpolicy="origin-when-cross-origin" src="https://scontent.ftpe8-2.fna.fbcdn.net/v/t39.30808-6/405122514_2070721096612756_7391174013137498188_n.jpg?stp=dst-jpg_p720x720&_nc_cat=103&ccb=1-7&_nc_sid=5f2048&_nc_ohc=meJXLiShbvMAX-25dpP&_nc_ht=scontent.ftpe8-2.fna&oh=00_AfDIcnwcdjbzebkYx9UKuwRBv_moeDsVUNdXMMZzr-sAXA&oe=6564D7CF" style="border: 0px; height: 220.881px; inset: 0px; object-fit: fill; position: absolute; width: 165.668px;" /></div></div><div class="x1nb4dca x1q0q8m5 xso031l x1exxf4d x13fuv20 x178xt8z x1ey2m1c x9f619 xds687c x47corl x10l6tqk x17qophe x13vifvy" style="border-bottom-color: var(--media-inner-border); border-bottom-style: solid; border-bottom-width: 1px; border-top-color: var(--media-inner-border); border-top-style: solid; border-top-width: 1px; box-sizing: border-box; font-family: inherit; inset: 0px; pointer-events: none; position: absolute;"></div></div><div class="x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h" data-visualcompletion="ignore" style="border-radius: inherit; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="x6ikm8r x10wlt62 x10l6tqk" style="font-family: inherit; inset: calc(66.6667% + 1.01px) calc(0% + 0px) calc(0% + 0px) calc(66.6667% + 1.01px); overflow: hidden; position: absolute;"><a aria-label="可能是 3 個人、手風琴、單簧管和文字的圖像" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1rg5ohu x1a2a7pz x1ey2m1c xds687c x10l6tqk x17qophe x13vifvy x1pdlv7q" href="https://www.facebook.com/photo/?fbid=2070716339946565&set=pcb.2070720906612775&__cft__[0]=AZVCcekONg5W0PWsgDyaLqiCPeC6J9nSV5tfQrWD1dcyrdx8VwOfBSaZO9KnT7g5sJVnsM9zOdq8d7ZzycKXAAHsHdYAEx3z_lIHAVJeNvpq_QxuRFy4KIFlV8FEaC9wHXWygkFtfXSgLc0nUXm1ObwI3-Z1PIUkee7RoTsAVFO9Ww&__tn__=*bH-R" role="link" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: #385898; cursor: pointer; display: inline-block; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; inset: 0px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: absolute; text-align: inherit; text-decoration-line: none; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="x6ikm8r x10wlt62" style="font-family: inherit; overflow: hidden;"><div class="xqtp20y x6ikm8r x10wlt62 x1n2onr6" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 165.668px; position: relative;"><div class="x10l6tqk x13vifvy" style="font-family: inherit; height: 165.668px; left: -27.5994px; 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box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 1;" tabindex="0"><div class="x9f619 x1ja2u2z xzpqnlu x1hyvwdk xjm9jq1 x6ikm8r x10wlt62 x10l6tqk x1i1rx1s" style="box-sizing: border-box; clip-path: inset(50%); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px; z-index: 0;">所有心情:</div><span aria-hidden="true" class="xrbpyxo x6ikm8r x10wlt62 xlyipyv x1exxlbk" style="float: left; font-family: inherit; overflow: hidden; text-overflow: ellipsis; width: 100px;"><span style="font-family: inherit;"><span class="xt0b8zv x1e558r4" style="font-family: inherit; padding-left: 4px;">77</span></span></span><span class="xt0b8zv x2bj2ny xrbpyxo xl423tq" style="background-color: var(--surface-background); float: left; font-family: inherit; margin-left: -100px;"><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;">周昭翡、林水福和其他75人</span></span></span><div><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;"><br /></span></span></div></div></span></div></div><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 x2lah0s x1qughib x1qjc9v5 xozqiw3 x1q0g3np xykv574 xbmpl8g x4cne27 xifccgj" style="align-items: stretch; background-color: white; box-sizing: border-box; color: #65676b; display: flex; flex-flow: row; flex-shrink: 0; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; justify-content: space-between; margin: -6px; position: relative; z-index: 0;"></div></div></div></div></div></div></div></div></div><div><br /></div><br />
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<a href="https://www.youtube.com/watch?v=plBTKN9OqZk&t=269s"><img src="https://i.ytimg.com/vi/plBTKN9OqZk/hqdefault.jpg?sqp=-oaymwEXCPYBEIoBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLBuQHIksKpRvjjcUA5ApsTT3DcrnA" /></a><br />
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42:03<br />
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<a href="https://www.youtube.com/watch?v=plBTKN9OqZk&t=269s">155 赤峰街五號的那些事 李日章 2017-05-20</a><br />
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<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a><br />
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<a data-lynx-mode="asynclazy" href="https://l.facebook.com/l.php?u=https%3A%2F%2Fmusou.watchout.tw%2Fread%2FjURHMdsrsglXgJJcsESi%3Ffbclid%3DIwAR3c8tEXWRcP_0EaSNVd9cztN0Ju_UFzCBXnlXe16fykd0kfBCT2ZmBP-HQ&h=AT2b9Xg_xESVzr9JlTT3M6TEYxpBtGvW66I4FnDKw1SVkvPY5ANn9MkGWd7hCSV8A6LLeupNss0YyJq2hWWL_Ijqx7GixXHrXS2bPakDHzDL1poPIxt2dq1fK9PwXca0zje3GOuKYulDWxtukw2dqRGM" rel="noopener nofollow" style="color: #1d2129; cursor: pointer; font-family: inherit; text-decoration-line: none; transition: color 0.1s ease-in-out 0s;" target="_blank">台大哲學系事件受害教授李日章:加害主謀就是蔣經國/沃草國會無雙</a></div>
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"...."那麼,陳鼓應和王曉波是不是這樣的英雄呢? 先說王曉波。 曉波的母親是共產黨,在台灣被國民黨槍決;他父親身為憲兵營長,也因為“知匪不報”而入獄七年。曉波自始就是一個左派的統派,卻寄生於殺母囚父的國民黨,對該黨的暴虐、腐敗不置一詞,從不信奉“資產階級的民主”,認為所謂“現代化”實不過是“西化”,內心並不以為然,主張中國應該走自己的路。其從事的保釣運動,實質上是一種愛國運動,與爭取自由、民主無關。馬英九競選文宣中的台灣論述乃是出於他的手筆。國共交好之後,他充當中介,不時穿梭於海峽兩岸,對中共之專制殘暴、剝奪自由、踐踏人權、對外擴張,視若無睹,只一味歌頌民族的崛起、國力的強大。這樣的一個人,在台灣的政治改革運動中,恐怕只能歸於反派的一類吧!.....<br />
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李日章《赤峯街5號的那些事》</div>
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‵`<a href="https://www.facebook.com/wealth1974/?hc_ref=ARRwW9g0DheFJxg6UivovbpdslN2FFVkA7Ih7yUOM2zM0-Blhq2sk9jroZzdImLAJ98&fref=nf">財訊</a> <a href="https://www.facebook.com/wealth1974/posts/10159485064710571">9月17日 15:31</a> ·<br />
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【赤峰街,時光旅行地圖】<br />
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建城132年的台北市,留下不少變遷的記憶;這些見證時代的痕跡, 因為某種原因延遲開發,反而有了一種倖存感,成了一道獨特的城市人文景觀。<br />
<a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/%E8%B5%A4%E5%B3%B0%E8%A1%97?source=feed_text&story_id=10159485064710571" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #4267b2; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">赤峰街</span></span></a> <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/%E6%97%85%E9%81%8A?source=feed_text&story_id=10159485064710571" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #4267b2; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">旅遊</span></span></a> <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/%E5%B7%B7%E5%BC%84?source=feed_text&story_id=10159485064710571" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #4267b2; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">巷弄</span></span></a> <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/%E5%8F%B0%E7%81%A3?source=feed_text&story_id=10159485064710571" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #4267b2; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">台灣</span></span></a> <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/%E5%8F%A4%E6%B4%8B%E6%A8%93?source=feed_text&story_id=10159485064710571" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="color: #4267b2; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">古洋樓</span></span></a> <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=438612969584352&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/Chifeng28/?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">小器赤峰28</a> <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1517481308263607&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/IlluminationBooks/?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">浮光書店</a></div>
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<span class="_3m6-" style="font-family: inherit;"><a data-lynx-mode="async" href="https://l.facebook.com/l.php?u=http%3A%2F%2Fpics.ee%2F11sox&h=ATMc-wkPtjRW4U8XgMTelLHgRk3XqIzrtw_SReBkJuTSxp9l2J5raH0lb1siKV9hLlgJhGM2U7iV7HSp9U3qvPPWMYhR6r9hv5AMJjDGxCO1UTDmMC8ax755Dn5Lv7VnGbJsHFZPXwxWbSveZLoTzU-P1jufvavq-8GWc7NFXpBArvufekqwlUX6wqW8hZiM7E17lP2Ythl2H_ueFVqVdLIV58r6VDdB7gqlzLXKcmJ7vdZaHpzGZ1b0qPiQzhD1lYeGARxDjwJo0VX640ttBXk5o8ncvDX8" rel="noopener" style="color: #1d2129; cursor: pointer; font-family: inherit; text-decoration-line: none; transition: color 0.1s ease-in-out 0s;" target="_blank">赤峰街,時光旅行地圖 現代與歷史激盪的風情 - 財訊雙週刊</a></span><span class="_3m6-" style="font-family: inherit;">建城132年的台北市,留下不少變遷的記憶;這些見證時代的痕跡,因為某種原因延遲開發,反而有了一種倖存感,成了一道獨特的城市人文景觀。</span><span class="_3m6-" style="font-family: inherit;"><br /></span><br />
<img alt="" aria-label="圖像裡可能有一或多人和室內" class="scaledImageFitWidth img" height="262" src="https://external.ftpe1-2.fna.fbcdn.net/safe_image.php?d=AQCJeuhaW95Eh3RU&w=540&h=282&url=https%3A%2F%2Fi.waa.tw%2FotXgpFU.jpg&cfs=1&upscale=1&fallback=news_d_placeholder_publisher&_nc_hash=AQBWT2hkdZlyPbiX" style="border: 0px; height: 261.1px; min-height: initial; position: relative; top: 0px; vertical-align: bottom; width: 500px;" width="500" /><i class="_34k2" style="background-image: url("/rsrc.php/v3/yd/r/NAoIVCtOY99.png"); background-position: -54px -426px; background-repeat: no-repeat; background-size: 74px 560px; height: 16px; left: 14px; margin: -8px 0px 0px -8px; position: absolute; top: 14px; width: 16px;"></i>關於這個網站<a ajaxify="/feed/article_context/dialog/?share_id=2934610449913109&entry_type=news_feed_learn_more&trigger_log_id=9f9ee1b3-9d04-286e-207b-8be50fe0a667&ft_msg=qid.6676269570908884533%3Amf_story_key.-7220708488092091887%3Atop_level_post_id.2934610446579776%3Acontent_owner_id_new.100000925471848%3Asrc.10%3Astory_location.5%3Astory_attachment_style.share%3Aview_time.1554440029" class="_34k6" href="https://www.facebook.com/#" id="u_fetchstream_35_b" rel="dialog-post" role="button" style="border-radius: 14px; bottom: 0px; color: #365899; cursor: pointer; font-family: inherit; inset: 0px; left: 0px; max-width: 28px; min-width: 28px; pointer-events: auto; position: absolute; right: 0px; text-decoration-line: none; top: 0px;"></a><br />
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人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-78493679330209977632023-11-23T12:26:00.000-08:002023-11-23T12:26:13.114-08:00 LEADERSHIP,漢清講堂5講;2021年美國日本分享新冠疫苗的故事 ;《夜間飛行》;2010年智利科皮亞波礦難的故事<div><span style="font-size: x-large;"><div></div><p>2023.11.23 晃三兄說他們在開發"LEADERSHI軟功夫"......拿些資料供其參考:</p><p>LEADERSHIP,漢清講堂5講;2021年美國日本分享新冠疫苗的故事 ;《夜間飛行》;2010年智利科皮亞波礦難的故事</p><p><br /></p><p> LEADERSHIP,漢清講堂5講;2021年美國日本分享新冠疫苗的故事 ;《夜間飛行》;2010年智利科皮亞波礦難的故事</p><blockquote><div>美國一名高級官員重申,美國不會以分享新冠疫苗交換政治利益。</div><div>美國副國務卿謝爾曼(Wendy Sherman)星期三(6月2日)在訪問泰國時說,正如總統拜登所說,美國分享新冠疫苗不是為了獲得政治利益,而是繼續美國對全球公眾健康幾十年來一如既往的承諾。</div></blockquote></span>美國更有資格說USA CAN HELP<span style="font-size: x-large;"><p><br /></p><p><br /></p><p> </p>明天6.4!<br />獨家|日本報恩120萬劑AZ疫苗來了! 日航明11:45東京起飛載來台灣<p> <span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; white-space: pre-wrap;">日本會恊助發展中國家完善輸送疫苗所需要的冷凍鍊。</span></p><p><span style="background-color: white; color: #050505; font-family: inherit; white-space: pre-wrap;">【日本發文有深意!只要堅持抵抗誘惑,不要加入魔鬼陣營,最後終將戰勝魔鬼,獲得正義!】</span></p><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">日本交流協會在確定AZ疫苗援台成行之後,今晚在臉書發文,其中有一段話非常耐人尋味:「桃太郎與炭治郎在長期跟魔鬼搏鬥的辛苦日子裡,腦海中說不定曾閃過『乾脆加入鬼聯盟還比較不會這麼累!』這樣的念頭。即便如此,他們努力抵抗誘惑,咬緊牙關堅持到底,最後終於和夥伴們迎向了幸福的結局。」</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">誰是魔鬼?是指武漢病毒、新冠病毒?還是意有他指?恐怕更會引起大家的求知慾吧。</div></div><p><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; 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position: relative;"><span dir="auto" style="font-family: inherit;">日本交流協會發文有寓意 台日就像桃太郎、炭治郎 對抗魔鬼終將贏得勝利</span></span></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="a8c37x1j ni8dbmo4 stjgntxs l9j0dhe7 ltmttdrg g0qnabr5" style="display: block; font-family: inherit; overflow: hidden; position: relative; text-overflow: ellipsis; white-space: nowrap;"><span style="font-family: inherit;">在日本第一批120萬劑援台疫苗即將出發之際,日本在台交流協會今(3)日晚間臉書發文,以日本民間故事桃太郎和《鬼滅之刃》炭治郎為例,鼓勵彼此只要堅定意志抵抗誘惑,一定可以成功擊退魔鬼,贏得正義。至於「魔鬼」指的...</span></span></span></div></div></div></div><div class="rq0escxv l9j0dhe7 du4w35lb j83agx80 cbu4d94t pfnyh3mw d2edcug0 hpfvmrgz p8fzw8mz pcp91wgn" style="box-sizing: border-box; display: flex; flex-direction: column; flex-shrink: 0; font-family: inherit; max-width: 100%; min-width: 0px; padding-left: 6px; padding-right: 6px; position: relative; z-index: 0;"></div></div></div></a></div></div></div></div><div class="discj3wi hv4rvrfc ihqw7lf3 dati1w0a" style="font-family: inherit; padding: 16px;"><div class="j83agx80 l9j0dhe7 k4urcfbm" style="display: flex; font-family: inherit; position: relative; width: 468px;"><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs kmp5kqmu" style="--t68779821: 0 2px 12px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 2px 12px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 468px; z-index: 0;"><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs kmp5kqmu" style="--t68779821: 0 2px 12px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 2px 12px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 468px; z-index: 0;">美國之音中文網</div><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs kmp5kqmu" style="--t68779821: 0 2px 12px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 2px 12px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 468px; z-index: 0;">昨天上午2:15 ·</div><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs kmp5kqmu" style="--t68779821: 0 2px 12px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 2px 12px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 468px; z-index: 0;">台灣外交部長吳釗燮星期四(6月3日)指責中國通過向國外提供疫苗和其他抗疫援助謀取政治利益,其中包括增加對台灣的壓力。吳釗燮還表示,北京的共產黨領導人“還利用疫情將他們的政治議程強加給其他許多國家”。</div><div class="rq0escxv l9j0dhe7 du4w35lb hybvsw6c io0zqebd m5lcvass fbipl8qg nwvqtn77 k4urcfbm ni8dbmo4 stjgntxs kmp5kqmu" style="--t68779821: 0 2px 12px var(--shadow-2); border-radius: max(0px, min(8px, ((100vw - 4px) - 100%) * 9999)) / 8px; box-shadow: 0 2px 12px var(--shadow-2); box-sizing: border-box; font-family: inherit; overflow: hidden; position: relative; width: 468px; z-index: 0;">吳釗燮是在向日本外國特派員協會發表演說並接受媒體提問時作出上述評論的。</div></div></div></div><div></div></span></div><span style="font-size: x-large;"><div><span style="font-size: x-large;">----</span></div><div><span style="font-size: x-large;"><br /></span></div><div><span style="font-size: x-large;"><br /></span></div><div><span style="font-size: x-large;"><br /></span></div>LEADERSHIP,漢清講堂5講;Leadership: A Very Short Introduction<br />
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朋友,<br />
我與李元璋博士各有一本談LEADERSHIP的書之草稿 (2017.5)---我的,可寄給大家。<br />
2016年5月,我與忠信兄在"漢清講堂"各有一篇祝賀菜總統就任祝賀錄影。<br />
今天陳健邦兄指出: 鄧予立《馬英九必修的10堂課:圖說台灣經濟發展大未來》(台北:早安財經文化,2009 ),如附:<br />
我有個提議,這個月某天,譬如6月24,或阿邦方便的時間,大家來座談LEADERSHIP。有書的,報告其摘要;有心得的,交換一下。</div>
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<a href="https://www.youtube.com/watch?v=IQjDN7TC6g8&t=54s"><img src="https://i.ytimg.com/vi/IQjDN7TC6g8/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLANRwyzYP9d0bgp0bLkEK6fmbnylQ" /></a><a href="https://www.youtube.com/watch?v=IQjDN7TC6g8&t=54s"><br />4</a>6:15<br />
<a href="https://www.youtube.com/watch?v=IQjDN7TC6g8&t=54s">167 "領導學"漫談 2017-06-16 鍾漢清</a><br />
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聖修伯里(Antoine de Saint-Exupéry,1931)《夜間飛行》Vol de Nuit ,二魚,繆詠華譯,2015。<br />
紀德(André Gide)作序,關於上司Rivière (李維耶)的論述,是篇領導學好文章。</div>
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<a href="https://en.wikipedia.org/wiki/Night_Flight_(1933_film)" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; text-decoration-line: none;" title="Night Flight (1933 film)"><i>Night Flight</i> (1933 film)</a><span face="sans-serif" style="background-color: white; color: #222222;">, a 1933 film starring Clark Gable, was based on the novel by Antoine de Saint Exupéry, which recounted his real life experiences when he managed and flew for the </span><a href="https://en.wikipedia.org/wiki/Aeroposta_Argentina" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; text-decoration-line: none;" title="Aeroposta Argentina">Aeroposta Argentina</a><span face="sans-serif" style="background-color: white; color: #222222;"> subsidiary </span><br />
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https://en.wikipedia.org/wiki/A%C3%A9ropostale_(aviation)<br />
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<a data-tb-shadow-region-link="0" data-tb-shadow-region-title="0" href="https://www.japantimes.co.jp/news/2018/12/23/world/100-years-ago-airmail-took-flight-wings-frenchman-founded-aeropostale/" ping="//nr.taboola.com/newsroom/1.0/japantimes/notify-click?view.id=126586578582500431&page.template=home&page.dashboard=home&page.url=https%3A%2F%2Fwww.japantimes.co.jp%2F&click.region.id=Latest%20News&click.url=https%3A%2F%2Fwww.japantimes.co.jp%2Fnews%2F2018%2F12%2F23%2Fworld%2F100-years-ago-airmail-took-flight-wings-frenchman-founded-aeropostale%2F&click.id=131026849180226832&click.region.index=0&item.url=https%3A%2F%2Fwww.japantimes.co.jp%2Fnews%2F2018%2F12%2F23%2Fworld%2F100-years-ago-airmail-took-flight-wings-frenchman-founded-aeropostale%2F&ui=00bcdf35-12a0-43df-b8e1-ddf059bd8091-tuct311450b&notify.type=ping" style="background-color: #fbfbfb; box-sizing: border-box; color: #ff5c1a; cursor: pointer; font-family: utopia-std, Georgia, serif; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; transition: all 0.2s ease-out 0s;">100 years ago, airmail took flight on wings of Frenchman who founded Aeropostale</a><br />
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<a href="https://www.youtube.com/watch?v=VdV_-ZTzMWw"><img src="https://i.ytimg.com/vi/VdV_-ZTzMWw/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLDqeSwpsHXoJkFEfIB5-NLuYICqRw" /><br /><br />10:01</a><br />
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<a href="https://www.youtube.com/watch?v=VdV_-ZTzMWw">166 "王道領導"的全書架構 李元璋 2017-06-17</a><br />
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<a href="https://www.youtube.com/watch?v=lWOCBETFVLM&t=1423s"><img src="https://i.ytimg.com/vi/lWOCBETFVLM/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLAkrSA2vED-ygggN4u7YpeO4fDsvg" /><br /><br />55:01</a><br />
<a href="https://www.youtube.com/watch?v=lWOCBETFVLM&t=1423s">165 王道領導 李元璋 2017-06-17</a><br />
36 views10 months ago<br />
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<a href="https://www.youtube.com/watch?v=ti8AU22m_PY&t=34s"><img src="https://i.ytimg.com/vi/ti8AU22m_PY/hqdefault.jpg?sqp=-oaymwEZCNACELwBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLDHXjaASmDrk-ctZV0FlmbduaIlDQ" /><br /><br />59:13</a><a href="https://www.youtube.com/watch?v=ti8AU22m_PY&t=34s">Transforming Leadership:產官學界的管理迷思 鍾漢清 2016-04-27 unabridged</a><br />
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<a href="https://www.youtube.com/watch?v=0XziAOA-Ris&t=7s"><img src="https://i.ytimg.com/vi/0XziAOA-Ris/hqdefault.jpg?sqp=-oaymwEZCNACELwBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLA3yNisGtOpjMlp7l1Iz9R05TT2xQ" /><br /><br />30:32</a><br />
<a href="https://www.youtube.com/watch?v=0XziAOA-Ris&t=7s">從Max Weber觀點,談台灣新政治領袖的特質 陳忠信 2016-04-27</a><br />
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34:35<br />
<a href="https://www.youtube.com/watch?v=ieeWhqgghbQ&t=13s">164 劉述先及其【馬爾勞與中國】 鍾漢清 2017-06-17</a><br />
<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a><br />
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For Charles de Gaulle, leadership was about creating moments of national exaltation as well as exercising authority and imposing order. He “exhorted the French to believe in themselves as a ‘great’ nation”. Macron seeks nothing less</div>
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ECONOMIST.COM<br /><br /><a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fecon.st%2F2w4PJJT&h=AT26dclyi_luhkV-HMaQlEpe2l0w8xdQLDqcWsLXrlm_eE2VDMJWuPc9xMLS1GiiwAoG660IbdLms3HRHAla2_Pw381BgjJJQ-bOlplrGUV80KaY-snVcRdodVwzvuHUPGJgYRHLK5QDlj6DuVwR3AQQht5YWRFBhLlvSLK8Afz5RKzvM0UUaNGhN4yEy-3txp5ILCCRnD7GsxEE5pWZN_zug8MVqD2QzXVoc1VmS6JyhCp-OdRsUXE1qx84a3vwQWyFusFGRryDYtPP86epAhHM4ivH8ko0N_8kkf7uqkvGmtleWlealpWAunWZhxZ45J0YsX632wXhQFQLY4Ln7Q">France's wartime leader laid the foundations for Emmanuel Macron's presidency</a><br />From the archive</span></div>
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****這本書,中國有譯本<br />
</span><h3 class="r" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-weight: normal; margin: 0px; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap;">
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<span class="st" style="font-size: x-large; line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;">Previously he was Professor of Defence <span style="color: #6a6a6a; font-weight: bold;">Leadership</span> at Cranfield University. He spent 10 years in industry before switching to an academic career. He is a founding co-editor of the journal <span style="color: #6a6a6a; font-weight: bold;">Leadership</span>(Sage) and founding co-organizer of the International Conference in <span style="color: #6a6a6a; font-weight: bold;">Leadership</span> Research.</span></div>
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<span style="font-size: x-large;"><span class="st" style="line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><br /></span><span class="st" style="line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><br /></span><span class="st" style="line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><br /></span><span class="st" style="line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;">我對它有興趣;</span></span></div>
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<a href="https://www.palgrave.com/gp/book/9780230543171" ping="/url?sa=t&source=web&rct=j&url=https://www.palgrave.com/gp/book/9780230543171&ved=0ahUKEwjSgdj3ibfbAhWGu7wKHVh4CWYQFggnMAA" style="color: #660099; cursor: pointer;"><span style="font-size: x-large;">Leadership, Management and Command - Rethinking D-Day | K. Grint ...</span></a></h3>
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<span class="st" style="font-size: x-large; line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><span style="color: #6a6a6a; font-weight: bold;">Rethinking</span> D-Day. Authors: <span style="color: #6a6a6a; font-weight: bold;">Grint</span>, K. ... <span style="color: #6a6a6a; font-weight: bold;">Grint</span>, <span style="color: #6a6a6a; font-weight: bold;">Keith</span>. Pages 3-18. Preview Buy Chapter 30,19 €. Western Allied Strategy: the Boxer and the Karateka. <span style="color: #6a6a6a; font-weight: bold;">Grint</span>, <span style="color: #6a6a6a; font-weight: bold;">Keith</span>.</span></div>
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<span class="st" style="font-size: x-large; line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><br /></span></div>
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<span class="st" style="font-size: x-large; line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><br /></span></div>
<span style="font-size: x-large;"><span class="st" face=""arial" , sans-serif" style="background-color: white; color: #545454; line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;"><span face=""verdana" , sans-serif" style="color: #555555;">The author argues that the successes and failures of D-Day, on both sides, cannot be explained by comparing the competing strategies of each side. Instead he provides an account of the battle through the overarching nature of the relationship between the leaders and their followers.</span></span><br />
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目次<br />
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Western Allied Strategy: the Boxer and the Karateka<br />
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Grint, Keith<br />
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Pages 23-58<br />
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Allied Air Strategy<br />
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Grint, Keith<br />
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Pages 59-79<br />
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Planning to Mislead<br />
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Grint, Keith<br />
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Pages 80-115<br />
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German Strategy: Hard Shell, Soft Shell<br />
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Grint, Keith<br />
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Pages 116-134<br />
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Allied Ground Strategy<br />
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Grint, Keith<br />
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Pages 135-149<br />
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Mobilizing the Anglo-Canadians, the Commonwealth, and the Volunteers<br />
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Grint, Keith<br />
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Pages 153-180<br />
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Mobilizing the Americans: Technology and the Iceberg<br />
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Grint, Keith<br />
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Pages 181-210<br />
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Mobilizing the Germans: the Wehrmacht and the SS<br />
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Grint, Keith<br />
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Pages 211-233<br />
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Managing Logistics: ‘Bag, vomit, one.’<br />
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Grint, Keith<br />
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Pages 234-263<br />
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Technologies<br />
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Grint, Keith<br />
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Pages 264-304<br />
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Commanding<br />
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Grint, Keith<br />
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Pages 307-321<br />
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The Airborne Assaults<br />
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Grint, Keith<br />
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Pages 322-349<br />
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The Amphibious Landings<br />
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Grint, Keith<br />
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Pages 350-413<br />
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Post-D-Day<br />
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Grint, Keith<br />
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Pages 417-428<br />
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泰國找到了躲到洞穴高處的足球隊,全世界都鬆一口氣......<br />
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<span class="style-scope ytd-video-meta-block" style="background: transparent; border: 0px; display: inline-block; margin: 0px; padding: 0px;"><span style="font-size: x-large;">214K views</span></span><span class="style-scope ytd-video-meta-block" style="background: transparent; border: 0px; display: inline-block; margin: 0px; padding: 0px;"><span style="font-size: x-large;">1 day ago</span></span></div>
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<yt-formatted-string class="style-scope ytd-video-renderer" id="description-text" style="background-color: #fafafa; color: #888888; display: block; font-family: Roboto, Arial, sans-serif; line-height: 1.8rem; margin-bottom: 8px; max-height: 3.6rem; overflow: hidden; padding-top: 8px;"><span style="font-size: x-large;"><span class="bold style-scope yt-formatted-string" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">Rescue</span> teams found all 12 boys and their coaches alive in a <span class="bold style-scope yt-formatted-string" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">cave</span> in <span class="bold style-scope yt-formatted-string" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">Thailand</span> after they were missing for nine days, according to a ...</span></yt-formatted-string><span style="font-size: x-large;"><br />
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我太太提起下面這一故事,她說,當時總統拍攝工作很好,後來有電影,可是他競選連任卻失敗了......<br />
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其實,這一 2010年智利科皮亞波礦難的故事,被某些"領導學"的書寫進去了......可是,斯人獨憔悴.....<br />
</span><blockquote class="tr_bq">
<span style="font-size: x-large;"><span face=""arial" , sans-serif" style="background-color: white; color: #545454;">2010年,33名</span><span face=""arial" , sans-serif" style="background-color: white; color: #6a6a6a; font-weight: bold;">智利礦工</span><span face=""arial" , sans-serif" style="background-color: white; color: #545454;">受困於700公尺的地底下整整69天,</span><span face=""arial" , sans-serif" style="background-color: white; color: #545454;">一度讓他們成為媒體的焦點,但2014年他們抱怨「被人遺忘了」</span><span face=""arial" , sans-serif" style="background-color: white; color: #545454;">;五年後,2015年,這群礦工的故事被好萊塢拍成了電影......</span><span face=""arial" , sans-serif" style="background-color: white; color: #545454;">總</span></span></blockquote>
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<span style="font-size: x-large;"><a href="https://zh.wikipedia.org/wiki/2010%E5%B9%B4%E7%A7%91%E7%9A%AE%E4%BA%9E%E6%B3%A2%E7%A4%A6%E9%9B%A3" ping="/url?sa=t&source=web&rct=j&url=https://zh.wikipedia.org/wiki/2010%25E5%25B9%25B4%25E7%25A7%2591%25E7%259A%25AE%25E4%25BA%259E%25E6%25B3%25A2%25E7%25A4%25A6%25E9%259B%25A3&ved=0ahUKEwjS7KKMh4TcAhWE7WEKHThFC-gQFghcMAw" style="color: #660099; cursor: pointer; text-decoration-line: none;">2010年科皮亞波礦難- 维基百科,自由的百科全书</a><cite class="iUh30" style="color: #006621; font-style: normal;">https://zh.wikipedia.org/wiki/2010年科皮亞波礦難</cite><a aria-expanded="false" aria-haspopup="true" aria-label="検索結果のオプション" class="GHDvEf ab_button" data-ved="0ahUKEwjS7KKMh4TcAhWE7WEKHThFC-gQ7B0IXTAM" href="https://www.google.com.tw/search?q=%E6%99%BA%E5%88%A9%E7%A4%A6%E5%B7%A5&oq=%E6%99%BA%E5%88%A9%E7%A4%A6%E5%B7%A5&aqs=chrome..69i57j0l5.19289j0j7&sourceid=chrome&ie=UTF-8#" id="am-b12" jsaction="m.tdd;keydown:m.hbke;keypress:m.mskpe" role="button" style="background-image: none; border-radius: 0px; border: 0px; box-shadow: 0px 0px 0px 0px; color: grey; cursor: default; display: inline-block; filter: none; font-weight: bold; height: 12px; line-height: 27px; margin: 1px 0px 2px; min-width: 0px; padding: 0px; text-align: center; text-decoration-line: none; transition: none 0s ease 0s; user-select: none; width: 13px;"><span class="mn-dwn-arw" style="border-color: rgb(0, 102, 33) transparent; border-style: solid; border-width: 5px 4px 0px; height: 0px; left: 0px; margin-left: 3px; margin-top: -4px; position: absolute; top: 7.42857px; width: 0px;"></span></a><br />
<span class="st" style="line-height: 1.4; overflow-wrap: break-word; word-wrap: break-word;">2010年科皮亞波礦難,又稱<span style="color: #6a6a6a; font-weight: bold;">智利</span>礦災,是發生於<span style="color: #6a6a6a; font-weight: bold;">智利</span>的一場<span style="color: #6a6a6a; font-weight: bold;">礦工</span>意外事件。事故地點位於<span style="color: #6a6a6a; font-weight: bold;">智利</span>阿塔卡馬大區科皮亞波以北45公里處之聖何西礦坑(Mina San José),於2010年8月5日33位<span style="color: #6a6a6a; font-weight: bold;">礦工</span>受困在礦坑崩落處更深的地點。直至事發第70天,當地 ...</span></span></blockquote><p><br /></p><p><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;">漢清講堂</span><br clear="all" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;" /></p><div style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="https://www.blogger.com/blog/post/edit/2894148663452412765/455114546868504139#" style="color: #1155cc; font-family: "Times New Roman"; font-size: medium;">167 "領導學"漫談 2017-06-16 鍾漢清</a><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><a href="https://www.blogger.com/blog/post/edit/2894148663452412765/455114546868504139#" style="color: #1155cc; font-family: "Times New Roman"; font-size: medium;">166 "王道領導"的全書架構 李元璋 2017-06-17</a><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><a href="https://www.blogger.com/blog/post/edit/2894148663452412765/455114546868504139#" style="color: #1155cc; font-family: "Times New Roman"; font-size: medium;">165 王道領導 李元璋 2017-06-17</a><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><a href="https://www.blogger.com/blog/post/edit/2894148663452412765/455114546868504139#" style="color: #1155cc; font-family: "Times New Roman"; font-size: medium;">271 大學與領導—以《易經》的詮釋為例 林義正老師</a></div><p><br /></p><p> </p>
<a href="https://www.palgrave.com/gp/book/9780230543171#"></a></div>
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人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-49517234892256445892023-11-05T21:26:00.002-08:002023-11-05T21:26:58.183-08:00<p> <span style="background-color: white; color: #050505; font-family: inherit; font-size: 15px; white-space-collapse: preserve;">Here is a list of novels by Virginia Woolf, which is your favourite?</span></p><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="background-color: white; color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">1. The Voyage Out (1915): Woolf’s first novel, which follows the journey of Rachel Vinrace, a young woman who travels to South America and experiences love, illness, and death.</div><div dir="auto" style="font-family: inherit;">2. Night and Day (1919): Woolf’s second novel, which contrasts the lives and loves of two friends, Katharine Hilbery and Mary Datchet, in Edwardian London.</div><div dir="auto" style="font-family: inherit;">3. Jacob’s Room (1922): Woolf’s third novel, which experiments with narrative <span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>technique and explores the life of Jacob Flanders, a young man who dies in the First World War, through the impressions of those who knew him.</div><div dir="auto" style="font-family: inherit;">4. Mrs Dalloway (1925): Woolf’s fourth novel, which depicts a day in the life of Clarissa Dalloway, a high-society woman who prepares for a party and reflects on her past, while a shell-shocked veteran, Septimus Smith, suffers from mental breakdown.</div><div dir="auto" style="font-family: inherit;">5. To the Lighthouse (1927): Woolf’s fifth novel, which centers on the Ramsay family and their visits to the Isle of Skye, and examines the themes of art, perception, and memory.</div><div dir="auto" style="font-family: inherit;">6. Orlando: A Biography (1928): Woolf’s sixth novel, which is a playful and fantastical biography of Orlando, a poet who changes sex and lives for centuries, meeting various historical and literary figures along the way.</div><div dir="auto" style="font-family: inherit;">7. The Waves (1931): Woolf’s seventh novel, which is a poetic and experimental novel that traces the lives of six friends, Bernard, Neville, Louis, Jinny, Susan, and Rhoda, from childhood to old age, through their individual soliloquies.</div><div dir="auto" style="font-family: inherit;">8. The Years (1937): Woolf’s eighth novel, which is a social and historical novel that follows the fortunes of the Pargiter family from 1880 to the present day, and reflects on the changes in British society and culture.</div><div dir="auto" style="font-family: inherit;">9. Between the Acts (1941): Woolf’s ninth and last novel, which is set on a summer day in 1939, when a village pageant is performed at the house of the Oliver family, and explores the themes of war, history, and art.</div><div dir="auto" style="font-family: inherit;">(Explore the novels: <span style="font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1fey0fg" href="https://l.facebook.com/l.php?u=https%3A%2F%2Famzn.to%2F471JLZM%3Ffbclid%3DIwAR1JiNUq67Djikec0ce5R8cslXZN0U5672smrcsA65ktsNdRUrpa4Nc0qo8&h=AT3xUMbPfleA8LLPyvgsIHadxCZjbp_y4viS_F_9iMZ0ne89FGNR4RuicJml6-sIegRFs7wbJIcZDXeo6t0-QylS9V1uL3txRHqp2WF4xka3dBYeAEif6y4nx6fts_nIx8YvLL4OqlowRpF0bGer&__tn__=-UK-R&c[0]=AT00-uv8ElZ_SHC9hqx8Ht1e_eT7qqZzoQttNjUYUAAy5fQZSYK8mYESGrZJpW7V9kQDgbx8ySSBKTksrBzK51X9PcON0Hrd6cNtuivdtnEGlvWemDMB3FhtBN7H0blZp0z_CIgDwDb4dEw1doB73gIZFVaAtifldQ3vcUAONcE_H7qZGsPIXkwOcWfn1hEfv3OC2BAoQynfCs1XwqH04zFbJHXtF-c3UxSoFg" rel="nofollow noreferrer" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://amzn.to/471JLZM</a></span> <span style="font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm" href="https://www.facebook.com/hashtag/ad?__eep__=6&__cft__[0]=AZVpKPZ8vXm44RbuFFlCTe2wQU3IUzXOqa57SyIXyUG0MdnWlbpjIuyqlRt2WnctUtUKAOsjCmLa1fEFs2jN8jq7D2n73yLoFD2HUHHYjitPaPQEmYnsXBcPn_VowCvJxw6vAhS9L-Ew36gp9ugZCAZ7s2Vc7PwiJHoVcFYDtmSTOoFiPewG_SyMz4eASqFaMiyIaHDjGeRpnS0kFJBoeruh&__tn__=*NK-R" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0">#ad</a></span>)</div></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-53021564377481944542023-10-07T18:56:00.000-07:002023-10-07T18:56:11.525-07:00 台灣的Max Weber韋伯研究:人的科學等等 (張旺山教授 )。康樂博士夫婦的翻譯;從Max Weber觀點,談台灣新政治領袖的特質 (陳忠信 )<br />
張旺山的《韋伯方法論文集》台北:聯經2013<br />
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張旺山 作為「凝結了起來的精神」的機器與機械:論韋伯的「時代診斷」的一個核心構想 載《思想史》創刊號2013<div><br /></div><div><div>#多聲部島語,第43期,人物專訪</div><div>─────────────────</div><div> ❝ 從原始版本的譯注看見韋伯對「人的發展」關懷 ❞</div><div>─────────────────</div><div><br /></div><div>在臺灣提到韋伯(Max Weber),大多先想到他是位重要的古典社會學家,及其經典代表作《基督新教的倫理與資本主義的精神》。國立清華大學哲學研究所教授張旺山表示,韋伯寫《基督新教的倫理與資本主義的精神》的時候,其實是一位國民經濟學家,該作則是一部探討「職業」(Beruf)這個觀念在歷史上產生影響的「文化史」或「觀念史」著作,韋伯從來不只是一位社會學家。張旺山之所以選擇《基督新教的倫理與資本主義的精神》的原始版本進行翻譯,並收錄了韋伯相關著作〈北美的“教會”與“教派”〉一文、「反批判」文章四篇,譯注成《韋伯基督新教研究文集:1904-1911》,是希望能為中文世界提供韋伯基督新教研究的原始面貌。</div><div></div><div>▋ 版本問題</div><div></div><div>回顧學思歷程,張旺山分享自己以前對於老子、莊子等饒富哲思的傳統經典十分感興趣,讀了哲學系後,深深著迷於德國哲學而轉入狄爾泰研究,想要探討人是如何理解自己生活於其中的「人的─社會的─歷史的世界」。「之後到德國留學,原本想作狄爾泰與韋伯的比較研究,前者是人文學科的觀點,後者則是社會科學的觀點,一舉完成宿願。但是,韋伯實在太大了,一做下去就被迷住了,回不了頭,就這麼一路做下去了。」他十分滿足地笑著說。</div><div></div><div>韋伯最為人所熟知的著作為《基督新教的倫理與資本主義的精神》,張旺山認為,這部著作被稱為經典有許多原因。首先,主題重要:它討論現代西方理性的資本主義此一「最決定我們現代生活的命運」的力量的產生與發展。其次,進路獨特:他採取「禁欲式的基督新教之理性的倫理」這個獨特的進路,探索「資本主義在人的『靈魂』中的勝利的那種倫理性的生活風格(ethisches Lebensstil)的產生過程」。最後,分析與論述具有嚴謹的方法論基礎:這部著作正是其方法論思想在具體的研究工作上的展現,而這也是這本書之所以難讀的一個重要因素。他進一步說:「經典的『經典性』往往就表現於長期且廣泛地被閱讀著,並隨著閱讀者的認知興趣與觀點的改變,而會有某種『創造性的多產性』,韋伯這部著作就是這樣的一部經典。」</div><div></div><div>《基督新教的倫理與資本主義的精神》深具學術價值,其原始版本為韋伯在 1904-05 年發表於期刊的著作,目前中文、英文、德文世界所閱讀的文本,多是 1920 年的修訂版。通常認為作者晚出的修訂版相對完善,不過張旺山指出這部著作的情況有點特別:「韋伯始終堅持原始版本的正確性,同時也承認原始版本是未竟之作,但在他轉移研究工作重心、遲遲無法寫出續篇出版單行本的情況下,他將原始版本納入後來展開的對『世界宗教的經濟倫理』的研究脈絡來處理,試圖抹除原始版本論述脈絡的獨立性以適應新架構。」也因此,我們無法由修訂版一窺韋伯基督新教研究原始構想的全貌。... ...</div><div></div><div>↓↓↓ 閱讀更多 ↓↓↓</div><div><br /></div><div>🔗https://tinyl.io/9Vxr</div><div></div><div>◠◡◠◡◠◡◠◡◠◡◠◡◠◡◠◡◠◡◠</div><div></div><div>其他精采的專訪文章</div><div>請看本中心出刊之《多聲部島語》</div><div><br /></div><div>►https://tinyl.io/96Sd</div>
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<a href="https://www.youtube.com/watch?v=fjw40EqTYiA&t=44s"><img src="https://i.ytimg.com/vi/fjw40EqTYiA/hqdefault.jpg?sqp=-oaymwEXCNACELwBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLDnVWrNemHkn4ND9F4poJBKyCpPOw" /></a><br />
<a href="https://www.youtube.com/watch?v=fjw40EqTYiA&t=44s">50:51</a><br />
<a href="https://www.youtube.com/watch?v=fjw40EqTYiA&t=44s">151 韋伯(Max Weber)-人的科學 張旺山教授 2017-04-22</a><br />
<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a><br />
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韋伯(Max Weber)-人的科學張旺山教授【漢清講堂】 2017.4.22 心得分享與討論會日期:2017年4月22日(周六),10:00~ 13:00 地址: ...<br />
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我們2013年去清華大學找過張旺山教授,談他翻譯的Max Weber新書。<br />
<a href="https://www.facebook.com/hanching.chung/posts/708958265781650">2013年11月30日 13:12</a> · <br />
台北或新竹的朋友/校友:<br />
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有興趣的朋友歡迎加入我們的"十八尖山-清華"之旅 (慶祝新書出版---長歌行過美麗島:寫給年輕的你 (唐香燕) )<br />
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預計12月9日(星期一約9點台北出發、晚上7點半回台北--參加者只須自行負責"交通".....細節後補)造訪新竹的錦坤兄、國維兄、或張旺山教授和吳國精董事長........等.....<br />
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2016<br />
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忠信兄今天來跟我們談談M. Weber 的"以政治為志業"演講要義---有錄影,半月後可分享。 <br />
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額外的收穫是了解 Beyond Object設計公司 的產品(目錄)越來越豐富、精彩。<br />
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還分享日本遣唐使空海法師的楷書【心經】。<br />
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謝謝。我借他James M. Burns的【美國總統學】、魏斐德的中國史論文集。<br />
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<a href="https://www.youtube.com/watch?v=0XziAOA-Ris&t=2s"><img src="https://i.ytimg.com/vi/0XziAOA-Ris/hqdefault.jpg?sqp=-oaymwEXCNACELwBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLD5-apkIpM7JBJBAMmYx2c6yVNMOA" /></a><br />
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<a href="https://www.youtube.com/watch?v=0XziAOA-Ris&t=2s">30:32</a><br />
<a href="https://www.youtube.com/watch?v=0XziAOA-Ris&t=2s">從Max Weber觀點,談台灣新政治領袖的特質 陳忠信 2016-04-27</a><br />
<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a><br />
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從Max Weber觀點,談台灣新政治領袖的特質陳忠信日期:2016-4月27日(周三), 地址:台北市新生南路三段88號2樓主辦:漢清講堂.<br />
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<a href="https://books.google.com/books/about/Max_Weber.html?id=65IUL-VaFGsC" ping="/url?sa=t&source=web&rct=j&url=https://books.google.com/books/about/Max_Weber.html%3Fid%3D65IUL-VaFGsC&ved=2ahUKEwjAwLfn24DdAhUC7mEKHYi5A4wQFjABegQIChAB" style="color: #660099; cursor: pointer;">Max Weber: An Intellectual Portrait - Reinhard Bendix </a> 1962</h3>
2018.8.22 鍾漢清譯自英文版<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3dduBMiBeSJE_HUUmch4eoOfj3qU43BZZ1Rc6MgnwcXPAviMuwATbn15vUMZOC9IiB-CtKkhZcOpFmdqNTeM9BrALUy4bQxujAQOAYmqks8dyEp9J7oOall_NuV0J-YAZg-ftcb5IS6o/s1600/img278.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1292" data-original-width="1600" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3dduBMiBeSJE_HUUmch4eoOfj3qU43BZZ1Rc6MgnwcXPAviMuwATbn15vUMZOC9IiB-CtKkhZcOpFmdqNTeM9BrALUy4bQxujAQOAYmqks8dyEp9J7oOall_NuV0J-YAZg-ftcb5IS6o/s320/img278.jpg" width="320" /></a></div>
<br />
<br />
<br />
<br />
<br />
......這個人時限到時<br />
總是會再回到作品<br />
將其價值提升至極限。<br />
高舉其時代重負<br />
投入自己心之悸動。<br />
<br />
前人但有喜與哀:<br />
他只能感受生之重量<br />
心靈瞬間掌握萬事如一,—<br />
可其上頭還有超乎意志的神:<br />
神的超驗,他仍深愛,雖怨聲連連。<br />
<br />
<br />
Das Stundenbunch 里爾克《祈禱書》<br />
Das waren Tage Michelangelos〈米開蘭基羅的一生〉</div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-41034816812310628062023-09-21T16:06:00.000-07:002023-09-21T16:06:23.725-07:00Tsukioka Yoshitoshi月岡 芳年1839 – 1892。 Kunisada <p> </p><p>Appraisal</p><p> by Kunisada, 1863 誠實澄清月</p><p>。。。。</p><p>2023.6現在Google 不太一樣了,請用Tsukioka Yoshitoshi 試試便知</p><p>https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi</p><p><br /></p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;"><b>Tsukioka Yoshitoshi</b> (<a href="https://en.wikipedia.org/wiki/Japanese_language" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Japanese language">Japanese</a>: <span lang="ja">月岡 芳年</span>; also named <b>Taiso Yoshitoshi</b> <span title="Japanese-language text"><span lang="ja">大蘇 芳年</span></span>; 30 April 1839 – 9 June 1892) was a Japanese printmaker.<sup class="reference" id="cite_ref-nussbaum1000_1-0" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-nussbaum1000-1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[1]</a></sup></p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi has widely been recognized as the last great master of the <a href="https://en.wikipedia.org/wiki/Ukiyo-e" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Ukiyo-e">ukiyo-e</a> genre of <a href="https://en.wikipedia.org/wiki/Woodblock_printing_in_Japan" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Woodblock printing in Japan">woodblock printing</a> and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of <a href="https://en.wikipedia.org/wiki/Edo_period" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Edo period">Edo period</a> Japan, and the first years of modern Japan following the <a href="https://en.wikipedia.org/wiki/Meiji_Restoration" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Meiji Restoration">Meiji Restoration</a>. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like <a href="https://en.wikipedia.org/wiki/Photography" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Photography">photography</a> and <a href="https://en.wikipedia.org/wiki/Lithography" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Lithography">lithography</a>. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Woodblock_print" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Woodblock print">woodblock print</a> to a new level, before it effectively died with him.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">His life was summed up by <a class="new" href="https://en.wikipedia.org/w/index.php?title=John_Stevenson_(art_writer)&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="John Stevenson (art writer) (page does not exist)">John Stevenson</a>:</p><blockquote class="templatequote" style="background-color: white; border-left: none; color: #202122; font-family: sans-serif; font-size: 14px; margin: 1em 0px; overflow: hidden; padding: 0px 40px;"><p style="margin: 0px 0px 0.5em;">Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory.</p><div class="templatequotecite" style="line-height: 1.5em; margin-bottom: 0px; margin-top: 0px; padding-left: 1.6em;">— <cite style="font-style: inherit;">John Stevenson, <i>Yoshitoshi's <a href="https://en.wikipedia.org/wiki/One_Hundred_Aspects_of_the_Moon" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="One Hundred Aspects of the Moon">One Hundred Aspects of the Moon</a></i>, 1992</cite></div></blockquote><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">His reputation has only continued to grow, both in the West, and among younger Japanese, and he is now almost universally recognized as the greatest Japanese artist of his era.</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Biography:_The_early_years">Biography: The early years</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Biography: The early years">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="thumb tleft" style="background-color: white; clear: left; color: #202122; float: left; font-family: sans-serif; font-size: 14px; margin: 0.5em 1.4em 1.3em 0px; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:YoshiClimber.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="4226" data-file-width="2918" decoding="async" height="246" src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/170px-YoshiClimber.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/255px-YoshiClimber.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/340px-YoshiClimber.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:YoshiClimber.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div><i>100 Aspects of the Moon</i> No. 7, "Inaba Mountain Moon" The young <a href="https://en.wikipedia.org/wiki/Toyotomi_Hideyoshi" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Toyotomi Hideyoshi">Toyotomi Hideyoshi</a> leads a small group assaulting the castle on Inaba Mountain (1885).</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi was born in the Shimbashi district of old <a href="https://en.wikipedia.org/wiki/Edo" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Edo">Edo</a>, in 1839. His original name was Owariya Yonejiro. His father was a wealthy merchant who had bought his way into <a href="https://en.wikipedia.org/wiki/Samurai" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Samurai">samurai</a> status. At the age of three years, Yoshitoshi left home to live with his uncle, a pharmacist with no son, who was very fond of his nephew. At the age of five, he became interested in art and started to take lessons from his uncle. In 1850, when he was 11 years old, Yoshitoshi was apprenticed to <a href="https://en.wikipedia.org/wiki/Utagawa_Kuniyoshi" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Utagawa Kuniyoshi">Kuniyoshi</a>, one of the great masters of the Japanese woodblock print. Kuniyoshi gave his apprentice the new artist's name "Yoshitoshi", denoting lineage in the Utagawa School. Although he was not seen as Kuniyoshi's successor during his lifetime, he is now recognized as the most important pupil of Kuniyoshi.</p><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Maisaka_LACMA_M.84.31.108.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="2100" data-file-width="1421" decoding="async" height="251" src="https://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/170px-Maisaka_LACMA_M.84.31.108.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/255px-Maisaka_LACMA_M.84.31.108.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/340px-Maisaka_LACMA_M.84.31.108.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Maisaka_LACMA_M.84.31.108.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div><i>Tokaido Meisho no Uchi</i>, "Maisaka", early Yoshitoshi seascape design from a collaborative series (1863).</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">During his training, Yoshitoshi concentrated on refining his draftsmanship skills and copying his mentor's sketches. Kuniyoshi emphasized drawing from real life, which was unusual in Japanese training because the artist's goal was to capture the subject matter rather than making a literal interpretation of it. Yoshitoshi also learned the elements of western drawing techniques and perspective through studying Kuniyoshi's collection of foreign prints and engravings.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi's first print appeared in 1853, but nothing else appeared for many years, perhaps as a result of the illness of his master Kuniyoshi during his last years. Although his life was hard after Kuniyoshi's death in 1861, he did manage to produce some work, 44 prints of his being known from 1862. In the next two years he had sixty-three of his designs, mostly <a href="https://en.wikipedia.org/wiki/Kabuki" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kabuki">kabuki</a> prints, published. He also contributed designs to the 1863 <i>Tokaido</i> series by Utagawa School artists organized under the auspices of <a href="https://en.wikipedia.org/wiki/Kunisada" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kunisada">Kunisada</a>.</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id="The_.22Bloody_Prints.22:_capturing_the_public_imagination"></span><span class="mw-headline" id="The_"Bloody_Prints":_capturing_the_public_imagination">The "Bloody Prints": capturing the public imagination</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: The "Bloody Prints": capturing the public imagination">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Many of Yoshitoshi's prints of the 1860s are depictions of graphic violence and death. These themes were partly inspired by the death of Yoshitoshi's father in 1863 and by the lawlessness and violence of the Japan surrounding him, which was simultaneously experiencing the breakdown of the feudal system imposed by the <a href="https://en.wikipedia.org/wiki/Tokugawa_shogunate" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Tokugawa shogunate">Tokugawa shogunate</a>, as well as the effect of contact with Westerners. In late 1863, Yoshitoshi began making violent sketches, eventually incorporated into battle prints designed in a bloody and extravagant style. The public enjoyed these prints and Yoshitoshi began to move up in the ranks of <a href="https://en.wikipedia.org/wiki/Ukiyo-e" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Ukiyo-e">ukiyo-e</a> artists in Edo. With the country at war, Yoshitoshi's images allowed those who were not directly involved in the fighting to experience it vicariously through his designs. The public was attracted to Yoshitoshi's work not only for his superior composition and draftsmanship, but also his passion and intense involvement with his subject matter. Besides the demands of woodblock print publishers and consumers, Yoshitoshi was also trying to exorcise the demons of horror that he and his fellow countrymen were experiencing.</p><div class="thumb tleft" style="background-color: white; clear: left; color: #202122; float: left; font-family: sans-serif; font-size: 14px; margin: 0.5em 1.4em 1.3em 0px; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Inada_Kyuzo_Shinsuke.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="1358" data-file-width="919" decoding="async" height="251" src="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/170px-Inada_Kyuzo_Shinsuke.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/255px-Inada_Kyuzo_Shinsuke.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/340px-Inada_Kyuzo_Shinsuke.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Inada_Kyuzo_Shinsuke.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div><i>Eimei nijūhasshūku</i> (Twenty-eight famous murders with verse, 1867)</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">As he gained notoriety, Yoshitoshi was able to have ninety-five more of his designs published in 1865, mostly on military and historical subjects. Among these, two series would reveal Yoshitoshi's creativity, originality, and imagination. The first series, <i>Tsūzoku saiyūki</i> ("A Modern <a href="https://en.wikipedia.org/wiki/Journey_to_the_West" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Journey to the West">Journey to the West</a>"), is about a Chinese folk-hero. The second, <i>Wakan hyaku monogatari</i> ("One Hundred Stories of China and Japan"), illustrates traditional ghost stories.</p><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshi_tomigoro.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="904" data-file-width="600" decoding="async" height="256" src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/170px-Yoshi_tomigoro.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/255px-Yoshi_tomigoro.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/340px-Yoshi_tomigoro.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Yoshi_tomigoro.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>"Seiriki Tamigorō committing suicide" from <i>Kinsei kyōgiden</i> series (1865)</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Between 1866 and 1868 Yoshitoshi created disturbing images, notably in the series <i><a href="https://en.wikipedia.org/wiki/Muzan-e" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Muzan-e">Eimei nijūhasshūku</a></i> ("Twenty-eight famous murders with verse"). These prints show killings in very graphic detail, such as decapitations of women with bloody handprints on their robes.<sup class="reference" id="cite_ref-2" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[2]</a></sup> Other examples can be found in the strange figures of the 1866 series <i>Kinsei kyōgiden</i>, ("Biographies of Modern Men"), which depicted the power struggle between two gambling rings, and the 1867 series <i>Azuma no nishiki ukiyo kōdan</i>. In 1868, following the <a href="https://en.wikipedia.org/wiki/Battle_of_Ueno" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Battle of Ueno">Battle of Ueno</a>, Yoshitoshi made the series <i>Kaidai hyaku sensō</i> in which he portrays contemporary soldiers as historical figures in a semi-western style, using close-up and unusual angles, often shown in the heat of battle with desperate expressions.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">It is said that Yoshitoshi's work of the "bloody" period has influenced writers such as <a href="https://en.wikipedia.org/wiki/Jun%27ichir%C5%8D_Tanizaki" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jun'ichirō Tanizaki">Jun'ichirō Tanizaki</a> (1886–1965) as well as artists including <a href="https://en.wikipedia.org/wiki/Tadanori_Yokoo" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Tadanori Yokoo">Tadanori Yokoo</a> and <a href="https://en.wikipedia.org/wiki/Masami_Teraoka" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Masami Teraoka">Masami Teraoka</a>. Although Yoshitoshi made a name for himself in this manner, the "bloody" prints represent only a small portion of his work.</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="The_middle_years:_hard_times_and_resurrection">The middle years: hard times and resurrection</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: The middle years: hard times and resurrection">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="thumb tleft" style="background-color: white; clear: left; color: #202122; float: left; font-family: sans-serif; font-size: 14px; margin: 0.5em 1.4em 1.3em 0px; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_yanagibashi.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="663" data-file-width="450" decoding="async" height="250" src="https://upload.wikimedia.org/wikipedia/en/thumb/4/44/Yoshitoshi_yanagibashi.jpg/170px-Yoshitoshi_yanagibashi.jpg" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/44/Yoshitoshi_yanagibashi.jpg/255px-Yoshitoshi_yanagibashi.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/44/Yoshitoshi_yanagibashi.jpg/340px-Yoshitoshi_yanagibashi.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_yanagibashi.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>From Yoshitoshi's series of beautiful women <i>Shinryu nijushi toki</i> (1880).</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">By 1869, Yoshitoshi was regarded as one of the best woodblock artists in Japan. However, shortly thereafter, he ceased to receive commissions, perhaps because the public were tired of scenes of violence. By 1871, Yoshitoshi became severely depressed, and his personal life became one of great turmoil, which was to continue sporadically until his death. He lived in appalling conditions with his devoted mistress, Okoto, who sold off her clothes and possessions to support him. At one point they were reduced to burning the floor-boards from the house for warmth. It is said that in 1872 he suffered a complete mental breakdown after being shocked by the lack of popularity of his recent designs.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">In the following year his fortunes turned, when his mood improved, and he started to produce more prints. Prior to 1873, he had signed most of his prints as "Ikkaisai Yoshitoshi". However, as a form of self-affirmation, he at this time changed his artist name to "Taiso" (meaning "great resurrection"). Newspapers sprung up in the modernization drive, and Yoshitoshi was recruited to produce "news nishikie". These were woodblock prints designed as full-page illustrations to accompany articles, usually on lurid and sensationalized subjects such as "true crime" stories. Yoshitoshi's financial condition was still precarious, however, and in 1876, his mistress Okoto, in a gesture of devotion, sold herself to a <a href="https://en.wikipedia.org/wiki/Brothel" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Brothel">brothel</a> to help him.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">With the <a href="https://en.wikipedia.org/wiki/Satsuma_Rebellion" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Satsuma Rebellion">Satsuma Rebellion</a> of 1877, in which the old feudal order made one last attempt to stop the new Japan, newspaper circulation soared, and woodblock artists were in demand, with Yoshitoshi earning much attention. In late 1877, he took up with a new mistress, the geisha Oraku; like Okoto, she sold her clothes and possessions to support him, and when they separated after a year, she too hired herself out to a brothel. Yoshitoshi's works gave him more public recognition, and the money was a help, but it was not until 1882 that he was secure.</p><div class="thumb tleft" style="background-color: white; clear: left; color: #202122; float: left; font-family: sans-serif; font-size: 14px; margin: 0.5em 1.4em 1.3em 0px; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Adachi_Moor.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="3444" data-file-width="1440" decoding="async" height="407" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/85/Adachi_Moor.jpg/170px-Adachi_Moor.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Adachi_Moor.jpg/255px-Adachi_Moor.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Adachi_Moor.jpg/340px-Adachi_Moor.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Adachi_Moor.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>The Lonely House on Adachi Moor (1885)</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">A series of <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Bijinga" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Bijinga">bijin-ga</a> designed in 1878 entitled <i>Bijin shichi yoka</i> caused political trouble for Yoshitoshi because it depicted seven female attendants to the Imperial court and identified them by name, it may be that the <a href="https://en.wikipedia.org/wiki/Empress_Sh%C5%8Dken" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Empress Shōken">Empress Meiji</a> herself was displeased with this fact and with the style of her portrait in the series.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi published "<i>Mirror of Famous Generals of Great Japan</i>", a series of 51 works that depicted great men from <a href="https://en.wikipedia.org/wiki/Japanese_mythology" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Japanese mythology">Japanese mythology</a> to the <a href="https://en.wikipedia.org/wiki/Edo_period" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Edo period">Edo period</a>, from 1877 to 1882, and he further increased his reputation.<sup class="reference" id="cite_ref-3" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[3]</a></sup></p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">In 1880, he met another woman, a former <a href="https://en.wikipedia.org/wiki/Geisha" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Geisha">geisha</a> with two children, Sakamaki Taiko. They were married in 1884, and while he continued to philander, her gentle and patient temperament seems to have helped stabilize his behaviors. One of Taiko's children, adopted as a son, became Yoshitoshi's student, and was thence known as <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Tsukioka_K%C5%8Dgyo" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Tsukioka Kōgyo">Tsukioka Kōgyo</a>.<sup class="reference" id="cite_ref-nussbaum1000_1-1" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-nussbaum1000-1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[1]</a></sup></p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">In 1883, Yoshitoshi published "<i>Fujiwara no Yasumasa Gekka Roteki zu</i>" (<i>Fujiwara no Yasumasa Playing the Flute</i>) an ukiyo-e, based on an original drawing which was exhibited at last year's exhibition of Japanese paintings. This work is based on <i><a href="https://en.wikipedia.org/wiki/Setsuwa" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Setsuwa">setsuwa</a></i> stories written in "<i><a href="https://en.wikipedia.org/wiki/Konjaku_Monogatarish%C5%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Konjaku Monogatarishū">Konjaku Monogatarishū</a></i>" and "<i><a href="https://en.wikipedia.org/wiki/Uji_Sh%C5%ABi_Monogatari" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Uji Shūi Monogatari">Uji Shūi Monogatari</a></i>", which were compiled between the 12th and 13th centuries, and depicts a bandit, Hakamadare, trying to attack Fujiwara no Yasumasa who is playing the flute, but being unable to move because of Yasumasa's silent pressure. This work is regarded as one of Yoshitoshi's best.<sup class="reference" id="cite_ref-4" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[4]</a></sup></p><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 302px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="1109" data-file-width="2100" decoding="async" height="158" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/300px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/450px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/600px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="300" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>"<i>Fujiwara no Yasumasa Gekka Roteki zu</i>" (<i>Fujiwara no Yasumasa Playing the Flute</i>) (1883)</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi's notorious, yet compelling, <i>"Oshu adachigahara hitotsuya no zu"</i> (The Lonely House on Adachi Moor) appeared in 1885. This work depicts the legend of <span title="Japanese-language text"><i lang="ja-Latn"><a href="https://en.wikipedia.org/wiki/Kijo_(folklore)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kijo (folklore)">kijo</a></i></span> in <i><a href="https://en.wikipedia.org/wiki/Kurozuka" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kurozuka">Kurozuka</a></i> written in "<span title="Japanese-language text"><i lang="ja-Latn"><a href="https://en.wikipedia.org/wiki/Sh%C5%ABi_Wakash%C5%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Shūi Wakashū">Shūi Wakashū</a></i></span>", which was compiled in the 11th century, and <i>Kurozuka</i> is also performed in <i><a href="https://en.wikipedia.org/wiki/Noh" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Noh">noh</a></i>, <i><a href="https://en.wikipedia.org/wiki/Kabuki" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kabuki">kabuki</a></i> and <a href="https://en.wikipedia.org/wiki/J%C5%8Druri_(music)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jōruri (music)">jōruri</a>.<sup class="reference" id="cite_ref-5" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[5]</a></sup> This macabre work is iconic in its own right, and influential in the history of modern <i><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Kinbaku" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kinbaku">kinbaku</a></i>, in that <a href="https://en.wikipedia.org/wiki/Seiu_Ito" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Seiu Ito">Itoh Seiu</a> was fascinated by Yoshitoshi's accurate depiction of <i>sakasa zuri</i> (upside down suspension).</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">An 1885 issue of the art and fashion magazine "<i>Tokyo Hayari Hosomiki</i>" ranked Yoshitoshi as the number-one ukiyo-e artist, ahead of his Meiji contemporaries such as <a href="https://en.wikipedia.org/wiki/Utagawa_Yoshiiku" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Utagawa Yoshiiku">Utagawa Yoshiiku</a> and <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Kunichika" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kunichika">Toyohara Kunichika</a>. Thus he had achieved great popularity and critical acclaim.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">By this point, the woodblock industry was in severe straits. All the great woodblock artists of the early part of the century, <a href="https://en.wikipedia.org/wiki/Hiroshige" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Hiroshige">Hiroshige</a>, <a href="https://en.wikipedia.org/wiki/Kunisada" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kunisada">Kunisada</a>, and <a href="https://en.wikipedia.org/wiki/Utagawa_Kuniyoshi" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Utagawa Kuniyoshi">Kuniyoshi</a>, had died decades earlier, and the woodblock print as an art form was dying in the confusion of modernizing Japan.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi insisted on high standards of production, and helped save it temporarily from degeneracy. He became a master teacher and had notable pupils such as <a class="new" href="https://en.wikipedia.org/w/index.php?title=Toshikata_Mizuno&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="Toshikata Mizuno (page does not exist)">Toshikata Mizuno</a>, <a href="https://en.wikipedia.org/wiki/Toshihide_Migita" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Toshihide Migita">Toshihide Migita</a>, and others.</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Later_years:_the_eclipse_of_ukiyo-e">Later years: the eclipse of ukiyo-e</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Later years: the eclipse of ukiyo-e">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_tsuki.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="3822" data-file-width="2676" decoding="async" height="243" src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_tsuki.jpg/170px-Yoshitoshi_tsuki.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_tsuki.jpg/255px-Yoshitoshi_tsuki.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_tsuki.jpg/340px-Yoshitoshi_tsuki.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_tsuki.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>From Yoshitoshi's <i>Tsuki hyakushi</i> ("One hundred aspects of the moon")</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">His last years were among his most productive, with his great series <i><a href="https://en.wikipedia.org/wiki/One_Hundred_Aspects_of_the_Moon" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="One Hundred Aspects of the Moon">One Hundred Aspects of the Moon</a></i> (1885–1892), and <i>New Forms of Thirty-Six Ghosts</i> (1889–1892), as well as some masterful triptychs of <a href="https://en.wikipedia.org/wiki/Kabuki" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kabuki">kabuki</a> theatre actors and scenes.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">During this period he also cooperated with his friend, the actor <a href="https://en.wikipedia.org/wiki/Ichikawa_Danj%C5%ABr%C5%8D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Ichikawa Danjūrō">Ichikawa Danjūrō</a>, and others, in an attempt to preserve some of the traditional Japanese arts.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">In his last years, his mental problems started to recur. In early 1891 he invited friends to a gathering of artists that did not actually exist, but rather turned out to be a delusion. His physical condition also deteriorated, and his misfortune was compounded when all of his money was stolen in a robbery of his home. After more symptoms, he was admitted to a mental hospital. He eventually left, in May 1892, but did not return home, instead renting rooms.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">He died three weeks later in a rented room, on June 9, 1892, from a cerebral hemorrhage. He was 53 years old. A stone memorial monument to Yoshitoshi was built in Mukojima Hyakkaen garden, Tokyo, in 1898.</p><blockquote class="templatequote" style="background-color: white; border-left: none; color: #202122; font-family: sans-serif; font-size: 14px; margin: 1em 0px; overflow: hidden; padding: 0px 40px;"><div class="poem" style="margin-top: 0px;"><p style="margin: 0.5em 0px;">holding back the night<br />with its increasing brilliance<br />the summer moon</p></div><div class="templatequotecite" style="line-height: 1.5em; margin-bottom: 0px; margin-top: 0px; padding-left: 1.6em;">— <cite style="font-style: inherit;">Yoshitoshi's <a href="https://en.wikipedia.org/wiki/Death_poem" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Death poem">death poem</a><sup class="reference" id="cite_ref-6" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_note-6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[6]</a></sup></cite></div></blockquote><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Retrospective_observations">Retrospective observations</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Retrospective observations">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="3000" data-file-width="1984" decoding="async" height="257" src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/44/Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg/170px-Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg/255px-Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg/340px-Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Kwade_gedachten_veranderden_Raigo_van_de_Miidera_tempel_in_een_rat.-Rijksmuseum_RP-P-1984-36.jpeg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div>Design from Yoshitoshi's series <i>Shinkei Sanjurokuten</i> (36 Ghosts), "Priest Raigo of Mii Temple" (1891)</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">During his life he produced many series of prints, and a large number of triptychs, many of great merit. Two of his three best-known series, the <i>One Hundred Aspects of the Moon</i> and <i>Thirty-Six Ghosts</i>, contain numerous masterpieces. The third, <i>Thirty-Two Aspects of Customs and Manners</i>, was for many years the most highly regarded of his work, but does not now have that same status. Other less-common series also contain many fine prints, including <i>Famous Generals of Japan</i>, <i>A Collection of Desires</i>, <i>New Selection of Eastern Brocade Pictures</i>, and <i>Lives of Modern People</i>.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">While demand for his prints continued for a few years, eventually interest in him waned, both in Japan, and around the world. The canonical view in this period was that the generation of Hiroshige was really the last of the great woodblock artists, and more traditional collectors stopped even earlier, at the generation of Utamaro and Toyokuni.</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">However, starting in the 1970s, interest in him resumed, and reappraisal of his work has shown the quality, originality and genius of the best of it, and the degree to which he succeeded in keeping the best of the old Japanese woodblock print, while pushing the field forward by incorporating both new ideas from the West, as well as his own innovations.</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Print_series">Print series</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Print series">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 172px;"><a class="image" href="https://en.wikipedia.org/wiki/File:NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="4462" data-file-width="3100" decoding="async" height="245" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/170px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/255px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/340px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="170" /></a><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="Enlarge"></a></div><i>Warriors Trembling with Courage</i> :The fight between Ushiwakamaru (<a class="mw-redirect" href="https://en.wikipedia.org/wiki/Minamoto_no_Yoshitune" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoshitune">Minamoto no Yoshitune</a>) and the bandit chief <a href="https://en.wikipedia.org/wiki/Kumasaka" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kumasaka">Kumasaka</a> Chohan in 1174.</div></div></div><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><i>One Hundred Stories of Japan and China</i> (1865–1866)</li><li style="margin-bottom: 0.1em;"><i>Biographies of Modern Men</i> (1865–1866)</li><li style="margin-bottom: 0.1em;"><i><a href="https://en.wikipedia.org/wiki/Muzan-e" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Muzan-e">Twenty-Eight Famous Murders with Verses</a></i> (1866–1869)</li><li style="margin-bottom: 0.1em;"><i>One Hundred Warriors</i> (1868–1869)</li><li style="margin-bottom: 0.1em;"><i>Biographies of Drunken Valiant Tigers</i> (1874)</li><li style="margin-bottom: 0.1em;"><i>Mirror of Beauties Past and Present</i> (1876)</li><li style="margin-bottom: 0.1em;"><i>Mirror of Famous Generals of Great Japan</i> (1876–1882)</li><li style="margin-bottom: 0.1em;"><i>A Collection of Desires</i> (1877)</li><li style="margin-bottom: 0.1em;"><i>Eight Elements of Honor</i> (1878)</li><li style="margin-bottom: 0.1em;"><i>Twenty-Four Hours with the Courtesans of Shimbashi and Yanagibashi</i> (1880)</li><li style="margin-bottom: 0.1em;"><i>Warriors Trembling with Courage</i> (1883–1886)</li><li style="margin-bottom: 0.1em;"><i>Yoshitoshi Manga</i> (1885–1887)</li><li style="margin-bottom: 0.1em;"><i>One Hundred Aspects of the Moon</i> (1885–1892)</li><li style="margin-bottom: 0.1em;"><i>Personalities of Recent Times</i> (1886–1888)</li><li style="margin-bottom: 0.1em;"><i>Thirty-Two Aspects of Customs and Manners</i> (1888) "Fuzoku sanjuniso – Aitasou"</li><li style="margin-bottom: 0.1em;"><i>New Forms of Thirty-Six Ghosts</i> (1889–1892)</li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="One_Hundred_Aspects_of_the_Moon"><i>One Hundred Aspects of the Moon</i></span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: One Hundred Aspects of the Moon">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi's series <i><a href="https://en.wikipedia.org/wiki/One_Hundred_Aspects_of_the_Moon" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="One Hundred Aspects of the Moon">One Hundred Aspects of the Moon</a></i> consists of one hundred woodblocks, published in his later years, between 1885 -1892. Although some prints do not depict the moon, it is a unifying motif for the whole series.</p><ul class="gallery mw-gallery-packed" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px; text-align: center;"><li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 150.069px;"><div style="width: 150.069px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 148.069px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Tsukioka_Yoshitoshi_(188%3F)_Tsuki_hyaku_shi_-_Semimaru-.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Tsukioka Yoshitoshi (188?) Tsuki hyaku shi - Semimaru-.jpg" data-file-height="7386" data-file-width="5396" decoding="async" height="202" src="https://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg/219px-Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg/329px-Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg/438px-Tsukioka_Yoshitoshi_%28188%3F%29_Tsuki_hyaku_shi_-_Semimaru-.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="148" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 142.631px;"><div style="width: 142.631px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 140.97px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:YoshiOldwoman.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="YoshiOldwoman.jpg" data-file-height="954" data-file-width="662" decoding="async" height="202" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/YoshiOldwoman.jpg/208px-YoshiOldwoman.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/YoshiOldwoman.jpg/312px-YoshiOldwoman.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/YoshiOldwoman.jpg/416px-YoshiOldwoman.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="140" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 145.342px;"><div style="width: 145.342px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 144.012px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 50.jpg" data-file-height="731" data-file-width="517" decoding="async" height="202" src="https://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg/212px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg/318px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg/424px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_50.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="144" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 148.041px;"><div style="width: 148.041px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 146.041px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 27.jpg" data-file-height="737" data-file-width="530" decoding="async" height="202" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg/216px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg/323px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg/431px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_27.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="146" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 142.631px;"><div style="width: 142.631px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 140.97px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:BodhidharmaYoshitoshi1887.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="BodhidharmaYoshitoshi1887.jpg" data-file-height="1148" data-file-width="796" decoding="async" height="202" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/208px-BodhidharmaYoshitoshi1887.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/312px-BodhidharmaYoshitoshi1887.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/416px-BodhidharmaYoshitoshi1887.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="140" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 146.023px;"><div style="width: 146.023px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 144.362px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 22.jpg" data-file-height="722" data-file-width="500" decoding="async" height="207" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg/208px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg/311px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg/415px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_22.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="144" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 147.4px;"><div style="width: 147.4px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 145.4px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 26.jpg" data-file-height="742" data-file-width="519" decoding="async" height="207" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/23/Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg/210px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/23/Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg/315px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/23/Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg/420px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_26.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="145" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 135.637px;"><div style="width: 135.637px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 133.976px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Lune_Ishiyama_Yoshitoshi.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Lune Ishiyama Yoshitoshi.jpg" data-file-height="1958" data-file-width="1259" decoding="async" height="207" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/60/Lune_Ishiyama_Yoshitoshi.jpg/193px-Lune_Ishiyama_Yoshitoshi.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/Lune_Ishiyama_Yoshitoshi.jpg/289px-Lune_Ishiyama_Yoshitoshi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/60/Lune_Ishiyama_Yoshitoshi.jpg/386px-Lune_Ishiyama_Yoshitoshi.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="133" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 149.477px;"><div style="width: 149.477px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 147.477px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 51.jpg" data-file-height="732" data-file-width="520" decoding="async" height="207" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/24/Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg/213px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg/320px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/24/Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg/426px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_51.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="147" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 150.177px;"><div style="width: 150.177px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 148.516px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img alt="Yoshitoshi - 100 Aspects of the Moon - 38.jpg" data-file-height="732" data-file-width="523" decoding="async" height="207" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg/214px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg/321px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg/429px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_38.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="148" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"></div></div></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Mirror_of_Famous_Generals_of_Great_Japan"><i>Mirror of Famous Generals of Great Japan</i></span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Mirror of Famous Generals of Great Japan">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Yoshitoshi's series <i>Mirror of Famous Generals of Great Japan</i> consists of fifty-one woodblocks, published in his middle years, between 1877 -1882.</p><ul class="gallery mw-gallery-packed" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px; text-align: center;"><li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 146.172px;"><div style="width: 146.172px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 144.842px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Emperor_Jimmu.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Depiction of a bearded Emperor Jimmu with his emblematic long bow and an accompanying three-legged crow."><img alt="Depiction of a bearded Emperor Jimmu with his emblematic long bow and an accompanying three-legged crow." data-file-height="1807" data-file-width="1242" decoding="async" height="209" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/206px-Emperor_Jimmu.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/309px-Emperor_Jimmu.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/412px-Emperor_Jimmu.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="144" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">Depiction of a bearded <a href="https://en.wikipedia.org/wiki/Emperor_Jimmu" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Emperor Jimmu">Emperor Jimmu</a> with his emblematic long bow and an accompanying three-legged crow.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 140.545px;"><div style="width: 140.545px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 138.545px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kamitsuke no Yatsunada attacking Saohime's castle."><img alt="Kamitsuke no Yatsunada attacking Saohime's castle." data-file-height="801" data-file-width="529" decoding="async" height="209" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg/198px-Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg/297px-Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/df/Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg/396px-Kamitsukeno_Yatsunada_attacking_Saohime%27s_castle..jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="138" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">Kamitsuke no Yatsunada attacking Saohime's castle.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 147.553px;"><div style="width: 147.553px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 145.892px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Roku_Son%27%C5%8D_Tsunemoto.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Roku Son'ō Tsunemoto (also known as Minamoto no Tsunemoto)."><img alt="Roku Son'ō Tsunemoto (also known as Minamoto no Tsunemoto)." data-file-height="1844" data-file-width="1277" decoding="async" height="209" src="https://upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Roku_Son%27%C5%8D_Tsunemoto.jpg/208px-Roku_Son%27%C5%8D_Tsunemoto.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Roku_Son%27%C5%8D_Tsunemoto.jpg/311px-Roku_Son%27%C5%8D_Tsunemoto.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Roku_Son%27%C5%8D_Tsunemoto.jpg/415px-Roku_Son%27%C5%8D_Tsunemoto.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="145" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">Roku Son'ō Tsunemoto (also known as <a href="https://en.wikipedia.org/wiki/Minamoto_no_Tsunemoto" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Tsunemoto">Minamoto no Tsunemoto</a>).</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 146.172px;"><div style="width: 146.172px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 144.842px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoshiie."><img alt="Minamoto no Yoshiie." data-file-height="2100" data-file-width="1446" decoding="async" height="209" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg/206px-Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg/310px-Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg/413px-Hachiman_Taro_Yoshiie_at_Nakoso_Barrier_LACMA_M.84.31.253.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="144" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://en.wikipedia.org/wiki/Minamoto_no_Yoshiie" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoshiie">Minamoto no Yoshiie</a>.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 148.272px;"><div style="width: 148.272px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 146.942px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoshimitsu Instructing Toyohara no Tokiaki in Music."><img alt="Minamoto no Yoshimitsu Instructing Toyohara no Tokiaki in Music." data-file-height="2100" data-file-width="1463" decoding="async" height="209" src="https://upload.wikimedia.org/wikipedia/commons/thumb/3/34/Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg/209px-Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/34/Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg/313px-Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/34/Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg/418px-Minamoto_Yoshimitsu_Instructing_Toyohara_Tokiaki_in_Music_LACMA_M.84.31.249.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="146" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://en.wikipedia.org/wiki/Minamoto_no_Yoshimitsu" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoshimitsu">Minamoto no Yoshimitsu</a> Instructing Toyohara no Tokiaki in Music.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 151.925px;"><div style="width: 151.925px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 149.925px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Udaisho_Minamotono_Yoritomo.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoritomo and his retainers releasing cranes to mourn for the war dead in the Mutsu and Dewa Conquest."><img alt="Minamoto no Yoritomo and his retainers releasing cranes to mourn for the war dead in the Mutsu and Dewa Conquest." data-file-height="1890" data-file-width="1340" decoding="async" height="211" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Udaisho_Minamotono_Yoritomo.jpg/213px-Udaisho_Minamotono_Yoritomo.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Udaisho_Minamotono_Yoritomo.jpg/319px-Udaisho_Minamotono_Yoritomo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Udaisho_Minamotono_Yoritomo.jpg/425px-Udaisho_Minamotono_Yoritomo.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="149" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://en.wikipedia.org/wiki/Minamoto_no_Yoritomo" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Minamoto no Yoritomo">Minamoto no Yoritomo</a> and his retainers releasing cranes to mourn for the war dead in the Mutsu and Dewa Conquest.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 139.972px;"><div style="width: 139.972px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 138.311px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Dai_nihon_meish%C5%8D_kagami,_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Saimyō-ji Tokiyori (also known as Hōjō Tokiyori)."><img alt="Saimyō-ji Tokiyori (also known as Hōjō Tokiyori)." data-file-height="1853" data-file-width="1213" decoding="async" height="211" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/95/Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg/196px-Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg/294px-Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/95/Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg/393px-Dai_nihon_meish%C5%8D_kagami%2C_Saimy%C5%8D-ji_Tokiyori_ny%C5%ABd%C5%8D_by_Yoshitoshi.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="138" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">Saimyō-ji Tokiyori (also known as <a href="https://en.wikipedia.org/wiki/H%C5%8Dj%C5%8D_Tokiyori" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Hōjō Tokiyori">Hōjō Tokiyori</a>).</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 144.195px;"><div style="width: 144.195px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 142.534px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kusunoki Masashige."><img alt="Kusunoki Masashige." data-file-height="2100" data-file-width="1417" decoding="async" height="211" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg/202px-Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg/303px-Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg/405px-Kusunoki_Masashige_Reading_to_His_Troops_at_the_Temple_Shitennoji_LACMA_M.84.31.255.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="142" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://en.wikipedia.org/wiki/Kusunoki_Masashige" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kusunoki Masashige">Kusunoki Masashige</a>.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 149.143px;"><div style="width: 149.143px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 147.813px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Mori Motonari."><img alt="Mori Motonari." data-file-height="2100" data-file-width="1466" decoding="async" height="211" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg/209px-Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg/314px-Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg/419px-Mori_Motonari_Attacking_Sue_Harutaka_at_Itsukushima_LACMA_M.84.31.247.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="147" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Mori_Motonari" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Mori Motonari">Mori Motonari</a>.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 143.478px;"><div style="width: 143.478px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 141.478px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Toyotomi hideyoshi and Kato Kiyomasa."><img alt="Toyotomi hideyoshi and Kato Kiyomasa." data-file-height="784" data-file-width="525" decoding="async" height="211" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/201px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/301px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/402px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="141" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Toyotomi_hideyoshi" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Toyotomi hideyoshi">Toyotomi hideyoshi</a> and <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Kato_Kiyomasa" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Kato Kiyomasa">Kato Kiyomasa</a>.</p></div></div></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Notable_artwork">Notable artwork</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Notable artwork">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul class="gallery mw-gallery-packed" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px; text-align: center;"><li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 85.1421px;"><div style="width: 85.1421px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 83.8117px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Tukiokayositosi-YaoyaOsichi.png" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title=""Yaoya Oshichi""><img alt=""Yaoya Oshichi"" data-file-height="3288" data-file-width="1180" decoding="async" height="232" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/107px-Tukiokayositosi-YaoyaOsichi.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/161px-Tukiokayositosi-YaoyaOsichi.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/215px-Tukiokayositosi-YaoyaOsichi.png 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">"<i><a href="https://en.wikipedia.org/wiki/Yaoya_Oshichi" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Yaoya Oshichi">Yaoya Oshichi</a></i>"</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 164.967px;"><div style="width: 164.967px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 162.967px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Design from Yoshitoshi's well-known series of beautiful women Fuzoku Sanjuniso (1888)."><img alt="Design from Yoshitoshi's well-known series of beautiful women Fuzoku Sanjuniso (1888)." data-file-height="1157" data-file-width="809" decoding="async" height="232" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/210px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/314px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/419px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="162" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">Design from Yoshitoshi's well-known series of beautiful women <i>Fuzoku Sanjuniso</i> (1888).</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 157.983px;"><div style="width: 157.983px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 155.983px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Warriors Trembling with Courage : Gosho no Gorōmaru captures Soga Tokimune. From Revenge of the Soga Brothers."><img alt="Warriors Trembling with Courage : Gosho no Gorōmaru captures Soga Tokimune. From Revenge of the Soga Brothers." data-file-height="2100" data-file-width="1411" decoding="async" height="232" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/201px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/302px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/403px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="155" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><i>Warriors Trembling with Courage</i> : <a href="https://en.wikipedia.org/wiki/Gosho_no_Gor%C5%8Dmaru" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Gosho no Gorōmaru">Gosho no Gorōmaru</a> captures <a href="https://en.wikipedia.org/wiki/Soga_Tokimune" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Soga Tokimune">Soga Tokimune</a>. From <a href="https://en.wikipedia.org/wiki/Revenge_of_the_Soga_Brothers" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Revenge of the Soga Brothers">Revenge of the Soga Brothers</a>.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 157.983px;"><div style="width: 157.983px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 155.983px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="New Forms of Thirty-Six Ghosts: Lord Sadanobu (Fujiwara no Tadahira) Threatens a Demon in the Palace at Night."><img alt="New Forms of Thirty-Six Ghosts: Lord Sadanobu (Fujiwara no Tadahira) Threatens a Demon in the Palace at Night." data-file-height="2100" data-file-width="1408" decoding="async" height="232" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg/201px-Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg/302px-Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/22/Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg/402px-Lord_Sadanobu_Threatens_a_Demon_in_the_Palace_at_Night_LACMA_M.84.31.458.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="155" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><i>New Forms of Thirty-Six Ghosts</i>: Lord Sadanobu (<a href="https://en.wikipedia.org/wiki/Fujiwara_no_Tadahira" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Fujiwara no Tadahira">Fujiwara no Tadahira</a>) Threatens a Demon in the Palace at Night.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 162.639px;"><div style="width: 162.639px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 160.639px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_Encountering_a_Demon.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="New Forms of Thirty-Six Ghosts: Omori Hikoshichi carrying a woman across a river; as he does so, he sees that she has horns in her reflection."><img alt="New Forms of Thirty-Six Ghosts: Omori Hikoshichi carrying a woman across a river; as he does so, he sees that she has horns in her reflection." data-file-height="2001" data-file-width="1383" decoding="async" height="232" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Yoshitoshi_Encountering_a_Demon.jpg/207px-Yoshitoshi_Encountering_a_Demon.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Yoshitoshi_Encountering_a_Demon.jpg/311px-Yoshitoshi_Encountering_a_Demon.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Yoshitoshi_Encountering_a_Demon.jpg/415px-Yoshitoshi_Encountering_a_Demon.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="160" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><i>New Forms of Thirty-Six Ghosts</i>: Omori Hikoshichi carrying a woman across a river; as he does so, he sees that she has horns in her reflection.</p></div></div></li> <li class="gallerybox" style="display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 133.33px;"><div style="width: 133.33px;"><div class="thumb" style="background-color: transparent; border: 0px; margin: 2px; width: 132px;"><div style="margin: 0px auto;"><a class="image" href="https://en.wikipedia.org/wiki/File:Yoshitoshi_Killing_of_a_Nue.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="New Forms of Thirty-Six Ghosts: Ii no Hayata killing a Nue at the imperial palace."><img alt="New Forms of Thirty-Six Ghosts: Ii no Hayata killing a Nue at the imperial palace." data-file-height="706" data-file-width="464" decoding="async" height="200" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Yoshitoshi_Killing_of_a_Nue.jpg/197px-Yoshitoshi_Killing_of_a_Nue.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Yoshitoshi_Killing_of_a_Nue.jpg/296px-Yoshitoshi_Killing_of_a_Nue.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Yoshitoshi_Killing_of_a_Nue.jpg/394px-Yoshitoshi_Killing_of_a_Nue.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="132" /></a></div></div><div class="gallerytext" style="font-size: 13.16px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><i>New Forms of Thirty-Six Ghosts</i>: Ii no Hayata killing a <a href="https://en.wikipedia.org/wiki/Nue" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Nue">Nue</a> at the imperial palace.</p></div></div></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="See_also">See also</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=10" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: See also">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><a href="https://en.wikipedia.org/wiki/Night_in_paintings_(Eastern_art)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Night in paintings (Eastern art)">Night in paintings (Eastern art)</a>, including <a href="https://en.wikipedia.org/wiki/Night_in_paintings_(Eastern_art)#One_Hundred_Aspects_of_the_Moon" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Night in paintings (Eastern art)"><i>One Hundred Aspects of the Moon</i></a></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="References">References</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=11" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: References">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="reflist" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 12.6px; list-style-type: decimal; margin-bottom: 0.5em;"><div class="mw-references-wrap"><ol class="references" style="counter-reset: mw-ref-extends-parent 0 mw-references 0 list-item 0; list-style-image: none; list-style-type: inherit; margin: 0.3em 0px 0px 3.2em; padding: 0px;"><li id="cite_note-nussbaum1000-1" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;">^ <a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-nussbaum1000_1-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><span class="cite-accessibility-label" style="border: 0px; clip: rect(1px, 1px, 1px, 1px); height: 1px; overflow: hidden; padding: 0px; position: absolute; top: -99999px; user-select: none; width: 1px;">Jump up to:</span><sup style="font-size: 12px; line-height: 1;"><i><b>a</b></i></sup></a> <a href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-nussbaum1000_1-1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><sup style="font-size: 12px; line-height: 1;"><i><b>b</b></i></sup></a></span> <span class="reference-text"><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Louis-Fr%C3%A9d%C3%A9ric" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Louis-Frédéric">Nussbaum, Louis Frédéric</a>. (2005). <a class="external text" href="https://books.google.com/books?id=p2QnPijAEmEC&pg=PA1000&dq=" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">"Tsukoka Kōgyō"</a> in <i>Japan Encyclopedia,</i> p. 1000.</span></li><li id="cite_note-2" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;"><b><a aria-label="Jump up" href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jump up">^</a></b></span> <span class="reference-text">Forbes, Andrew; Henley, David (2012). <i>28 Famous Murders</i>. Chiang Mai: Cognoscenti Books. ASIN: B00AGHJVOS</span></li><li id="cite_note-3" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;"><b><a aria-label="Jump up" href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jump up">^</a></b></span> <span class="reference-text"><a class="external text" href="https://web.archive.org/web/20220212134020/https://www.touken-world-ukiyoe.jp/ukiyoe-series/dainihonmeisyokagami/" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">"<i>Mirror of Famous Generals of Great Japan</i>".</a> Nagoya Japanese Sword Museum Nagoya Touken World.</span></li><li id="cite_note-4" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;"><b><a aria-label="Jump up" href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jump up">^</a></b></span> <span class="reference-text"><a class="external text" href="https://web.archive.org/web/20210411092641/https://www.touken-world-ukiyoe.jp/mushae/art0011690/" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">"<i>Fujiwara no Yasumasa Gekka Roteki zu</i>".</a> Nagoya Japanese Sword Museum Nagoya Touken World.</span></li><li id="cite_note-5" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;"><b><a aria-label="Jump up" href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jump up">^</a></b></span> <span class="reference-text"><a class="external text" href="https://kotobank.jp/word/%E9%BB%92%E5%A1%9A-167841" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Kurozuka.</a> Kotobank.</span></li><li id="cite_note-6" style="counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><span class="mw-cite-backlink" style="user-select: none;"><b><a aria-label="Jump up" href="https://en.wikipedia.org/wiki/Tsukioka_Yoshitoshi#cite_ref-6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Jump up">^</a></b></span> <span class="reference-text"><cite class="citation book cs1" id="CITEREFStevenson1992" style="font-style: inherit; overflow-wrap: break-word;">Stevenson, John (1992). <i>Yoshitoshi's One Hundred Aspects of the Moon</i>. San Francisco Graphic Society. p. 49. <a class="mw-redirect" href="https://en.wikipedia.org/wiki/ISBN_(identifier)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/0-9632218-0-9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Special:BookSources/0-9632218-0-9"><bdi>0-9632218-0-9</bdi></a>.</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Yoshitoshi%27s+One+Hundred+Aspects+of+the+Moon&rft.pages=49&rft.pub=San+Francisco+Graphic+Society&rft.date=1992&rft.isbn=0-9632218-0-9&rft.aulast=Stevenson&rft.aufirst=John&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATsukioka+Yoshitoshi"></span></span></li></ol></div></div><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span class="mw-headline" id="Further_reading">Further reading</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Tsukioka_Yoshitoshi&action=edit&section=12" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="Edit section: Further reading">edit</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;">Eric van den Ing, Robert Schaap, <i>Beauty and Violence: Japanese Prints by Yoshitoshi 1839–1892</i> (Havilland, Eindhoven, 1992; <a href="https://en.wikipedia.org/wiki/Society_for_Japanese_Arts" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Society for Japanese Arts">Society for Japanese Arts</a>, Amsterdam) is the standard work on him</li><li style="margin-bottom: 0.1em;">Forbes, Andrew ; Henley, David (2012). <i>Forty-Seven Ronin: Tsukioka Yoshitoshi Edition</i>. Chiang Mai: Cognoscenti Books. ASIN: B00ADQGLB8</li><li style="margin-bottom: 0.1em;">Forbes, Andrew ; Henley, David (2012). <i>28 Famous Murders</i>. Chiang Mai: Cognoscenti Books. ASIN: B00AGHJVOS</li><li style="margin-bottom: 0.1em;">Shinichi Segi, <i>Yoshitoshi: The Splendid Decadent</i> (Kodansha, Tokyo, 1985) is an excellent, but rare, overview of him</li><li style="margin-bottom: 0.1em;">T. Liberthson, <i>Divine Dementia: The Woodblock Prints of Yoshitoshi</i> (Shogun Gallery, Washington, 1981) contains small illustrations of many of his lesser works</li><li style="margin-bottom: 0.1em;">John Stevenson, <i>Yoshitoshi's One Hundred Aspects of the Moon</i> (San Francisco Graphic Society, Redmond, 1992)</li><li style="margin-bottom: 0.1em;">John Stevenson, <i>Yoshitoshi's Women: The Print Series 'Fuzoku Sanjuniso'</i> (Avery Press, 1986)</li><li style="margin-bottom: 0.1em;">John Stevenson, <i>Yoshitoshi's Thirty-Six Ghosts</i> (Weatherill, New York, 1983)</li><li style="margin-bottom: 0.1em;">John Stevenson, <i>Yoshitoshi’s Strange Tales</i> (Amsterdam. Hotei Publishing 2005).</li></ul><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><b>月岡 芳年</b>(つきおか よしとし、<a href="https://ja.wikipedia.org/wiki/%E5%A4%A9%E4%BF%9D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="天保">天保</a>10年<a href="https://ja.wikipedia.org/wiki/3%E6%9C%8817%E6%97%A5_(%E6%97%A7%E6%9A%A6)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="3月17日 (旧暦)">3月17日</a>〈<a href="https://ja.wikipedia.org/wiki/1839%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1839年">1839年</a><a href="https://ja.wikipedia.org/wiki/4%E6%9C%8830%E6%97%A5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="4月30日">4月30日</a>〉- <a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治">明治</a>25年〈<a href="https://ja.wikipedia.org/wiki/1892%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1892年">1892年</a>〉<a href="https://ja.wikipedia.org/wiki/6%E6%9C%889%E6%97%A5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="6月9日">6月9日</a>)は、<a href="https://ja.wikipedia.org/wiki/%E5%B9%95%E6%9C%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="幕末">幕末</a>から<a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治">明治</a>中期にかけて活動した<a href="https://ja.wikipedia.org/wiki/%E6%B5%AE%E4%B8%96%E7%B5%B5%E5%B8%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="浮世絵師">浮世絵師</a>。<a href="https://ja.wikipedia.org/wiki/%E5%A7%93" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="姓">姓</a>は<b>吉岡</b>(よしおか)、後に<b>月岡</b>。本名は<b>月岡 米次郎</b>(つきおか よねじろう)。<a href="https://ja.wikipedia.org/wiki/%E5%8F%B7_(%E7%A7%B0%E5%8F%B7)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="号 (称号)">画号</a>は、<b>一魁斎 芳年</b>(いっかいさい よしとし)、魁斎(かいさい)、玉桜楼(ぎょくおうろう)、咀華亭(そかてい)、子英(しえい)。最後は<b>大蘇 芳年</b>(たいそ よしとし)を用いた。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E9%8D%8B%E6%9A%81%E6%96%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="河鍋暁斎">河鍋暁斎</a>、<a href="https://ja.wikipedia.org/wiki/%E8%90%BD%E5%90%88%E8%8A%B3%E5%B9%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="落合芳幾">落合芳幾</a>、<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E8%8A%B3%E8%97%A4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川芳藤">歌川芳藤</a>らは<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%8A%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川国芳">歌川国芳</a>に師事した兄弟弟子の関係にあり、特に落合芳幾は競作もした<a href="https://ja.wikipedia.org/wiki/%E3%83%A9%E3%82%A4%E3%83%90%E3%83%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ライバル">好敵手</a>であった。また、多くの浮世絵師や<a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E7%94%BB%E5%AE%B6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日本画家">日本画家</a>とその他の画家が、芳年門下もしくは彼の画系に名を連ねている(<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#%E5%BD%B1%E9%9F%BF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">後述</a>)。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E6.A6.82.E8.AA.AC"></span><span class="mw-headline" id="概説">概説</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 概説">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E6%AD%B4%E5%8F%B2%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歴史絵">歴史絵</a>、<a href="https://ja.wikipedia.org/wiki/%E7%BE%8E%E4%BA%BA%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="美人画">美人画</a>、<a href="https://ja.wikipedia.org/wiki/%E5%BD%B9%E8%80%85%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="役者絵">役者絵</a>、<a href="https://ja.wikipedia.org/wiki/%E9%A2%A8%E4%BF%97" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="風俗">風俗</a>画、<a href="https://ja.wikipedia.org/wiki/%E5%8F%A4%E5%85%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="古典">古典</a>画、<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E5%90%88%E6%88%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="合戦">合戦</a>絵など多種多様な<a href="https://ja.wikipedia.org/wiki/%E6%B5%AE%E4%B8%96%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="浮世絵">浮世絵</a>を手がけ、各分野において独特の画風を見せる<a href="https://ja.wikipedia.org/wiki/%E7%B5%B5%E5%B8%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="絵師">絵師</a>である。多数の作品があるなかで決して多いとは言えない点数でありながら、衝撃的な<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E7%84%A1%E6%83%A8%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="無惨絵">無惨絵</a>の描き手としても知られ、「血まみれ芳年」の<a href="https://ja.wikipedia.org/wiki/%E9%80%9A%E7%A7%B0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="通称">二つ名</a>でも呼ばれる。浮世絵が需要を失いつつある時代にあって最も成功した浮世絵師であり、門下からは<a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日本画">日本画</a>や<a href="https://ja.wikipedia.org/wiki/%E7%B5%B5%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="絵画">洋画</a>で活躍する画家を多く輩出した芳年は、「最後の浮世絵師」と評価されることもある。<a href="https://ja.wikipedia.org/wiki/%E6%98%AD%E5%92%8C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="昭和">昭和</a>時代などは、陰惨な場面を好んで描く絵師というイメージが勝って一般的人気(専門家の評価とは別)の振るわないところがあったが、その後、画業全般が広く知られるようになるに連れて、一般にも再評価される絵師の一人となっている。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E7.94.9F.E6.B6.AF"></span><span class="mw-headline" id="生涯">生涯</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 生涯">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin-bottom: 1ex; margin-left: 2em; margin-top: 1ex;"><p style="margin: 0.5em 0px;"><small>※<a href="https://ja.wikipedia.org/wiki/%E3%82%B0%E3%83%AC%E3%82%B4%E3%83%AA%E3%82%AA%E6%9A%A6#%E6%98%8E%E6%B2%BB%E6%94%B9%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="グレゴリオ暦">新暦導入</a>以前(<a href="https://ja.wikipedia.org/wiki/1872%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1872年">1872年</a>以前)の<a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E4%BB%98" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日付">日付</a>は<a href="https://ja.wikipedia.org/wiki/%E5%92%8C%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="和暦">和暦</a>による<a href="https://ja.wikipedia.org/wiki/%E6%97%A7%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="旧暦">旧暦</a>を主とし、丸括弧内に<a href="https://ja.wikipedia.org/wiki/%E8%A5%BF%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="西暦">西暦</a>(<a href="https://ja.wikipedia.org/wiki/1582%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1582年">1582年</a>以降は<a href="https://ja.wikipedia.org/wiki/%E3%82%B0%E3%83%AC%E3%82%B4%E3%83%AA%E3%82%AA%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="グレゴリオ暦">グレゴリオ暦</a>)を添える。同年4月(4月)は旧暦4月(<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E6%9A%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新暦">新暦</a>4月)、同年4月(4月か5月)は旧暦4月(新暦では5月の可能性もあり)の意。</small></p></div><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 14.1978px; overflow: hidden; padding: 3px; text-align: center; width: 302px;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="1109" data-file-width="2100" decoding="async" height="158" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/300px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/450px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d0/Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg/600px-Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="300" /></a><div class="thumbcaption" style="border: 0px; font-size: 13.3459px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Fujiwara_no_Yasumasa_Playing_the_Flute_by_Moonlight_LACMA_M.84.31.137a-c.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="拡大"></a></div>「藤原保昌月下弄笛図」(1883年)<br /><a href="https://ja.wikipedia.org/wiki/%E4%BB%8A%E6%98%94%E7%89%A9%E8%AA%9E%E9%9B%86" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="今昔物語集">今昔物語集</a>や<a href="https://ja.wikipedia.org/wiki/%E5%AE%87%E6%B2%BB%E6%8B%BE%E9%81%BA%E7%89%A9%E8%AA%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="宇治拾遺物語">宇治拾遺物語</a>に書かれた<a href="https://ja.wikipedia.org/wiki/%E8%AA%AC%E8%A9%B1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="説話">説話</a>が題材で、盗賊の袴垂(はかまだれ)が笛を吹いている<a href="https://ja.wikipedia.org/wiki/%E8%97%A4%E5%8E%9F%E4%BF%9D%E6%98%8C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="藤原保昌">藤原保昌</a>に襲い掛かろうとするが、保昌の人を寄せ付けない気配により動けない様子を描いている。この作品は芳年の代表作のひとつと見なされている<sup class="reference" id="cite_ref-2" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[2]</a></sup>。</div></div></div><div class="thumb tright" style="background-color: white; clear: right; color: #202122; float: right; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 14.1978px; overflow: hidden; padding: 3px; text-align: center; width: 222px;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:YoshitoshiAdachi.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;"><img class="thumbimage" data-file-height="1417" data-file-width="479" decoding="async" height="651" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/6d/YoshitoshiAdachi.jpg/220px-YoshitoshiAdachi.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6d/YoshitoshiAdachi.jpg/330px-YoshitoshiAdachi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6d/YoshitoshiAdachi.jpg/440px-YoshitoshiAdachi.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="220" /></a><div class="thumbcaption" style="border: 0px; font-size: 13.3459px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:YoshitoshiAdachi.jpg" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; background: url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #3366cc; display: block; height: 11px; overflow-wrap: break-word; overflow: hidden; text-decoration-line: none; text-indent: 15px; text-wrap: nowrap; user-select: none; width: 15px;" title="拡大"></a></div>『奥州安達がはらひとつ家の図』<br /><a href="https://ja.wikipedia.org/wiki/%E9%BB%92%E5%A1%9A" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="黒塚">黒塚</a>の<a href="https://ja.wikipedia.org/wiki/%E9%AC%BC%E5%A5%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="鬼女">鬼婆</a>伝説を題材にした一図。気狂いして<a class="mw-disambig" href="https://ja.wikipedia.org/wiki/%E9%A3%9F%E4%BA%BA%E9%AC%BC" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="食人鬼">食人鬼</a>と化した老女が今宵もまた捕らえてきた<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E5%A6%8A%E5%A9%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="妊婦">身重の女</a>を吊るして今まさに解体しようとしている場面である。<a href="https://ja.wikipedia.org/wiki/1885%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1885年">1885年</a>(明治18年)に刊行されたが、<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB%E6%94%BF%E5%BA%9C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治政府">明治政府</a>は<a href="https://ja.wikipedia.org/wiki/%E9%A2%A8%E4%BF%97" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="風俗">風俗</a>壊乱としてこれを<a href="https://ja.wikipedia.org/wiki/%E7%99%BA%E7%A6%81" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="発禁">発禁</a>処分にした。</div></div></div><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E5%A4%A9%E4%BF%9D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="天保">天保</a>10年<a href="https://ja.wikipedia.org/wiki/3%E6%9C%8817%E6%97%A5_(%E6%97%A7%E6%9A%A6)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="3月17日 (旧暦)">3月17日</a>(<a href="https://ja.wikipedia.org/wiki/1839%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1839年">1839年</a><a href="https://ja.wikipedia.org/wiki/4%E6%9C%8830%E6%97%A5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="4月30日">4月30日</a>)、<a href="https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="江戸">江戸</a><a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E6%A9%8B_(%E6%9D%B1%E4%BA%AC%E9%83%BD%E6%B8%AF%E5%8C%BA)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新橋 (東京都港区)">新橋</a>南大坂町(<a href="https://ja.wikipedia.org/wiki/%E6%AD%A6%E8%94%B5%E5%9B%BD" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="武蔵国">武蔵国</a><a href="https://ja.wikipedia.org/wiki/%E8%B1%8A%E5%B3%B6%E9%83%A1_(%E6%AD%A6%E8%94%B5%E5%9B%BD)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="豊島郡 (武蔵国)">豊島郡</a>新橋南大坂町[現・<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E9%83%BD" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京都">東京都</a><a href="https://ja.wikipedia.org/wiki/%E4%B8%AD%E5%A4%AE%E5%8C%BA_(%E6%9D%B1%E4%BA%AC%E9%83%BD)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="中央区 (東京都)">中央区</a><a href="https://ja.wikipedia.org/wiki/%E9%8A%80%E5%BA%A7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="銀座">銀座</a>八丁目6番]。他説では、武蔵国豊島郡大久保[現・東京都<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E5%AE%BF%E5%8C%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新宿区">新宿区</a><a href="https://ja.wikipedia.org/wiki/%E5%A4%A7%E4%B9%85%E4%BF%9D_(%E6%96%B0%E5%AE%BF%E5%8C%BA)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="大久保 (新宿区)">大久保</a>])の商家である吉岡兵部の次男・米次郎として生まれる。のちに、京都の画家の家である月岡家・<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E9%9B%AA%E6%96%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月岡雪斎">月岡雪斎</a>の<a href="https://ja.wikipedia.org/wiki/%E9%A4%8A%E5%AD%90%E7%B8%81%E7%B5%84" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="養子縁組">養子</a>となる(自称の説有り、他に父の従兄弟であった薬種京屋織三郎の養子となったのち、初めに松月という<a href="https://ja.wikipedia.org/wiki/%E5%9B%9B%E6%9D%A1%E6%B4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="四条派">四条派</a>の絵師についていたが、これでは売れないと見限って歌川国芳に入門したという話もある)。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E5%98%89%E6%B0%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="嘉永">嘉永</a>3年(<a href="https://ja.wikipedia.org/wiki/1850%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1850年">1850年</a>)、12歳で<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%8A%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川国芳">歌川国芳</a>に入門(1849年説あり)。<a href="https://ja.wikipedia.org/wiki/%E6%AD%A6%E8%80%85%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="武者絵">武者絵</a>や<a href="https://ja.wikipedia.org/wiki/%E5%BD%B9%E8%80%85%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="役者絵">役者絵</a>などを手掛ける。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">嘉永6年(<a href="https://ja.wikipedia.org/wiki/1853%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1853年">1853年</a>)、15歳のときに『画本<a href="https://ja.wikipedia.org/wiki/%E5%AE%9F%E8%AA%9E%E6%95%99" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="実語教">実語教</a><a href="https://ja.wikipedia.org/wiki/%E7%AB%A5%E5%AD%90%E6%95%99" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="童子教">童子教</a>余師』に<b>吉岡芳年</b>の名で最初の挿絵を描く。同年<a href="https://ja.wikipedia.org/wiki/%E9%8C%A6%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="錦絵">錦絵</a>初作品『文治元年平家一門海中落入図』(大判3枚続)を<b>一魁斎芳年</b>の<a href="https://ja.wikipedia.org/wiki/%E5%8F%B7_(%E7%A7%B0%E5%8F%B7)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="号 (称号)">号</a>で発表。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%85%B6%E5%BF%9C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="慶応">慶応</a>元年(1865年)に祖父の弟である<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E9%9B%AA%E6%96%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月岡雪斎">月岡雪斎</a>の画姓を継承、中橋に居住した。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">慶応2年(<a href="https://ja.wikipedia.org/wiki/1866%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1866年">1866年</a>)には橘町2丁目に住し、同年12月から慶応3年(<a href="https://ja.wikipedia.org/wiki/1867%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1867年">1867年</a>)6月にかけて、兄弟子の<a href="https://ja.wikipedia.org/wiki/%E8%90%BD%E5%90%88%E8%8A%B3%E5%B9%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="落合芳幾">落合芳幾</a>と競作で『英名二十八衆句』を表す。これは<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E8%88%9E%E4%BC%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌舞伎">歌舞伎</a>の残酷シーンを集めたもので、芳年は28枚のうち半分の14枚を描く。一連の血なまぐさい作品のなかでも、殊に凄まじいものであった。<a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB%E5%85%83%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治元年">明治元年</a>(<a href="https://ja.wikipedia.org/wiki/1868%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1868年">1868年</a>)、『魁題百撰相』を描く。これは、<a href="https://ja.wikipedia.org/wiki/%E5%BD%B0%E7%BE%A9%E9%9A%8A" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="彰義隊">彰義隊</a>と<a href="https://ja.wikipedia.org/wiki/%E5%AE%98%E8%BB%8D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="官軍">官軍</a>の実際の戦いを弟子の<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E6%97%AD%E6%96%8E%E5%B9%B4%E6%99%AF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="旭斎年景">旭斎年景</a>とともに取材した後に描いた作品である。続いて、<a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治">明治</a>2年(<a href="https://ja.wikipedia.org/wiki/1869%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1869年">1869年</a>)頃までに『東錦浮世稿談』などを発表する。この頃、桶町、日吉町に住む。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">明治3年(<a href="https://ja.wikipedia.org/wiki/1870%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1870年">1870年</a>)頃から<a href="https://ja.wikipedia.org/wiki/%E7%A5%9E%E7%B5%8C%E8%A1%B0%E5%BC%B1_(%E7%B2%BE%E7%A5%9E%E7%96%BE%E6%82%A3)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="神経衰弱 (精神疾患)">神経衰弱</a>に陥り、極めて作品数が少なくなる。<a href="https://ja.wikipedia.org/wiki/1872%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1872年">1872年</a>(明治4年/明治5年)、自信作であった『一魁随筆』のシリーズが人気かんばしくないことに心を傷め、やがて強度の神経衰弱に罹ってしまう。翌<a href="https://ja.wikipedia.org/wiki/1873%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1873年">1873年</a>(明治6年)には立ち直り、新しい蘇りを意図して号を<b>大蘇芳年</b>に変える。また、従来の浮世絵に飽き足らずに<a href="https://ja.wikipedia.org/wiki/%E8%8F%8A%E6%B1%A0%E5%AE%B9%E6%96%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="菊池容斎">菊池容斎</a>の画風や洋風画などを研究し、本格的な画技を伸ばすことに努め、歴史的な事件に取材した作品を多く描いた。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1874%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1874年">1874年</a>(明治7年)、6枚つながりの錦絵『桜田門外於井伊大老襲撃』を発表。芳幾の新聞錦絵に刺激を受け、同年には『名誉新聞』を開始、<a href="https://ja.wikipedia.org/wiki/1875%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1875年">1875年</a>(明治8年)、『<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E9%83%B5%E4%BE%BF%E5%A0%B1%E7%9F%A5%E6%96%B0%E8%81%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="郵便報知新聞">郵便報知新聞</a>錦絵』を開始。これは当時の事件を錦絵に仕立てたもの。<a href="https://ja.wikipedia.org/wiki/1876%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1876年">1876年</a>(明治9年)、南金六町に住む。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1877%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1877年">1877年</a>(明治10年)に<a href="https://ja.wikipedia.org/wiki/%E8%A5%BF%E5%8D%97%E6%88%A6%E4%BA%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="西南戦争">西南戦争</a>が勃発し、この戦争を題材とした錦絵の需要が高まると、芳年自身が取材に行ったわけではないが、想像で西南戦争などを描いた。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1878%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1878年">1878年</a>(明治11年)には丸屋町に住んでおり、天皇の侍女を描いた『美立七曜星』が問題になる。<a href="https://ja.wikipedia.org/wiki/1879%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1879年">1879年</a>(明治12年)に再び南金六町に戻り、さらに宮永町へ転居しているが、この時期、手伝いにきていた坂巻婦人の娘・坂巻泰と出会っている。 <a href="https://ja.wikipedia.org/wiki/1882%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1882年">1882年</a>(明治15年)、<a href="https://ja.wikipedia.org/wiki/%E7%B5%B5%E5%85%A5%E8%87%AA%E7%94%B1%E6%96%B0%E8%81%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="絵入自由新聞">絵入自由新聞</a>に月給百円の高給で入社するが、<a href="https://ja.wikipedia.org/wiki/1884%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1884年">1884年</a>(明治17年)に『<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E6%9C%9D%E6%97%A5%E6%96%B0%E8%81%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京朝日新聞">自由燈</a>』に挿絵を描いたことで絵入自由新聞と問題になる。また、『<a href="https://ja.wikipedia.org/wiki/%E8%AA%AD%E5%A3%B2%E6%96%B0%E8%81%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="読売新聞">読売新聞</a>』にも挿絵を描く。<a href="https://ja.wikipedia.org/wiki/1883%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1883年">1883年</a>(明治16年)、『根津花やしき大松楼』に描かれている幻太夫との関係も生じるが、別れ、翌<a href="https://ja.wikipedia.org/wiki/1884%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1884年">1884年</a>(明治17年)、坂巻泰と正式に結婚する。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1885%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1885年">1885年</a>(明治18年)、代表作『奥州安達が原ひとつ家の図』などによって『<a class="new" href="https://ja.wikipedia.org/w/index.php?title=%E6%9D%B1%E4%BA%AC%E6%B5%81%E8%A1%8C%E7%B4%B0%E8%A6%8B%E8%A8%98&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="東京流行細見記 (存在しないページ)">東京流行細見記</a>』(当時の<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E5%BA%9C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京府">東京府</a>における人気<a href="https://ja.wikipedia.org/wiki/%E7%95%AA%E4%BB%98" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="番付">番付</a>)明治18年版の「浮世屋絵工部」、すなわち「浮世絵師部門」で、<a href="https://ja.wikipedia.org/wiki/%E8%90%BD%E5%90%88%E8%8A%B3%E5%B9%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="落合芳幾">落合芳幾</a>・<a href="https://ja.wikipedia.org/wiki/%E5%B0%8F%E6%9E%97%E6%B0%B8%E6%BF%AF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="小林永濯">小林永濯</a>・<a href="https://ja.wikipedia.org/wiki/%E8%B1%8A%E5%8E%9F%E5%9B%BD%E5%91%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="豊原国周">豊原国周</a>らを押さえて筆頭に挙げられ、名実共に明治浮世絵界の第一人者となる。この頃から、縦2枚続の<a href="https://ja.wikipedia.org/wiki/%E6%AD%B4%E5%8F%B2%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歴史画">歴史画</a>、物語絵などの旺盛な制作によって新風を起こし、門人も80名を超していた。この年、浅草須賀町に移る。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1886%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1886年">1886年</a>(明治19年)10月、<a href="https://ja.wikipedia.org/wiki/%E3%82%84%E3%81%BE%E3%81%A8%E6%96%B0%E8%81%9E%E7%A4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="やまと新聞社">やまと新聞社</a>に入社、錦絵『近世人物誌』を2年継続して掲載する。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1888%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1888年">1888年</a>(明治21年)、「近世人物誌」を20でやめ、錦絵新聞附録とする。この時期までに200人余りの弟子がいたといわれる。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">その後、『大日本名将鑑』『大日本史略図会』『新柳二十四時』『風俗三十二相』『<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E7%99%BE%E5%A7%BF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月百姿">月百姿</a>』『新撰東錦絵』などを出し、自己の世界を広げて浮世絵色の脱した作品を作るが、それに危機を覚えてか、本画家としても活躍し始める。『月百姿』のシリーズは芳年の歴史故事趣味を生かした、明治期の代表作に挙げられる。また、弟子たちを他の画家に送り込んでさまざまな分野で活躍させた。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1891%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1891年">1891年</a>(明治24年)、ファンタジックで怪異な作品『<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E5%BD%A2%E4%B8%89%E5%8D%81%E5%85%AD%E6%80%AA%E6%92%B0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新形三十六怪撰">新形三十六怪撰</a>』の完成間近の頃から体が酒のために蝕まれていき、再び神経を病んで眼も悪くし、<a href="https://ja.wikipedia.org/wiki/%E8%84%9A%E6%B0%97" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="脚気">脚気</a>も患う。また、現金を盗まれるなど不運が続く。5、6年暮らした浅草の自宅の家相がよくないと聞き、日本橋浜町に新築するため、本所亀沢町に仮寓する<sup class="reference" id="cite_ref-3" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[3]</a></sup>。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/1892%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1892年">1892年</a>(明治25年)、新富座の絵看板を<a href="https://ja.wikipedia.org/wiki/%E5%8F%B3%E7%94%B0%E5%B9%B4%E8%8B%B1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="右田年英">右田年英</a>を助手にして製作するものの、病状が悪化し、巣鴨病院に入院する。病床でも絵筆を取った芳年は松川の病院に転じるが、5月21日に医師に見放されて退院。<a href="https://ja.wikipedia.org/wiki/6%E6%9C%889%E6%97%A5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="6月9日">6月9日</a>、<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E5%B8%82" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京市">東京市</a><a href="https://ja.wikipedia.org/wiki/%E6%9C%AC%E6%89%80%E5%8C%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="本所区">本所区</a>藤代町(現・<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E9%83%BD" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京都">東京都</a><a href="https://ja.wikipedia.org/wiki/%E5%A2%A8%E7%94%B0%E5%8C%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="墨田区">墨田区</a><a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E4%B8%A1%E5%9B%BD_(%E5%A2%A8%E7%94%B0%E5%8C%BA)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="両国 (墨田区)">両国</a>)の仮寓(仮の住まい)で<a class="new" href="https://ja.wikipedia.org/w/index.php?title=%E8%84%B3%E5%85%85%E8%A1%80&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="脳充血 (存在しないページ)">脳充血</a>のために死亡した(<a href="https://ja.wikipedia.org/wiki/%E4%BA%AB%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="享年">享年</a>54、<a href="https://ja.wikipedia.org/wiki/%E6%BA%80%E5%B9%B4%E9%BD%A2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="満年齢">満</a>53歳没)。しかし、『<a href="https://ja.wikipedia.org/wiki/%E3%82%84%E3%81%BE%E3%81%A8%E6%96%B0%E8%81%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="やまと新聞">やまと新聞</a>』では6月10日の記事に「昨年来の精神病の気味は快方に向かい、自宅で加療中、他の病気に襲われた」とある。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">芳年の墓は新宿区新宿の<a href="https://ja.wikipedia.org/wiki/%E5%B0%82%E7%A6%8F%E5%AF%BA_(%E6%96%B0%E5%AE%BF%E5%8C%BA)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="専福寺 (新宿区)">専福寺</a>にある。法名は大蘇院釈芳年居士。<a href="https://ja.wikipedia.org/wiki/1898%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1898年">1898年</a>(明治31年)には<a href="https://ja.wikipedia.org/wiki/%E5%B2%A1%E5%80%89%E5%A4%A9%E5%BF%83" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="岡倉天心">岡倉天心</a>を中心とする人々によって<a href="https://ja.wikipedia.org/wiki/%E5%90%91%E5%B3%B6%E7%99%BE%E8%8A%B1%E5%9C%92" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="向島百花園">向島百花園</a>内に記念碑(<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4%E7%BF%81%E4%B9%8B%E7%A2%91" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月岡芳年翁之碑">月岡芳年翁之碑</a>)が建てられた。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E7.94.BB.E9.A2.A8.E3.83.BB.E7.94.BB.E9.A1.8C"></span><span class="mw-headline" id="画風・画題">画風・画題</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 画風・画題">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8%E5%B7%9D%E4%B9%B1%E6%AD%A9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="江戸川乱歩">江戸川乱歩</a>や<a href="https://ja.wikipedia.org/wiki/%E4%B8%89%E5%B3%B6%E7%94%B1%E7%B4%80%E5%A4%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="三島由紀夫">三島由紀夫</a>などの偏愛のため「芳年といえば無惨絵」と思われがちであるが、その画業は幅広く、歴史絵・美人画・風俗画・古典画にわたる。近年はこれら無惨絵以外の分野でも再評価されてきている。師匠・<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%8A%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川国芳">歌川国芳</a>譲りの<a href="https://ja.wikipedia.org/wiki/%E6%AD%A6%E8%80%85%E7%B5%B5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="武者絵">武者絵</a>が特に秀逸である。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">もともと<a href="https://ja.wikipedia.org/wiki/%E5%9B%9B%E6%9D%A1%E6%B4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="四条派">四条派</a>の画家に弟子入りしたためか、本人の曰く「四条派の影響を強く受けた」<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E8%82%89%E7%AD%86%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="肉筆画">肉筆画</a>も手がけている。彼自身、浮世絵だけを学ぶことをよしとしなかったため、様々な画風を学んでいる。写生を重要視している。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">芳年の絵には師の国芳から受け継いだ華麗な色遣い、自在な技法が見える。しかし、師匠以上に構図や技法の点で工夫が見られる。動きの瞬間をストップモーションのように止めて見せる技法は、昭和期以降に発展してきた<a href="https://ja.wikipedia.org/wiki/%E6%BC%AB%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="漫画">漫画</a>や<a href="https://ja.wikipedia.org/wiki/%E5%8A%87%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="劇画">劇画</a>にも通じるものがあり、劇画の先駆者との評もある。</p><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E6.AD.B4.E5.8F.B2.E7.B5.B5.E3.83.BB.E6.AD.A6.E8.80.85.E7.B5.B5"></span><span class="mw-headline" id="歴史絵・武者絵">歴史絵・武者絵</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 歴史絵・武者絵">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">『大日本史略図会』中の<a href="https://ja.wikipedia.org/wiki/%E3%83%A4%E3%83%9E%E3%83%88%E3%82%BF%E3%82%B1%E3%83%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ヤマトタケル">日本武尊</a>や、<a href="https://ja.wikipedia.org/wiki/1883%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1883年">1883年</a>(明治16年)の大判3枚続『藤原保昌月下弄笛図』(<a href="https://ja.wikipedia.org/wiki/%E5%8D%83%E8%91%89%E5%B8%82%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="千葉市美術館">千葉市美術館</a>所蔵)など、芳年には歴史絵の傑作がある。明治という時代のせいか、彼の描く歴史上の人物は型どおりに納まらず、近代の自意識を感じさせるものとなっている。</p><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E7.BE.8E.E4.BA.BA.E7.94.BB.E3.83.BB.E9.A2.A8.E4.BF.97.E7.94.BB"></span><span class="mw-headline" id="美人画・風俗画">美人画・風俗画</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 美人画・風俗画">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E7%BE%8E%E4%BA%BA%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="美人画">美人画</a>・風俗画も手がけており、『<a href="https://ja.wikipedia.org/wiki/%E9%A2%A8%E4%BF%97%E4%B8%89%E5%8D%81%E4%BA%8C%E7%9B%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="風俗三十二相">風俗三十二相</a>』でみずみずしい女性たちを描いた。</p><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E7.84.A1.E6.83.A8.E7.B5.B5"></span><span class="mw-headline" id="無惨絵">無惨絵</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 無惨絵">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">初期の作品『英名二十八衆句』(落合芳幾との競作)では、血を表現するにあたって、<a href="https://ja.wikipedia.org/wiki/%E6%9F%93%E6%96%99" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="染料">染料</a>に<a href="https://ja.wikipedia.org/wiki/%E3%82%BC%E3%83%A9%E3%83%81%E3%83%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ゼラチン">膠</a>を混ぜて光らすなどの工夫をしている。この作品は<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%8A%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川国芳">歌川国芳</a>(一勇斎国芳)の『鏗鏘手練鍛の名刃(さえたてのうちきたえのわざもの)』に触発されて作られた。これは芝居小屋の中の血みどろを参考にしている。当時はこのような見世物が流行っていた。</p><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">芳年は<a href="https://ja.wikipedia.org/wiki/%E5%86%99%E7%94%9F" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="写生">写生</a>を大切にしており、<a href="https://ja.wikipedia.org/wiki/%E5%B9%95%E6%9C%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="幕末">幕末</a>の動乱期には<a href="https://ja.wikipedia.org/wiki/%E6%96%AC%E9%A6%96%E5%88%91" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="斬首刑">斬首</a>された生首を、<a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB%E5%85%83%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="明治元年">明治元年</a>(<a href="https://ja.wikipedia.org/wiki/1868%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1868年">1868年</a>)の<a href="https://ja.wikipedia.org/wiki/%E6%88%8A%E8%BE%B0%E6%88%A6%E4%BA%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="戊辰戦争">戊辰戦争</a>では戦場の屍を弟子を連れて写生している。しかし、想像力を駆使して描くこともあり、<a href="https://ja.wikipedia.org/wiki/1885%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1885年">1885年</a>(明治18年)に刊行された代表作『奥州安達が原ひとつ家の図』など、その一例と言える。責め絵(主に女性を縛った絵)で有名な<a href="https://ja.wikipedia.org/wiki/%E4%BC%8A%E8%97%A4%E6%99%B4%E9%9B%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="伊藤晴雨">伊藤晴雨</a>は、この絵を見た後、芳年が多くの作品で実践するのと同じく実際に<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E5%A6%8A%E5%A9%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="妊婦">妊婦</a>を吊るして写生したのか気になり、妻の勧めで妊娠中の彼女を吊るして実験したという。そうして撮った写真を分析したところ、おかしな点があったため、モデルを仕立てての写生ではなく想像によって描かれたという結論に達した。その後、芳年の弟子にこのことを話すと、弟子は「師匠がその写真を見たら大変喜ぶだろう」と答えたという。</p><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E3.81.9D.E3.81.AE.E4.BB.96.E3.81.AE.E7.94.BB.E9.A1.8C"></span><span class="mw-headline" id="その他の画題">その他の画題</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: その他の画題">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">月に対しては名前のせいもあって思い入れがあるようで、月の出てくる作品が多く、『<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E7%99%BE%E5%A7%BF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月百姿">月百姿</a>』という100枚にもおよぶ連作も手がけている。これは芳年晩年の傑作とされる。幽霊画も『幽霊之図』『宿場女郎図』などを描いており、芳年自身が女郎の幽霊を見たといわれている。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E4.BD.9C.E5.93.81"></span><span class="mw-headline" id="作品">作品</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 作品">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">月岡芳年の画家としての活躍は21歳から54歳までの33年間である。晩年の弟子<a href="https://ja.wikipedia.org/wiki/%E5%B1%B1%E4%B8%AD%E5%8F%A4%E6%B4%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="山中古洞">山中古洞</a>の分析では、芳年の作品のテーマは約500ほどであり、同じテーマの作品を複数製作することも多く、なかには同じテーマで100点もの作品を作った例もある。そのために芳年の生涯での製作作数は1万にも及ぶと見られている。またそれ以外にも本、雑誌、新聞などの挿絵が無数にあり、多くの浮世絵作家の中でも<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%B2%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="歌川国貞">三代豊国</a>や<a href="https://ja.wikipedia.org/wiki/%E8%91%9B%E9%A3%BE%E5%8C%97%E6%96%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="葛飾北斎">葛飾北斎</a>に次ぐ多作家であろうとされている<sup class="reference" id="cite_ref-FOOTNOTE瀬木1978115–116_4-0" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-FOOTNOTE%E7%80%AC%E6%9C%A81978115%E2%80%93116-4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[4]</a></sup>。</p><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E9.8C.A6.E7.B5.B5"></span><span class="mw-headline" id="錦絵">錦絵</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 錦絵">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">「正清三韓退治図」大判3枚続 元治元年(1864年) <a href="https://ja.wikipedia.org/wiki/%E7%A5%9E%E6%88%B8%E5%B8%82%E7%AB%8B%E5%8D%9A%E7%89%A9%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="神戸市立博物館">神戸市立博物館</a>所蔵</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『和漢百物語』 大判25枚揃 慶応1年</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『美勇水滸伝』 中判揃物 慶応2年</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<a href="https://ja.wikipedia.org/wiki/%E8%8B%B1%E5%90%8D%E4%BA%8C%E5%8D%81%E5%85%AB%E8%A1%86%E5%8F%A5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="英名二十八衆句">英名二十八衆句</a>』 大判28枚揃 慶応2年‐慶応3年 芳幾と合作</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Inada_Kyuzo_Shinsuke.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「稲田九蔵新助」 無惨絵、いわゆる「血まみれ芳年」の一点"><img alt="「稲田九蔵新助」 無惨絵、いわゆる「血まみれ芳年」の一点" data-file-height="1358" data-file-width="919" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/81px-Inada_Kyuzo_Shinsuke.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/122px-Inada_Kyuzo_Shinsuke.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Inada_Kyuzo_Shinsuke.jpg/162px-Inada_Kyuzo_Shinsuke.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="81" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「稲田九蔵新助」<br />無惨絵、いわゆる「血まみれ芳年」の一点</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Tukioka_yositosi-naosukegonbei.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「直助権兵衛」 無惨絵、いわゆる「血まみれ芳年」の一点"><img alt="「直助権兵衛」 無惨絵、いわゆる「血まみれ芳年」の一点" data-file-height="1897" data-file-width="1305" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Tukioka_yositosi-naosukegonbei.jpg/82px-Tukioka_yositosi-naosukegonbei.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Tukioka_yositosi-naosukegonbei.jpg/124px-Tukioka_yositosi-naosukegonbei.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Tukioka_yositosi-naosukegonbei.jpg/165px-Tukioka_yositosi-naosukegonbei.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「直助権兵衛」<br />無惨絵、いわゆる「血まみれ芳年」の一点</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『魁題百撰相』 大判65枚揃 慶応4年‐明治2年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Mori_B%C5%8Dmaru.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="森坊丸"><img alt="森坊丸" data-file-height="1236" data-file-width="846" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Mori_B%C5%8Dmaru.jpg/82px-Mori_B%C5%8Dmaru.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Mori_B%C5%8Dmaru.jpg/123px-Mori_B%C5%8Dmaru.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Mori_B%C5%8Dmaru.jpg/164px-Mori_B%C5%8Dmaru.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%A3%AE%E9%95%B7%E9%9A%86" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="森長隆">森坊丸</a></p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Senhime.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="秀頼公北之方(千姫)"><img alt="秀頼公北之方(千姫)" data-file-height="2454" data-file-width="1682" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/97/Senhime.jpg/82px-Senhime.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Senhime.jpg/123px-Senhime.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/97/Senhime.jpg/164px-Senhime.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">秀頼公北之方(<a href="https://ja.wikipedia.org/wiki/%E5%8D%83%E5%A7%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="千姫">千姫</a>)</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『一魁随筆』 大判13枚揃 明治5年‐明治6年</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">「郵便報知新聞第五三二号」 大判 明治8年(1885年)<a href="https://ja.wikipedia.org/wiki/%E5%8C%97%E4%B9%9D%E5%B7%9E%E5%B8%82%E7%AB%8B%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="北九州市立美術館">北九州市立美術館</a>所蔵</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『大日本名将鑑』 大判51枚目録共52枚揃 明治10年‐明治15年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Amaterasu_appearing_from_the_cave..jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="天岩戸を引き開けるアメノタヂカラオ"><img alt="天岩戸を引き開けるアメノタヂカラオ" data-file-height="801" data-file-width="537" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Amaterasu_appearing_from_the_cave..jpg/80px-Amaterasu_appearing_from_the_cave..jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Amaterasu_appearing_from_the_cave..jpg/121px-Amaterasu_appearing_from_the_cave..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Amaterasu_appearing_from_the_cave..jpg/161px-Amaterasu_appearing_from_the_cave..jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="80" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">天岩戸を引き開ける<a href="https://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%A1%E3%83%8E%E3%82%BF%E3%83%82%E3%82%AB%E3%83%A9%E3%82%AA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="アメノタヂカラオ">アメノタヂカラオ</a></p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Emperor_Jimmu.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「神武天皇」 『日本書紀』における神武東征の一場面。神武天皇が携える弓の先にまばゆく輝く金鵄が留まり、それを目の当たりにした敵兵ども(右下)は怖れおののいている。1880年(明治13年)に刊行。"><img alt="「神武天皇」 『日本書紀』における神武東征の一場面。神武天皇が携える弓の先にまばゆく輝く金鵄が留まり、それを目の当たりにした敵兵ども(右下)は怖れおののいている。1880年(明治13年)に刊行。" data-file-height="1807" data-file-width="1242" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/82px-Emperor_Jimmu.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/124px-Emperor_Jimmu.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Emperor_Jimmu.jpg/165px-Emperor_Jimmu.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「神武天皇」<br />『<a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E6%9B%B8%E7%B4%80" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日本書紀">日本書紀</a>』における<a href="https://ja.wikipedia.org/wiki/%E7%A5%9E%E6%AD%A6%E6%9D%B1%E5%BE%81" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="神武東征">神武東征</a>の一場面。<a href="https://ja.wikipedia.org/wiki/%E7%A5%9E%E6%AD%A6%E5%A4%A9%E7%9A%87" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="神武天皇">神武天皇</a>が携える<a href="https://ja.wikipedia.org/wiki/%E5%BC%93_(%E6%AD%A6%E5%99%A8)#%E6%97%A5%E6%9C%AC%E3%81%AE%E5%BC%93" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="弓 (武器)">弓</a>の先にまばゆく輝く<a href="https://ja.wikipedia.org/wiki/%E9%87%91%E9%B5%84" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="金鵄">金鵄</a>が留まり、それを目の当たりにした敵兵ども(右下)は怖れおののいている。<a href="https://ja.wikipedia.org/wiki/1880%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1880年">1880年</a>(明治13年)に刊行。</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「豊臣秀吉公」 慶長伏見地震で被災した豊臣秀吉のもとに、加藤清正がいち早く駆けつけたとする逸話を描いた浮世絵。ただし地震発生時に清正は京都や伏見におらず、後世の作り話とされる。"><img alt="「豊臣秀吉公」 慶長伏見地震で被災した豊臣秀吉のもとに、加藤清正がいち早く駆けつけたとする逸話を描いた浮世絵。ただし地震発生時に清正は京都や伏見におらず、後世の作り話とされる。" data-file-height="784" data-file-width="525" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/80px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/120px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg/161px-Toyotomi_Hideyoshi_and_Kat%C5%8D_Kiyomasa.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="80" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「<a href="https://ja.wikipedia.org/wiki/%E8%B1%8A%E8%87%A3%E7%A7%80%E5%90%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="豊臣秀吉">豊臣秀吉</a>公」<br /><a href="https://ja.wikipedia.org/wiki/%E6%85%B6%E9%95%B7%E4%BC%8F%E8%A6%8B%E5%9C%B0%E9%9C%87" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="慶長伏見地震">慶長伏見地震</a>で被災した豊臣秀吉のもとに、<a href="https://ja.wikipedia.org/wiki/%E5%8A%A0%E8%97%A4%E6%B8%85%E6%AD%A3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="加藤清正">加藤清正</a>がいち早く駆けつけたとする逸話を描いた浮世絵。ただし地震発生時に清正は京都や伏見におらず、後世の作り話とされる。</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『芳年武者无類』 大判32枚揃 明治16年‐明治18年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="牛若丸(源義経)と熊坂長範の決闘"><img alt="牛若丸(源義経)と熊坂長範の決闘" data-file-height="4462" data-file-width="3100" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/83px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/125px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg/167px-NDL-DC_1302763-Tsukioka_Yoshitoshi-%E8%8A%B3%E5%B9%B4%E6%AD%A6%E8%80%85%E6%97%A0%E9%A1%9E_%E6%BA%90%E7%89%9B%E8%8B%A5%E4%B8%B8%E3%83%BB%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84-%E6%98%8E%E6%B2%BB16-crd.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">牛若丸(源義経)と<a href="https://ja.wikipedia.org/wiki/%E7%86%8A%E5%9D%82%E9%95%B7%E7%AF%84" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="熊坂長範">熊坂長範</a>の決闘</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="曾我時致の腰をつかむ御所五郎丸"><img alt="曾我時致の腰をつかむ御所五郎丸" data-file-height="2100" data-file-width="1411" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/80px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/121px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg/161px-Soga_no_Goro_Tokimune_Held_Back_by_Gosho_no_Goromaru_LACMA_M.84.31.88.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="80" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%9B%BE%E6%88%91%E6%99%82%E8%87%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="曾我時致">曾我時致</a>の腰をつかむ<a href="https://ja.wikipedia.org/wiki/%E5%BE%A1%E6%89%80%E4%BA%94%E9%83%8E%E4%B8%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="御所五郎丸">御所五郎丸</a></p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitsune_with_benkei.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「九郎判官源義経 武蔵坊弁慶」 源義経(奥)とその家来である武蔵坊弁慶(手前)。1885年(明治18年)刊。"><img alt="「九郎判官源義経 武蔵坊弁慶」 源義経(奥)とその家来である武蔵坊弁慶(手前)。1885年(明治18年)刊。" data-file-height="1238" data-file-width="868" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Yoshitsune_with_benkei.jpg/84px-Yoshitsune_with_benkei.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Yoshitsune_with_benkei.jpg/126px-Yoshitsune_with_benkei.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Yoshitsune_with_benkei.jpg/168px-Yoshitsune_with_benkei.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="84" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「九郎判官源義経 武蔵坊弁慶」<br /><a href="https://ja.wikipedia.org/wiki/%E6%BA%90%E7%BE%A9%E7%B5%8C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="源義経">源義経</a>(奥)とその家来である<a href="https://ja.wikipedia.org/wiki/%E6%AD%A6%E8%94%B5%E5%9D%8A%E5%BC%81%E6%85%B6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="武蔵坊弁慶">武蔵坊弁慶</a>(手前)。<a href="https://ja.wikipedia.org/wiki/1885%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1885年">1885年</a>(明治18年)刊。</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『新撰東錦絵』 大判2枚続 23組 明治18年‐明治19年</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E7%99%BE%E5%A7%BF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="月百姿">月百姿</a>』 大判100枚揃 明治18年‐明治25年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="史進を描いた『史家村月夜』"><img alt="史進を描いた『史家村月夜』" data-file-height="1345" data-file-width="905" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg/81px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg/121px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg/161px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_6.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="81" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E5%8F%B2%E9%80%B2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="史進">史進</a>を描いた『史家村月夜』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:YoshiClimber.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="『稲葉山の月』。人物は豊臣秀吉。"><img alt="『稲葉山の月』。人物は豊臣秀吉。" data-file-height="4226" data-file-width="2918" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/83px-YoshiClimber.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/124px-YoshiClimber.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f9/YoshiClimber.jpg/166px-YoshiClimber.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">『稲葉山の月』。人物は<a href="https://ja.wikipedia.org/wiki/%E8%B1%8A%E8%87%A3%E7%A7%80%E5%90%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="豊臣秀吉">豊臣秀吉</a>。</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="斎藤利三を描いた『月下乃斥候』"><img alt="斎藤利三を描いた『月下乃斥候』" data-file-height="727" data-file-width="515" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg/85px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg/127px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg/170px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_8.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="85" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E6%96%8E%E8%97%A4%E5%88%A9%E4%B8%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="斎藤利三">斎藤利三</a>を描いた『月下乃斥候』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="白蔵主を描いた『吼噦』"><img alt="白蔵主を描いた『吼噦』" data-file-height="2868" data-file-width="1979" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/29/De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg/83px-De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg/124px-De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg/165px-De_roep_van_de_vos-Rijksmuseum_RP-P-1980-12.jpeg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E7%99%BD%E8%94%B5%E4%B8%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="白蔵主">白蔵主</a>を描いた『<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E5%90%BC%E5%99%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="吼噦">吼噦</a>』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Suzakumon_no_tsuki.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="朱雀門の鬼と合奏する源博雅を描いた『朱雀門の月』"><img alt="朱雀門の鬼と合奏する源博雅を描いた『朱雀門の月』" data-file-height="719" data-file-width="511" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/92/Suzakumon_no_tsuki.jpg/85px-Suzakumon_no_tsuki.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Suzakumon_no_tsuki.jpg/128px-Suzakumon_no_tsuki.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/Suzakumon_no_tsuki.jpg/170px-Suzakumon_no_tsuki.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="85" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">朱雀門の鬼と合奏する<a href="https://ja.wikipedia.org/wiki/%E6%BA%90%E5%8D%9A%E9%9B%85" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="源博雅">源博雅</a>を描いた『朱雀門の月』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:BodhidharmaYoshitoshi1887.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="達磨を描いた『破窓月』。1887年(明治20年)刊。"><img alt="達磨を描いた『破窓月』。1887年(明治20年)刊。" data-file-height="1148" data-file-width="796" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/83px-BodhidharmaYoshitoshi1887.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/125px-BodhidharmaYoshitoshi1887.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/BodhidharmaYoshitoshi1887.jpg/166px-BodhidharmaYoshitoshi1887.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E9%81%94%E7%A3%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="達磨">達磨</a>を描いた『破窓月』。<a href="https://ja.wikipedia.org/wiki/1887%E5%B9%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="1887年">1887年</a>(明治20年)刊。</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="狼と遭遇し、笙を聞かせて難を逃れた豊原統秋の伝承を描いた『北山月』"><img alt="狼と遭遇し、笙を聞かせて難を逃れた豊原統秋の伝承を描いた『北山月』" data-file-height="1713" data-file-width="1200" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/97/Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png/84px-Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png/126px-Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/97/Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png/168px-Kitayama_Tsuki_by_Taiso_Yoshitoshi_1886.png 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="84" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">狼と遭遇し、<a href="https://ja.wikipedia.org/wiki/%E7%AC%99" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="笙">笙</a>を聞かせて難を逃れた<a href="https://ja.wikipedia.org/wiki/%E8%B1%8A%E5%8E%9F%E7%B5%B1%E7%A7%8B" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="豊原統秋">豊原統秋</a>の伝承を描いた『北山月』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="鹿を仕留める源経基を描いた『貞観殿月』"><img alt="鹿を仕留める源経基を描いた『貞観殿月』" data-file-height="1349" data-file-width="927" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg/82px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg/124px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg/165px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_67.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">鹿を仕留める<a href="https://ja.wikipedia.org/wiki/%E6%BA%90%E7%B5%8C%E5%9F%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="源経基">源経基</a>を描いた『貞観殿月』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="笙を吹く源義光を描いた『足柄山月』"><img alt="笙を吹く源義光を描いた『足柄山月』" data-file-height="575" data-file-width="393" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg/82px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg/123px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg/164px-Yoshitoshi_-_100_Aspects_of_the_Moon_-_70.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="82" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E7%AC%99" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="笙">笙</a>を吹く<a href="https://ja.wikipedia.org/wiki/%E6%BA%90%E7%BE%A9%E5%85%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="源義光">源義光</a>を描いた『足柄山月』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Sun_Wukong_and_Jade_Rabbit.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="孫悟空と月の兎を描いた『玉兎』"><img alt="孫悟空と月の兎を描いた『玉兎』" data-file-height="825" data-file-width="550" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/25/Sun_Wukong_and_Jade_Rabbit.jpg/80px-Sun_Wukong_and_Jade_Rabbit.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Sun_Wukong_and_Jade_Rabbit.jpg/120px-Sun_Wukong_and_Jade_Rabbit.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/25/Sun_Wukong_and_Jade_Rabbit.jpg/160px-Sun_Wukong_and_Jade_Rabbit.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="80" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E5%AD%AB%E6%82%9F%E7%A9%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="孫悟空">孫悟空</a>と月の兎を描いた『玉兎』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Sekiheki_no_tsuki.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="赤壁に遊ぶ蘇軾を描いた『赤壁月』"><img alt="赤壁に遊ぶ蘇軾を描いた『赤壁月』" data-file-height="727" data-file-width="518" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Sekiheki_no_tsuki.jpg/85px-Sekiheki_no_tsuki.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Sekiheki_no_tsuki.jpg/128px-Sekiheki_no_tsuki.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Sekiheki_no_tsuki.jpg/171px-Sekiheki_no_tsuki.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="85" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">赤壁に遊ぶ<a href="https://ja.wikipedia.org/wiki/%E8%98%87%E8%BB%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="蘇軾">蘇軾</a>を描いた『赤壁月』</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">「魯智深爛酔打壤五台山金剛神之図」大判縦2枚続 明治20年(1887年)</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<a href="https://ja.wikipedia.org/wiki/%E9%A2%A8%E4%BF%97%E4%B8%89%E5%8D%81%E4%BA%8C%E7%9B%B8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="風俗三十二相">風俗三十二相</a>』 大判32枚目録共33枚揃 「遊歩がしたさう 明治年間妻君之風俗」など 城西大学水田美術館所蔵 明治21年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="『風俗三十二相』の一枚。"><img alt="『風俗三十二相』の一枚。" data-file-height="1157" data-file-width="809" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/84px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/126px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg/168px-Yoshitoshi_-_Looking_itchy_-_Fuzoku_Sanjuniso_no._16.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="84" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">『風俗三十二相』の一枚。</p></div></div></li></ul><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E5%BD%A2%E4%B8%89%E5%8D%81%E5%85%AD%E6%80%AA%E6%92%B0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新形三十六怪撰">新形三十六怪撰</a>』 大判36枚揃 明治22年‐明治25年</li></ul><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshitoshi_Ogiku.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="皿屋敷 お菊の霊"><img alt="皿屋敷 お菊の霊" data-file-height="1929" data-file-width="1296" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Yoshitoshi_Ogiku.jpg/80px-Yoshitoshi_Ogiku.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Yoshitoshi_Ogiku.jpg/121px-Yoshitoshi_Ogiku.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Yoshitoshi_Ogiku.jpg/161px-Yoshitoshi_Ogiku.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="80" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E7%9A%BF%E5%B1%8B%E6%95%B7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="皿屋敷">皿屋敷</a> お菊の霊</p></div></div></li></ul><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">その他作品は多数ある。</p><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Maisaka_LACMA_M.84.31.108.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="『東海道 舞坂』"><img alt="『東海道 舞坂』" data-file-height="2100" data-file-width="1421" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/81px-Maisaka_LACMA_M.84.31.108.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/122px-Maisaka_LACMA_M.84.31.108.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Maisaka_LACMA_M.84.31.108.jpg/162px-Maisaka_LACMA_M.84.31.108.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="81" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">『東海道 舞坂』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Yoshi_tomigoro.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="『近世侠義傳 盛力民五郎』"><img alt="『近世侠義傳 盛力民五郎』" data-file-height="904" data-file-width="600" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/79px-Yoshi_tomigoro.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/119px-Yoshi_tomigoro.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Yoshi_tomigoro.jpg/159px-Yoshi_tomigoro.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="79" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">『近世侠義傳 盛力民五郎』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 46.5px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Tukioka_yositosi_shokonshakeiba1871.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京招魂社内外人競馬図(靖国神社の競馬) 1871年(明治4年)"><img alt="東京招魂社内外人競馬図(靖国神社の競馬) 1871年(明治4年)" data-file-height="934" data-file-width="1982" decoding="async" height="57" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1c/Tukioka_yositosi_shokonshakeiba1871.jpg/120px-Tukioka_yositosi_shokonshakeiba1871.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1c/Tukioka_yositosi_shokonshakeiba1871.jpg/180px-Tukioka_yositosi_shokonshakeiba1871.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1c/Tukioka_yositosi_shokonshakeiba1871.jpg/240px-Tukioka_yositosi_shokonshakeiba1871.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="120" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">東京招魂社内外人競馬図(靖国神社の競馬) 1871年(明治4年)</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 46.5px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Azukizaka_1564.JPG" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="三河一向一揆を描いた『大樹寺御難戦之図 三河後風土記之内』"><img alt="三河一向一揆を描いた『大樹寺御難戦之図 三河後風土記之内』" data-file-height="925" data-file-width="1933" decoding="async" height="57" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/67/Azukizaka_1564.JPG/120px-Azukizaka_1564.JPG" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/67/Azukizaka_1564.JPG/180px-Azukizaka_1564.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/67/Azukizaka_1564.JPG/240px-Azukizaka_1564.JPG 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="120" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E4%B8%89%E6%B2%B3%E4%B8%80%E5%90%91%E4%B8%80%E6%8F%86" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="三河一向一揆">三河一向一揆</a>を描いた『大樹寺御難戦之図 三河後風土記之内』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 35.5px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Saga_Rebellion.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="佐賀の乱を描いた『皇国一新見聞誌 佐賀の事件』"><img alt="佐賀の乱を描いた『皇国一新見聞誌 佐賀の事件』" data-file-height="702" data-file-width="1070" decoding="async" height="79" src="https://upload.wikimedia.org/wikipedia/commons/thumb/e/e6/Saga_Rebellion.jpg/120px-Saga_Rebellion.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e6/Saga_Rebellion.jpg/180px-Saga_Rebellion.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e6/Saga_Rebellion.jpg/240px-Saga_Rebellion.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="120" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E4%BD%90%E8%B3%80%E3%81%AE%E4%B9%B1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="佐賀の乱">佐賀の乱</a>を描いた『皇国一新見聞誌 佐賀の事件』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 45px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Seinansenso_snou.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="西南戦争を描いた『鹿児島暴徒出陣図』"><img alt="西南戦争を描いた『鹿児島暴徒出陣図』" data-file-height="594" data-file-width="1183" decoding="async" height="60" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Seinansenso_snou.jpg/120px-Seinansenso_snou.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Seinansenso_snou.jpg/180px-Seinansenso_snou.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Seinansenso_snou.jpg/240px-Seinansenso_snou.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="120" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E8%A5%BF%E5%8D%97%E6%88%A6%E4%BA%89" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="西南戦争">西南戦争</a>を描いた『鹿児島暴徒出陣図』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Tukiokayositosi-YaoyaOsichi.png" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="『松竹梅湯嶋掛額』(八百屋お七)"><img alt="『松竹梅湯嶋掛額』(八百屋お七)" data-file-height="3288" data-file-width="1180" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/43px-Tukiokayositosi-YaoyaOsichi.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/64px-Tukiokayositosi-YaoyaOsichi.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Tukiokayositosi-YaoyaOsichi.png/86px-Tukiokayositosi-YaoyaOsichi.png 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="43" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">『松竹梅湯嶋掛額』(八百屋お七)</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 45.5px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="素戔男尊のヤマタノオロチ退治を描いた『日本略史 素戔嗚尊』"><img alt="素戔男尊のヤマタノオロチ退治を描いた『日本略史 素戔嗚尊』" data-file-height="1039" data-file-width="2100" decoding="async" height="59" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png/120px-Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png/180px-Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png/240px-Susanoo-no-Mikoto-slays-Yamata-no-Orochi-in-Izumo-By-Tsukioka-Yoshitoshi.png 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="120" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E3%82%B9%E3%82%B5%E3%83%8E%E3%82%AA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="スサノオ">素戔男尊</a>の<a href="https://ja.wikipedia.org/wiki/%E3%83%A4%E3%83%9E%E3%82%BF%E3%83%8E%E3%82%AA%E3%83%AD%E3%83%81" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ヤマタノオロチ">ヤマタノオロチ</a>退治を描いた『日本略史 素戔嗚尊』</p></div></div></li> <li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Escape_of_Torii_Suneemon.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="長篠の戦いの時、長篠城を密かに脱出する鳥居強右衛門を描いた『皇国二十四功 鳥居強右衛門勝商』"><img alt="長篠の戦いの時、長篠城を密かに脱出する鳥居強右衛門を描いた『皇国二十四功 鳥居強右衛門勝商』" data-file-height="1084" data-file-width="754" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Escape_of_Torii_Suneemon.jpg/83px-Escape_of_Torii_Suneemon.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Escape_of_Torii_Suneemon.jpg/125px-Escape_of_Torii_Suneemon.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Escape_of_Torii_Suneemon.jpg/167px-Escape_of_Torii_Suneemon.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="83" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;"><a href="https://ja.wikipedia.org/wiki/%E9%95%B7%E7%AF%A0%E3%81%AE%E6%88%A6%E3%81%84" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="長篠の戦い">長篠の戦い</a>の時、長篠城を密かに脱出する<a href="https://ja.wikipedia.org/wiki/%E9%B3%A5%E5%B1%85%E5%BC%B7%E5%8F%B3%E8%A1%9B%E9%96%80" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="鳥居強右衛門">鳥居強右衛門</a>を描いた『皇国二十四功 鳥居強右衛門勝商』</p></div></div></li></ul><h3 style="background-color: white; font-family: sans-serif; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E8.82.89.E7.AD.86.E6.B5.AE.E4.B8.96.E7.B5.B5"></span><span class="mw-headline" id="肉筆浮世絵">肉筆浮世絵</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=10" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 肉筆浮世絵">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><table class="wikitable sortable jquery-tablesorter" style="background-color: #f8f9fa; border-collapse: collapse; border: 1px solid rgb(162, 169, 177); color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 1em 0px;"><thead><tr><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">作品名</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">技法</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">形状・員数</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">寸法(縦x横cm)</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">所有者</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">年代</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">落款・印章</th><th class="headerSort" role="columnheader button" style="background-color: #eaecf0; background-image: url("/w/resources/src/jquery.tablesorter.styles/images/sort_both.svg?0e440"); background-position: 100% 50%; background-repeat: no-repeat; border: 1px solid rgb(162, 169, 177); cursor: pointer; padding: 0.2em 21px 0.2em 0.4em; text-align: center;" tabindex="0" title="昇順に並べ替え">備考</th></tr></thead><tbody><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">佐久間盛政羽柴秀吉を狙う(<a href="https://ja.wikipedia.org/wiki/%E5%A4%AA%E9%96%A4%E8%A8%98" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="太閤記">太閤記</a>)</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">幕絵1枚</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">195.0x900.0</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E7%A6%8F%E5%AF%8C%E5%A4%AA%E9%83%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="福富太郎">福富太郎</a>コレクション資料室</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1864年(元治元年)頃</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">款記「一魁齋芳年」/<a href="https://ja.wikipedia.org/wiki/%E8%8A%B1%E6%8A%BC" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="花押">花押</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E7%94%B2%E5%BA%9C%E9%81%93%E7%A5%96%E7%A5%9E%E7%A5%AD%E7%A4%BC" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="甲府道祖神祭礼">甲府道祖神祭礼</a>で使われた幕絵。</td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">曝首図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">紙本淡彩</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">専福寺</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1863年(文久3年)</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">深夜の訪問図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E6%B5%AE%E4%B8%96%E7%B5%B5%E5%A4%AA%E7%94%B0%E8%A8%98%E5%BF%B5%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="浮世絵太田記念美術館">浮世絵太田記念美術館</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">雪中常盤御前図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">浮世絵太田記念美術館</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">国芳肖像</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">紙本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">浮世絵太田記念美術館</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">猿田彦図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E5%8D%83%E8%91%89%E5%B8%82%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="千葉市美術館">千葉市美術館</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">羽衣図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E5%9B%BD%E7%AB%8B%E5%8D%9A%E7%89%A9%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京国立博物館">東京国立博物館</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">幽霊図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E7%A6%8F%E5%B2%A1%E5%B8%82%E5%8D%9A%E7%89%A9%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="福岡市博物館">福岡市博物館</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">顔が<a href="https://ja.wikipedia.org/wiki/%E5%A5%B3%E6%80%A7%E5%99%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="女性器">女性器</a>の幽霊の絵</td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">ま組消防隊</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絵馬</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">赤坂氷川神社</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1889年(明治12年)</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">不動明王図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絵馬</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a class="new" href="https://ja.wikipedia.org/w/index.php?title=%E6%88%90%E7%94%B0%E5%B1%B1%E8%B3%87%E6%96%99%E9%A4%A8&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="成田山資料館 (存在しないページ)">成田山資料館</a></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1885年(明治18年)</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E8%97%A4%E5%8E%9F%E4%BF%9D%E6%98%8C" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="藤原保昌">藤原保昌</a>月下弄笛図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本淡彩</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">140.8x78.7</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a class="new" href="https://ja.wikipedia.org/w/index.php?title=%E3%82%A6%E3%83%BC%E3%82%B9%E3%82%BF%E3%83%BC%E7%BE%8E%E8%A1%93%E9%A4%A8&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="ウースター美術館 (存在しないページ)">ウースター美術館</a><sup class="reference" id="cite_ref-5" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[5]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1882年(明治15年)</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">第一回内国絵画共進会に出品</td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">堀川夜討図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">84.x42.5</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">ウースター美術館<sup class="reference" id="cite_ref-6" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[6]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">スサノオ図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">82x45</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">ウースター美術館<sup class="reference" id="cite_ref-7" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[7]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E5%8A%A0%E8%97%A4%E6%B8%85%E6%AD%A3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="加藤清正">加藤清正</a>像</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">紙本墨画</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">123.5x47.5</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">ウースター美術館<sup class="reference" id="cite_ref-8" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[8]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">頼朝石橋山合戦受難之図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">88.4x29</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"><a href="https://ja.wikipedia.org/wiki/%E3%83%9C%E3%82%B9%E3%83%88%E3%83%B3%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ボストン美術館">ボストン美術館</a><sup class="reference" id="cite_ref-9" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[9]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1887-88年(明治20-21年)頃</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">款記「芳年」</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr><tr><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">南朝勤王家之図</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">絹本著色</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1幅</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">110.8x40.9</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">ボストン美術館<sup class="reference" id="cite_ref-10" style="line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_note-10" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[10]</a></sup></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;">1887-88年(明治20-21年)頃</td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td><td style="border: 1px solid rgb(162, 169, 177); padding: 0.2em 0.4em;"></td></tr></tbody><tfoot></tfoot></table><ul class="gallery mw-gallery-traditional" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 2px; padding: 2px;"><li class="gallerybox" style="break-inside: avoid-column; display: inline-block; margin-bottom: 0.1em; vertical-align: top; width: 155px;"><div style="width: 155px;"><div class="thumb" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); margin: 2px; text-align: center; width: 150px;"><div style="margin: 15px auto;"><a class="image" href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Tukioka_yositosi-yuurei.jpg" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="「幽霊之図 うぶめ」肉筆絹本 "うぶめ"は産女。死んだ妊婦をそのまま埋葬すると「産女」になる。幽霊の腰は血にまみれ、手には赤子を抱いているのか赤子の足が見える。"><img alt="「幽霊之図 うぶめ」肉筆絹本 "うぶめ"は産女。死んだ妊婦をそのまま埋葬すると「産女」になる。幽霊の腰は血にまみれ、手には赤子を抱いているのか赤子の足が見える。" data-file-height="3776" data-file-width="1228" decoding="async" height="120" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Tukioka_yositosi-yuurei.jpg/39px-Tukioka_yositosi-yuurei.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Tukioka_yositosi-yuurei.jpg/58px-Tukioka_yositosi-yuurei.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Tukioka_yositosi-yuurei.jpg/78px-Tukioka_yositosi-yuurei.jpg 2x" style="border: 0px; display: block; margin: 0px auto; vertical-align: middle;" width="39" /></a></div></div><div class="gallerytext" style="font-size: 14.1978px; overflow-wrap: break-word; overflow: hidden; padding: 2px 4px;"><p style="margin: 0.5em 0px;">「幽霊之図 うぶめ」肉筆絹本 "うぶめ"は<a href="https://ja.wikipedia.org/wiki/%E7%94%A3%E5%A5%B3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="産女">産女</a>。死んだ妊婦をそのまま埋葬すると「産女」になる。幽霊の腰は血にまみれ、手には赤子を抱いているのか赤子の足が見える。</p></div></div></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E4.BA.BA.E6.9F.84"></span><span class="mw-headline" id="人柄">人柄</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=11" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 人柄">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">芳年は弟子に厳しかったが、同時に大変かわいがった。これからは洋画の時代だと見越し、何人もの弟子を洋画家に弟子入りさせている。そのため、彼の弟子に大成した人は少なくない。涙もろい人情家でもあり、<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E4%B8%89%E9%81%8A%E4%BA%AD%E5%86%86%E6%9C%9D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="三遊亭円朝">三遊亭円朝</a>の人情話を聞いてすすり泣いたという話もある。眼は大きいが怖くない人だと、当時子供であった<a href="https://ja.wikipedia.org/wiki/%E9%8F%91%E6%9C%A8%E6%B8%85%E6%96%B9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="鏑木清方">鏑木清方</a>には思われていた。依頼で<a href="https://ja.wikipedia.org/wiki/%E4%BD%90%E5%80%89%E6%83%A3%E4%BA%94%E9%83%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="佐倉惣五郎">佐倉惣五郎</a>を描くことになった際、どうも上手くいかないためモデルとして弟子を数人がかりで実際に柱に縛り付けていたところ、来訪した知人が驚いて「助けてやってくれ」と頼むと「こいつは悪いことをしたので縛り付けている」と悪乗りをして言い返すという逸話があり、ユーモラスな人でもあったようである。にぎやかなお祭り好きで、話し上手でもあった。芳年は<a href="https://ja.wikipedia.org/wiki/%E7%A5%9E%E7%B5%8C%E8%A1%B0%E5%BC%B1_(%E7%B2%BE%E7%A5%9E%E7%96%BE%E6%82%A3)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="神経衰弱 (精神疾患)">神経衰弱</a>を患っていたことがよく知られているゆえに、病んでいるようなイメージが一般的にはある。それでも病の床で絵を描き続けた。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E5.BD.B1.E9.9F.BF"></span><span class="mw-headline" id="影響">影響</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=12" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 影響">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0.5em 0px;">芳年の門人には<a href="https://ja.wikipedia.org/wiki/%E5%B1%B1%E4%B8%AD%E5%8F%A4%E6%B4%9E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="山中古洞">山中古洞</a>、<a href="https://ja.wikipedia.org/wiki/%E6%B0%B4%E9%87%8E%E5%B9%B4%E6%96%B9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="水野年方">水野年方</a>、<a href="https://ja.wikipedia.org/wiki/%E7%A8%B2%E9%87%8E%E5%B9%B4%E6%81%92" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="稲野年恒">稲野年恒</a>、<a href="https://ja.wikipedia.org/wiki/%E5%8F%B3%E7%94%B0%E5%B9%B4%E8%8B%B1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="右田年英">右田年英</a>、<a href="https://ja.wikipedia.org/wiki/%E5%B1%B1%E5%B4%8E%E5%B9%B4%E4%BF%A1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="山崎年信">山崎年信</a>、<a href="https://ja.wikipedia.org/wiki/%E5%B1%B1%E7%94%B0%E5%B9%B4%E5%BF%A0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="山田年忠">山田年忠</a>、<a href="https://ja.wikipedia.org/wiki/%E9%87%91%E6%9C%A8%E5%B9%B4%E6%99%AF" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="金木年景">金木年景</a>、<a class="mw-redirect" href="https://ja.wikipedia.org/wiki/%E6%96%B0%E4%BA%95%E8%8A%B3%E5%AE%97" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新井芳宗">新井芳宗</a>、<a href="https://ja.wikipedia.org/wiki/%E4%B8%AD%E6%BE%A4%E5%B9%B4%E7%AB%A0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="中澤年章">中澤年章</a>などがおり、水野の門人に<a href="https://ja.wikipedia.org/wiki/%E9%8F%91%E6%9C%A8%E6%B8%85%E6%96%B9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="鏑木清方">鏑木清方</a>、<a href="https://ja.wikipedia.org/wiki/%E6%B1%A0%E7%94%B0%E8%BC%9D%E6%96%B9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="池田輝方">池田輝方</a>など、その他多数がいる。特に鏑木清方は子供の頃から芳年の家に遊びにきており、清方からさらに、美人画の旗手<a href="https://ja.wikipedia.org/wiki/%E4%BC%8A%E6%9D%B1%E6%B7%B1%E6%B0%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="伊東深水">伊東深水</a>や<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E7%89%88%E7%94%BB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新版画">新版画</a>運動を代表する<a href="https://ja.wikipedia.org/wiki/%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="川瀬巴水">川瀬巴水</a>などが出ている。彼らは挿絵画家や日本画家として活躍した。また、<a href="https://ja.wikipedia.org/wiki/%E8%8A%A5%E5%B7%9D%E9%BE%8D%E4%B9%8B%E4%BB%8B" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="芥川龍之介">芥川龍之介</a>、<a href="https://ja.wikipedia.org/wiki/%E8%B0%B7%E5%B4%8E%E6%BD%A4%E4%B8%80%E9%83%8E" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="谷崎潤一郎">谷崎潤一郎</a>、<a href="https://ja.wikipedia.org/wiki/%E4%B8%89%E5%B3%B6%E7%94%B1%E7%B4%80%E5%A4%AB" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="三島由紀夫">三島由紀夫</a>、<a href="https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8%E5%B7%9D%E4%B9%B1%E6%AD%A9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="江戸川乱歩">江戸川乱歩</a>などの文士たちに愛された。<a href="https://ja.wikipedia.org/wiki/%E8%8A%B8%E8%A1%93%E5%AE%B6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="芸術家">芸術家</a>では<a href="https://ja.wikipedia.org/wiki/%E6%A8%AA%E5%B0%BE%E5%BF%A0%E5%89%87" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="横尾忠則">横尾忠則</a>が芳年の影響を受けて画集を発売している。</p><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E8.84.9A.E6.B3.A8.E3.83.BB.E5.87.BA.E5.85.B8"></span><span class="mw-headline" id="脚注・出典">脚注・出典</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=13" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 脚注・出典">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="noprint" style="background-color: white; color: #202122; float: right; font-family: sans-serif; font-size: 13.5936px;">[<a href="https://ja.wikipedia.org/wiki/Help:%E8%84%9A%E6%B3%A8/%E8%AA%AD%E8%80%85%E5%90%91%E3%81%91" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Help:脚注/読者向け">脚注の使い方</a>]</div><div class="reflist" style="background-color: white; color: #202122; font-family: sans-serif; font-size: 13.5936px; list-style-type: decimal;"><ol class="references" style="counter-reset: mw-ref-extends-parent 0 mw-references 0 list-item 0; list-style-image: none; list-style-type: inherit; margin: 0.3em 0px 0px 3.2em; padding: 0px;"><li id="cite_note-注釈-1" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-%E6%B3%A8%E9%87%88_1-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text">他説では、武蔵国豊島郡<a href="https://ja.wikipedia.org/wiki/%E5%A4%A7%E4%B9%85%E4%BF%9D_(%E6%96%B0%E5%AE%BF%E5%8C%BA)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="大久保 (新宿区)">大久保</a>(現在の東京都<a href="https://ja.wikipedia.org/wiki/%E6%96%B0%E5%AE%BF%E5%8C%BA" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="新宿区">新宿区</a>大久保)。</span></li><li id="cite_note-2" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-2" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="https://web.archive.org/web/20210411092641/https://www.touken-world-ukiyoe.jp/mushae/art0011690/" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">「藤原保昌月下弄笛図」</a> 刀剣ワールド</span></li><li id="cite_note-3" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="https://dl.ndl.go.jp/info:ndljp/pid/1186832/152" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">芳年</a>『浮世絵師伝』井上和雄編、渡辺版画店、昭和6</span></li><li id="cite_note-FOOTNOTE瀬木1978115–116-4" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-FOOTNOTE%E7%80%AC%E6%9C%A81978115%E2%80%93116_4-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#CITEREF%E7%80%AC%E6%9C%A81978" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">瀬木 1978</a>, pp. 115–116.</span></li><li id="cite_note-5" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external free" href="http://vps343.pairvps.com:8080/emuseum/view/objects/asitem/search@/239/title-desc?t:state:flow=5a0f8c05-3f85-4cae-b991-58b701accb6b" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none; word-break: break-all;">http://vps343.pairvps.com:8080/emuseum/view/objects/asitem/search@/239/title-desc?t:state:flow=5a0f8c05-3f85-4cae-b991-58b701accb6b</a> Worcester Art Museum - Fujiwara no Yasumasa Playing the Flute by Moonlight (Fujiwara no Yasumasa gekka roteki zu)]</span></li><li id="cite_note-6" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="http://vps343.pairvps.com:8080/emuseum/view/objects/asitem/search@/146/title-desc?t:state:flow=1b0235c9-9ff4-458f-bfdd-f597516daa4d" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Worcester Art Museum - Night Attack on Horikawa Castle</a></span></li><li id="cite_note-7" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="http://vps343.pairvps.com:8080/emuseum/view/objects/asitem/search@/76/title-desc?t:state:flow=b409c83a-fc9e-4642-a3ff-de97f94600fb" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Worcester Art Museum - Susansoo</a></span></li><li id="cite_note-8" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="http://vps343.pairvps.com:8080/emuseum/view/objects/asitem/search@/210/title-desc?t:state:flow=ea1f19fd-0ffd-480f-a23e-ce8f5f5a523e" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Worcester Art Museum - Kato Kiyomasa</a></span></li><li id="cite_note-9" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="https://www.mfa.org/collections/object/minamoto-no-yoritomo-at-the-battle-of-ishibashi-yama-26685" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Minamoto no Yoritomo at the Battle of Ishibashi-yama _ Museum of Fine Arts, Boston</a></span></li><li id="cite_note-10" style="break-inside: avoid-column; counter-increment: mw-ref-extends-parent 1 mw-references 1; counter-reset: mw-ref-extends-child 0; margin-bottom: 0.1em;"><b><a href="https://ja.wikipedia.org/wiki/%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4#cite_ref-10" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">^</a></b> <span class="reference-text"><a class="external text" href="https://www.mfa.org/collections/object/warrior-loyal-to-the-southern-court-27057" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">Warrior Loyal to the Southern Court _ Museum of Fine Arts, Boston</a></span></li></ol></div><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E5.8F.82.E8.80.83.E6.96.87.E7.8C.AE"></span><span class="mw-headline" id="参考文献">参考文献</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=14" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 参考文献">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><table class="box-参照方法 plainlinks ambox ambox-content" role="presentation" style="background-color: #fbfbfb; border-color: rgb(162, 169, 177) rgb(162, 169, 177) rgb(162, 169, 177) rgb(242, 133, 0); border-image: initial; border-style: solid; border-width: 1px 1px 1px 10px; color: #202122; font-family: sans-serif; font-size: 15.104px; margin: 0px 76.1696px;"><tbody><tr><td class="mbox-image" style="border: none; padding: 2px 0px 2px 0.5em; text-align: center;"><div class="mbox-image-div" style="width: 52px;"><img alt="Question book-4.svg" data-file-height="204" data-file-width="262" decoding="async" height="39" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/64/Question_book-4.svg/50px-Question_book-4.svg.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Question_book-4.svg/75px-Question_book-4.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/64/Question_book-4.svg/100px-Question_book-4.svg.png 2x" style="border: 0px; vertical-align: middle;" width="50" /></div></td><td class="mbox-text" style="border: none; font-size: 13.5936px; padding: 0.25em 0.5em; width: 520.812px;"><div class="mbox-text-span"><b><a class="mw-redirect" href="https://ja.wikipedia.org/wiki/Wikipedia:%E3%82%B9%E3%82%BF%E3%82%A4%E3%83%AB%E3%83%9E%E3%83%8B%E3%83%A5%E3%82%A2%E3%83%AB_(%E3%83%AC%E3%82%A4%E3%82%A2%E3%82%A6%E3%83%88)#%E5%8F%82%E8%80%83%E6%96%87%E7%8C%AE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Wikipedia:スタイルマニュアル (レイアウト)">出典</a>は列挙するだけでなく、<a href="https://ja.wikipedia.org/wiki/Help:%E8%84%9A%E6%B3%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Help:脚注">脚注</a>などを用いて<a href="https://ja.wikipedia.org/wiki/Wikipedia:%E5%87%BA%E5%85%B8%E3%82%92%E6%98%8E%E8%A8%98%E3%81%99%E3%82%8B#%E5%87%BA%E5%85%B8%E3%81%AE%E7%A4%BA%E3%81%97%E6%96%B9" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Wikipedia:出典を明記する">どの記述の情報源であるかを明記</a>してください。</b><span class="hide-when-compact">記事の<a href="https://ja.wikipedia.org/wiki/Wikipedia:%E6%A4%9C%E8%A8%BC%E5%8F%AF%E8%83%BD%E6%80%A7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Wikipedia:検証可能性">信頼性向上</a>にご協力をお願いいたします。<small>(<span title="2011年11月">2011年11月</span>)</small></span></div></td></tr></tbody></table><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="BanchoS_1971" style="font-style: normal;"><a class="new" href="https://ja.wikipedia.org/w/index.php?title=%E7%95%AA%E7%94%BA%E6%9B%B8%E6%88%BF&action=edit&redlink=1" style="background: none; color: #dd3333; overflow-wrap: break-word; text-decoration-line: none;" title="番町書房 (存在しないページ)">番町書房</a> 編『血の晩餐―大蘇芳年の芸術』番町書房、1971年3月。<a href="https://ja.wikipedia.org/wiki/Amazon.com#ASIN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Amazon.com">ASIN</a> <a class="external text" href="https://www.amazon.co.jp/dp/B000J93EX2" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">B000J93EX2</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E8%A1%80%E3%81%AE%E6%99%A9%E9%A4%90%E2%80%95%E5%A4%A7%E8%98%87%E8%8A%B3%E5%B9%B4%E3%81%AE%E8%8A%B8%E8%A1%93&rft.date=1971%E5%B9%B43%E6%9C%88&rft.pub=%E7%95%AA%E7%94%BA%E6%9B%B8%E6%88%BF&rft_id=info:asin/B000J93EX2&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Segi_1978" style="font-style: normal;"><a href="https://ja.wikipedia.org/wiki/%E7%80%AC%E6%9C%A8%E6%85%8E%E4%B8%80" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="瀬木慎一">瀬木慎一</a> 編『月岡芳年画集』<a href="https://ja.wikipedia.org/wiki/%E8%AC%9B%E8%AB%87%E7%A4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="講談社">講談社</a>、1978年3月。<a href="https://ja.wikipedia.org/wiki/Amazon.com#ASIN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Amazon.com">ASIN</a> <a class="external text" href="https://www.amazon.co.jp/dp/B000J8QDUY" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">B000J8QDUY</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4%E7%94%BB%E9%9B%86&rft.date=1978%E5%B9%B43%E6%9C%88&rft.pub=%5B%5B%E8%AC%9B%E8%AB%87%E7%A4%BE%5D%5D&rft_id=info:asin/B000J8QDUY&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E6%B5%AE%E4%B8%96%E7%B5%B5%E5%8D%94%E4%BC%9A" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日本浮世絵協会">日本浮世絵協会</a>編 『原色浮世絵大百科事典』第2巻 <a href="https://ja.wikipedia.org/wiki/%E5%A4%A7%E4%BF%AE%E9%A4%A8%E6%9B%B8%E5%BA%97" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="大修館書店">大修館書店</a>、1982年 ※103頁</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Yoshida_1987" style="font-style: normal;"><a href="https://ja.wikipedia.org/wiki/%E5%90%89%E7%94%B0%E6%BC%B1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="吉田漱">吉田漱</a>『浮世絵の見方事典』<a href="https://ja.wikipedia.org/wiki/%E5%8C%97%E8%BE%B0%E5%A0%82" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="北辰堂">北辰堂</a>、1987年7月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4-89287-152-4" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/4-89287-152-4">4-89287-152-4</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E6%B5%AE%E4%B8%96%E7%B5%B5%E3%81%AE%E8%A6%8B%E6%96%B9%E4%BA%8B%E5%85%B8&rft.aulast=%E5%90%89%E7%94%B0%E6%BC%B1&rft.au=%E5%90%89%E7%94%B0%E6%BC%B1&rft.date=1987%E5%B9%B47%E6%9C%88&rft.pub=%5B%5B%E5%8C%97%E8%BE%B0%E5%A0%82%5D%5D&rft.isbn=4-89287-152-4&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span><a class="internal mw-magiclink-isbn" href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/9784892871528" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">ISBN 978-4-89287-152-8</a>。</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Yokoo_et_Nakayama_1989" style="font-style: normal;"><a href="https://ja.wikipedia.org/wiki/%E6%A8%AA%E5%B0%BE%E5%BF%A0%E5%89%87" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="横尾忠則">横尾忠則</a>、中山豊彦『芳年─狂懐の神々』里文出版、1989年4月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4-947546-39-5" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/4-947546-39-5">4-947546-39-5</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E8%8A%B3%E5%B9%B4%E2%94%80%E7%8B%82%E6%87%90%E3%81%AE%E7%A5%9E%E3%80%85&rft.aulast=%E6%A8%AA%E5%B0%BE%E5%BF%A0%E5%89%87&rft.au=%E6%A8%AA%E5%B0%BE%E5%BF%A0%E5%89%87&rft.date=1989%E5%B9%B44%E6%9C%88&rft.pub=%E9%87%8C%E6%96%87%E5%87%BA%E7%89%88&rft.isbn=4-947546-39-5&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span><a class="internal mw-magiclink-isbn" href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/9784947546395" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">ISBN 978-4-947546-39-5</a>。</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Inagaki_1990" style="font-style: normal;">稲垣進一 編『図説 浮世絵入門』<a href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E5%87%BA%E6%9B%B8%E6%88%BF%E6%96%B0%E7%A4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="河出書房新社">河出書房新社</a>〈ふくろうの本〉、1990年9月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4-309-72476-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/4-309-72476-0">4-309-72476-0</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E5%9B%B3%E8%AA%AC+%E6%B5%AE%E4%B8%96%E7%B5%B5%E5%85%A5%E9%96%80&rft.date=1990%E5%B9%B49%E6%9C%88&rft.series=%E3%81%B5%E3%81%8F%E3%82%8D%E3%81%86%E3%81%AE%E6%9C%AC&rft.pub=%5B%5B%E6%B2%B3%E5%87%BA%E6%9B%B8%E6%88%BF%E6%96%B0%E7%A4%BE%5D%5D&rft.isbn=4-309-72476-0&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span>新装版2011年2月</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Isao_1993" style="font-style: normal;"><a href="https://ja.wikipedia.org/wiki/%E6%82%B3%E4%BF%8A%E5%BD%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="悳俊彦">悳俊彦</a>『月岡芳年の世界』<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E6%9B%B8%E7%B1%8D" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京書籍">東京書籍</a>、1993年1月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4-487-79074-3" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/4-487-79074-3">4-487-79074-3</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4%E3%81%AE%E4%B8%96%E7%95%8C&rft.aulast=%E6%82%B3%E4%BF%8A%E5%BD%A6&rft.au=%E6%82%B3%E4%BF%8A%E5%BD%A6&rft.date=1993%E5%B9%B41%E6%9C%88&rft.pub=%5B%5B%E6%9D%B1%E4%BA%AC%E6%9B%B8%E7%B1%8D%5D%5D&rft.isbn=4-487-79074-3&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span><a href="https://ja.wikipedia.org/wiki/%E5%BE%A9%E5%88%8A%E3%83%89%E3%83%83%E3%83%88%E3%82%B3%E3%83%A0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="復刊ドットコム">復刊ドットコム</a>、2010年7月 <a class="internal mw-magiclink-isbn" href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4835445341" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">ISBN 4-8354-4534-1</a></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Isao_2001" style="font-style: normal;"><a href="https://ja.wikipedia.org/wiki/%E6%82%B3%E4%BF%8A%E5%BD%A6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="悳俊彦">悳俊彦</a> 編『芳年妖怪百景』<a href="https://ja.wikipedia.org/wiki/%E5%9B%BD%E6%9B%B8%E5%88%8A%E8%A1%8C%E4%BC%9A" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="国書刊行会">国書刊行会</a>、2001年8月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/4-336-04202-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/4-336-04202-0">4-336-04202-0</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E8%8A%B3%E5%B9%B4%E5%A6%96%E6%80%AA%E7%99%BE%E6%99%AF&rft.date=2001%E5%B9%B48%E6%9C%88&rft.pub=%5B%5B%E5%9B%BD%E6%9B%B8%E5%88%8A%E8%A1%8C%E4%BC%9A%5D%5D&rft.isbn=4-336-04202-0&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><a href="https://ja.wikipedia.org/wiki/%E5%B0%8F%E6%9E%97%E5%BF%A0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="小林忠">小林忠</a>監修 『浮世絵師列伝』 平凡社<別冊太陽>、2006年1月 <a class="internal mw-magiclink-isbn" href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/9784582944938" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">ISBN 978-4-5829-4493-8</a></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><cite class="citation book" id="Isakiri_2010" style="font-style: normal;">岩切由里子編著 編『芳年 月百姿』<a href="https://ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E5%A0%82%E5%87%BA%E7%89%88" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="東京堂出版">東京堂出版</a>、2010年9月。<a href="https://ja.wikipedia.org/wiki/ISBN" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN">ISBN</a> <a href="https://ja.wikipedia.org/wiki/%E7%89%B9%E5%88%A5:%E6%96%87%E7%8C%AE%E8%B3%87%E6%96%99/978-4-490-20702-6" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="特別:文献資料/978-4-490-20702-6">978-4-490-20702-6</a>。</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%E8%8A%B3%E5%B9%B4+%E6%9C%88%E7%99%BE%E5%A7%BF&rft.date=2010%E5%B9%B49%E6%9C%88&rft.pub=%5B%5B%E6%9D%B1%E4%BA%AC%E5%A0%82%E5%87%BA%E7%89%88%5D%5D&rft.isbn=978-4-490-20702-6&rfr_id=info:sid/ja.wikipedia.org:%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4"></span></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">堀川浩之 「仙台の浮世絵師・熊耳耕年の“月岡芳年塾入門記”」、国際浮世絵学会 『浮世絵芸術』 171号所収、2016</li></ul><dl style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; margin-bottom: 0.5em; margin-top: 0.2em;"><dt style="break-after: avoid-column; font-weight: bold; margin-bottom: 0.1em;">図録</dt></dl><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<small>最後の天才浮世絵師</small> 月岡芳年展』 作品解説・年譜 西井正氣、<a href="https://ja.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E7%B5%8C%E6%B8%88%E6%96%B0%E8%81%9E%E7%A4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="日本経済新聞社">日本経済新聞社</a>、1995年<ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『<small>浮世絵最後の巨匠</small> 月岡芳年展』も掲載論文が一部異なる他は同上。</li></ul></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『月岡芳年風俗三十二相』<a href="https://ja.wikipedia.org/wiki/%E7%94%BA%E7%94%B0%E5%B8%82%E7%AB%8B%E5%9B%BD%E9%9A%9B%E7%89%88%E7%94%BB%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="町田市立国際版画美術館">町田市立国際版画美術館</a>、<a href="https://ja.wikipedia.org/wiki/%E4%BA%8C%E7%8E%84%E7%A4%BE" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="二玄社">二玄社</a>・謎解き浮世絵叢書、2011年。日野原健司解説<ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『月岡芳年和漢百物語』町田市立国際版画美術館、二玄社・謎解き浮世絵叢書、2011年。菅原真弓解説</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『月岡芳年魁題百撰相』町田市立国際版画美術館、二玄社・謎解き浮世絵叢書、2012年。小池満紀子・大内瑞恵解説</li></ul></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『月岡芳年妖怪百物語』<a href="https://ja.wikipedia.org/wiki/%E5%A4%AA%E7%94%B0%E8%A8%98%E5%BF%B5%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="太田記念美術館">太田記念美術館</a>、青幻舎、2017年。日野原健司・渡邉晃解説</li><li style="break-inside: avoid-column; margin-bottom: 0.1em;">『月岡芳年月百姿』太田記念美術館、青幻舎、2017年。日野原健司解説</li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E9.96.A2.E9.80.A3.E6.96.87.E7.8C.AE"></span><span class="mw-headline" id="関連文献">関連文献</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=15" style="background: none; 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color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 関連項目">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><a href="https://ja.wikipedia.org/wiki/%E6%B5%AE%E4%B8%96%E7%B5%B5%E5%B8%AB%E4%B8%80%E8%A6%A7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="浮世絵師一覧">浮世絵師一覧</a></li></ul><h2 style="background-color: white; border-bottom: 1px solid rgb(162, 169, 177); font-family: sans-serif; font-weight: normal; line-height: 1.375; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E5.A4.96.E9.83.A8.E3.83.AA.E3.83.B3.E3.82.AF"></span><span class="mw-headline" id="外部リンク">外部リンク</span><span class="mw-editsection" style="font-size: small; line-height: 0; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://ja.wikipedia.org/w/index.php?title=%E6%9C%88%E5%B2%A1%E8%8A%B3%E5%B9%B4&action=edit&section=17" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none; text-wrap: nowrap;" title="節を編集: 外部リンク">編集</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><div class="side-box side-box-right plainlinks sistersitebox noprint" style="background-color: #f9f9f9; border: 1px solid rgb(170, 170, 170); box-sizing: border-box; clear: right; color: #202122; display: flow-root; float: right; font-family: sans-serif; font-size: 13.2915px; line-height: 1.25em; margin: 4px 0px 4px 1em; width: 22em;"><div class="side-box-flex" style="align-items: center; display: flex;"><div class="side-box-image" style="padding: 2px 0px 2px 0.9em; text-align: center;"><img alt="" class="noviewer" data-file-height="1376" data-file-width="1024" decoding="async" height="40" src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" style="border: 0px; vertical-align: middle;" width="30" /></div><div class="side-box-text plainlist" style="flex: 1 1 0%; padding: 0.25em 0.9em;">ウィキメディア・コモンズには、<b><span class="plainlinks"><a class="external text" href="https://commons.wikimedia.org/wiki/Category:Tsukioka_Yoshitoshi?uselang=ja" style="background: none; color: #3366cc; overflow-wrap: break-word; padding: 0px; text-decoration-line: none;">月岡芳年</a></span></b>に関連するカテゴリがあります。</div></div></div><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 15.104px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><span class="anchor" id="美巨人_201009"></span>「月岡芳年『月百姿』」 『<a href="https://ja.wikipedia.org/wiki/%E7%BE%8E%E3%81%AE%E5%B7%A8%E4%BA%BA%E3%81%9F%E3%81%A1" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="美の巨人たち">美の巨人たち</a>』 <a href="https://ja.wikipedia.org/wiki/%E3%83%86%E3%83%AC%E3%83%93%E6%9D%B1%E4%BA%AC" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="テレビ東京">テレビ東京</a>、2010年7月30日放送回。 - <cite class="citation web" style="font-style: normal;">“<a class="external text" href="https://web.archive.org/web/20180214142100/http://www.tv-tokyo.co.jp/kyojin/backnumber/101030/" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">月岡芳年「月百姿」</a>”. <i>美の巨人たち(公式ウェブサイト)</i>. <a href="https://ja.wikipedia.org/wiki/%E3%83%86%E3%83%AC%E3%83%93%E6%9D%B1%E4%BA%AC" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="テレビ東京">テレビ東京</a> (2010年7月30日). <span title="">2011年11月23日</span>閲覧。</cite></li><li style="break-inside: avoid-column; margin-bottom: 0.1em;"><a class="external text" href="https://collections.lacma.org/node/153821" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: 0.857em; background: url("/w/skins/Vector/resources/common/images/link-external-small-ltr-progressive.svg?30a3a") right center / 0.857em no-repeat; color: #3366cc; overflow-wrap: break-word; padding-right: 1em; text-decoration-line: none;">月岡芳年コレクション(435点)</a> - <a href="https://ja.wikipedia.org/wiki/%E3%83%AD%E3%82%B5%E3%83%B3%E3%82%BC%E3%83%AB%E3%82%B9%E3%83%BB%E3%82%AB%E3%82%A6%E3%83%B3%E3%83%86%E3%82%A3%E7%BE%8E%E8%A1%93%E9%A4%A8" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ロサンゼルス・カウンティ美術館">ロサンゼルス・カウンティ美術館</a>所蔵</li></ul></div><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div><span face="sans-serif" style="color: #202122;"><span style="font-size: 14px;"><br /></span></span></div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":rnl:" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">Identifying the Head (Kubi Jikken, 首実検)</div><div dir="auto" style="font-family: inherit;"> by Tsukioka Yoshitoshi, 1868</div></div></span></div></div></div></div><div class="x1n2onr6" id=":rnm:" style="font-family: inherit; 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box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 1;" tabindex="0"><div class="x9f619 x1ja2u2z xzpqnlu x1hyvwdk xjm9jq1 x6ikm8r x10wlt62 x10l6tqk x1i1rx1s" style="box-sizing: border-box; clip-path: inset(50%); clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px; z-index: 0;">所有心情:</div><span aria-hidden="true" class="xrbpyxo x6ikm8r x10wlt62 xlyipyv x1exxlbk" style="float: left; font-family: inherit; overflow: hidden; text-overflow: ellipsis; width: 100px;"><span style="font-family: inherit;"><span class="xt0b8zv x1e558r4" style="font-family: inherit; padding-left: 4px;">37</span></span></span><span class="xt0b8zv x1jx94hy xrbpyxo xl423tq" style="background-color: var(--card-background); float: left; font-family: inherit; margin-left: -100px;"><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;">37</span></span></span><div><span style="font-family: inherit;"><span class="x1e558r4" style="font-family: inherit; padding-left: 4px;"><br /></span></span></div></div></span></div></div><div class="x1c4vz4f x2lah0s xci0xqf" style="background-color: white; color: #65676b; flex-grow: 0; flex-shrink: 0; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; width: 7px;"></div><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 x2lah0s x1qughib x1qjc9v5 xozqiw3 x1q0g3np xykv574 xbmpl8g x4cne27 xifccgj" style="align-items: stretch; background-color: white; box-sizing: border-box; color: #65676b; display: flex; flex-flow: row; flex-shrink: 0; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; justify-content: space-between; margin: -6px; position: relative; z-index: 0;"></div></div></div></div></div></div></div></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-56564172271261430672023-09-20T14:09:00.000-07:002024-03-07T17:31:15.000-08:00 280 歌川國芳 Utagawa Kuniyoshi:“幼童席書会”」 悪魔の浮世絵; Cats as a Word (猫の当字).《 浮世繪水滸人物》、自来也、児雷也<div><div><div dir="auto"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":r2jp:" style="padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="margin: 0px; overflow-wrap: break-word;"><div dir="auto" style="font-family: inherit; font-size: 0.9375rem; white-space: pre-wrap;"><br /></div><div dir="auto"><span style="font-size: 15px; white-space-collapse: preserve;">Strong Boy Kaidō-maru (nickname Kintarō)坂田怪童丸
by Kuniyoshi
© The Trustees of the British Museum
CC BY-NC-SA 4.0</span></div><div dir="auto"><span style="font-size: 15px; white-space-collapse: preserve;">Saint Mongaku
by Kuniyoshi
© The Trustees of the British Museum
CC BY-NC-SA 4.0, remixed by Matt</span></div><div dir="auto" style="font-family: inherit; font-size: 0.9375rem; white-space: pre-wrap;"><br /></div><div dir="auto" style="font-family: inherit; font-size: 0.9375rem; white-space: pre-wrap;">看書法意象館</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; font-size: 0.9375rem; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">「子どもたちの晴れ舞台!国芳“幼童席書会”」</div><div dir="auto" style="font-family: inherit;">初回放送日: 2023年1月9日</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; font-size: 0.9375rem; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>浮世絵の世界をのぞいてみれば、江戸のリアルな暮らしが見えてくる!今回の舞台は「席書会(せきがきかい)」。子どもが書の腕前を披露する、寺子屋の授業参観に密着!</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; font-size: 0.9375rem; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">晴れ着姿の子どもで賑わう寺子屋。今日は「席書会(せきがきかい)」、子どもが書の腕前を披露する行事だ。様々な年齢の子が集まり、練習してきた文字を一生懸命に清書して、鴨居に張り出している。この絵が描かれたころ、江戸では寺子屋に通う子どもが7割を超えるなど、教育ブームが巻き起こった。教育熱心な親に応えるべく、子どもも張り切っていたようだ。ところでこの席書会には、師匠や親など、大人の姿が見えないけれど…?</div></div></span></div></div></div></div><div class="x1n2onr6" id=":r2jq:" style="font-family: inherit; position: relative;"><div class="x1n2onr6" style="font-family: inherit; position: relative;"><div class="xmjcpbm x1n2onr6" style="font-family: inherit; position: relative;"><div class="x78zum5 x14ju556 x6ikm8r x10wlt62 x1n2onr6" style="display: flex; font-family: inherit; line-height: 0; overflow: hidden; position: relative;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz x1heor9g xt0b8zv x5yr21d xh8yej3" href="https://www.nhk.jp/p/ts/D9L15JRZX4/episode/te/VJVVMX6K58/?fbclid=IwAR0qg39P3SPhsAmEcDPAHGKLCehsZjF-D7vSYRMJfkFzSif2JS5LqDz8xWQ" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; 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min-width: 0px; padding-left: 6px; padding-right: 6px; position: relative; z-index: 0;"><div class="x1e56ztr xtvhhri" style="font-family: inherit; margin-bottom: 8px; text-transform: uppercase;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x x4zkp8e x3x7a5m x1nxh6w3 x1sibtaa xo1l8bm xi81zsa" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="x1lliihq x6ikm8r x10wlt62 x1n2onr6 xlyipyv xuxw1ft x1j85h84" style="display: block; font-family: inherit; overflow: hidden; padding-bottom: 1px; position: relative; text-overflow: ellipsis; white-space: nowrap;">NHK.JP</span></span></div><div class="x6ikm8r x10wlt62 x9f619 x1lkfr7t x4vbgl9 x1rdy4ex xjkvuk6 x1iorvi4 xly2ba0" style="box-sizing: border-box; font-family: inherit; font-size: 1.0625rem; margin-bottom: -4px; margin-top: -4px; max-height: calc(2.35294em); overflow: hidden; padding-bottom: 4px; padding-top: 4px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x1lkfr7t x1lbecb7 x1s688f xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 1.0625rem; font-weight: 600; line-height: 1.1765; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="x1lliihq x6ikm8r x10wlt62 x1n2onr6 x1j85h84" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; display: -webkit-box; font-family: inherit; overflow: hidden; padding-bottom: 1px; position: relative;"><span dir="auto" style="font-family: inherit;">「子どもたちの晴れ舞台!国芳“幼童席書会”」 - 浮世絵EDO-LIFE</span></span></span></div><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xi81zsa x1yc453h" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="x1lliihq x6ikm8r x10wlt62 x1n2onr6 xlyipyv xuxw1ft" style="display: block; font-family: inherit; overflow: hidden; position: relative; text-overflow: ellipsis; white-space: nowrap;"><span style="font-family: inherit;">浮世絵の世界をのぞいてみれば、江戸のリアルな暮らしが見えてくる!今回の舞台は「席書会(せきがきかい)」。子どもが書の腕前を披露する、寺子屋の授業参観に密着! 晴れ着姿の子どもで賑わう寺子屋。今日は「席.....</span></span></span></div></div></div></div><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 xdt5ytf x2lah0s x193iq5w xeuugli xsyo7zv x16hj40l" style="box-sizing: border-box; display: flex; flex-direction: column; flex-shrink: 0; font-family: inherit; 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box-sizing: border-box; display: flex; flex-flow: row; flex-shrink: 0; font-family: inherit; justify-content: space-between; margin: -6px -2px; padding: 4px; position: relative; z-index: 0;"><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 xdt5ytf x193iq5w xeuugli x1r8uery x1iyjqo2 xs83m0k xg83lxy x1h0ha7o x10b6aqq x1yrsyyn" style="box-sizing: border-box; display: flex; flex-direction: column; flex: 1 1 0px; font-family: inherit; max-width: 100%; min-width: 0px; padding: 6px 2px; position: relative; z-index: 0;"><div aria-label="寄送這個給朋友或張貼在你的動態時報中。" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x3nfvp2 x1q0g3np x87ps6o x1lku1pv x1a2a7pz" role="button" style="-webkit-tap-highlight-color: transparent; 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transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div></div></div><div class="xzueoph" style="font-family: inherit; margin-bottom: 6px;"><div style="font-family: inherit;"><div style="font-family: inherit;"><div aria-label="Hanching Chung的留言2分鐘前" class="x1n2onr6 x1swvt13 x1iorvi4 x78zum5 x1q0g3np x1a2a7pz" role="article" style="display: flex; flex-direction: row; font-family: inherit; outline: none; padding-left: 16px; padding-top: 4px; position: relative;" tabindex="-1"><div class="x1r8uery x1iyjqo2 x6ikm8r x10wlt62 x1pi30zi" style="flex-basis: 0px; flex-grow: 1; font-family: inherit; overflow: hidden; padding-right: 16px;"><div style="font-family: inherit;"><div class="xv55zj0 x1vvkbs x1rg5ohu xxymvpz" style="display: inline-block; font-family: inherit; max-width: calc(100% - 26px); overflow-wrap: break-word; vertical-align: middle;"><div class="xmjcpbm x1tlxs6b x1g8br2z x1gn5b1j x230xth x9f619 xzsf02u x1rg5ohu xdj266r x11i5rnm xat24cr x1mh8g0r x193iq5w x1mzt3pk x1n2onr6 xeaf4i8 x13faqbe" style="border-radius: 18px; box-sizing: border-box; color: var(--primary-text); display: inline-block; font-family: inherit; margin: 0px; max-width: 100%; overflow-wrap: break-word; position: relative; word-break: break-word;"><div class="x1y1aw1k xn6708d xwib8y2 x1ye3gou" style="font-family: inherit; padding: 8px 12px;"><div class="x1lliihq xjkvuk6 x1iorvi4" style="font-family: inherit; padding-bottom: 4px; padding-top: 4px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u" color="var(--primary-text)" dir="auto" lang="ja" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs" style="font-family: inherit; margin: 0px; overflow-wrap: break-word;"><div dir="auto" style="font-family: inherit;">280 歌川國芳:悪魔の浮世絵 <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1fey0fg" href="https://www.youtube.com/watch?v=KKyMgSYZEh0&t=2s&fbclid=IwAR1bqdPls0q5UqnAoy1sdcX4rOGwROyVVU7vEyyB3ci2e6PePW5Y94cF404" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; 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Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock printing. He is probably best known for his prints of warriors and battles of legendary heroes, but also created designs of ghosts, cats, beautiful women, actor prints and landscapes.</div>
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Variations of this print exist, with some not showing any snow on the surface of the water. It shows show at the Kinryūzan Temple in Asakusa, Tokyo and is from his series of Famous Places in Edo. It is also very similar in composition to a print of the same title designed by Hiroshige in 1845.</div>
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Kuniyoshi was born in Edo (modern day Tokyo) on 1 January 1798 and in 1811 he began an apprenticeship at the Utagawa school of printmakers, under the leadership of the celebrated Utagawa Toyokuni I (1769-1825). He remained in Toyokuni’s studio until 1814 when he set up on his own and was given the artist name Kuniyoshi.<a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=KKyMgSYZEh0" id="thumbnail" rel="null" style="background-color: transparent; cursor: pointer; display: inline; font-family: inherit; height: 118px; margin-left: auto; margin-right: auto; overflow: hidden;" tabindex="-1"><ytd-thumbnail-overlay-time-status-renderer class="style-scope ytd-thumbnail" overlay-style="DEFAULT" style="background-color: rgba(0, 0, 0, 0.8); border-radius: 2px; bottom: 0px; color: white; display: inline; font-size: 1.2rem; letter-spacing: 0.5px; line-height: 1.2rem; margin: 4px; padding: 2px 4px; position: absolute; right: 0px;"><span aria-label="15 minutes" class="style-scope ytd-thumbnail-overlay-time-status-renderer" style="background: transparent; border: 0px; display: inline; margin: 0px; padding: 0px;">15:06</span></ytd-thumbnail-overlay-time-status-renderer></a></div>
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<a aria-label="280 歌川國芳:悪魔の浮世絵 by hc iTaiwan forum 6 hours ago 15 minutes 2 views" class="yt-simple-endpoint style-scope ytd-grid-video-renderer" href="https://www.youtube.com/watch?v=KKyMgSYZEh0" id="video-title" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; cursor: pointer; display: -webkit-box; font-size: 1.4rem; font-weight: 500; line-height: 1.6rem; max-height: 3.2rem; overflow: hidden; text-decoration-line: none; text-overflow: ellipsis;" title="280 歌川國芳:悪魔の浮世絵">280 歌川國芳:悪魔の浮世絵</a></h3>
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<a href="https://www.youtube.com/attribution_link?a=RjVdcWemCOswVOhK&u=/watch%3Fv%3DKKyMgSYZEh0%26feature%3Dem-uploademail">280 歌川國芳:悪魔の浮世絵</a><br />
<a href="https://www.youtube.com/attribution_link?a=RjVdcWemCOswVOhK&u=/channel/UCkmXWzv22Cl4lJG6HugxqXw%3Ffeature%3Dem-uploademail">hc iTaiwan forum</a><br />
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<a href="https://www.youtube.com/watch?v=KKyMgSYZEh0&t=10s">https://www.youtube.com/watch?v=KKyMgSYZEh0&t=10s</a><br />
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Utagawa Kuniyoshi. Cats as a Word (猫の当字). 1841-1843.</span></span></span><br /> <a href="https://www.blogger.com/#"><img src="https://scontent.ftpe1-1.fna.fbcdn.net/v/t1.0-9/118481827_2801166020166402_4095875056084918977_o.jpg?_nc_cat=106&_nc_sid=825194&_nc_ohc=OWAOEB_CSHEAX874S2N&_nc_ht=scontent.ftpe1-1.fna&oh=4a64649b97ad0962d08bef4c1dad45a9&oe=5F732F1C" /><br /></a> <br /> <br /> <br /> <br /> <br /> Title Object: Ryuko tako no asobi 流行蛸のあそび (Fashionable Octopus Games) <br /> Description Woodblock print, oban tate-e. Octopuses re-enacting human amusements, such as the fight between Ushiwakamaru and Benkei on Gojo Bridge (top left) and sumo wrestling (bottom centre), dance, sword play, music, acrobatics, and other activities. <br /> Producer name Print artist: Utagawa Kuniyoshi (歌川国芳) <br /> Published by: Fujiokaya Hikotaro - Edo Period - Production date 1840-1842 <br /> <a href="https://www.blogger.com/#">https://www.britishmuseum.org/c</a>……<br /><span class="oi732d6d ik7dh3pa d2edcug0 hpfvmrgz qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="-webkit-font-smoothing: antialiased; font-family: inherit;"><span class="fwb" style="color: #616770; font-family: inherit; font-size: 0.9375rem; font-weight: 600; white-space: pre-wrap;"><a class="profileLink" data-ft="{"tn":"l"}" data-hovercard-prefer-more-content-show="1" data-hovercard-referer="ARR7QyPAzVW_BqlOANx9pt8yseNCeUX7HUTmrZABVGa_2_uJlqqUbdgXSS6XkFuNHKU" data-hovercard="/ajax/hovercard/user.php?id=100010688980505&extragetparams=%7B%22__tn__%22%3A%22%2CdlC-R-R%22%2C%22eid%22%3A%22ARD1OVEPmg-VQtKkwTljxyYn_wl55QuLfutkAujKvUWr6lZOjdKYZ65-bCstrZufLtmap_1zTtswJq1_%22%2C%22hc_ref%22%3A%22ARR7QyPAzVW_BqlOANx9pt8yseNCeUX7HUTmrZABVGa_2_uJlqqUbdgXSS6XkFuNHKU%22%7D" href="https://www.facebook.com/profile.php?id=100010688980505&__tn__=%2CdlC-R-R&eid=ARD1OVEPmg-VQtKkwTljxyYn_wl55QuLfutkAujKvUWr6lZOjdKYZ65-bCstrZufLtmap_1zTtswJq1_&hc_ref=ARR7QyPAzVW_BqlOANx9pt8yseNCeUX7HUTmrZABVGa_2_uJlqqUbdgXSS6XkFuNHKU" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;" title="Ben Chen">Ben Chen</a></span><span style="color: #616770; font-family: inherit; font-size: 0.9375rem; white-space: pre-wrap;"> 分享了 1 則動態回顧。</span></span></div></div></div></div></div></div></div></div><div class="_1dwg _1w_m _q7o" style="font-family: inherit; padding: 12px 12px 0px;"><div style="font-family: inherit;"><div class="t_bt19logei f_bt19lsk99 clearfix" style="font-family: inherit; margin-bottom: -1px; zoom: 1;"><div class="clearfix i_bt19lohjp" style="font-family: inherit; margin-bottom: -6px; zoom: 1;"><div class="clearfix _42ef" style="font-family: inherit; overflow: hidden; zoom: 1;"><div class="q_bt19lohji" style="font-family: inherit; padding-bottom: 6px;"><div style="font-family: inherit;"><div class="_6a _5u5j" style="display: inline-block; font-family: inherit; width: 428px;"><div class="_6a _5u5j _6b" style="display: inline-block; font-family: inherit; vertical-align: middle; width: 428px;">
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歌川國芳 圖</div>
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不信青山解埋玉,定應碧海控鯨魚。⋯⋯孫觀</div>
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3 年前</div>
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<span face=""helvetica" , "arial" , sans-serif" style="background-color: #f2f3f5; color: #1c1e21; font-size: 14px;"><span style="font-family: inherit;">Wiki: (In this Japanese name, the family name is Utagawa).—Utagawa Kuniyoshi (UK: /ˌuːtəˈɡɑːwə ˌkuːnɪˈjoʊʃi/;[1] Japanese: 歌川 國芳 [ɯtaɡaɰa kɯɲijoɕi]; January 1, 1798[2] – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of</span></span><span face=""helvetica" , "arial" , sans-serif" style="background-color: #f2f3f5; color: #1c1e21; font-size: 14px;"><span style="font-family: inherit;"><span style="font-family: inherit;"> woodblock prints and painting.[3] He was a member of the Utagawa school.[4]</span></span></span><br />
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KUNIYOSHI UTAGAWA, "Yendo Musha Morito Holding the Head of Kesa Gozen Among Falling Maple Leaves" (or: "How Not to Treat the Woman You Love"). Kesa Gozen is a beautiful married woman with whom Yendo Musha Morito becomes infatuated--to the point that he plots to kill Gozen's husband while he sleeps so he can have her all to himself. She foils Yendo and saves her husband's life by pretending to be him asleep in their bedroom with her face hidden so that Yendo mistakenly murders her instead.</div>
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<br /><br /> <a href="https://www.blogger.com/#"> </a> <br /> <a href="https://www.blogger.com/#">Brian Collins</a> 發文到 <a href="https://www.blogger.com/#">BELLE EPOQUE to ART DECO. The First 40 years of 20th cent</a><br /><br /> Utagawa Kuniyoshi - Famous Heroes of the Kabuki Stage Played by Frogs, about 1860 (the source says 1875 but Kuniyoshi died in 1861)<br /><br /><ul class="bookStatusInforDetail" style="background-color: white; box-sizing: border-box; font-family: "Helvetica Neue", Helvetica, "Microsoft JhengHei", Arial, sans-serif; margin-bottom: 0px; margin-top: 0px; outline: 0px; overflow-wrap: break-word; padding-inline-start: 0px; padding: 5px; word-break: normal;"><li style="box-sizing: border-box; font-size: 16px; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><h1 style="box-sizing: border-box; color: #35a0bb; font-family: inherit; font-size: 20px; line-height: 1.1; margin: 0px 0px 10px; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">浮世繪水滸人物(簡體書)</h1></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; font-size: 14px; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">系列名:<a href="https://www.sanmin.com.tw/Search/index?ct=K&qu=%e4%b8%ad%e5%9c%8b%e6%ad%b7%e4%bb%a3%e7%b9%aa%e5%88%bb%e6%9c%ac%e5%90%8d%e8%91%97%e6%96%b0%e7%b7%a8" style="background-color: transparent; box-sizing: border-box; color: #336600; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">中國歷代繪刻本名著新編</a></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; font-size: 14px; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">ISBN13:9787212060572</li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">出版社:<a href="https://www.sanmin.com.tw/Search/Index/?PU=%e5%ae%89%e5%be%bd%e4%ba%ba%e6%b0%91%e5%87%ba%e7%89%88%e7%a4%be" style="background-color: transparent; box-sizing: border-box; color: #336600; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">安徽人民出版社</a></span></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">作者:<a href="https://www.sanmin.com.tw/Search/Index/?AU=%e6%97%a5%20%e6%ad%8c%e5%b7%9d%e5%9c%8b%e8%8a%b3" style="background-color: transparent; box-sizing: border-box; color: #336600; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;">(日)歌川國芳</a></span></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">裝訂/頁數:平裝/653頁</span></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">規格:23.5cm*16.8cm (高/寬)</span></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">版次:1</span></li><li class="mainText ga" style="box-sizing: border-box; color: #666666; line-height: 28px; list-style: none; outline: 0px; overflow-wrap: break-word; padding: 0px; word-break: normal;"><span style="font-size: large;">出版日:2013/01/01</span></li></ul><span style="font-size: large;"><br /><br /><span face=""Helvetica Neue", Helvetica, "Microsoft JhengHei", Arial, sans-serif" style="background-color: white;">《中國歷代繪刻本名著新編:浮世繪水滸人物》為明容與堂刻本《水滸傳》圖譜、明崇禎刻本《水滸人物圖譜》、陳洪綬《水滸葉子》等影印本的合集。《水滸人物圖譜》傳為明代杜堇所繪,人物圖像精彩紛呈,影響深遠。為方便讀者閱讀,本次刊印為每個人物配寫小傳並對插圖編寫了前後相關的故事情節,讀者閱讀的同時可以領略幾百年間中國傳統雕版的大致面目。</span></span><br /><br />***<div><br /></div><div><div class="noprint" id="siteSub" style="background-color: white; 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width: 222px;"><a class="image" href="https://zh.wikipedia.org/wiki/File:Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg" style="background: none; color: #0645ad; text-decoration-line: none;"><img alt="" class="thumbimage" data-file-height="1333" data-file-width="1000" decoding="async" height="293" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg/220px-Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg/330px-Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/11/Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg/440px-Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg 2x" style="border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="220" /></a><div class="thumbcaption" style="border: 0px; font-size: 13.2611px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://zh.wikipedia.org/wiki/File:Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg" style="background-color: initial; background: linear-gradient(transparent, transparent), url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #0645ad; display: block; height: 11px; overflow: hidden; text-decoration-line: none; text-indent: 15px; user-select: none; white-space: nowrap; width: 15px;" title="放大"></a></div><a href="https://zh.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9C%8B%E8%8A%B3" style="background: none; color: #0645ad; text-decoration-line: none;" title="歌川國芳">歌川國芳</a>「本朝水滸傳,尾形周馬寛行」(自來也)。</div></div></div><div class="thumb tright" style="background-color: transparent; clear: right; float: right; margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 14.1075px; overflow: hidden; padding: 3px; text-align: center; width: 222px;"><a class="image" href="https://zh.wikipedia.org/wiki/File:Jiraya_magicien_Yoshitoshi.jpg" style="background: none; color: #0645ad; text-decoration-line: none;"><img alt="" class="thumbimage" data-file-height="1963" data-file-width="1452" decoding="async" height="297" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/51/Jiraya_magicien_Yoshitoshi.jpg/220px-Jiraya_magicien_Yoshitoshi.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Jiraya_magicien_Yoshitoshi.jpg/330px-Jiraya_magicien_Yoshitoshi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Jiraya_magicien_Yoshitoshi.jpg/440px-Jiraya_magicien_Yoshitoshi.jpg 2x" style="border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="220" /></a><div class="thumbcaption" style="border: 0px; font-size: 13.2611px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://zh.wikipedia.org/wiki/File:Jiraya_magicien_Yoshitoshi.jpg" style="background-color: initial; background: linear-gradient(transparent, transparent), url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #0645ad; display: block; height: 11px; overflow: hidden; text-decoration-line: none; text-indent: 15px; user-select: none; white-space: nowrap; width: 15px;" title="放大"></a></div>月岡芳年「美勇水滸傳,兒雷也」(1866年)</div></div></div><p style="margin: 0.5em 0px;"><b>自來也</b>、<b>兒雷也</b>(じらいや)是<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E6%B1%9F%E6%88%B6%E6%99%82%E4%BB%A3" style="background: none; color: #0645ad; text-decoration-line: none;" title="江戶時代">江戶時代</a>後期的<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E8%AE%80%E6%9C%AC&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="讀本(頁面不存在)">讀本</a>中登場的架空<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E7%9B%9C%E8%B3%8A" style="background: none; color: #0645ad; text-decoration-line: none;" title="盜賊">盜賊</a>、<a href="https://zh.wikipedia.org/wiki/%E5%BF%8D%E8%80%85" style="background: none; color: #0645ad; text-decoration-line: none;" title="忍者">忍者</a>。透過<a href="https://zh.wikipedia.org/wiki/%E6%AD%8C%E8%88%9E%E4%BC%8E" style="background: none; color: #0645ad; text-decoration-line: none;" title="歌舞伎">歌舞伎</a>等的潤色,成為使用<a href="https://zh.wikipedia.org/wiki/%E6%97%A5%E6%9C%AC%E8%9F%BE%E8%9C%8D" style="background: none; color: #0645ad; text-decoration-line: none;" title="日本蟾蜍">蝦蟇</a>妖術的忍者而廣為人知,對現在的<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E6%BC%AB%E7%95%AB" style="background: none; color: #0645ad; text-decoration-line: none;" title="漫畫">漫畫</a>、<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E9%9B%BB%E7%8E%A9" style="background: none; color: #0645ad; text-decoration-line: none;" title="電玩">電玩</a>等創作有相當大的影響。</p><div aria-labelledby="mw-toc-heading" class="toc" id="toc" role="navigation" style="background-color: #f8f9fa; border: 1px solid rgb(162, 169, 177); display: table; font-size: 14.2576px; padding: 7px;"><input class="toctogglecheckbox" id="toctogglecheckbox" role="button" style="direction: ltr; display: none; margin: 0px; opacity: 0; position: absolute; z-index: -1;" type="checkbox" /><div class="toctitle" dir="ltr" lang="zh-Hant-TW" style="direction: ltr; text-align: center;"><h2 id="mw-toc-heading" style="border: 0px; color: black; display: inline; font-size: 14.2576px; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;">目錄</h2><span class="toctogglespan" style="font-size: 13.4021px;"><label class="toctogglelabel" style="color: #0645ad; cursor: pointer;"></label></span></div><ul style="list-style: none; margin: 0.3em 0px; padding: 0px;"><li class="toclevel-1 tocsection-1" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E8%87%AA%E4%BE%86%E4%B9%9F" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">1</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">自來也</span></a></li><li class="toclevel-1 tocsection-2" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E5%85%92%E9%9B%B7%E4%B9%9F" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">2</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">兒雷也</span></a></li><li class="toclevel-1 tocsection-3" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E6%B4%BE%E7%94%9F%E4%BA%8B%E9%A0%85" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">3</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">派生事項</span></a><ul style="list-style: none; margin: 0px 0px 0px 2em; padding: 0px;"><li class="toclevel-2 tocsection-4" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E8%99%9B%E6%A7%8B%E4%BA%BA%E7%89%A9" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">3.1</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">虛構人物</span></a></li><li class="toclevel-2 tocsection-5" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E7%8F%BE%E5%AF%A6%E4%BA%BA%E7%89%A9" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">3.2</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">現實人物</span></a></li></ul></li><li class="toclevel-1 tocsection-6" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E9%97%9C%E9%80%A3%E9%A0%85%E7%9B%AE" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">4</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">關連項目</span></a></li><li class="toclevel-1 tocsection-7" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E9%97%9C%E9%80%A3%E6%9B%B8%E7%B1%8D" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">5</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">關連書籍</span></a></li><li class="toclevel-1 tocsection-8" style="margin-bottom: 0.1em;"><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E5%A4%96%E9%83%A8%E9%80%A3%E7%B5%90" style="background: none; color: #0645ad; text-decoration-line: none;"><span class="tocnumber" style="color: #202122; display: table-cell; padding-left: 0px; padding-right: 0.5em; text-decoration: inherit;">6</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">外部連結</span></a></li></ul></div><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E8.87.AA.E4.BE.86.E4.B9.9F"></span><span class="mw-headline" id="自來也">自來也</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=1" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:自來也">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="margin: 0.5em 0px;"><b>自來也</b>(じらいや)出自<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E6%84%9F%E5%92%8C%E4%BA%AD%E9%AC%BC%E6%AD%A6&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="感和亭鬼武(頁面不存在)">感和亭鬼武</a>所著的讀本『<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E4%BE%86%E4%B9%9F%E8%AA%AA%E8%A9%B1&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="自來也說話(頁面不存在)">自來也說話</a>』(<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E6%96%87%E5%8C%96_(%E5%B9%B4%E8%99%9F)" style="background: none; color: #0645ad; text-decoration-line: none;" title="文化 (年號)">文化</a>3年<1806年>刊)。自來也是義賊,正體是三好家的浪士、尾形周馬。使用蝦蟇妖術活躍於世。之後被改編為歌舞伎、<a class="mw-redirect mw-disambig" href="https://zh.wikipedia.org/wiki/%E6%B7%A8%E7%91%A0%E7%92%83" style="background: none; color: #0645ad; text-decoration-line: none;" title="淨瑠璃">淨瑠璃</a>等。</p><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E5.85.92.E9.9B.B7.E4.B9.9F"></span><span class="mw-headline" id="兒雷也">兒雷也</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=2" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:兒雷也">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><p style="margin: 0.5em 0px;"><b>兒雷也</b>(じらいや)是<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E7%BE%8E%E5%9C%96%E5%9E%A3%E7%AC%91%E9%A1%94&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="美圖垣笑顔(頁面不存在)">美圖垣笑顔</a>等人根據上述『自來也說話』所作的<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E5%90%88%E5%8D%B7&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="合卷(頁面不存在)">合卷</a>『<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E5%85%92%E9%9B%B7%E4%B9%9F%E8%B1%AA%E5%82%91%E8%AD%9A&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="兒雷也豪傑譚(頁面不存在)">兒雷也豪傑譚</a>』(<a href="https://zh.wikipedia.org/wiki/%E5%A4%A9%E4%BF%9D_(%E6%97%A5%E6%9C%AC)" style="background: none; color: #0645ad; text-decoration-line: none;" title="天保 (日本)">天保</a>10年<1839年>~<a href="https://zh.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB" style="background: none; color: #0645ad; text-decoration-line: none;" title="明治">明治</a>元年<1868年>刊行。未完)中登場的架空忍者。</p><p style="margin: 0.5em 0px;">兒來也的設定是肥後豪族之子、尾形周馬弘行,向居住在越後<a href="https://zh.wikipedia.org/wiki/%E5%A6%99%E9%AB%98%E5%B1%B1" style="background: none; color: #0645ad; text-decoration-line: none;" title="妙高山">妙高山</a>的仙素道人習得<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E8%9B%A4%E8%9F%86" style="background: none; color: #0645ad; text-decoration-line: none;" title="蛤蟆">蛤蟆</a>妖術(騎乘在大蛤蟆之上或變身為大蛤蟆之術)。妻是使用<a href="https://zh.wikipedia.org/wiki/%E8%9B%9E%E8%9D%93" style="background: none; color: #0645ad; text-decoration-line: none;" title="">蛞蝓</a>妖術的<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E7%BA%B2%E6%89%8B" style="background: none; color: #0645ad; text-decoration-line: none;" title="綱手">綱手</a>,宿敵是青柳池的<a class="mw-disambig" href="https://zh.wikipedia.org/wiki/%E5%A4%A7%E8%9B%87" style="background: none; color: #0645ad; text-decoration-line: none;" title="大蛇">大蛇</a>所生的<a href="https://zh.wikipedia.org/wiki/%E5%A4%A7%E8%9B%87%E4%B8%B8" style="background: none; color: #0645ad; text-decoration-line: none;" title="大蛇丸">大蛇丸</a>,「<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E4%B8%89%E7%AB%A6&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="三竦(頁面不存在)">三竦</a>」的設定從本作品開始。</p><p style="margin: 0.5em 0px;">「兒雷也」之後成為<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E6%B2%B3%E7%AB%B9%E9%BB%98%E9%98%BF%E5%BD%8C&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="河竹默阿彌(頁面不存在)">河竹默阿彌</a>改編的歌舞伎『兒雷也豪傑譚話』(<a href="https://zh.wikipedia.org/wiki/%E5%98%89%E6%B0%B8" style="background: none; color: #0645ad; text-decoration-line: none;" title="嘉永">嘉永</a>5年<1852年>)等許多忍者物語的題材。1921年公開的<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E7%89%A7%E9%87%8E%E7%9C%81%E4%B8%89&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="牧野省三(頁面不存在)">牧野省三</a>的電影『<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E8%B1%AA%E5%82%91%E5%85%92%E9%9B%B7%E4%B9%9F&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="豪傑兒雷也(頁面不存在)">豪傑兒雷也</a>』是日本最初的<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E7%89%B9%E6%94%9D" style="background: none; color: #0645ad; text-decoration-line: none;" title="特攝">特攝</a>電影,也是主演者<a href="https://zh.wikipedia.org/wiki/%E5%B0%BE%E4%B8%8A%E6%9D%BE%E4%B9%8B%E5%8A%A9" style="background: none; color: #0645ad; text-decoration-line: none;" title="尾上松之助">尾上松之助</a>的代表作。</p><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E6.B4.BE.E7.94.9F.E4.BA.8B.E9.A0.85"></span><span class="mw-headline" id="派生事項">派生事項</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=3" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:派生事項">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><h3 style="color: black; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E8.99.9B.E6.A7.8B.E4.BA.BA.E7.89.A9"></span><span class="mw-headline" id="虛構人物">虛構人物</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=4" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:虛構人物">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><b>自來也</b> - <a href="https://zh.wikipedia.org/wiki/%E5%B1%B1%E7%94%B0%E9%A2%A8%E5%A4%AA%E9%83%8E" style="background: none; color: #0645ad; text-decoration-line: none;" title="山田風太郎">山田風太郎</a>的小說『<a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F%E5%BF%8D%E6%B3%95%E5%B8%96&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="自來也忍法帖(頁面不存在)">自來也忍法帖</a>』中登場的人物。</li><li style="margin-bottom: 0.1em;"><b>コマンダー・ジライヤ</b> - 電視動畫『<a href="https://zh.wikipedia.org/wiki/%E6%97%A0%E6%95%8C%E9%92%A2%E4%BA%BA%E6%B3%B0%E5%9D%A63" style="background: none; color: #0645ad; text-decoration-line: none;" title="無敵鋼人泰坦3">無敵鋼人泰坦3</a>』中登場的人物。</li><li style="margin-bottom: 0.1em;"><b>磁雷矢</b> ‐ <a href="https://zh.wikipedia.org/wiki/%E6%9D%B1%E6%98%A0" style="background: none; color: #0645ad; text-decoration-line: none;" title="東映">東映</a><a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E7%89%B9%E6%94%9D" style="background: none; color: #0645ad; text-decoration-line: none;" title="特攝">特攝</a>『<a href="https://zh.wikipedia.org/wiki/%E4%B8%96%E7%95%8C%E5%BF%8D%E8%80%85%E6%88%B0%E7%A3%81%E9%9B%B7%E7%9F%A2" style="background: none; color: #0645ad; text-decoration-line: none;" title="世界忍者戰磁雷矢">世界忍者戰磁雷矢</a>』的主人公。</li><li style="margin-bottom: 0.1em;"><b>自來也</b> ‐ <a href="https://zh.wikipedia.org/wiki/PC_Engine" style="background: none; color: #0645ad; text-decoration-line: none;" title="PC Engine">PC Engine</a>『<a href="https://zh.wikipedia.org/wiki/%E5%A4%A9%E5%A4%96%E9%AD%94%E5%A2%83%E7%B3%BB%E5%88%97" style="background: none; color: #0645ad; text-decoration-line: none;" title="天外魔境系列">天外魔境 ZIRIA</a>』的主人公。</li><li style="margin-bottom: 0.1em;"><b>自來也</b> - 電視動畫『<a href="https://zh.wikipedia.org/wiki/%E8%B6%85%E7%B4%9A%E5%8A%8D%E8%B1%AA%E5%82%B3" style="background: none; color: #0645ad; text-decoration-line: none;" title="超級劍豪傳">超級劍豪傳</a>』中登場的人物。</li><li style="margin-bottom: 0.1em;"><b>黑忍者 自來也</b> ‐ 東映特攝『<a href="https://zh.wikipedia.org/wiki/%E5%BF%8D%E8%80%85%E6%88%B0%E9%9A%8A%E9%9A%B1%E9%80%A3%E8%80%85" style="background: none; color: #0645ad; text-decoration-line: none;" title="忍者戰隊隱連者">忍者戰隊隱連者</a>』中登場的架空忍者。</li><li style="margin-bottom: 0.1em;"><b><a href="https://zh.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F_(%E7%81%AB%E5%BD%B1%E5%BF%8D%E8%80%85)" style="background: none; color: #0645ad; text-decoration-line: none;" title="自來也 (火影忍者)">自來也 (火影忍者)</a></b> ‐ <a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E5%B2%B8%E6%9C%AC%E9%BD%8A%E5%8F%B2" style="background: none; color: #0645ad; text-decoration-line: none;" title="岸本齊史">岸本齊史</a>的<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E6%BC%AB%E7%95%AB" style="background: none; color: #0645ad; text-decoration-line: none;" title="漫畫">漫畫</a>『<a href="https://zh.wikipedia.org/wiki/%E7%81%AB%E5%BD%B1%E5%BF%8D%E8%80%85" style="background: none; color: #0645ad; text-decoration-line: none;" title="火影忍者">火影忍者</a>』中登場的架空忍者。</li><li style="margin-bottom: 0.1em;"><b>地雷亞</b> ‐ <a href="https://zh.wikipedia.org/wiki/%E7%A9%BA%E7%9F%A5%E8%8B%B1%E7%A7%8B" style="background: none; color: #0645ad; text-decoration-line: none;" title="空知英秋">空知英秋</a>的漫畫『<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E9%8A%80%E9%AD%82" style="background: none; color: #0645ad; text-decoration-line: none;" title="銀魂">銀魂</a>』中登場的架空忍者。</li><li style="margin-bottom: 0.1em;"><b>自來也</b> ‐ <a href="https://zh.wikipedia.org/wiki/PlayStation_2" style="background: none; color: #0645ad; text-decoration-line: none;" title="PlayStation 2">PlayStation 2</a>『<a href="https://zh.wikipedia.org/wiki/%E5%A5%B3%E7%A5%9E%E7%95%B0%E8%81%9E%E9%8C%844" style="background: none; color: #0645ad; text-decoration-line: none;" title="女神異聞錄4">女神異聞錄4</a>』中登場的人格面具之一。</li></ul><h3 style="color: black; font-size: 1.2em; line-height: 1.6; margin: 0.3em 0px 0px; overflow: hidden; padding-bottom: 0px; padding-top: 0.5em;"><span id=".E7.8F.BE.E5.AF.A6.E4.BA.BA.E7.89.A9"></span><span class="mw-headline" id="現實人物">現實人物</span><span class="mw-editsection" style="font-size: small; font-weight: normal; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=5" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:現實人物">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h3><ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><b><a href="https://zh.wikipedia.org/wiki/%E5%85%92%E9%9B%B7%E4%B9%9F_(%E6%BC%AB%E7%95%AB%E5%AE%B6)" style="background: none; color: #0645ad; text-decoration-line: none;" title="兒雷也 (漫畫家)">兒雷也</a></b> ‐ 日本<a class="mw-redirect" href="https://zh.wikipedia.org/wiki/%E6%BC%AB%E7%95%AB%E5%AE%B6" style="background: none; color: #0645ad; text-decoration-line: none;" title="漫畫家">漫畫家</a>。</li><li style="margin-bottom: 0.1em;"><b><a class="new" href="https://zh.wikipedia.org/w/index.php?title=%E7%A3%81%E9%9B%B7%E7%9F%A2&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="磁雷矢(頁面不存在)">磁雷矢</a></b> ‐ 日本<a href="https://zh.wikipedia.org/wiki/%E8%81%B7%E6%A5%AD%E6%91%94%E8%A7%92" style="background: none; color: #0645ad; text-decoration-line: none;" title="職業摔角">職業摔角</a>。源自上述『世界忍者戰磁雷矢』的主人公。</li></ul><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E9.97.9C.E9.80.A3.E9.A0.85.E7.9B.AE"></span><span class="mw-headline" id="關連項目">關連項目</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=6" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:關連項目">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><a class="new" href="https://zh.wikipedia.org/w/index.php?title=ASL_Garaiya&action=edit&redlink=1" style="background: none; color: #ba0000; text-decoration-line: none;" title="ASL Garaiya(頁面不存在)">ASL Garaiya</a></li></ul><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E9.97.9C.E9.80.A3.E6.9B.B8.E7.B1.8D"></span><span class="mw-headline" id="關連書籍">關連書籍</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=7" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:關連書籍">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;">『現代語訳 江戸の伝奇小説5 報仇奇談自來也説話/近世怪談霜夜星』(國書刊行會、2003年)<a class="internal mw-magiclink-isbn" href="https://zh.wikipedia.org/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/4336044058" style="background: none; color: #0645ad; text-decoration-line: none;">ISBN 4336044058</a></li></ul><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px;"><span id=".E5.A4.96.E9.83.A8.E9.80.A3.E7.B5.90"></span><span class="mw-headline" id="外部連結">外部連結</span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;">[</span><a href="https://zh.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=8" style="background: none; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="編輯章節:外部連結">編輯</a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;">]</span></span></h2><ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><a class="external text" href="http://www.fumikura.net/paper/edoyo/edoyo33.html" rel="nofollow" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat; background-size: initial; background: url("/w/skins/Vector/resources/common/images/external-link-ltr-icon.svg?48e54") right center no-repeat; color: #3366bb; padding-right: 13px; text-decoration-line: none;">高木元「戱作者たちの<蝦蟇>-江戸読本の方法-」</a></li></ul></div></div></div><div><br /><br /><br /><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_243" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">MWW Artwork of the Day (7/10/21)</div><div dir="auto" style="font-family: inherit;">Utagawa Kunisada (Japanese, 1786-1865)</div><div dir="auto" style="font-family: inherit;">Ichikawa Ichizo III as Rokusaburo the Carpenter (1858)</div><div dir="auto" style="font-family: inherit;">Color woodblock print, 37 x 25 cm.</div><div dir="auto" style="font-family: inherit;">The Fitzwilliam Museum, Cambridge UK</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">The figure depicted here, boldly wrestling a giant fish, is Rokusaburo the Carpenter, the hero of a popular Japanese Kabuki play. An inscription on the left of the print identifies the character, whose features are recognizably those of the revered actor Ichikawa Ichizo III. This print was made to publicize his forthcoming performance of the role at the Morita Theatre in Edo (modern Tokyo) in July 1858. </div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Kabuki had developed from a type of folk dance performed by prostitutes in the 17th century, into a sophisticated and hugely popular art form by the 19th. It originated in Kyoto, but by the time this print was made Kabuki’s main centre was Edo, more specifically the Yoshiwara district. This was the pleasure quarter of Edo, the hub of what was called ‘the floating world.’ Here were brothels and teahouses, restaurants and puppet theatres. The majority of prints produced in Japan between 1603 and 1868, when the Edo period ended, depict scenes of this urbane, carefree way of life. They are known as ukiyo-e -– ‘pictures of the floating world.’</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Kabuki actors were icons within this society. Since 1629 only men had been allowed to perform in Kabuki plays, and this led to development of onnagata –- actors who specialized in female roles. Despite periodic attempts by government reformers to suppress what they considered to be an immoral form of entertainment, Kabuki thrived.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Kabuki plays lasted for hours and often involved elaborate staging. The carp grappling scene depicted here would have taken place in an on-stage water tank, the fish itself represented by an elaborate and carefully constructed prop. Audiences could become very involved in the action. In 1856 the actor depicted here was at the centre of a real life drama at the Morita Theatre when a samurai warrior became so absorbed in the action that he drew his sword, leapt onto the stage and made to attack him. Several people who ran to the actor’s aid were killed, but Ichikawa himself survived to act another day. The event cannot have harmed his reputation.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Kunisada was one of the most prolific printmakers in 19th century Japan and most of his works depict Kabuki actors, several of whom were personal friends of the artist. The cartouche, left, in the lower right of the print contains his signature: Toyokuni ga. Toyokuni was a name that Kunisada had inherited from his teacher; ga means 'drawn by.' Right is an early triptych by the artist in the Fitzwilliam, depicting a legendary sumo wrestling match between Matano Goro Kagehisa and Kawazu no Saburo Sukeyasu. This fight was often re-enacted as a preface to Kabuki plays about Kawazu and his sons.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">For more Japanese painting, see this MWW Special Collection:</div><div dir="auto" style="font-family: inherit;">* Non-Western Painting Gallery</div></div></span></div></div></div></div></div><br /><br /><br /><br /><a href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg/220px-Eight_Hundred_Heroes_of_Our_Country_s_Suikoden_12.jpg" /></a><br /><a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%8A%B3">歌川国芳</a>「本朝水滸伝・尾形周馬寛行」(自来也)。<br /><a href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Jiraya_magicien_Yoshitoshi.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/51/Jiraya_magicien_Yoshitoshi.jpg/220px-Jiraya_magicien_Yoshitoshi.jpg" /></a><br />月岡芳年「美勇水滸伝・児雷也」(1866年)<br /><br />自来也、児雷也(じらいや)は、<a href="https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8%E6%99%82%E4%BB%A3">江戸時代</a>後期の<a href="https://ja.wikipedia.org/wiki/%E8%AA%AD%E6%9C%AC">読本</a>に登場する架空の<a href="https://ja.wikipedia.org/wiki/%E7%9B%97%E8%B3%8A">盗賊</a>・<a href="https://ja.wikipedia.org/wiki/%E5%BF%8D%E8%80%85">忍者</a>。<a href="https://ja.wikipedia.org/wiki/%E6%98%8E%E6%B2%BB">明治</a>以降、<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E8%88%9E%E4%BC%8E">歌舞伎</a>や<a href="https://ja.wikipedia.org/wiki/%E8%AC%9B%E8%AB%87">講談</a>などへの<a href="https://ja.wikipedia.org/wiki/%E7%BF%BB%E6%A1%88">翻案</a>を通して<a href="https://ja.wikipedia.org/wiki/%E3%83%8B%E3%83%9B%E3%83%B3%E3%83%92%E3%82%AD%E3%82%AC%E3%82%A8%E3%83%AB">蝦蟇</a>の妖術を使う代表的な<a href="https://ja.wikipedia.org/wiki/%E5%BF%8D%E8%80%85">忍者</a>キャラクターとして認識され、現在に至るまで<a href="https://ja.wikipedia.org/wiki/%E6%98%A0%E7%94%BB">映画</a>・漫画・ゲームなど創作作品に大きな影響を及ぼしている。<br /><br /><br />目次<a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E8%87%AA%E6%9D%A5%E4%B9%9F">1自来也</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E5%85%90%E9%9B%B7%E4%B9%9F">2児雷也</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E3%81%9D%E3%81%AE%E4%BB%96%E3%81%AE%E4%BA%8C%E6%AC%A1%E3%82%AD%E3%83%A3%E3%83%A9%E3%82%AF%E3%82%BF%E3%83%BC">3その他の二次キャラクター</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E8%84%9A%E6%B3%A8">4脚注</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E9%96%A2%E9%80%A3%E6%9B%B8%E7%B1%8D">5関連書籍</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E9%96%A2%E9%80%A3%E9%A0%85%E7%9B%AE">6関連項目</a><br /><a href="https://ja.wikipedia.org/wiki/%E8%87%AA%E6%9D%A5%E4%B9%9F#%E5%A4%96%E9%83%A8%E3%83%AA%E3%83%B3%E3%82%AF">7外部リンク</a><br />自来也[<a href="https://ja.wikipedia.org/w/index.php?title=%E8%87%AA%E6%9D%A5%E4%B9%9F&action=edit&section=1">編集</a>]<br /><a href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Jiraiya,-Sunrise-and-Boat-by-Utagawa-Kunisada-1852.png"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Jiraiya%2C-Sunrise-and-Boat-by-Utagawa-Kunisada-1852.png/220px-Jiraiya%2C-Sunrise-and-Boat-by-Utagawa-Kunisada-1852.png" /></a><br /><a href="https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Jiraiya,-Sunrise-and-Boat-by-Utagawa-Kunisada-1852.png"></a>自来也。<a href="https://ja.wikipedia.org/wiki/%E6%AD%8C%E5%B7%9D%E5%9B%BD%E8%B2%9E">歌川国貞</a>(1852年)<br /><br /><br /><br /><div style="font-family: inherit;"><div class="x1cy8zhl x78zum5 x1q0g3np xod5an3 x1pi30zi x1swvt13 xz9dl7a" style="align-items: flex-start; 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padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">Kagurazaka, from the series Eight Views of Night Visits to Temples and Shrines (Yomairi hakkei)</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">「夜参り八景 かぐら坂」Utagawa Kuniyoshi (Japanese, 1797–1861)</div><div dir="auto" style="font-family: inherit;">Publisher: Ibaya Senzaburô (Dansendô) (Japanese) Japanese Edo period about 1844 (Tenpô 15/Kôka 1)</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>Asian prints, and drawings collections at Museum of Fine Arts Boston.</div></div></span></div></div></div></div><div class="x1n2onr6" id=":rgt:" style="font-family: inherit; position: relative;"><div class="x1n2onr6" style="font-family: inherit; position: relative;"><a class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1a2a7pz x1lliihq x1pdlv7q" href="https://www.facebook.com/photo/?fbid=10221594796848530&set=gm.806054731223171&idorvanity=256523979509585&__cft__[0]=AZWzGZ8WWFWAbkWuXPfCd_vM6A3r9rGEJ1LoLb_VqOdlU0lfp4ysnVxIo3Wd2PbboW3hIBZ3gL2h3Ba7q-rnfkuwVANdP09FmltoxdZ1jN-Wkkusj0ANsjf3xxwozAPta8BPLIP2AW6acN0MP8T2ToKh165GTOIQxK_-tUVkQmGBdVFwRsAxTk0wWgmsAiBRE8A&__tn__=EH-R" role="link" style="-webkit-tap-highlight-color: transparent; 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position: relative;"><div class="x6s0dn4 xi81zsa x78zum5 x6prxxf x13a6bvl xvq8zen xdj266r xktsk01 xat24cr x1d52u69 x889kno x4uap5 x1a8lsjc xkhd6sd xdppsyt" style="align-items: center; border-bottom: 1px solid var(--divider); color: var(--secondary-text); display: flex; font-family: inherit; font-size: 0.9375rem; justify-content: flex-end; line-height: 1.3333; margin: 0px 16px; padding: 10px 0px;"><div class="x6s0dn4 x78zum5 x1iyjqo2 x6ikm8r x10wlt62" style="align-items: center; display: flex; flex-grow: 1; font-family: inherit; overflow: hidden;"><span aria-label="看看誰對這個傳達了心情" class="x1ja2u2z" role="toolbar" style="font-family: inherit; z-index: 0;"><span class="x6s0dn4 x78zum5 x1e558r4" id=":rgv:" style="align-items: center; display: flex; font-family: inherit; padding-left: 4px;"><span class="x6zyg47 x1xm1mqw xpn8fn3 xtct9fg x13zp6kq x1mcfq15 xrosliz x1wb7cse x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi xamhcws xol2nv xlxy82 x19p7ews xmix8c7 x139jcc6 x1n2onr6 x1xp8n7a xhtitgo" style="border-bottom-color: var(--card-background); border-left-color: var(--card-background); border-radius: 11px; border-right-color: var(--card-background); border-style: solid; border-top-color: var(--card-background); border-width: 2px; font-family: inherit; height: 18px; margin-left: -4px; position: relative; width: 18px; z-index: 2;"><span class="x12myldv x1udsgas xrc8dwe xxxhv2y x1rg5ohu xmix8c7 x1xp8n7a" style="border-radius: 9px; display: inline-block; font-family: inherit; height: 18px; width: 18px;"><span class="x4k7w5x x1h91t0o x1h9r5lt x1jfb8zj xv2umb2 x1beo9mf xaigb6o x12ejxvf x3igimt xarpa2k xedcshv x1lytzrv x1t2pt76 x7ja8zs x1qrby5j" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div aria-label="讚:23人" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x3nfvp2 x1q0g3np x87ps6o x1lku1pv x1a2a7pz" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><br /></div></span></span></span></span></span></div></div></div><div class="xq8finb x16n37ib" style="font-family: inherit; margin-left: 12px; margin-right: 12px;"><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 x2lah0s x1qughib x1qjc9v5 xozqiw3 x1q0g3np x150jy0e x1e558r4 xjkvuk6 x1iorvi4 xwrv7xz x8182xy x4cne27 xifccgj" style="align-items: stretch; box-sizing: border-box; display: flex; flex-flow: row; flex-shrink: 0; font-family: inherit; justify-content: space-between; margin: -6px -2px; padding: 4px; position: relative; z-index: 0;"><div class="x9f619 x1n2onr6 x1ja2u2z x78zum5 xdt5ytf x193iq5w xeuugli x1r8uery x1iyjqo2 xs83m0k xg83lxy x1h0ha7o x10b6aqq x1yrsyyn" style="box-sizing: border-box; display: flex; flex-direction: column; flex: 1 1 0px; font-family: inherit; max-width: 100%; min-width: 0px; padding: 6px 2px; position: relative; z-index: 0;"><div aria-label="寄送這個給朋友或張貼在你的動態時報中。" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x3nfvp2 x1q0g3np x87ps6o x1lku1pv x1a2a7pz" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><div class="x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h x1wpzbip" data-visualcompletion="ignore" style="background-color: var(--hover-overlay); border-radius: 4px; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div></div></div><div class="xzueoph" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 6px;"></div></div></div></div>。 <br /></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-71377437225905737022023-09-20T07:43:00.001-07:002023-09-20T07:43:55.069-07:00the show “Bring no clothes”. Charleston Farmhouse .The Hogarth Press:Virginia and Leonard Woolf. Orlando, Tilda Swinton. 「男神」 Philip Noel-Baker, 集奧運獎牌1920及諾貝爾獎1959於一身<span style="font-size: large;">Virginia Woolf and The Hogarth Press 漢清講堂 2017-05-19 <br /><br /><br />幾個月網路未見辜振豐先生,懷念: 2023年的 Bloomsbury盛事 the show “Bring no clothes”. Charleston Farmhouse . The Bloomsbury Group. 凱因斯【入世經濟學:凱因斯的洞見與魅力】⦿辜振豐 0612 2020 <br /><br /><br /><b>https://www.facebook.com/hanching.chung/videos/1210438753153721<br /></b><br /><br />世界著名出版社之旅:The Hogarth Press (1917- )<br /><a href="https://www.facebook.com/photo/?fbid=1597706543573480&set=pcb.1597711433572991&__cft__[0]=AZVaoRJXmf5jmnGz_e7AsGP9Rqh0ByKtqRvcYizxGxRuEBuM1OpBuA8j8EzCgj9RWU1Y9lJ-7IMOWCEjIbGx131_6PDQeSlrwfGUg_Bm8yPYwM-NC9shrGc7lt0Wm7pvRODlofpYxGGGmKTF9Aw7oHEVCSkBu7z6rtFLLNgsw8O7YA&__tn__=*bH-R"><img src="https://scontent.ftpe13-2.fna.fbcdn.net/v/t31.18172-8/s960x960/18588741_1597706543573480_9035066988592268674_o.jpg?_nc_cat=105&ccb=1-3&_nc_sid=730e14&_nc_ohc=vZyMn91IXLgAX_1HKxJ&_nc_ht=scontent.ftpe13-2.fna&tp=7&oh=14c5d0eb4d04fb476942e566946194ae&oe=60CC75E5" /><br /><br /></a><br /><a href="https://www.facebook.com/photo/?fbid=1597707233573411&set=pcb.1597711433572991&__cft__[0]=AZVaoRJXmf5jmnGz_e7AsGP9Rqh0ByKtqRvcYizxGxRuEBuM1OpBuA8j8EzCgj9RWU1Y9lJ-7IMOWCEjIbGx131_6PDQeSlrwfGUg_Bm8yPYwM-NC9shrGc7lt0Wm7pvRODlofpYxGGGmKTF9Aw7oHEVCSkBu7z6rtFLLNgsw8O7YA&__tn__=*bH-R"><img src="https://scontent.ftpe13-2.fna.fbcdn.net/v/t31.18172-0/p600x600/18623203_1597707233573411_1232540196300128328_o.jpg?_nc_cat=105&ccb=1-3&_nc_sid=730e14&_nc_ohc=WpQlqJc34_8AX9FKWYh&_nc_ht=scontent.ftpe13-2.fna&tp=6&oh=2078ec93771833a779c7a95e6fc3812d&oe=60CB7CEB" /><br /><br /></a><br /><a href="https://www.facebook.com/photo/?fbid=1597707686906699&set=pcb.1597711433572991&__cft__[0]=AZVaoRJXmf5jmnGz_e7AsGP9Rqh0ByKtqRvcYizxGxRuEBuM1OpBuA8j8EzCgj9RWU1Y9lJ-7IMOWCEjIbGx131_6PDQeSlrwfGUg_Bm8yPYwM-NC9shrGc7lt0Wm7pvRODlofpYxGGGmKTF9Aw7oHEVCSkBu7z6rtFLLNgsw8O7YA&__tn__=*bH-R"><img src="https://scontent.ftpe13-2.fna.fbcdn.net/v/t31.18172-0/p640x640/18556468_1597707686906699_9134579098992237940_o.jpg?_nc_cat=104&ccb=1-3&_nc_sid=730e14&_nc_ohc=IQ2oLH7AMMkAX8qIUaM&_nc_ht=scontent.ftpe13-2.fna&tp=6&oh=12d38abb0d76898d1683e70c37965e56&oe=60CB65F9" /><br /><br /></a><br /><a href="https://www.facebook.com/photo/?fbid=1597708060239995&set=pcb.1597711433572991&__cft__[0]=AZVaoRJXmf5jmnGz_e7AsGP9Rqh0ByKtqRvcYizxGxRuEBuM1OpBuA8j8EzCgj9RWU1Y9lJ-7IMOWCEjIbGx131_6PDQeSlrwfGUg_Bm8yPYwM-NC9shrGc7lt0Wm7pvRODlofpYxGGGmKTF9Aw7oHEVCSkBu7z6rtFLLNgsw8O7YA&__tn__=*bH-R"><img src="https://scontent.ftpe13-2.fna.fbcdn.net/v/t31.18172-8/p720x720/18671500_1597708060239995_4764792063829923647_o.jpg?_nc_cat=106&ccb=1-3&_nc_sid=730e14&_nc_ohc=sCL6uu_jzEcAX_0PtUL&_nc_ht=scontent.ftpe13-2.fna&tp=6&oh=3942b30ec3d3aa73d96671304f6c228e&oe=60CA6574" /><br /><br /></a><br /><a href="https://www.facebook.com/photo/?fbid=1597710760239725&set=pcb.1597711433572991&__cft__[0]=AZVaoRJXmf5jmnGz_e7AsGP9Rqh0ByKtqRvcYizxGxRuEBuM1OpBuA8j8EzCgj9RWU1Y9lJ-7IMOWCEjIbGx131_6PDQeSlrwfGUg_Bm8yPYwM-NC9shrGc7lt0Wm7pvRODlofpYxGGGmKTF9Aw7oHEVCSkBu7z6rtFLLNgsw8O7YA&__tn__=*bH-R"><img src="https://scontent.ftpe13-2.fna.fbcdn.net/v/t31.18172-8/p720x720/18558572_1597710760239725_7303756238115451632_o.jpg?_nc_cat=104&ccb=1-3&_nc_sid=730e14&_nc_ohc=BXUjA8VOTEIAX9p2AM0&_nc_ht=scontent.ftpe13-2.fna&tp=6&oh=684400a1afbb59a1ba86721501fcfca2&oe=60CBDC81" /><br /><br />+2<br /></a><br /><br /><br />157 Virginia Woolf and The Hogarth Press 漢清講堂 2017-05-19<br /><b>https://www.youtube.com/watch?v=-hKBwwbRiNA&t=150s</b></span>
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<span class="_3c21" style="font-family: inherit;">Virginia Woolf and The Hogarth Press 【漢清講堂】 心得分享與討論會 日期:2017年5月19日 地址:台北市新生南路三段88號2樓 維吉尼亞·吳爾芙(Virginia…</span></div>
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<br />
此片原題為:<br />
The Hogarth Press:Virginia and Leonard Woolf<br />
幾天前,曹永洋學長送我一本"新潮文庫"的 <i><span style="font-size: x-large;">Orlando </span></i>by Virginia Woolf 的漢譯本。<br />
該書有作者年譜。在1938年條目下有:" 3月, John Lehmann 接管Virginia Woolf 在The Hogarth Press的一半股份。<br />
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***<div><br /></div><div><table cellspacing="3" class="infobox biography vcard" style="background-color: #f8f9fa; border-spacing: 3px; border: 1px solid rgb(162, 169, 177); clear: right; color: black; font-family: sans-serif; font-size: small; line-height: 1.5em; margin-bottom: 0.5em; margin-left: 1em; padding: 0.2em; width: 22em;"><tbody><tr><th colspan="2" style="font-size: 16.25px; text-align: center; vertical-align: top;"><span class="fn">菲利普·諾埃爾-貝克</span></th></tr><tr><td colspan="2" style="text-align: center; vertical-align: top;"><a class="image" href="https://zh.wikipedia.org/wiki/File:Philip_Noel-Baker_Anefo.jpg" style="background: none; color: #0b0080; outline-color: rgb(51, 102, 204);"><img alt="Philip Noel-Baker Anefo.jpg" data-file-height="2789" data-file-width="2090" decoding="async" height="294" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/89/Philip_Noel-Baker_Anefo.jpg/220px-Philip_Noel-Baker_Anefo.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Philip_Noel-Baker_Anefo.jpg/330px-Philip_Noel-Baker_Anefo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Philip_Noel-Baker_Anefo.jpg/440px-Philip_Noel-Baker_Anefo.jpg 2x" style="border: 0px; vertical-align: middle;" width="220" /></a></td></tr></tbody></table></div><div><br /><br />Philip John Noel-Baker, Baron Noel-Baker, PC (1 November 1889 – 8 October 1982), born Philip John Baker, was a British politician, diplomat, academic, amateur athlete, and renowned campaigner for disarmament. He carried the British team flag and won a silver medal for the 1500m at the 1920 Summer Olympics in Antwerp, and received the Nobel Peace Prize in 1959.[1]<br /><br /><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/skins.vector.styles/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><cite class="citation book cs1" id="CITEREFNoel-Baker1926" style="font-style: inherit; overflow-wrap: break-word;">Noel-Baker, Philip (1926). <i>Disarmament</i>. London: The Hogarth Press.</cite><span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Disarmament&rft.place=London&rft.pub=The+Hogarth+Press&rft.date=1926&rft.aulast=Noel-Baker&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhilip+Noel-Baker"></span> (Reprint 1970, New York: Kennicat Press)</li></ul><span face=""Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif" style="background-color: white; color: #050505; font-size: 15px; white-space: pre-wrap;">為表謝意,英女皇於 1977 年冊封他為終身貴族(life peer)。Noel-Baker 集奧運獎牌1920及諾貝爾獎1959於一身的歷史紀錄,至今仍無人能破,以現今角度看,「男神」一稱,他當之無愧。</span></div><div><span face="Segoe UI Historic, Segoe UI, Helvetica, Arial, sans-serif" style="color: #050505;"><span style="font-size: 15px; white-space: pre-wrap;"><br /></span></span></div><div><span face="Segoe UI Historic, Segoe UI, Helvetica, Arial, sans-serif" style="color: #050505;"><span style="font-size: 15px; white-space: pre-wrap;">*****<br /></span></span><br />
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<span class="oi732d6d ik7dh3pa d2edcug0 hpfvmrgz qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -4px; margin-top: -4px; max-width: 100%; min-width: 0px; overflow-wrap: break-word;"></span><br />
<div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;">
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<span class="oi732d6d ik7dh3pa d2edcug0 hpfvmrgz qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -4px; margin-top: -4px; max-width: 100%; min-width: 0px; overflow-wrap: break-word;">當你自以為已經沒有電影能給你驚喜時,總是會出現這麼一部作品給你一拳重擊,而這些作品往往來自於過去。莎莉.波特(Sally Potter)執導的《美麗佳人歐蘭朵 Orlando》(1992)便是這麼一部震撼之作。看完也突然理解蒂妲.史雲頓(Tilda Swinton)為何現在連古一和老男人都願意演,一生能有機會如此以這樣的高度去主宰一部電影,已經值了。</span></div>
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<span class="oi732d6d ik7dh3pa d2edcug0 hpfvmrgz qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -4px; margin-top: -4px; max-width: 100%; min-width: 0px; overflow-wrap: break-word;">
<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;">
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其所講述的主人翁歐蘭朵,出生於16世紀,因為承諾女王不再變老,便一直維持同樣的形貌。活著活著,忽然從男變女。他/她親身體會數百年下來的貴族生活流變,甚至一度前往東方歷險。明明是關於一個人的故事,卻是每五十年一躍。當下實在不知自己看了什麼,但若不將歐蘭朵視為一個人,而將之視為一個國家、一個文化、一個民族或者一個「觀念」,便能知悉創作者的野心。</div><br /></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;">
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電影改編自20世紀現代主義與女性主義先鋒作家吳爾芙(Virginia Woolf)在1928年發表的小說《歐蘭多:一部穿越三百年的性別流動史詩 Orlando: A Biography》。吳爾芙本身是一名雙性戀者,與其說是小說,歐蘭朵更多是自我反映,包括片中的俄國女子莎夏一角,靈感也來自她現實生活中的情人薇塔(Vita Sackville-West)。</div>
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<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">
生理性別為女性的吳爾芙在與薇塔的交往之中,重新檢視了性別的意義,以及性向的模糊性。而在電影《美麗佳人歐蘭朵》之中,雌雄難辨的歐蘭朵則無法只能用看待一個人的角度檢視,他/她是如此不斷地吸收新的觀念,無論是疆域的變遷,潮流的改變。</div>
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<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">
吳爾芙在原作中,由男變女的設計,似乎也暗示著長期以來文壇獨尊男性的傳統必須面臨革新。而且並非是讓女性與男性相對的概念,必須跳脫「兩性」的桎梏,男性與女性是可能同時存在於一個軀體之中的。</div>
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<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">這個觀念交給莎莉.波特來處理,自然不是以文學切入。在片末,歐蘭朵之女舉著一台攝影機在草原上奔跑,以一個充滿野性的手持影像為故事收尾。其所暗示的,不就是要讓女性打破影壇長期為男性把持的傳統嗎?然而,她始料未及的是,將歐蘭朵之子的性別從男性改成女性,反而成了她這部片最難以被原著書迷接受的改編之一。</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;">
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對我而言,莎莉.波特嘗試以她的方式從意識流的原作中找尋一個邏輯的編排,以死亡、愛情、詩歌、政治、社會、性與出生共七個章節來整合故事,顯然是一個符合電影敘事的改編策略。</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">
至於向來以雌雄兼具的嗓音聞名的英國歌手吉米.薩默維爾(Jimmy Somerville)在片末高唱的〈來了 coming〉,更是將作品上升到經典層級。那個「來了」,所歌頌的是一個打破性別疆界的新時代的到來。但這個時代來臨的宣言,似乎無法令1992年的電影人理解,在奧斯卡獎只提名區區兩項。莎莉.波特的野心與蒂妲.史雲頓的神乎演技,全然被排除在外。</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">
「我來了!我來了!/我跨越/越過千山萬水,奔向你/在這統合的時刻/內心感到狂喜/在此地,在此時/我終於自由/是的,終於,終於/擺脫過去/擺脫向我招手的未來/我來了!我來了!/身臨此境/既非女,亦非男/我們彼此相融,合而為一/共有一張臉孔/我們彼此相融,合而為一/立足大地/遨遊寰宇/我剛出生,超脫於命。」</div>
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<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">
片末的〈來了 coming〉片段</div>
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<span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://www.youtube.com/watch?v=Hd56Ck3C5Go&fbclid=IwAR1M0rRtuqX3XIsoI1GTC58TuCP4ZgvG5G8ueire2GzKgeoL36WLa2d9Pp8" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://www.youtube.com/watch?v=Hd56Ck3C5Go</a></span></div>
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<div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;">
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部落格版:</div>
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《美麗佳人歐蘭朵》(1992):我來了!我來了!</div>
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<span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://wongwonder.pixnet.net/blog/post/229772669?fbclid=IwAR3rz0NWrCZHZen0a3zRf1sxk8qKYb3QZ4oMc_flcbIFDKULSkZf-4ZP6zo" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://wongwonder.pixnet.net/blog/post/229772669</a></span></div>
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(圖為《美麗佳人歐蘭朵》劇照。)</div><div dir="auto" style="font-family: inherit;"><br /></div></div></span></div></div></div></div></div>
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<div class="picBox medium rechts" style="background-color: white; color: #3e3e3e; float: right; font-family: "ms song", "ms hei"; font-size: 17px; margin: 0px; padding: 7px 20px 10px; width: 340px;">
<a class="overlayLink init" href="https://www.dw.com/zh/%E7%BB%88%E7%94%9F%E6%88%90%E5%B0%B1%E9%87%91%E7%8B%AE%E5%A5%96%E9%A6%96%E6%AC%A1%E8%8A%B1%E8%90%BD%E5%A5%B3%E5%AF%BC%E6%BC%94/a-54255511?fbclid=IwAR10I4Tmp5i0fRQA0Us3-7nRJXdrUiJwtv_YdRIb0OKrYNW-etRrgMF05uM#" link="/overlay/image/article/54255511/48865659" rel="nofollow" style="color: #0087eb; cursor: pointer;"><img alt="Cannes Filmfestival 2019 | Tilda Swinton und ihre Tochter Honor Swinton Byrne (picture alliance/dpa/Invision/JC Ryan)" itemprop="image" src="https://www.dw.com/image/48865659_404.jpg" style="border: none; height: auto; margin: 0px; padding: 0px; width: 340px;" title="Cannes Filmfestival 2019 | Tilda Swinton und ihre Tochter Honor Swinton Byrne (picture alliance/dpa/Invision/JC Ryan)" /></a><br />
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<span style="vertical-align: inherit;">蒂爾達·斯文頓和她的女兒(左)</span></div>
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<span style="vertical-align: inherit;"><span style="vertical-align: inherit;">與許鞍華一同獲得"終生成就金獅獎"的是59歲的英國女演員、製作人、編劇蒂爾達·斯文頓(Tilda Swinton)。</span><span style="vertical-align: inherit;">她在2008年憑藉《邁克爾·克萊頓》(Michael Clayton,也稱《全面反擊》)獲得了奧斯卡金像獎(最佳女配)。</span><span style="vertical-align: inherit;">她也曾獲得英國電影學院獎等獎項。</span></span></div>
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<span style="vertical-align: inherit;">威尼斯電影節方面表示,斯文頓最令人難忘的就包括1992年在《奧蘭多》(Orlando)中的表演,這部電影也參加了48屆威尼斯電影節的角逐。</span></div>
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<span style="vertical-align: inherit;">第77屆威尼斯電影節將在9月2日至12日如期舉行,並沒有因為新冠疫情取消或推遲,不過增加了相關的防疫措施。</span></div>
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<br />
<br />
<br />
Virginia and Leonard Woolf set up the Hogarth Press in 1917<br />
published works by key modernist writers as well important works in translation.<br />
the Hogarth Press made to modernism and to British literary culture.<br />
By Stephen Tomlin, 1931<br />
<br />
Woolf, Virginia, 1882-1941.<br />
‘The whole process of printing and production (except in one instance) is done by ourselves’, c. 1919.<br />
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Their first project was a pamphlet, hand-printed and bound by themselves. Within ten years the Press had become a full-scale publishing house, issuing Virginia's novels, Leonard's tracts and, among other works, the first edition of T.S. Eliot's The Waste Land. Woolf continued as the main director of the Press until his death.<br />
See more at: https://www.bl.uk/20th-century-literature/articles/the-hogarth-press#sthash.oxrO7uJ3.dpuf<br />
<br />
<br />
The Hogarth Press:<br />
Virginia and Leonard Woolf<br />
<br />
Leonard Sidney Woolf (1880 – 1969)<br />
1912<br />
he resigned in early 1912 and that same year married Virginia Stephen.<br />
Bust of Leonard Woolf at Monk's House<br />
<br />
1917-46 出版 527本書。 現在 ,屬 Crown / Randon House集團。<br />
20世紀初某天,Leonard and Virginia Woolf在倫敦街上,看到有人在販賣可獨立出版書籍的印刷機,他倆買下,1917年成立自己的出版社 (書的裝潢自己設計;印刷自己來;收支清楚.....)<br />
Leonard and Virginia Woolf's Hogarth Press<br />
我近兩天都"遇到這家出版社。今天:<br />
"Whispers of Immortality" is a poem by T. S. Eliot. Written sometime between 1915 and 1918, the poem was published originally in the September issue of the Little Review and first collected in June 1919 in a volume entitled Poems published by Leonard and Virginia Woolf's Hogarth Press.<br />
<br />
<br />
Hogarth House in Richmond,<br />
Hogarth House in Richmond, where Virginia and Leonard Woolf founded the Hogarth Press on 24 April 1917. Photograph: Alamy Stock Photo<br />
<br />
<br />
Vanessa Bell (1879-1961)<br />
Vanessa Bell: Self-Portrait, circa 1915<br />
<br />
<br />
Two Stories<br />
by Leonard and Virginia Woolf and<br />
<br />
printed by them at The Hogarth Press.<br />
The first edition of<br />
<br />
Julia Margaret Cameron<br />
Virginia Woolf wrote in the 1926 introduction to the Hogarth Press collection of Cameron's photographs, "In the trio [of sisters] where...[one] was Beauty; and [one] Dash; Mrs. Cameron was undoubtedly Talent"<br />
Left: VW's Mother; Right,Julia Margaret Cameron<br />
<br />
Victorian Photographs of Famous Men & Fair Women.<br />
<br />
BY Julia Margaret Cameron With introductions by Virginia Woolf and Roger Fry.<br />
<br />
https://en.wikipedia.org/wiki/Julia_Margaret_Cameron<br />
Julia Margaret Cameron (née Pattle; 11 June 1815 Calcutta – 26 January 1879 Kalutara, Ceylon)<br />
Cameron's niece Julia Prinsep Stephen (née Jackson; 1846–1895) wrote the biography of Cameron that appeared in the first edition of the Dictionary of National Biography, 1886.[13] Julia Stephen was the mother of Virginia Woolf, who wrote a comic portrayal of the "Freshwater circle" in her only play Freshwater. Woolf, in collaboration with Roger Fry, edited a collection of Cameron's photographs that was published in 1926.[14]<br />
<br />
Cider with Rosie<br />
London: Hogarth Press, 1959.<br />
Leonard, 1931<br />
<br />
<br />
<br />
歲月與海浪 布魯姆斯伯里文化圈人物群像<br />
The Bloomsbury Group: A Collection of Memoirs, Commentary, and Criticism<br />
.<br />
the best known members of which included Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey.<br />
<br />
The Bloomsbury Group: Art, lives and legacy<br />
<br />
http://www.tate.org.uk/learn/online-resources/bloomsbury-group<br />
<br />
<br />
Virginia Woolf: A Biography.<br />
Volume One. Virginia Stephen 1882-1912,<br />
London: Hogarth Press, 1972/3.<br />
此書合訂本索引缺 Hogarth Press<br />
<br />
<br />
May 1927<br />
Virginia Woolf's great novel "To The Lighthouse" was published #onthisday 5th May 1927. The book includes fictionalised semi-autobiographical reminiscences of her childhood trips to the family house in Cornwall and the characters Mr & Mrs Ramsay are probably partly based on her parents Leslie & Julia Stephen (née Duckworth). Leslie Stephen was President of The London Library for 12 years and Virginia Woolf became a life member 4 days after his death.<br />
To the Lighthouse was one of Virginia Woolf's most successful novels (the proceeds enabling the Woolfs to buy their first car!). 3,000 copies were produced by her Hogarth Press for the first edition. This is one of them from May 1927, and we're very happy to have it!<br />
<br />
<br />
【Simon 管理行為 Administrative Behavior (諾貝爾經濟獎作品)】中提到S. Freud 有四處:最多是談到 organizational identification部分。<br />
81頁註解可知:<br />
{無意識}( The Unconscious)的出自 Freud的【文集】(The Collected Papers),1925年,London: L and V WOOLF出版社。<br />
奇怪的是,出版社的名稱非The Hogarth Press was a British publishing house founded in 1917 by Leonard Woolf and Virginia Woolf.<br />
Sigmund Freud. Life and Work. Volume Three. The Last Phase. 1919-1939: By ERNEST JONES. The Hogarth Press, London, 1957. Pp. 536. Price 35s<br />
<br />
<br />
On Dreams by Freud<br />
On Dreams, Freud’s abridged version of The Interpretation of Dreams (1899), translated by James Strachey<br />
published by the Hogarth Press for the International Psycho-Analytical Library in 1952.<br />
<br />
Prelude by Katherine Mansfield<br />
is an innovative short story that explores characters’ psychology and rejects traditional narrative techniques.<br />
1918<br />
閱讀 The Prelude<br />
https://www.youtube.com/watch?v=SSkhZoV6N9k<br />
<br />
<br />
The Waste Land, 1923<br />
The first English edition of T S Eliot’s famous and acclaimed modernist poem.<br />
https://www.youtube.com/watch?v=KI-1Ls88Fio<br />
The Waste Land, T. S. Eliot. First Edition, 1923. Peter Harrington Rare Books<br />
<br />
(下) T.S. Eliot and Virginia Woolf<br />
<br />
The Hogarth Press’s first T S Eliot publication from 1919, which featured ‘Sweeney Among the Nightingales’. - See more at: https://www.bl.uk/20th-century-literature/articles/the-hogarth-press#sthash.oxrO7uJ3.dpuf<br />
<br />
<br />
Stories of the East by Leonard Woolf,<br />
with design by Dora Carrington<br />
<br />
Paris by Hope Mirrlees<br />
<br />
Published in 1919, Paris is a radically experimental poem that challenged and developed the Woolfs’ abilities as printers.<br />
View images fro - See more at: https://www.bl.uk/20th-century-literature/articles/the-hogarth-press#sthash.oxrO7uJ3.dpuf<br />
<br />
1931<br />
<br />
London : Published by Leonard and Virginia Woolf at the Hogarth Press 1931<br />
<br />
<br />
<span class="Apple-tab-span" style="white-space: pre;"> </span> A room of one's own [electronic resource] Woolf, Virginia, 1882-1941. London : Published by Leonard and Virginia Woolf at the Hogarth Press 1929<br />
<br />
Jacob's Room, Virginia Woolf. First Edition 1922. Peter Harrington Rare Books<br />
https://www.youtube.com/watch?v=5itw10MRXnY<br />
<br />
Vanessa Bell, designed the book jackets for all of Woolf’s works<br />
published by the Hogarth Press including To the Lighthouse (1927). - See more at: https://www.bl.uk/20th-century-literature/articles/the-hogarth-press#sthash.oxrO7uJ3.dpuf<br />
<br />
Monday or Tuesday<br />
Published: 1921 , Paradise Road, Richmond, London<br />
Formats: Book , Illustration , Image<br />
Creator: Virginia Woolf , Vanessa Bell<br />
<br />
<br />
<br />
<br />
The Voyage Out 1915<br />
<br />
''Really I don't like human nature unless all candied over with art.''<br />
<br />
-- Virginia Woolf's May 13, 1926 entry from "The Diary of Virginia Woolf, Volume 3"<br />
<br />
<br />
The Years<br />
<br />
1942<br />
<br />
<br />
<br />
The first edition of Kew Gardens, by Virginia Woolf and illustrated by her sister, Vanessa Bell. 1919<br />
<br />
<br />
The floral paper is wallpaper that the Woolfs recycled to bind their books.<br />
<br />
- See more at: https://www.bl.uk/20th-century-literature/articles/the-hogarth-press#sthash.oxrO7uJ3.dpuf<br />
<br />
All passion spent<br />
<br />
Sackville-West, V. 1892-1962.<br />
London, L. and Virginia Woolf at the Hogarth Press 1931<br />
The title is taken from the final three words of John Milton's Samson Agonistes.<br />
<br />
<br /></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-41953672983565956212023-09-19T19:34:00.000-07:002023-09-19T19:34:35.527-07:00 紀念柯慶明教授 (4):柯慶明文學特展2023.9.28~ 。訪臺大出版中心總編輯湯世鑄<div><br /></div><div><div>【活動分享│柯慶明文學特展開幕式暨座談會】</div><div> </div><div>柯慶明教授,半個世紀長年執教於臺大,可謂以臺大為家。柯教授自言一生專注於三件事──讀書、寫書、教書,實則他充滿理想,勇敢任事,在學術研究、文學創作、書刊編輯、人文教育、文化事務上皆卓然有成。趨勢教育基金會於2022年捐贈成立「臺大慶明文學講座」,紀念柯慶明教授,並傳承其精神。臺大圖書館配合講座活動,於2023年9月28日至11月2日於1樓日然廳舉辦「沉思與行動:勇敢的理想主義者──柯慶明文學特展」,並訂9月28日下午2時於B1國際會議廳舉行開幕式暨座談會。座談會由臺文所黃美娥教授主持,邀請到白先勇教授、川合康三教授、劉正忠教授、楊富閔作家擔任與談人,分享以文學為志業,集學者、教師、作家身分於一身的柯慶明教授,如何在沉思與行動之中積極實踐付出。歡迎有興趣的讀者報名參加,一同探究這位「勇敢的理想主義者」的文學心靈與風采典範。</div><div> </div><div>//活動資訊//</div><div> </div><div>「沉思與行動:勇敢的理想主義者──柯慶明文學特展」開幕式暨座談會</div><div> </div><div>時間:2023年9月28日(四) 14:00-17:00</div><div>地點:臺大總圖書館B1國際會議廳(台北市羅斯福路四段1號)</div><div>活動詳情:https://reurl.cc/z6Wm1a</div><div>報名網址:https://reurl.cc/0ZxYZA</div><div> </div><div>----------------------------------</div><div> </div><div>//延伸閱讀//</div><div>《沉思與行動:柯慶明論臺灣現代文學與文學教育》◎柯慶明 著</div><div>https://reurl.cc/GKbMNZ</div></div><div><br /></div>紀念柯慶明教授 (4):<div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_5squ" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j fe6kdd0r mau55g9w c8b282yb keod5gw0 nxhoafnm aigsh9s9 d3f4x2em iv3no6db jq4qci2q a3bd9o3v b1v8xokw oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">【專訪文章│學術書是一切書籍的源頭──專訪臺大出版中心總編輯湯世鑄】</div></div><div class="cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">「故事」前陣子專程到臺大出版中心辦公室,和我們的總編進行訪談。湯總編侃侃而談地分享了教科書的特色,以及好的學術書編輯如何具備「一張嘴、四條腿」的能力?</div></div><div class="cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">想了解一間大學出版社的運作方式,一窺出版中心平日工作的朋友,歡迎閱讀文章。</div></div><div class="cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">▲文章全文 <span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gpro0wi8 py34i1dx" href="https://l.facebook.com/l.php?u=https%3A%2F%2Freurl.cc%2Fmoq409%3Ffbclid%3DIwAR2VIpG-Csj4ohcUeRwnt_UMG1B_wJF4DE8hnGjGZ_XH1Mm0oE6qj9XbMj8&h=AT1l1bGxcZ3AY1Jg6rqHo7ln-UiDhSrQdh0P3kDe2Zq6VfqmYwYfZbkid-r5V1g61eSKlYVo8XrXzjRfIYp-gVxDW_oNgVip54OAeyTSjiZywhPFmyM1bkUIJ65D6j9W16hm&__tn__=-UK-R&c[0]=AT1CquxEPiujXnkE9huJNTJHjkKhERK480rJFh0konLaw9HjVF3iMO0JyvEn6UketQ-SF83NqWxgI9lzRWvZZy21oBZmz38NFq6tnTgQY8O2Ma132ufkAbBueNm0MhoyDLgJYtI3Zg6LBzgWEHA3qxX-YU9h-0H317HwpWPq7UhZZhhn6pVPg563IktJfQcQjyBCkULtginid_s" rel="nofollow noopener" role="link" style="-webkit-tap-highlight-color: transparent; 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font-size: 18px; letter-spacing: 0.5px; text-align: justify;">學術編輯有點像是品檢員,搭配嚴謹的編輯流程,耗費時間與心力確保格式、用詞的統一,進行編輯內容的除錯。一本書的編校工作,會由執行編輯與1至2位外聘編輯一個字一個字細看(包含向作者提問、討論),再交編輯組同仁核校,送印前由總編輯看數位樣,如此至少經過4、5位編輯的眼睛。臺大出版中心中目前共有10位編輯,面對各式書稿,有時甚至是人手一臺計算機,在校稿過程一邊驗算表格裡的數據、計算是否正確。</span><p style="box-sizing: border-box; color: #1f1f1f; font-family: "noto sans tc", -apple-system, PingFangTC-Medium, "microsoft jhenghei", sans-serif; font-size: 18px; letter-spacing: 0.5px; margin: 0px; padding: 0px; text-align: justify;"> </p><p style="box-sizing: border-box; color: #1f1f1f; font-family: "noto sans tc", -apple-system, PingFangTC-Medium, "microsoft jhenghei", sans-serif; font-size: 18px; letter-spacing: 0.5px; margin: 0px; padding: 0px; text-align: justify;">好的編輯該具備哪些能力?湯世鑄提到他常開玩笑地說,編輯要有「一張嘴、四條腿」。四條腿指的是「文字邏輯、美學素養、時程掌控、市場判斷」四個基本能力,一張嘴則是要會溝通。根據出版社與書種不同,「四條腿」的比重也有所不同,如學術出版最看重「文字邏輯」,最理想的狀況,是希望編輯能夠100%理解一本書,但做學術書的編輯卻很難達到這個目標,畢竟編輯對於各學門的研究終究是外行,但仍可以透過長久磨練的技藝與經驗來揪出書稿自相矛盾、講述不清楚的地方,其它細節如前後重覆、表格內容與其標題是否與正文吻合、中文譯名是否統一,引用是否符合學術格式等。</p><h1 style="box-sizing: border-box; font-family: "noto serif tc", "noto sans tc", -apple-system, PingFangTC-Medium, "microsoft jhenghei", sans-serif; font-size: 34px; font-weight: 500; letter-spacing: 0.7px; line-height: 1.5em; margin: 0px auto 17px; max-width: 685px; padding: 0px;">~~學術書是一切書籍的源頭──專訪臺大出版中心總編輯湯世鑄</h1></blockquote><p style="box-sizing: border-box; color: #1f1f1f; font-family: "noto sans tc", -apple-system, PingFangTC-Medium, "microsoft jhenghei", sans-serif; font-size: 18px; letter-spacing: 0.5px; margin: 0px; padding: 0px; text-align: justify;"></p></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-30201745065251315952023-09-16T15:29:00.000-07:002023-09-16T15:29:33.278-07:00 從Gustave Doré 多雷 (1832 – 1883) Illustrations I: Coleridge, Cervantes, Poe到《梵谷:在永恆之門》(2018);'The Divine Comedy' (Inferno, Canto 1) Engraving by Gustave Doré, 1860sTHE DAYS OF CHIVALRY;CHAPTER VIII. THROUGH THE FORESTS. Ruggiero. <br />
<div class="style-scope ytd-grid-video-renderer" id="dismissable" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">
<ytd-thumbnail class="style-scope ytd-grid-video-renderer" style="display: inline-block; flex: 0 0 auto; height: 118px; position: relative; width: 210px;" use-hovered-property=""><a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=p02M6BwK7CM&t=100s" id="thumbnail" rel="null" style="bottom: 0px; color: var(--yt-endpoint-color, var(--yt-spec-text-primary)); cursor: pointer; display: block; height: 118px; inset: 0px; left: 0px; margin-left: auto; margin-right: auto; overflow: hidden; position: absolute; right: 0px; text-decoration: none; top: 0px;" tabindex="-1"><yt-img-shadow class="style-scope ytd-thumbnail no-transition" ftl-eligible="" loaded="" style="background-color: transparent; display: block; flex: var(--layout-flex-none_-_flex); left: 0px; opacity: 1; position: absolute; top: 59px; transform: translateY(-50%); transition: none 0s ease 0s; width: 210px;"><img alt="" class="style-scope yt-img-shadow" id="img" src="https://i.ytimg.com/vi/p02M6BwK7CM/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLBicWiduZ8Zx0aZCnZlXEr5NL9AoA" style="background: transparent; border-radius: var(--yt-img-border-radius, none); border: 0px; display: block; margin-bottom: 0px; margin-left: var(--yt-img-margin-left, auto); margin-right: var(--yt-img-margin-right, auto); margin-top: 0px; max-height: var(--yt-img-max-height, none); max-width: var(--yt-img-max-width, 100%); padding: 0px;" width="210" /></yt-img-shadow></a></ytd-thumbnail><br />
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<a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=p02M6BwK7CM&t=100s" id="thumbnail" rel="null" style="bottom: 0px; color: var(--yt-endpoint-color, var(--yt-spec-text-primary)); cursor: pointer; display: block; height: 118px; inset: 0px; left: 0px; margin-left: auto; margin-right: auto; overflow: hidden; position: absolute; right: 0px; text-decoration: none; top: 0px;" tabindex="-1"><ytd-thumbnail-overlay-resume-playback-renderer class="style-scope ytd-thumbnail" style="background-color: var(--yt-spec-icon-inactive); bottom: 0px; display: block; height: 4px; left: 0px; position: absolute; right: 0px; z-index: 1;"></ytd-thumbnail-overlay-resume-playback-renderer></a><br />
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<a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=p02M6BwK7CM&t=100s" id="thumbnail" rel="null" style="bottom: 0px; color: var(--yt-endpoint-color, var(--yt-spec-text-primary)); cursor: pointer; display: block; height: 118px; inset: 0px; left: 0px; margin-left: auto; margin-right: auto; overflow: hidden; position: absolute; right: 0px; text-decoration: none; top: 0px;" tabindex="-1">
<ytd-thumbnail-overlay-time-status-renderer class="style-scope ytd-thumbnail" overlay-style="DEFAULT" style="align-items: center; background-color: var(--yt-spec-static-overlay-background-heavy); border-radius: 2px; bottom: 0px; color: var(--yt-spec-static-brand-white); display: inline-flex; flex-direction: row; font-size: var(--ytd-badge_-_font-size); font-weight: var(--ytd-badge_-_font-weight); letter-spacing: 0.5px; line-height: var(--ytd-badge_-_line-height); margin: 4px; padding: 2px 4px; position: absolute; right: 0px;"><span aria-label="17 minutes" class="style-scope ytd-thumbnail-overlay-time-status-renderer" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">17:14</span></ytd-thumbnail-overlay-time-status-renderer><ytd-thumbnail-overlay-now-playing-renderer class="style-scope ytd-thumbnail" style="align-items: center; background-color: var(--yt-spec-static-overlay-background-heavy); bottom: 0px; color: white; display: flex; flex-direction: row; font-size: 1.3rem; font-weight: 500; inset: 0px; justify-content: center; left: 0px; letter-spacing: 0.007px; opacity: 0; pointer-events: none; position: absolute; right: 0px; text-align: center; text-transform: uppercase; top: 0px; transition: opacity 0.3s ease 0s; z-index: 1;"><span class="style-scope ytd-thumbnail-overlay-now-playing-renderer" style="background: transparent; border: 0px; margin: 0px; padding: 0px;">NOW PLAYING</span></ytd-thumbnail-overlay-now-playing-renderer></a></div>
<a aria-hidden="true" class="yt-simple-endpoint inline-block style-scope ytd-thumbnail" href="https://www.youtube.com/watch?v=p02M6BwK7CM&t=100s" id="thumbnail" rel="null" style="bottom: 0px; color: var(--yt-endpoint-color, var(--yt-spec-text-primary)); cursor: pointer; display: block; height: 118px; inset: 0px; left: 0px; margin-left: auto; margin-right: auto; overflow: hidden; position: absolute; right: 0px; text-decoration: none; top: 0px;" tabindex="-1">
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<ytd-thumbnail-overlay-toggle-button-renderer aria-label="Watch later" class="style-scope ytd-thumbnail" role="button" style="--paper-tooltip-background: var(--yt-spec-static-overlay-background-heavy); align-items: center; background-color: var(--yt-spec-static-overlay-background-heavy); border-radius: 2px; color: var(--yt-spec-static-overlay-text-primary); cursor: pointer; display: flex; flex-direction: row; height: 28px; justify-content: center; margin: 4px; outline: none; position: absolute; right: 0px; top: 0px; transition: opacity 0.3s ease 0s; width: 28px;" tabindex="-1" top-right-overlay="" use-expandable-tooltip=""></ytd-thumbnail-overlay-toggle-button-renderer><div class="style-scope ytd-thumbnail" id="hover-overlays" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; padding: 0px;">Paul Gustave Louis Christophe Doré</div><div class="style-scope ytd-thumbnail" id="hover-overlays" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; padding: 0px;">(★ 6 January 1832, Strasbourg, France;</div><div class="style-scope ytd-thumbnail" id="hover-overlays" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; padding: 0px;">† 23 January 1883, Paris, France)</div><div class="style-scope ytd-thumbnail" id="hover-overlays" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; padding: 0px;">See comments for a video about Master Illustrator Gustave Doré, from the extensive and informative series by Pete Beard on the great Golden Age illustrators. Well worth exploring.</div>
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WATCH LATER</div>
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ADD TO QUEUE</div>
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<a aria-label="289 續《在永恒之門》- 插畫家古斯塔夫·杜雷(Gustave Doré) HC/John Walsh by hc iTaiwan forum 10 months ago 17 minutes 33 views" class="yt-simple-endpoint style-scope ytd-grid-video-renderer" href="https://www.youtube.com/watch?v=p02M6BwK7CM&t=100s" id="video-title" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; color: var(--yt-spec-text-primary); cursor: pointer; display: -webkit-box; font-size: 1.4rem; font-weight: 500; line-height: 1.6rem; max-height: 3.2rem; overflow: hidden; text-decoration: var(--yt-endpoint-text-decoration, none); text-overflow: ellipsis; white-space: normal;" title="289 續《在永恒之門》- 插畫家古斯塔夫·杜雷(Gustave Doré) HC/John Walsh">289 續《在永恒之門》- 插畫家古斯塔夫·杜雷(Gustave Doré) HC/John Walsh</a></h3>
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從Gustave Doré 多雷(1832 – 1883) 到《梵谷:在永恆之門》(2018)<br />
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***<div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_53p" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j fe6kdd0r mau55g9w c8b282yb keod5gw0 nxhoafnm aigsh9s9 d3f4x2em iv3no6db jq4qci2q a3bd9o3v b1v8xokw oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Gustave Doré, Don Quixote. 1863 Paris Hachette edition</div></div></span></div></div></div></div><div class="l9j0dhe7" id="jsc_c_53q" style="font-family: inherit; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div style="font-family: inherit;"><a class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 mg4g778l pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb n00je7tq arfg74bv qs9ysxi8 k77z8yql btwxx1t3 abiwlrkh p8dawk7l lzcic4wl a8c37x1j tm8avpzi" href="https://www.facebook.com/photo/?fbid=1604653936576075&set=gm.4731256890262963&__cft__[0]=AZWxgpStx7MxX4ftbf42ju95aBVqsc6DhsXn7EgROAKe7xNWlzOF0_iEjwEz_XTsLqJzYJf39MrFe_JIyxauEXWk4ts7RLPBcJM1X-T_oT2Ar9yD1E_RJ35WaRRUnmY5wRdR6wOpXTFX_HxAkFtVdpd08cWIGAWxP-BHHVaYnadyaF6HARs_HGx4prFkkpHacis&__tn__=EH-R" role="link" style="-webkit-tap-highlight-color: transparent; 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align-items: stretch; appearance: none; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; z-index: 0;" tabindex="0"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j fe6kdd0r mau55g9w c8b282yb keod5gw0 nxhoafnm aigsh9s9 d3f4x2em iv3no6db jq4qci2q a3bd9o3v b1v8xokw m9osqain" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; 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font-size: 13px; margin-bottom: 4px;"></div></div></div></div><br /><br />𝐆𝐮𝐬𝐭𝐚𝐯𝐞 𝐃𝐎𝐑𝐄́ [<img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t74/1/16/1f1eb_1f1f7.png" /> 1832 - 1883] <br />Bradamente embracing Ruggiero.<br />1879.<br /><a href="https://www.blogger.com/#"><img src="https://scontent.ftpe8-1.fna.fbcdn.net/v/t39.30808-6/p526x296/254267345_359381185985850_4420232086025705866_n.jpg?_nc_cat=109&ccb=1-5&_nc_sid=0debeb&_nc_ohc=4vSN3gEs1FAAX_Echve&_nc_ht=scontent.ftpe8-1.fna&oh=b228b7a1416c4ad346a8a5742b02ad38&oe=61948DF7" /><br /><br /></a><br /><br /><br /><a href="https://www.blogger.com/#">Books, Illustrations & Magazines : The Golden Age</a> 在 <a href="https://www.blogger.com/#">𝐆𝐮𝐬𝐭𝐚𝐯𝐞 𝐃𝐎𝐑𝐄́ [<img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t74/1/16/1f1eb_1f1f7.png" /> 1832 - 1883]</a> 相簿中新增了 1 張相片。<br /><a href="https://www.blogger.com/#">11月9日下午8:27</a> · <br /><br />𝐆𝐮𝐬𝐭𝐚𝐯𝐞 𝐃𝐎𝐑𝐄́ [<img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t74/1/16/1f1eb_1f1f7.png" /> 1832 - 1883] <br />Bradamente embracing Ruggiero.<br />1879.<br /><br /><br /><br /><br /><a href="https://www.blogger.com/#"><br /><br />Ruggiero (character) - Wikipedia<br />https://en.wikipedia.org › wiki › Ruggiero_(character)</a><br /><br /><br /><br /><br />Ruggiero is the subject of two possible prophecies. His first possible fate is to convert to Christianity, marry Bradamante and sire a line of heroes that ...<br />Religion: <a href="https://www.blogger.com/#">Islam</a>, then Christianity<br />First appearance: <a href="https://www.blogger.com/#">Orlando Innamorato</a><br /><a href="https://www.blogger.com/#">Story</a> · <a href="https://www.blogger.com/#">Depictions</a><br /><br /><a href="https://www.blogger.com/#"><br /><br />Bradamante - Wikipedia<br />https://en.wikipedia.org › wiki › Bradamante</a><br /><br /><br /><br /><br />In 1582, French dramatist Robert Garnier wrote a tragicomedy named Bradamante that further develops the love story between the heroine and Roger (Ruggiero).<br />First appearance: <a href="https://www.blogger.com/#">Orlando Innamorato</a><br />Religion: <a href="https://www.blogger.com/#">Christianity</a><br /><br /><br /><br /><br />'The Divine Comedy' (Inferno, Canto 1) Engraving by Gustave Doré, 1860s<br /><a href="https://www.blogger.com/#"><br /></a><br /><br /><br />39<br /><br />****<br /><br /><br /><br /><a href="https://www.blogger.com/#">Van Gogh Museum</a> <br /><br /><br /><br /><br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/t6b/2/16/1f4dd.png" /> ‘…from the people for the people’ – Van Gogh wanted to produce drawings that appealed to the lower classes, and that they could afford. <br />He wanted to offer comfort with his art. Do you think he succeed in doing this with this drawing?<br /><img src="https://static.xx.fbcdn.net/images/emoji.php/v9/tb9/2/16/1f33b.png" /> Vincent van Gogh, At Eternity's Gate (1882)<br /><div> <br /> <a href="https://www.blogger.com/#">The Museum Without Walls/Le Musée Imaginaire</a> <br /> <a href="https://www.blogger.com/#">7月28日下午10:00</a> · <br /> <br /> <br /> <br /> <br />MWW Gallery of the Day (9/7/21)<br />Doré Illustrations I: Coleridge, Cervantes, Poe<br /><a href="https://www.blogger.com/#">https://www.facebook.com/media/set/......</a><br /><a href="https://www.blogger.com/#"><img src="https://scontent.frmq3-1.fna.fbcdn.net/v/t31.18172-8/p720x720/12031552_741500245955347_5720719049415897004_o.jpg?_nc_cat=110&ccb=1-5&_nc_sid=cdbe9c&_nc_ohc=KM2r2rOBenYAX9ovItE&tn=TuvOuLT13h4_QP0q&_nc_ht=scontent.frmq3-1.fna&oh=ee18d77d8806e56e2e02059f364bda66&oe=615E2B1C" /><br /><br /></a><br /><a href="https://www.blogger.com/#"><img src="https://scontent.frmq3-2.fna.fbcdn.net/v/t31.18172-8/p720x720/12132389_741500242622014_636485322444161791_o.jpg?_nc_cat=108&ccb=1-5&_nc_sid=cdbe9c&_nc_ohc=0fCk7Y7172MAX-SC1f9&_nc_ht=scontent.frmq3-2.fna&oh=5d8e3cd772ad645a71710ac8629a59f9&oe=615C1A37" /><br /><br /></a><br /><a href="https://www.blogger.com/#"><img src="https://scontent.frmq3-1.fna.fbcdn.net/v/t31.18172-8/p720x720/10856773_741500249288680_3949003842453349611_o.jpg?_nc_cat=106&ccb=1-5&_nc_sid=cdbe9c&_nc_ohc=8BtTUIaJyJ4AX-kkBh9&tn=TuvOuLT13h4_QP0q&_nc_ht=scontent.frmq3-1.fna&oh=158c9918ee77e448fc970db8672fabe6&oe=615D8FE0" /><br /><br /></a><br /><a href="https://www.blogger.com/#"><img src="https://scontent.frmq3-2.fna.fbcdn.net/v/t31.18172-8/p720x720/12080177_741500275955344_660497815042683928_o.jpg?_nc_cat=102&ccb=1-5&_nc_sid=cdbe9c&_nc_ohc=vLiCcfWsumEAX9M_vHV&_nc_ht=scontent.frmq3-2.fna&oh=1c7b19557e99396b949f63be97394847&oe=615DEEE1" /><br /><br /></a><br /><a href="https://www.blogger.com/#"><img src="https://scontent.frmq3-1.fna.fbcdn.net/v/t31.18172-8/p720x720/12132584_741500282622010_8398904922750744516_o.jpg?_nc_cat=103&ccb=1-5&_nc_sid=cdbe9c&_nc_ohc=_JX5aAAh1b0AX-mjOVA&_nc_ht=scontent.frmq3-1.fna&oh=a131069542c4bc76add12c3379679c40&oe=615BD045" /><br /><br />+196<br /></a><br /><br /><br /><a href="https://www.blogger.com/#">The Museum Without Walls/Le Musée Imaginaire</a> 在 <a href="https://www.blogger.com/#">Doré Illustrations I: Coleridge, Cervantes, Poe</a> 相簿中新增了 200 張相片。<br /><a href="https://www.blogger.com/#">2015年10月12日</a> · <br /><br />Gustave Doré (1832–1883) was the foremost and most prolific illustrator in the nineteenth century's Golden Age of Book Illustration, and one of the greatest draughtsmen ever. This first of several MWW galleries devoted to him presents all his illustrations for three classic works of literature: Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," Miguel Cervantes' "Don Quixote," and Edgar Allan Poe's "The Raven." <br />For those wishing to revisit or experience for the first time the literary works themselves while viewing the images, the corresponding text of both the Coleridge and Poe poems is provided in the commentary section. (You may have to click "See More" to access all of it.) For the Quixote illustrations either the corresponding text (in an English translation) or a plot summary of the relevant chapter is provided. <br />Future MWW Doré galleries will present his illustrations for Dante's "Divina Commedia," the Bible, Milton's "Paradise Lost," works by Shakespeare, Rabelais, Tennyson and others. <br /> <br /> <br /> <br /> MWW Gallery of the Day (7/28/20) <br /> Doré Illustrations II: The Bible <br /> <a href="https://www.blogger.com/#">https://www.facebook.com/pg/TheMuseumWithoutWalls/photos/?tab=album&album_id=1064581186980583</a> <br /> <br /><a href="https://www.blogger.com/#"><br /> <br /> +240 <br /> </a> <br /> <br /> <br /> <br /> <br /> <br /> <a href="https://www.blogger.com/#"> The Museum Without Walls/Le Musée Imaginaire </a> 在 <a href="https://www.blogger.com/#">Doré Illustrations II: The Bible</a> 相簿中新增了 244 張相片。 <br /> <br /> 2017年3月1日 · <br /> <br /> <br /> <br /> <br /> <br /> <br /> In the Western World, which has seen many books come and go over the last two millennia, there is one which can claim to stand head and shoulders above the rest when it comes to cultural pedigree and artistic influence -- the Christian Bible. Its very name is derived from the Greek word for "books." It was the first to come off Gutenburg's printing press, and in the 563 years since has been reprinted, re-issued in new editions, and translated and re-translated into more languages than any other book. The stories it contains have been depicted in more works of art than any human could possible view in a lifetime. And, not surprisingly, more illustrated editions of it have been published than any other book in history. Here, we present the complete set of the most celebrated of all Bible illustrations, those by the French artist Gustave Doré (1832-1883). <br /> <br /> Doré had already achieved considerable success as an illustrator of works by Byron, Shakespeare and Cervantes, when he was commissioned by French and English publishers to do a series of wood engravings to adorn "La Grande Bible de Tours," a large folio edition published in two volumes simultaneously by Mame in Tours, France and by Cassell and Company in England in 1866. The 241 that he executed not only secured his reputation as France's foremost illustrator, but also set him on the path which would lead him to being proclaimed the greatest of all time. <br /> <br /> This series of illustrations comprises 139 plates depicting scenes from the Old Testament, 21 from the Apocrypha (deuterocanonical books), and 81 from the New Testament. One will, of course, find none illustrating passages from the more prosaic biblical books like Deuteronomy or Leviticus, nor even any from the poetical Psalms or didactic Epistles of Paul. Almost all of them illustrate oft-depicted dramatic scenes from Genesis, Exodus, the Four Gospels, the Book of Revelation, and the like. To give the non-biblical scholar the necessary context to appreciate each picture, we have included the relevant biblical text from the 1769 King James Version in the commentary section. (You will have to click "See More" to access these.) <br /> <br /> See also this previous MWW gallery devoted to this artist: <br /> * Doré Illustrations I: Coleridge, Cervantes, Poe <br /> <br /> Future MWW Doré galleries will present his illustrations for Dante's "Divina Commedia," Milton's "Paradise Lost," works by Shakespeare, Rabelais, Tennyson, Charles Perrault and others. <br />
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要點<span style="font-size: x-large;"> London: a pilgrimage、</span> Don Quixote、老水手行等書<br />
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https://www.wikiart.org/en/gustave-dore<br />
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Gustave Dore - 758 paintings, illustrations, drawings and prints<br />
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多雷插圖本:聖經故事、神曲、巨人傳、拉封丹寓言詩、國王的敘事詩、老水手行、忽必烈汗、克麗斯德蓓、孤獨中的憂思、夜鶯......*缺莎士比亞、巴爾札克、London: a pilgrimage...<br />
博客來網站<br />
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Doré's later work included illustrations for new editions of Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. Doré's work also appeared in the weekly newspaper The Illustrated London News<br />
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<span style="font-size: x-large;"><i> London: a pilgrimage with 180 engravings.</i></span><br />
Blanchard Jerrold (1826–1884) Gustave Doré (1832–1883)<br />
Blanchard Jerrold (1826–1884) joined forces with the famous French artist Gustave Doré (1832–1883)<br />
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Paul Gustave Doré 1832~83<br />
Photograph by Nadar, 1867<br />
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《梵谷:在永恆之門》(英語:At Eternity's Gate)2018<br />
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Expert claims to discover 65 'lost' Van Gogh sketches,<br />
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***<br />
<a href="http://www.gutenberg.org/files/44428/44428-h/44428-h.htm">http://www.gutenberg.org/files/44428/44428-h/44428-h.htm</a><br />
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<h1 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
THE DAYS OF CHIVALRY</h1>
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OR THE LEGEND OF CROQUEMITAINE</h3>
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By Ernest Louis Victor Jules L’Epine</h2>
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Freely Translated From The French of L’epine by Tom Hood.</h3>
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<h2 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
Illustrated With 177 Designs on Wood<br />BY GUSTAVE DORÉ.</h2>
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CHAPTER VIII. THROUGH THE FORESTS.</h2>
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<span class="dropcap" style="float: left; font-size: 4em; line-height: 1; margin: 0px 0.1em 0px 0px;">T</span>HE sun sank down in a flood of purple, the birds were chanting their vespers.</div>
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“Come on, Croque-Miton-Mita-Mitaine!” cried the girl. “I would not stir from the spot for the spurs of knighthood.”</div>
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The sky changed from gold to pale blue, from pale blue to violet, from violet to indigo, from indigo to black. A thousand stars peeped out to see what was going to happen. A waning moon climbed slowly up the heavens, shedding a feeble light and yellow, as if smitten with fever. The air became cooler, a gentle breeze began to stir the foliage, covered with the dust of day, and to awaken it to its morning toilet. Every sound was hushed, except the rustle of the leaves. The grass had growm so thick and long, Mitaine scarcely knew where to set her foot. She was not afraid, and yet, as she advanced, her thoughts became more grave. To be self-collected in danger is one of the signs of courage. A coward loses himself in the presence of peril.</div>
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“What am I about to meet with yonder? What obstacles shall I fall in with? I have always heard my royal godfather say that there is nothing one cannot overcome by courage, skill, and perseverance; it he spoke the truth, I have nothing to fear. This Croquemitaine, perhaps, is, after all, only a robber chief, profiting by the public panic to pillage the passers-by. The passers-by?—but nobody does pass by, and, as a rule, people render pleasing, rather than terrible, the paths that lead to a snare. Pshaw! we shall soon see!”</div>
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All her past life came back to Mitaine’s recollection. She seemed as if she should feel less solitary when surrounded by memories of those she loved. She seemed to hear friendly voices. “Be prudent,” whispered her mother.</div>
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“Be resolute!” said Charlemagne.</div>
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“Be bold!” said Roland.</div>
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Thus accompanied, she pushed on with firmer tread, and halted not until she reached the border of the forest. As she entered it, her foot slipped upon some round slimy object, and a snake wound itself round her leg. “So the shame is beginning,” said Mitaine.</div>
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There is room in the human heart for Prudence and Courage, they live together like good neighbours, and it would give you, my young friends, a very false idea of bravery to suppose that it cannot exist in company with caution.</div>
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Mitaine had put on a suit of mail, and she congratulated herself on wearing her gauntlets, as she stooped down to seize hold of the reptile. She grasped a round and flexible object, and was about to crush it under her heel, when she discovered that what she had taken for a serpent was only a creeper, which broke in her hand. For an instant she felt ashamed.</div>
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“This is the’ result of all the stories I have been so long listening: to about this absurd castle. If people had not tried to frighten me, I should not even have stooped down.” And she continued her route.</div>
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The moon flung her rays over the forest, and Mitaine beheld in the distance a number of white menacing shapes. Some had burst their shrouds, and allowed their skeleton forms to be seen, clattering at every breath of air; others displayed fearful wounds, in which the weapons yet remained; fleshless arms stretched towards her, and the wind bore to her indistinct and threatening murmurs. She allowed herself to be betrayed into a gesture of alarm; immediately the spectres shook their dishevelled hair, waved their arms, and began to move towards her. She saw them approaching in countless numbers, with menacing aspect and hollow meanings.</div>
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“By Roland!” said she, “I believe I’m a little frightened. My godfather would blush for me if he knew it.” She drew her sword, and rushed on.</div>
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Hardly had the sense of alarm left her, when the appearance of all she saw was changed. The spectres vanished, and Mitaine saw before her only a few bleached tree trunks, on which the moon shed its rays. Instead of wounds, she saw inequalities of the bark; instead of outstretched arms, she saw branches; instead of unkempt locks, leaves; while in the place of threatening murmurs she heard only the wail of the wind.</div>
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“I’m evidently growing foolish,” said she to herself; “I have lost my head, and my brain to-night is full of spectres. I must not let myself be caught again.”</div>
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<img alt="213s" src="https://www.gutenberg.org/files/44428/44428-h/images/213s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/213.jpg"><i>Original Size</i></a> -- <a href="http://www.gutenberg.org/files/44428/44428-h/images/213m.jpg"><i>Medium-Size</i></a></h4>
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Scarcely had the thought passed through her mind when she felt herself caught by the leg; this time there was no illusion. She turned round quickly, and saw with alarm a grim shape, which struggled out of the earth, and flung itself upon her. At the foot of every tree she could distinguish like forms buried in the earth breast high, and writhing in agony.</div>
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Mitaine strove, but in vain, to release her leg; the shape clung to it, and its head seemed about to seize her in its jaws.</div>
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“Reality or spectre—dead or alive—I will try how you will take this;” and she struck fiercely at it with her sword. The blow fell upon the root of a tree.</div>
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“How is it that I did not see this at once? I shall never forgive myself this foolish fear. I must admit, Master Croquemitaine, that your jokes are anything but pleasant. Still, I hope you will give me something more serious to do before long, or I shall cut but a sorry figure when I come to relate my adventures.”</div>
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Observe, my children, that it is almost always thus in life: out of a hundred things which terrify you, at least ninety-five will only make you smile, if you look them boldly in the face.</div>
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The sky had gradually become covered with clouds; large drops of rain began to fall; in the distance the thunder rumbled, but so faintly, that it seemed only like the snoring of an elephant or a hippopotamus.</div>
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“The greatest danger I run is that of catching cold. The rain has already begun, and who can tell when I shall reach the Fortress of Fear? This coward of a Croquemitaine has so well concealed his abode, that one might just as well look for a pin at the bottom of the sea.”</div>
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A terrific clap of thunder was the only answer she received, and the glare of the light allowed her to distinguish at a short distance the castle, which was perched, as if balanced, on the extreme point of a mountain of eccentric form.</div>
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“So this, then, is the precious jewel which they have taken such pains to conceal from all eyes. By my faith! they were right to conceal it, for it appears to me the most hideous in the world.”</div>
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Mitaine pushed forward. For a long time she followed the course of a ruined wall, when suddenly a flash of lightning cleaving the heavens enabled her to discover a horrible monster grazing at her from its crest. It resembled the skeleton of a horse, combined with those of an ostrich, a whale, and a giraffe. Its enormous head was supported by a disproportionately long neck, and its two claws, armed with immense talons, were seeking on the top of the wall for some point of vantage whence to leap upon her.</div>
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<img alt="215s" src="https://www.gutenberg.org/files/44428/44428-h/images/215s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/215.jpg"><i>Original Size</i></a> -- <a href="http://www.gutenberg.org/files/44428/44428-h/images/215m.jpg"><i>Medium-Size</i></a></h4>
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Mitaine, taken by surprise, sprang back twenty paces; the monster took as many in advance. She sank upon her knee as it drew near, and felt its hot breath blowing upon her.</div>
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“By the Shrine of St. Landri! I am acting like a child, and show myself little worthy to follow Charlemagne and Roland to battle.”</div>
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She sprang up; the monster immediately recoiled.</div>
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“Will nothing teach me wisdom? Every obstacle that I meet boldly disappears, and yet I allow myself to be stopped by this vile form;” and she gave the wall a vigorous kick. The stones fell crumbling, and dragged with them a number of creepers and brambles a century old, breaking a poor harmless tree which had stood for ages, with its branches resting on the wall. Mitaine shrugged her shoulders, and moved on, saying, “As I expected!”</div>
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In a few minutes she found herself in the presence of a more serious obstacle. Before her rolled a torrent, which carried down in its rapid waters huge blocks of stone, as any other stream would carry down logs. This new barrier it was not easy either to overcome or avoid. The night was dark, and the moon faint and pale, and half hidden in masses of cloud. It seemed rather like a dying watch-fire than a luminary of the first magnitude. The water of the torrent gleaming in this half light rushed by with formidable violence, and Mitaine felt her brain swim whenever she looked at it. She hurried up and down the bank, seeking in vain for a means of crossing. The lightning, as if to confuse her, redoubled its intensity, and showed her the castle situated at a short distance on the further shore. At length, however, she discovered a tree which lay across the gulf. Every wave as it passed had washed away a portion of the bank; the tree, half uprooted, had held its own well for a time, until at last, weary of the struggle, it had suffered itself to sink to the ground.</div>
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Mitaine contemplated this means of crossing not without apprehension. Tremblingly she placed her foot upon the trunk; it shook and rocked. She hesitated, and as her hesitation increased, so the tree became more shaky and uncertain.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“What!” said she, impatiently; “am I so short a distance from my object, and must I draw back because the passage is not quite safe? No! it is fear that makes me awkward; every day I accomplish things far more difficult than this.”</div>
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She set her foot resolutely on the trunk, and found, to her surprise, that it grew firmer as she went on.</div>
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<img alt="217s" src="https://www.gutenberg.org/files/44428/44428-h/images/217s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/217.jpg"><i>Original Size</i></a> -- <a href="http://www.gutenberg.org/files/44428/44428-h/images/217m.jpg"><i>Medium-Size</i></a></h4>
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“Why, I am on a wooden bridge,” said she, when she got half-way over. “Nay, indeed, it’s a fine stone bridge,” she cried, as she reached the farther shore.</div>
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Of a truth, my children, fear doubles the importance of most obstacles, for it deprives us of half die faculties which should assist us to overcome them. Take away the ape’s intrepidity and give it to man, and man will become as agile as the ape.</div>
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Mitaine saw before her but one road, and set out resolutely along it’ although it wras so narrow that she brushed the rock on either side with her shoulders. It was, in fact, less a path than a cleft in the mountain side. She pushed forward on tip-toe, wondering a little what she should find at the other end of this burrow. Suddenly her head encountered an obstacle, and she discovered that the passage had become so low, that she must stoop to continue her path.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“Do they want to bury me alive?” The thought made her hair bristle; and not without reason, I can assure you, for she was in utter darkness, with hardly a breath of air, and every instant she felt the four walls closing in.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“Do your best, Croquemitaine; it shall never be said that I turned back, when I had got so close to you.”</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
She was now compelled to continue her progress on her hands and knees. “Yu will get nothing by it; I will pay you for this when I meet you.”</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
The ceiling was now so low, that she was obliged to drag herself along the ground. “If there be room for a mouse, I’ll get through, never trust me!”</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
At last, she saw with joy a gleam of light, a few paces further on. This feeble ray gave her fresh courage, and she struggled on by dint of nails, knees, and feet so well, that in a few seconds she had reached the outlet. She was about to breathe again, to live again, to move freely! one more effort, and she would be at liberty! She perceived that the opening at the end of the passage was guarded by a strange sort of grating.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“Well, this complicates the situation! I should be curious to know what my long-bearded godsire would do, if he found himself on all fours in this mole-run before these bars. Assist me to get out of this, St. J ames, and I will offer up to you a prayer of gratitude.”</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
Mitaine made another movement to approach still nearer to the grating; she was about to take the bars in her hand, when she perceived there was nothing before her but a spider’s web.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“Thanks, St. James! you have saved me from a terrible danger.”</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
But now the spider came down into the middle of his web to defend his stronghold, and it was with no common insect that she had to deal.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
Picture to yourselves a body as big as your two fists, bloated and hairy; legs by the dozen, vying with each other in agility and flexibility, with two pinchers like those of a scorpion, and eyes that gleamed in the dark.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
If Mitaine had had the free use of her limbs she would not have taken much notice of such a trifle; but you must remember that she was lying flat upon the ground, hedged in on all sides as close as if in a coffin, and that she could only fight the creature by butting at it with her head. The spider, taking advantage of her hesitation, set about repairing its net, adding thread to thread with frightful rapidity.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
<br /></div>
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<a href="https://www.blogger.com/null" id="linkimage-0146" name="linkimage-0146"></a></div>
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<img alt="223s" src="https://www.gutenberg.org/files/44428/44428-h/images/223s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/223.jpg"><i>Original Size</i></a> -- <a href="http://www.gutenberg.org/files/44428/44428-h/images/223m.jpg"><i>Medium-Size</i></a></h4>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
“It is worth one’s while to be the godchild of an Emperor, the daughter of a knight, the friend of a hero, and, above all, a favourite of St. James, in order to run away from a spider. Mountjoy, St. Denis! let’s charge the foe!” She lowered her head, closed her eyes, and pushed her way on. The web broke; she felt her opponent glide over her shoulder, and run along her back. She immediately pressed herself with all her force against the roof, heard a sound like the breaking of an egg, and stepped forth mistress of the field. With what joy did she find herself in the open air! How did she rejoice in the rain that beat on her face and the whirlwind, whose violence tore up even the stones in her path!</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
Before her rose the Fortress of Fear.</div>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
<br /></div>
<hr style="text-align: center; width: 607.063px;" />
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
<a href="https://www.blogger.com/null" id="linkimage-0147" name="linkimage-0147"></a></div>
<div class="fig" style="margin: 0px auto; text-align: center; width: 242.813px;">
<img alt="221s" src="https://www.gutenberg.org/files/44428/44428-h/images/221s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/221.jpg"><i>Original Size</i></a> -- <a href="http://www.gutenberg.org/files/44428/44428-h/images/221m.jpg"><i>Medium-Size</i></a></h4>
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
<br /></div>
<hr style="text-align: center; width: 607.063px;" />
<div style="margin-bottom: 0.25em; margin-top: 0.25em; text-align: justify; text-indent: 1em;">
<a href="https://www.blogger.com/null" id="linkimage-0148" name="linkimage-0148"></a></div>
<div class="fig" style="margin: 0px auto; text-align: center; width: 242.813px;">
<img alt="224s" src="https://www.gutenberg.org/files/44428/44428-h/images/224s.jpg" width="100%" /></div>
<h4 style="margin-left: 182.109px; margin-right: 182.109px; text-align: center;">
<a href="http://www.gutenberg.org/files/44428/44428-h/images/224.jpg"><i>Original Size</i></a> -- <i><a href="http://www.gutenberg.org/files/44428/44428-h/images/224m.jpg">Medium-Size</a></i></h4>
<div>
<br /></div>
<br />
Expert claims to discover 65 'lost' Van Gogh sketches,<br />
<br />
<br />
<br />
Expert claims to discover 65 'lost' Van Gogh sketches.<br />
In an extraordinary statement, the Van Gogh Museum in Amsterdam argued the sketches were not by the artist, calling them mere “imitations” containing topographical errors, strange provenance and none of his characteristic style.<br />
<br />
<br />
<br />
<br />
<br />
<br />
1989/92<br />
<br />
n<br />
English: Newgate Exercise yard by Gustave Dore , from ‘London : A pilgrimage’ by Gustave Dore and Blanchard Jerrold 1872<br />
1890 vincent<br />
<br />
<br />
簡介Honoré Daumier 1808-79 奧諾雷·杜米埃<br />
<br />
仿Honoré Daumier<br />
WOOD BLOCK<br />
<br />
拉伯雷(F. Rabelais)《巨人傳》(Gargantua et Pantagruel)<br />
<br />
http://www.gutenberg.org/files/1200/1200-h/1200-h.htm<br />
<br />
Gustave Doré<br />
1832~83<br />
Rabelais' "Gargantua" (English translation)<br />
Pantagruel. Gargantua and Pantagruel, translated by Sir Thomas Urquhart and illustrated by Gustave Doré.<br />
<br />
Les Contes Drôlatiques百滑稽的故事<br />
艶笑滑稽譚<br />
1832~37<br />
Dore 1855<br />
Les Contes Drôlatiques<br />
<br />
GUSTAVE DORE ~ THE TEMPEST<br />
1860<br />
<br />
<br />
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Rabbits by Gustave Dore (1832-1883)</div>
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The Great Flood (detail)<br />
<br />
La Confusion des langues, par Gustave Doré.<br />
<br />
<br />
<br />
<br />
Doré’s depiction of Merlin’s midnight procession,<br />
from the 1863 Paris Hachette edition —<br />
<br />
<br />
La Danse du Sabbat ~ ca.1870<br />
La Danse du Sabbat ~ ca.1870 Attr. to Gustave Doré, or Émile Bayard<br />
<br />
a victorious Saladin, by Gustave Doré<br />
<br />
<br />
Leviathan<br />
<br />
<br />
<br />
Drawing of Berlioz conducting a choir by Gustave Doré,<br />
published in Journal pour rire, 27 June 1850<br />
<br />
<br />
https://www.youtube.com/watch?v=P5FTqF0QMUA&t=3s<br />
<br />
The Angels In The Planet Mercury, Gustave Dore ,1890<br />
<br />
Gustave Doré<br />
<br />
The Wolves and The Sheep, Gustave Doré, 1867<br />
<br />
<br />
信天翁導船入南極冰洋<br />
The Rime of the Ancient Mariner,<br />
6th<br />
<br />
Gustave Doré<br />
Samuel Taylor Coleridge died #onthisday in 1834. His supernatural epic The Rime of the Ancient Mariner, about the perils that follow after a mariner shoots an albatross, may have been inspired by James Cook’s polar expeditions, and that of other explorers http://bit.ly/2uN3ZGl<br />
Image from The Ancient Mariner illustrations by Gustave Doré (1875.b.5.)<br />
british<br />
<br />
<br />
生死之間與死神玩骰子<br />
14thT<br />
<br />
"A Celestial Light" : Gustave Doré<br />
<br />
From ''Little Red Riding Hood''<br />
<br />
- Fall of the Rebel Angels<br />
<br />
Andromeda, 1869,<br />
Chimei Museum,<br />
<br />
<br />
<br />
Portrait of Cervantes from the 1738 London Tonson edition<br />
Portrait of Cervantes from the 1738 London Tonson edition, designed by William Kent and engraved by George Vertue<br />
<br />
Doré’s depiction of the windmill scene — Source.<br />
<br />
Gustave Doré’s depiction of Don Quixote<br />
Gustave Doré’s depiction of Don Quixote amid his fantasies of chivalric romance, the frontispiece to the 1863 Paris Hachette edition<br />
<br />
<br />
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(A Midsummer Night’s Dream, 1870/ Gustave Doré; 1832-1883)</div>
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<br />
Gustave Doré et Héliodore Pisan<br />
« Et on acheva de laver Don Quichotte » matrice inachevée, c. 1860<br />
gouache sur bois<br />
BnF, réserve du département des Estampes et de la photographie<br />
<br />
depicting Don Quixote and Sancho Panza astride their steeds<br />
Title page to the 1620 London Blount edition,<br />
Title page to the 1620 London Blount edition, depicting Don Quixote and Sancho Panza astride their steeds<br />
<br />
Depiction of the windmill scene<br />
from the 1648 Frankfurt edition<br />
<br />
Depiction of the windmill scene from the 1648 Frankfurt edition<br />
<br />
<br />
Frontispiece to the 1687 London Hodgkin edition<br />
<br />
The allegorical portrait of Cervantes from the 1738 London Tonson edition, designed by John Vanderbank and engraved by Gerard van der Gucht — Source.<br />
<br />
Vanderbank’s version of the goatherd scene, from the 1738 London Tonson edition — Source.<br />
<br />
José del Castillo’s idea of the scene in which Don Quixote gets beaten by mare herders, from the 1780 Madrid Ibarra edition — Source.<br />
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Robert Smirke’s smaller vignette of the penance scene — Source.<br />
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Robert Smirke’s full page illustration of the trouserless Don Quixote during the penance scene — Source.<br />
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芹沢銈介1895~1984<br />
1937<br />
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『絵本どんきほうて』(1937)<br />
<br />
Edward Hopper . Don Quixote. 1899, on Illustration board, Whitney Museum of American Art .<br />
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<a class="_24-r" href="https://www.facebook.com/groups/856903977698293/permalink/2587789274609746/" id="u_fetchstream_62_g" style="color: #385898; cursor: pointer; display: block; font-family: inherit; margin-right: 12px; position: relative; text-decoration-line: none;" target="_blank"><span style="font-family: inherit;"><img alt="" class="img" height="128" src="https://scontent.ftpe1-1.fna.fbcdn.net/v/t1.0-0/c0.339.1338.1338a/s168x128/77262533_2712017848819425_3953726814278385664_o.jpg?_nc_cat=110&_nc_eui2=AeGz6RaGLTKT6xHuxL-WLhBms0afQp-wbHl0nVSGJsWNhd1yCvGmTcWmBoWJa8ab9Y2GWxDrYcS-uOY9nNplgp5jzg50VO9kk22x4dIkQ3HY1g&_nc_ohc=9P9NmDTLMRsAQkTptGUv6tVIo3AdwSYfylSrfgTcXOSPgq2yaRoUEV6BA&_nc_ht=scontent.ftpe1-1.fna&oh=e789e66e75858f12c4b7512003470061&oe=5E74204C" style="border: 0px; display: block;" width="128" /></span></a></div>
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<div class="_4bl9 _5yjp" style="flex: 1 0 0px; font-family: inherit; max-height: 67px; overflow-wrap: break-word; overflow: hidden;">
<a class="_24-s _3vo5" href="https://www.facebook.com/groups/856903977698293/permalink/2587789274609746/" id="u_fetchstream_62_30" style="color: #385898; cursor: pointer; display: inline-block; font-family: inherit; font-size: 17px; font-weight: 600; margin-bottom: 4px; max-height: 41px; max-width: 100%; overflow: hidden; text-decoration-line: none; text-overflow: ellipsis; white-space: nowrap; width: 632px;" target="_blank">Victor Rubin <i class="_51mq img sp_VUYf-PZDwLt_1_5x sx_d0a9ae" style="background-image: url("/rsrc.php/v3/y9/r/rexxArM2lSX.png"); background-position: 0px 0px; background-repeat: no-repeat; background-size: 22px 36px; display: inline-block; height: 20px; margin-right: 3px; vertical-align: -2.9px; width: 20px;"></i> The Golden Age Of Illustration</a><br />
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<i alt="" class="_4trz img sp_mqy3RRftyLx_1_5x sx_c8079c" style="background-image: url("/rsrc.php/v3/yD/r/pbZg7xG7ypm.png"); background-position: -44px -412px; background-repeat: no-repeat; background-size: 66px 1074px; display: inline-block; float: left; height: 20px; margin: -1px -2px -4px -6px; width: 20px;"></i></div>
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<span style="font-family: inherit;">Miguel de Cervantes Don Quixote by Gustave Doré</span></div>
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<span class="_5znp" style="color: #90949c; font-family: inherit; padding-top: 2px;">貼文 · 1 張相片<span class="_3a4y" style="font-family: inherit;"></span></span> </div>
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</div></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-45142564362474849962023-09-09T13:14:00.000-07:002023-09-09T13:14:01.056-07:00 2023台灣工藝(巴黎) 80年之後 NHK 257 淺談柳宗悅的『民藝』與台灣行 (2);Okinawa mysterious fabric "ton-byan."。 周作人談柳宗悅; 禮拜天美術神遊 (19) :日本民藝館(跟著藤森照信的《 美術館三昧》,2004 走).......父與子:柳宗悦 (1889~1961) 與柳宗理(柳宗悦長子,1915-2011)《柳宗理隨筆》<div><br /></div><div><br /></div><div><div>#臺灣工藝 #巴黎</div><div>🌟 Taiwan Crafts & Design brille au salon Maison&Objet Paris 2023 ! Présentées par le Centre national de recherche et de développement de l'artisanat à Taïwan 國立臺灣工藝研究發展中心 , cette année avec le thème « Evolving Life », plus de 60 œuvres artisanales taïwanaises ont été exposées. Avec des conceptions de design originales, des esthétiques épures, et une finition délicate, les créations taïwanaises ont été très appréciées par les professionnels et les visiteurs ! Profitez de ces derniers jours pour visiter Taiwan Crafts & Design !</div><div><br /></div><div>🌟 國立臺灣工藝研究發展中心 Taiwan Crafts & Design 今年再度進軍巴黎時尚家居設計展Maison&Objet Paris,以「進化生活」(Evolving Life)為題,展現台灣設計的堅強軟實力。展場以粉色系色調為主軸優雅呈現,相當吸睛,此次展出精選六十多件台灣工藝設計產品。出色的工藝設計及美感展現,配上歐洲專業人士也驚歎不已的細膩做工,成功獲得相當多在場專業人士讚賞。展出至9/11止,歡迎大家把握機會,多多前往參觀!</div><div><br /></div><div>👉</div><div>« Taiwan Crafts & Design »</div><div>📍</div><div>Salon Maison&Objet Paris</div><div>巴黎時尚家居設計展</div><div>Hall 7 - A62</div><div>🗓</div><div>Du 7 au 11 septembre 2023</div></div><br />
<p> 禮拜天美術神遊 (19) :日本民藝館(跟著藤森照信的《 美術館三昧》,2004 走).......父與子:柳宗悦 (1889~1961) 與柳宗理(柳宗悦長子,1915-2011)《柳宗理隨筆》</p><p>https://www.facebook.com/hanching.chung/videos/4149034811773961</p><p><br /></p><p>八十年之後繼續推廣</p><p>NHK a place called homes </p><p><br /></p><p>日本民藝館</p><li style="color: #222222; display: inline; font-family: Verdana, "�q���M�m�ۃS Pro W4", "Hiragino Maru Gothic Pro", "�l�r P�S�V�b�N", Osaka, sans-serif; font-size: 12px; line-height: 32px; list-style-type: none; margin: 0px; padding: 0px;"><a href="https://www.mingeikan.or.jp/" style="color: black; margin: 0px; padding: 0px; text-decoration-line: none;">HOME<span style="background-color: white; color: #222222;"> > </span></a></li><li style="color: #222222; display: inline; font-family: Verdana, "�q���M�m�ۃS Pro W4", "Hiragino Maru Gothic Pro", "�l�r P�S�V�b�N", Osaka, sans-serif; font-size: 12px; line-height: 32px; list-style-type: none; margin: 0px; padding: 0px;"><a href="https://www.mingeikan.or.jp/collection/" style="color: black; margin: 0px; padding: 0px; text-decoration-line: none;">所蔵品<span style="background-color: white; color: #222222;"> > </span></a></li><li style="color: #222222; display: inline; font-family: Verdana, "�q���M�m�ۃS Pro W4", "Hiragino Maru Gothic Pro", "�l�r P�S�V�b�N", Osaka, sans-serif; font-size: 12px; line-height: 32px; list-style-type: none; margin: 0px; padding: 0px;">台湾先住民族の工芸</li><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;">https://www.mingeikan.or.jp/collection/taiwan.html</yt-formatted-string></div><h1 class="title style-scope ytd-video-primary-info-renderer" style="background: rgb(249, 249, 249); border: 0px; color: var(--ytd-video-primary-info-renderer-title-color, var(--yt-spec-text-primary)); font-family: Roboto, Arial, sans-serif; font-size: var(--ytd-video-primary-info-renderer-title-font-size, var(--yt-navbar-title-font-size, inherit)); font-weight: 400; line-height: var(--yt-navbar-title-line-height, 2.4rem); margin: 0px; max-height: calc(2 * var(--yt-navbar-title-line-height, 2.4rem)); overflow: hidden; padding: 0px; text-shadow: var(--ytd-video-primary-info-renderer-title-text-shadow, none); transform: var(--ytd-video-primary-info-renderer-title-transform, none);"><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;">257 淺談柳宗悅的『民藝』與台灣行 2018-10-07 漢清講堂</yt-formatted-string></h1><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;"><span style="font-size: x-large;">https://www.youtube.com/watch?v=oGtfX_6T7nQ&t=190s</span></yt-formatted-string></div><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;"><br /></yt-formatted-string></div><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;"><br /></yt-formatted-string></div><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;"><br /></yt-formatted-string></div><div><yt-formatted-string class="style-scope ytd-video-primary-info-renderer" force-default-style="" style="word-break: break-word;"><br /></yt-formatted-string></div><p><br /></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;">柳宗悦 (1889~1961)の世界―民藝の発見とその思想 兼談其台灣行</span></p><p><span id="docs-internal-guid-9e073437-7fff-9934-e902-994c24bc506a"></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;">Yanagi Sōetsu/Yanagi Muneyoshi</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><div dir="auto" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_el0" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v b1v8xokw oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;"><span style="font-size: large;">A journey through Japan's southern prefecture Okinawa on the search for the secrets of a mysterious fabric "ton-byan."</span></div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; font-size: 0.9375rem; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">The Lost Textile of Ryukyu</div><div dir="auto" style="font-family: inherit;">WATCH FULL VIDEO<span class="pq6dq46d tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me sf5mxxl7 gl3lb2sf hhz5lgdu" style="display: inline-flex; font-family: inherit; height: 16px; 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margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://www3.nhk.or.jp/....../ondemand/video/3004681/......</a></span></div></div></span></div></div></div></div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"></span></p><div class="l9j0dhe7" id="jsc_c_el1" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; font-size: 13px; position: relative;"><div style="font-family: inherit;"><div class="b3i9ofy5 l9j0dhe7" style="background-color: var(--comment-background); font-family: inherit; position: relative;"><div class="j83agx80 soycq5t1 ni8dbmo4 stjgntxs l9j0dhe7" style="display: flex; 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background-color: var(--card-background); display: flex; flex-direction: column; font-family: inherit; overflow: hidden; position: relative; width: 500px;"><div style="font-family: inherit; max-width: 100%; min-width: 500px; width: calc((100vh + -325px) * 1.91571);"><div class="do00u71z ni8dbmo4 stjgntxs l9j0dhe7" style="font-family: inherit; height: 0px; overflow: hidden; padding-top: 261px; position: relative;"><div class="pmk7jnqg kr520xx4" style="font-family: inherit; height: 261px; left: 0px; position: absolute; top: 0px; width: 500px;"><img alt="The Lost Textile of Ryukyu - NHK WORLD PRIME | NHK WORLD-JAPAN On Demand" class="i09qtzwb n7fi1qx3 datstx6m pmk7jnqg j9ispegn kr520xx4 k4urcfbm bixrwtb6" height="261" referrerpolicy="origin-when-cross-origin" src="https://external.ftpe13-2.fna.fbcdn.net/safe_image.php?d=AQGgupM-cKW8PjJ1&w=500&h=261&url=https%3A%2F%2Fsprcdn-assets.sprinklr.com%2F1251%2F8111f1dd-2e5f-4e59-ad6a-43d5f2337bc2-1403657365.jpg&cfs=1&ext=jpg&_nc_oe=6ede3&_nc_sid=06c271&ccb=3-5&_nc_hash=AQEePX3vxv-yVM3Y" style="border: 0px; 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margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v b1v8xokw m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="a8c37x1j ni8dbmo4 stjgntxs l9j0dhe7 ltmttdrg g0qnabr5" style="display: block; font-family: inherit; overflow: hidden; position: relative; text-overflow: ellipsis; white-space: nowrap;"><span style="font-family: inherit;">The Ryukyu Kingdom (15C-19C) flourished in present-day O</span></span></span></div></div></div></div></div></div></a></div></div></div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><br /></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><span style="font-family: "Times New Roman"; font-size: medium; font-weight: 400; white-space: normal;">----</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">父與子:柳宗悦 (1889~1961) 與柳宗理(柳宗悦長子,1915-2011)</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><span style="font-family: "Times New Roman"; font-size: medium; font-weight: 400; white-space: normal;"><br /></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="color: black; font-family: Arial; font-size: 30pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre;"><span id="docs-internal-guid-e48fa7e1-7fff-1103-d5a7-6e231d72d500" style="font-weight: normal;"></span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 16pt; margin-top: 0pt;"><span style="color: #595959; font-family: Arial; font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre;">柳宗理(子1915-2011)</span><span style="color: #595959; font-family: Arial;"><span style="font-size: 24px; white-space: pre-wrap;">《柳宗理隨筆》</span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: Arial;"><b>柳宗理隨筆 台北:大藝,2015</b></span></span></p><div class="mod_b type02_m057 clearfix" style="color: #232323; line-height: 1.8em; margin: 0px 0px 35px; padding: 0px;"><div class="bd" style="margin: 0px; overflow: hidden; padding: 0px 5px; position: relative;"><div class="content" style="height: auto; margin: 0px; min-height: 300px; padding: 0px;"><div style="margin: 0px; padding: 0px; text-align: center;"><span style="color: blue;"><strong>「設計的最高目的,就是為了人類的用途。<br />沒有創造就是模仿,不能稱為真正的設計。」</strong></span></div><br /> 從橋樑、餐具、椅子的設計分析、<br /> 日本的民俗造形、尼泊爾的工藝文化觀察,<br /> 以及父親柳宗悅與藝術家友人的作品與收藏,<br /> 日本設計大師柳宗理,關於民藝、工藝與設計思想的完整集結。<br /><br /> 柳宗理(1915-2011)是日本設計界代表性人物,亦是二十世紀最為西方設計界推崇的亞洲設計師之一。<br /><br /> 身為日本「民藝運動」創倡者柳宗悅的長子,於東京美術學校(現東京藝術大學)攻讀西洋油畫,其設計耳濡目染自柳家的獨特環境,提出了民間器物的哲學性與實用性思考,並對於「無名設計」反芻與再開創。<br /><br /> 1950年成立Yanagi設計機構,數十年來設計的作品獲得日本工業設計競賽首獎、義大利米蘭金獎,以及日本工業設計界最高榮譽good design賞等無數國際獎項。「蝴蝶椅」與「大象椅」更被譽為二戰後日本設計的代表作;金屬與陶瓷的家居及餐廚用品亦廣為人們推崇。此外,知名的設計作品廣及天橋、高速公路隔音牆、人孔蓋、公共家具等等,也為1964年東京奧運、1972年札榥冬季奧運設計聖火火炬。<br /><br /> 他站在現代主義時代的前端,並濟接包浩斯學派的想法,也曾與夏洛特‧貝里安(Charlotte Perriand)合作。他的作品兼容西方現代主義思維,融合傳統的日本民藝元素,細膩的手工質感又帶進工業生產之優勢,巧妙地尋得民藝與工業間平衡點,最是為人樂道。曾言「True beauty is not made, it is born naturally.」。<br /><br /> 他對於日本設計的思想與發展脈絡影響深遠,也受到海外設計界極高的推崇,作品位列巴黎龐畢度中心、紐約現代美術館與瑞士Vitra設計博物館的永久典藏。<br /><br /> 柳宗理個人極堅持以「手」進行設計。特別是家用器具,不畫設計圖,直接手工開始製作實物大小的石膏模型,真正從「用」出發,「是手要使用的東西,當然要用手來設計!」「用手去感受,手上便有答案。」<br /><br /> 1977年起擔任父親柳宗悅設立的日本民藝館第三任館長,並且長年任教於金澤美術工藝大學,對培養後進設計師不遺餘力,2002年當選文化功勞者。<br /><br /> <strong> 本書精選集結柳宗理各個主題的重要論述,分為六個部分:</strong><br /><br /> ◆「何謂設計」深入闡述柳宗理對於「無名設計」、「工業設計」、「傳統與設計」等議題的看法。<br /><br /> ◆「設計產生的瞬間」臚收了數件柳宗理的經典設計,由柳宗理來破讀當初設計的背景與脈絡,以及過程中的故事。<br /><br /> ◆「新工藝/生之工藝」精選了柳宗理在《民藝》雜誌上的專欄。由「工藝」的角度介紹各種製品的美好,選物廣及棒球、計算機、吉普車、蛋糕等。<br /><br /> ◆「日本之形・世界之貌」談論日本、拉達克、尼泊爾、不丹、南義等傳統造形與民間文化。<br /><br /> ◆「民藝與現代設計」追溯民藝運動極其重要人物,以及續接現代設計的歷史切片。論及民藝運動之父柳宗悅的收藏、河井寬次郎、濱田庄司的成就、柳宗理的家族,後至民藝運動今後開展與夏洛特‧貝里安。<br /><br /> ◆「柳工業設計研究會」詳細介紹柳工業設計研究會以及柳宗理的年譜簡表等。<br /></div></div></div><div class="mod_b type02_m057 clearfix" style="color: #232323; line-height: 1.8em; margin: 0px 0px 35px; padding: 0px;"><a name="AuthorP00a400020009" style="color: #333333; outline: none;"> </a><h3 style="border-bottom: 1px dotted rgb(216, 216, 216); color: #f28900; font-size: 15.08px; line-height: 1.5; margin: 0px 0px 10px; padding: 0px;">作者介紹</h3><div class="bd" style="margin: 0px; overflow: hidden; padding: 0px 5px; position: relative;"><div class="content" style="height: auto; margin: 0px; min-height: 300px; padding: 0px;"><strong>作者簡介<br /><br />柳宗理Sori Yanagi</strong><br /><br /> (1915年6月29日―2011年12月25日)<br /><br /> 日本工業設計大師。<br /><br /> 柳宗理深受西方建築思想家柯比意,及其身為「日本民藝之父」的父親柳宗悅先生的啟發,是連結傳統工藝與現代工業、東方與西方設計思想的橋樑。具有強烈的直覺分析力,重視手感與機能性,作品多造型獨特又兼具實用功能。<br /><br /> 1957年以蝴蝶椅獲得米蘭展金獎,一躍成為國際知名設計師,此後五十年源源不斷的創意,對日本當代設計有著深遠影響。<br /></div></div></div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"></span></p><div class="mod_b type02_m057 clearfix" style="color: #232323; line-height: 1.8em; margin: 0px 0px 35px; padding: 0px;"><a name="CategoryP00a400020009" style="background-color: white; color: #333333; font-family: Arial, Helvetica, PMingLiU, sans-serif; font-size: 13px; outline: none;"> </a><span face="Arial, Helvetica, PMingLiU, sans-serif" style="background-color: white; font-size: 13px;"></span><h3 style="background-color: white; border-bottom: 1px dotted rgb(216, 216, 216); color: #f28900; font-family: Arial, Helvetica, PMingLiU, sans-serif; font-size: 15.08px; line-height: 1.5; margin: 0px 0px 10px; padding: 0px;">目錄</h3><div class="bd" style="background-color: white; font-family: Arial, Helvetica, PMingLiU, sans-serif; margin: 0px; overflow: hidden; padding: 0px 5px; position: relative;"><div class="content" id="M201105_0_getProdTextInfo_P00a400020009_h2" style="margin: 0px; min-height: 300px; padding: 0px;"><strong style="font-size: 13px;">何謂設計?</strong><br /><span style="font-size: 13px;"> 無名設計</span><br /><span style="font-size: 13px;"> 所謂工業設計</span><br /><span style="font-size: 13px;"> 產業設計在造形上的訓練</span><br /><span style="font-size: 13px;"> 傳統與設計</span><br /><span style="font-size: 13px;"> 對抗設計的一致化</span><br /><span style="font-size: 13px;"> 對美麗橋樑文化的期望</span><br /><span style="font-size: 13px;"> 機械時代與裝飾</span><br /><span style="font-size: 13px;"> 設計考</span><br /><br /><strong style="font-size: 13px;">設計產生的瞬間</strong><br /><span style="font-size: 13px;"> 設計產生的說明書</span><br /><span style="font-size: 13px;"> 采木拼嵌的包裝</span><br /><span style="font-size: 13px;"> 膠帶台</span><br /><span style="font-size: 13px;"> 塑膠與產品設計</span><br /><span style="font-size: 13px;"> 現代餐具(陶磁器)的設計</span><br /><span style="font-size: 13px;"> 蝴蝶椅</span><br /><span style="font-size: 13px;"> 橫濱地下鐵的車站家具設計</span><br /><span style="font-size: 13px;"> 天橋與都市美</span><br /><span style="font-size: 13px;"> 高速公路的設計</span><br /><br /><strong style="font-size: 13px;">新工藝/生之工藝</strong><br /><span style="font-size: 13px;"> 新工藝</span><br /><span style="font-size: 13px;"> 生之工藝</span><br /><br /><strong style="font-size: 13px;">日本之形世界之貌</strong><br /><span style="font-size: 13px;"> 纏──純粹而強烈的「輪廓」</span><br /><span style="font-size: 13px;"> 謙遜簡樸又純潔之形──注連繩</span><br /><span style="font-size: 13px;"> 花紋摺</span><br /><span style="font-size: 13px;"> 糕點模印美考</span><br /><span style="font-size: 13px;"> 潑釉考</span><br /><span style="font-size: 13px;"> 拜見懷山面具</span><br /><span style="font-size: 13px;"> 紅瓦上的石獅爺</span><br /><span style="font-size: 13px;"> 拉達克的工藝文化</span><br /><span style="font-size: 13px;"> 尼泊爾之眼</span><br /><span style="font-size: 13px;"> 不丹建築與慶典</span><br /><span style="font-size: 13px;"> 南義土盧洛民家</span><br /><br /><strong style="font-size: 13px;">民藝與現代設計</strong><br /><span style="font-size: x-large;"> 宗悅的收藏</span><br /><span style="font-size: 13px;"> 河井寬次郎的「手」</span><br /><span style="font-size: 13px;"> 濱田庄司的成就</span><br /><span style="font-size: 13px;"> 幕尚未落下</span><br /><span style="font-size: 13px;"> 苦鬥而精采的人生</span><br /><span style="font-size: large;"> 柳宗悅的民藝運動與今後開展</span><br /><span style="font-size: 13px;"> 貝里安二、三事</span><br /><br /><strong style="font-size: 13px;">柳工業設計研究會</strong><br /><span style="font-size: 13px;"> 柳工業設計研究會</span><br /><span style="font-size: 13px;"> 柳宗理 年譜簡表</span><br /><span style="font-size: 13px;"> 初刊一覽</span><br /><span style="font-size: 13px;"> 刊載圖說一覽</span><br /><span style="font-size: 13px;"> 說明</span><br /></div><div style="font-size: 13px;"><br /></div></div></div><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: Arial;"><b><br /></b></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: Arial;"><b><br /></b></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: Arial;"><b><br /></b></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-size: 40px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; 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<a href="https://www.youtube.com/attribution_link?a=ffd-IoD5upUlziBb&u=/watch%3Fv%3DoGtfX_6T7nQ%26feature%3Dem-uploademail">257 淺談柳宗悅的『民藝』與台灣行 2018-10-07 漢清講堂</a><br />
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<br />人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-67798904149813395272023-09-09T13:11:00.000-07:002023-09-09T13:11:32.447-07:00台灣工藝 2023巴黎 The Beauty of Everyday Things 茶と美 ;257 淺談柳宗 悅1889~1961的『民藝』與台灣行;河井寛次郎1890~1966;琉球Bingata等 , <div><br /></div><br />
2023。9。10<div><br /></div><div><div>#臺灣工藝 #巴黎</div><div>🌟 Taiwan Crafts & Design brille au salon Maison&Objet Paris 2023 ! Présentées par le Centre national de recherche et de développement de l'artisanat à Taïwan 國立臺灣工藝研究發展中心 , cette année avec le thème « Evolving Life », plus de 60 œuvres artisanales taïwanaises ont été exposées. Avec des conceptions de design originales, des esthétiques épures, et une finition délicate, les créations taïwanaises ont été très appréciées par les professionnels et les visiteurs ! Profitez de ces derniers jours pour visiter Taiwan Crafts & Design !</div><div><br /></div><div>🌟 國立臺灣工藝研究發展中心 Taiwan Crafts & Design 今年再度進軍巴黎時尚家居設計展Maison&Objet Paris,以「進化生活」(Evolving Life)為題,展現台灣設計的堅強軟實力。展場以粉色系色調為主軸優雅呈現,相當吸睛,此次展出精選六十多件台灣工藝設計產品。出色的工藝設計及美感展現,配上歐洲專業人士也驚歎不已的細膩做工,成功獲得相當多在場專業人士讚賞。展出至9/11止,歡迎大家把握機會,多多前往參觀!</div><div><br /></div><div>👉</div><div>« Taiwan Crafts & Design »</div><div>📍</div><div>Salon Maison&Objet Paris</div><div>巴黎時尚家居設計展</div><div>Hall 7 - A62</div><div>🗓</div><div>Du 7 au 11 septembre 2023</div>
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23:03 <br />
<a href="https://www.youtube.com/attribution_link?a=ffd-IoD5upUlziBb&u=/watch%3Fv%3DoGtfX_6T7nQ%26feature%3Dem-uploademail">257 淺談柳宗悅的『民藝』與台灣行 2018-10-07 漢清講堂</a> <br />
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到南天翻書,見約翰·湯姆生(John Thomson,1837-1921,為19世紀最重要的攝影師之一)的兩本厚書都有翻譯本.....。到《民俗台灣》(1941.7~1945.2)看看有無顏水龍先生的文章*,意外發現吉川幸次郎先生在1942.11有補充8月號談毽子.....他很博學,除"小生"(自稱)兒時際遇,問北京專家,引馬致遠(1250年-1321年)《半夜雷轟薦福碑》.....<br />
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<span class="_3c21" style="font-family: inherit;">本集介紹:1913年畢業於東京帝國大學哲學系的柳宗悅(1889-1961),他醉心於英國詩人William…</span></div>
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The Beauty of Everyday Things</h1>
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By <span class="ws-nw role-A" face="Fort-Bold" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none; text-transform: uppercase; white-space: nowrap;"><b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">SOETSU YANAGI</b></span></h2>
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ABOUT <span style="-webkit-font-smoothing: antialiased; box-sizing: border-box; font-style: italic; text-rendering: optimizelegibility; text-shadow: none;">THE BEAUTY OF EVERYDAY THINGS</span></h4>
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<b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">The Japanese philosopher and aesthete’s definitive, hugely influential exposition of his philosophy of folkcrafts, setting out the hallmarks of Japanese design as we know it today: anonymity, quality, simplicity and honesty—and, of course, <i style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">wabi-sabi</i>, the beauty of imperfection<br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />A Penguin Classic<br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /></b>Our lives are filled with objects. Everyday things used in everyday settings, they are our constant companions. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe—an aesthetic fulfillment of our practical needs. They should, in short, be things of beauty.<br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />Long revered as the authority on craftsmanship and Japanese aesthetics, Yanagi devoted his life and writing to defend the value of craft. In an age of feeble and ugly machine-made things, <i style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">The Beauty of Everyday Things </i>is a call for each of us to deepen our relationship with the objects that surround us. Inspired by the work of the simple artisans Yanagi encountered on his lifelong travels through Japan and Korea, this now-classic book is a heartfelt defence of modest, honest, handcrafted objects, from traditional teacups to jars to paper—objects that exemplify the beauty of everyday things.<b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;"></b></div>
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PRAISE</h4>
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“Yanagi’s work is characterized by pure, organic form, an economy of means and material, and an emphasis on beauty in even the most functional and quotidian objects. Over time the designer’s work has become, well, timeless.” <b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">—<i style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">T: The New York Times Style Magazine</i></b><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /> <br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />“Radical and inspiring . . . Yanagi’s vision puts the connection between heart and hand before the transient and commercial.” <b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">—Edmund de Waal, OBE, author of <i style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">The Hare with Amber Eyes</i></b><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /> <br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />“Soetsu Yanagi’s unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world.” <b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">—Jasper Morrison, British designer</b><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /> <br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />“It would not be entirely amiss to describe Yanagi’s position in Japan as comparable to that of Ruskin and Morris in England. . . . He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world.” <b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">—Bernard Leach, British potter</b><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" /> <br style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;" />“What impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind.” <b style="-webkit-font-smoothing: antialiased; box-sizing: border-box; text-rendering: optimizelegibility; text-shadow: none;">—Shoji Hamada, Japanese potter</b></div>
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茶與美</h1>
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<a href="https://search.books.com.tw/search/query/cat/all/key/%E8%8C%B6%E3%81%A8%E7%BE%8E" style="color: #333333; outline: none;">茶と美</a></h2>
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<li itemscope="" itemtype="http://schema.org/Person" style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">作者: <a href="https://search.books.com.tw/search/query/key/%E6%9F%B3%E5%AE%97%E6%82%85/adv_author/1/" style="color: #333333; outline: none;">柳宗悅</a> </li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">原文作者: <a href="https://search.books.com.tw/search/query/key/%E3%82%84%E3%81%AA%E3%81%8E+%E3%82%80%E3%81%AD%E3%82%88%E3%81%97/adv_author/1/" style="color: #333333; outline: none;">やなぎ むねよし</a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">譯者: <a href="https://search.books.com.tw/search/query/key/%E6%9D%8E%E5%95%9F%E5%BD%B0/adv_author/1/" style="color: #333333; outline: none;">李啟彰</a>, <a href="https://search.books.com.tw/search/query/key/%E6%9D%8E%E6%96%87%E8%8C%B9/adv_author/1/" style="color: #333333; outline: none;">李文茹</a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版社:<a href="https://www.books.com.tw/web/sys_puballb/books/?pubid=alwaysstuding" style="color: #333333; outline: none;"><span>日日學</span></a> <a class="type02_btn02" href="https://www.blogger.com/null" id="trace_btn2" style="background: none; border: none; color: #333333; cursor: pointer; display: inline-block; font-family: "Helvetica Neue", Helvetica, Arial, clean, sans-serif; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; outline: none; overflow: visible; padding: 0px; user-select: none; white-space: nowrap;"><span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") right -300px no-repeat; display: block; height: 20px; padding-right: 8px;"><span class="trace_txt" style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 0% -300px; background-repeat: no-repeat; background-size: initial; background: url("images/sp_type02_btn1.gif") left -300px no-repeat; display: block; height: 20px; line-height: 20px; padding-left: 8px; padding-right: 0px;"><br /></span></span></a></li>
<li style="line-height: 22px; list-style: none; margin: 0px 0px 3px; padding: 0px; position: relative;">出版日期:2018/</li>
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<strong>從「用之美」到「無為之美」<br />了解柳宗悅如何引領人們的生活美學從實用<br />晉升到最高的精神層次-無為</strong></div>
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柳宗悅《茶與美》成書於1940年代。集結了柳宗悅對於「茶」與「美」這兩個議題的重要觀察與批評。柳宗悅既指引出通往美的道路,又同時對當時社會的亂象發出警語,尤其對茶聖千利休以降的茶道現況,與聞名遐邇的樂燒提出嚴厲的批判。日本在1940年代茶道盛行,茶道儀軌與茶器鑑賞吸引了相當多對於茶文化有興趣的人群。然而對於美的直觀的匱乏,與對茶道斷章取義的理解,讓柳宗悅懷著茶與美的傳承是否正向的憂慮與省思。<br />
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此刻正值茶文化盛行的當下,1940年代《茶與美》的發聲似乎振聾發聵,其中所指對於茶的誤解,對於賞器的扭曲,對於人心的做作,居然都有著與今天大比例的吻合……<br />
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為了儘量拉近中文版讀者與書中精髓的距離,譯者決定在譯文之外,於原文的每個章節後以導讀的形式作出說明。<br />
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導讀涵蓋了幾個層面的用意,首先是釋義,將幾個難懂與具有文化差異的觀念或名詞,重新以現代的語言闡明。再來是跨時代的應用,1940年代的背景與當代雖有不少的差異,但柳宗悅一針見血的論點,反而給予今日的我們一個深入反省的契機。譯者交叉以歷史或當代的角度,作出必要的呼應與補充。最後是展望,希望進一步反思《茶與美》中的民藝論或美學觀,並探討能給予我們什麼新的指引。日文原書成書後已歷時約80年,相較於1940年代,當今科技發達,全球人口突破70億,欣欣向榮的背後卻是利益的爭奪讓人心更加紊亂。<br />
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藉由《茶與美》,能協助我們更理解這個世界的美與價值。<br />
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◎從「用之美」到「無為之美」,了解柳宗悅如何引領人們的生活美學從實用,晉升到最高的精神層次-無為。<br />
◎從知識分子使用的語彙「侘寂」,到日本市井小民都朗朗上口的日常用語「澀味」,是什麼讓日本全民都具備了一把穿透美的鑰匙?<br />
◎從「西洋之眼」到「日本之眼」,日本如何藉由禪與東方藝術的特質重塑對美的話語權?<br />
◎柳宗悅強烈地批判日本茶聖千利休與傳承至今450年歷史的樂燒,所謂為何?<br />
◎什麼是柳宗悅貫穿全書的兩點審美精髓「直觀」與「無心」?</div>
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作者介紹</h3>
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<strong>作者簡介<br /><br />柳宗悅</strong><br />
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柳宗悅(やなぎ むねよし,1889年3月21日~1961年5月3日)<br />
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民藝運動創始者,是發起民藝運動的美學者、宗教哲學者及思想家。活躍於大正至昭和中期。在46歲(1936年)時,創設日本民藝館,有「日本民藝之父」的稱號。出身於東京府麻布區,父親是海軍少將柳楢悅。就讀學習院高等科,在學校時,與武者小路實篤、志賀直哉等,參加雜誌《白樺》的發行。積極推廣介紹神秘思想、基督教神學之研究和西歐近代美術。畢業於東京帝國大學哲學系,在友人伯納德.利奇(Bernard Leach)的推薦之下,開始威廉.布萊克(William Blake)的思想研究,這時也奠定柳宗悅的思想基礎。屢次到訪朝鮮半島,被朝鮮的日常生活中的佛像和陶磁器等工藝品之美所吸引,之後在在首爾設立「朝鮮民族美藝館」。回日本後,又和木雕佛像等相遇,從此之後,柳宗悅透過自己擁有獨特的審美眼光,尋找潛藏在於日常生活中的美感,讓毫不起眼的民藝品,也變的有實用價值。1957年榮膺「文化功勞者」榮譽稱號。1960年獲得「朝日文化獎」。1961年5月3日逝世。日本民藝館的收藏品裡,新舊工藝品約17,000件,都是來自各國的陶磁器、染織品、木漆工品、繪畫、金工品、編織品等。<br />
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著有《茶與美》、《柳宗悦南無阿彌陀佛》、《日本民俗文化大系6柳宗悦》、《近代日本思想大系24柳宗悦集》、《柳宗悅宗教選集》全5卷、《柳宗悅蒐集 民藝大鑑》、《柳宗悅全集 著作篇》全22卷等。</div>
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">作者序</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">壹</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、陶瓷器</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">之</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">美</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">所謂真正好的器,同時必定是意味著美的器。它超越了功利考量的境界。</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">導讀</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">美,對觀賞者也是一種修行</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">貳</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、看見</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">「</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">喜左衛門井戶</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">」</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">茶碗</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">不是所有的器物都藏有作者的匠意,一只茶碗之所以具有美的細節,是在產出過程當中隸屬於自然,在認知裡從屬於直觀。</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">導讀</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">審美精髓中的無我與直觀</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">参</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、作品的後半生</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">就算作者再怎麼努力創作,如果沒有遇見伯樂,美是無法呈現的;所謂器物之美,就是器物被看見之美。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">從作品的後半生到前半生</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">肆</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、關於蒐藏</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">好的蒐藏是守護價值與將之彰顯,更進一步說是一種開發,是一種延伸至創作的闡述。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">當代蒐藏的契機</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">伍</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、我心目中的茶道</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">在生活中因為能品味美,才是茶道最大的功德。茶道是超越個人的,茶道的美就是法則的美。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">美中的隱與顯</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">陸</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、高麗茶碗與大和茶碗</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">我沒興趣去對任何東西進行排名。在此希望對器物的見解,製作方法,思考方法,都能得到深度真理。</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">柒</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、茶器</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">茶器的墮落是從銘問世時開始。為什麼會發生這樣的事呢?這也告訴我們意識的道路是何等地苦行。</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">導讀</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">民藝之魂</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">捌</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、光悅論</strong><br />
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光悅涉略土佐的歷史演變,如果回溯的話,平家的納經、扇面的古寫經、檜扇等是他美的泉源。他的畫風並非突如其來的原創;但是大和風的繪畫精髓是在他的突破與開創下呈現的美,這是毋庸置疑的。</div>
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">聖者的硬傷</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">玖</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、工藝的繪畫</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">不論是哪一個國家的作品,民畫就是工藝的繪畫;如果沒有含括工藝的性質,就不屬於民畫。</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">導讀</span><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">從莫里斯、包浩斯到民藝的未來</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">拾</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、織與染</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">不論是織或者是染,不得不去思考如何讓天然的材料能夠活用起來。所以不論織法、染法,或染的顏色,絕不會做出無理的要求。樸實的產品才能有長久的生命。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">織與染的現代環境議題</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">拾壹</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、茶之病</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">誰都能輕易地染上熟能生巧之人的病,熟能生巧也無妨,但要是被熟能生巧束縛,失去了心的自由,是身為人的墮落。畢竟「茶」與人的恬淡和內涵是有關的。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">茶人的桃花源</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">拾貳</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、奇數</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">之</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">美</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">奇是相對於偶的字彙,暗示著哪裡有所不足。也就是奇數的樣子,指的是不完美的東西;數是奇數中殘餘的體現,在所暗示的不充分中,見到了茶精神。</span><br />
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<strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">拾参</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">、日本</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">之</strong><strong style="background-color: white; color: #232323; font-family: Arial, Helvetica, sans-serif, PMingLiU; font-size: 13px; text-align: justify;">眼</strong><br />
<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">整理「日本之眼」的內容是必須的,如果順利的話,讓世人瞠目結舌的「世界之眼」將指日可待。</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">超越二元對立的美</span><br />
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<span face=""arial" , "helvetica" , sans-serif , "pmingliu"" style="background-color: white; color: #232323; font-size: 13px; text-align: justify;">出處一覽表</span><br />
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<span dir="ltr" style="font-family: inherit;"><span class="_3l3x" style="font-family: inherit;"><span style="font-family: inherit;">台灣竹器之美</span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj71iE_0u7K7J4oHjMLcfROZx_i7cIhGbLzuaBZAXqnxeiC9G366zNnsfL9AjanrLMhwAHbUGCDaT-MBO9iG9TiUs60bIhsCllu9XCvFTyRAYX9zSm3HrPeH1br3ZbIoehJb779T6L4fSc/s1600/P_20190119_134502_1_p.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj71iE_0u7K7J4oHjMLcfROZx_i7cIhGbLzuaBZAXqnxeiC9G366zNnsfL9AjanrLMhwAHbUGCDaT-MBO9iG9TiUs60bIhsCllu9XCvFTyRAYX9zSm3HrPeH1br3ZbIoehJb779T6L4fSc/s320/P_20190119_134502_1_p.jpg" width="320" /></a></div>
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質量ともに国の内外で高い評価を受けている。また、民藝運動に参加したバーナード・リーチ、濱田庄司、河井寛次郎、芹沢銈介、棟方志功ら工芸作家の作品も収蔵している。<br />
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「民藝と柳宗悦と武者小路実篤」<br /><br />
芹沢銈介とその師・柳宗悦<br /><br />
河井寛次郎<br />
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河井寛次郎 - Wikipedia</a></h3>
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<span class="st" style="line-height: 1.4; overflow-wrap: break-word;"><span style="color: #dd4b39;">河井 寛次郎</span>(かわい かんじろう、1890年(明治23年)8月24日 - 1966年(昭和41年)11<wbr></wbr>月18日)は、日本の陶芸家。陶芸のほか、彫刻、デザイン、書、詩、詞、随筆などの ...</span><br />
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<a class="fl" href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E#%E6%B0%91%E8%8A%B8%E9%81%8B%E5%8B%95%E3%80%81%E6%97%A5%E7%94%A8%E3%81%AE%E7%BE%8E%E3%81%B8" ping="/url?sa=t&source=web&rct=j&url=https://ja.wikipedia.org/wiki/%25E6%25B2%25B3%25E4%25BA%2595%25E5%25AF%259B%25E6%25AC%25A1%25E9%2583%258E%23%25E6%25B0%2591%25E8%258A%25B8%25E9%2581%258B%25E5%258B%2595%25E3%2580%2581%25E6%2597%25A5%25E7%2594%25A8%25E3%2581%25AE%25E7%25BE%258E%25E3%2581%25B8&ved=2ahUKEwjJleGvnvHfAhVGXbwKHYU4CeIQ0gIoADAAegQIBxAJ" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">民芸運動、日用の美へ</a> · <a class="fl" href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E#%E3%82%88%E3%82%8A%E5%A5%94%E6%94%BE%E3%81%AA%E4%BD%9C%E9%A2%A8%E3%81%B8" ping="/url?sa=t&source=web&rct=j&url=https://ja.wikipedia.org/wiki/%25E6%25B2%25B3%25E4%25BA%2595%25E5%25AF%259B%25E6%25AC%25A1%25E9%2583%258E%23%25E3%2582%2588%25E3%2582%258A%25E5%25A5%2594%25E6%2594%25BE%25E3%2581%25AA%25E4%25BD%259C%25E9%25A2%25A8%25E3%2581%25B8&ved=2ahUKEwjJleGvnvHfAhVGXbwKHYU4CeIQ0gIoATAAegQIBxAK" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">より奔放な作風へ</a> · <a class="fl" href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E#%E8%91%97%E6%9B%B8" ping="/url?sa=t&source=web&rct=j&url=https://ja.wikipedia.org/wiki/%25E6%25B2%25B3%25E4%25BA%2595%25E5%25AF%259B%25E6%25AC%25A1%25E9%2583%258E%23%25E8%2591%2597%25E6%259B%25B8&ved=2ahUKEwjJleGvnvHfAhVGXbwKHYU4CeIQ0gIoAjAAegQIBxAL" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">著書</a> · <a class="fl" href="https://ja.wikipedia.org/wiki/%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E#%E5%8F%82%E8%80%83%E3%81%8A%E3%82%88%E3%81%B3%E9%96%A2%E9%80%A3%E6%96%87%E7%8C%AE" ping="/url?sa=t&source=web&rct=j&url=https://ja.wikipedia.org/wiki/%25E6%25B2%25B3%25E4%25BA%2595%25E5%25AF%259B%25E6%25AC%25A1%25E9%2583%258E%23%25E5%258F%2582%25E8%2580%2583%25E3%2581%258A%25E3%2582%2588%25E3%2581%25B3%25E9%2596%25A2%25E9%2580%25A3%25E6%2596%2587%25E7%258C%25AE&ved=2ahUKEwjJleGvnvHfAhVGXbwKHYU4CeIQ0gIoAzAAegQIBxAM" style="color: #1a0dab; cursor: pointer; text-decoration-line: none;">参考および関連文献</a></div>
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<span class="st" style="line-height: 1.4; overflow-wrap: break-word;"><span style="color: #dd4b39;">河井</span>寬次郎記念館 公式サイト。大正から昭和にかけて京都を拠点に活躍した陶芸作家・<span style="color: #dd4b39;">河井</span>寬次郎の作品を展示する記念館。記念館の案内、<span style="color: #dd4b39;">河井</span>寬次郎の紹介など。</span></div>
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<span class="st" style="line-height: 1.4; overflow-wrap: break-word;"><span class="f" style="color: grey;">Jul 7, 2018 - </span>柳宗悦や濱田庄司らとともに民藝運動の中間人物として知られる陶芸家・<span style="color: #dd4b39;">河井寛次郎</span>。<wbr></wbr>その没後50年を記念した展覧会「<span style="color: #dd4b39;">河井寛次郎</span>展—過去が咲いて ...</span></div>
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没後50年 河井寬次郎展 ―過去が咲いてゐる 今、未来の蕾で一杯な今―(兵庫陶芸美術館/兵庫)が開催されます</h2>
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出版日期 / 2008/06/03</h3>
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<span face=""helvetica" , "arial" , sans-serif" style="background-color: white; color: #1c1e21; font-size: 15px;">柳宗悦の世界―民藝の発見とその思想</span><br />
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<img alt="åå裡å¯è½æç«ç«" src="https://scontent.ftpe1-2.fna.fbcdn.net/v/t1.0-9/42776245_2223606804316781_120280099562979328_n.jpg?_nc_cat=103&_nc_ht=scontent.ftpe1-2.fna&oh=fb6a078b17dd0312a6c068faee98d8f4&oe=5CE1C915" /><div><br /></div><div><br /></div><div><br /></div><div>***** 257 淺談柳宗 悅1889~1961的『民藝』與台灣行</div><div><br /></div><div><div>東京,1953</div><div><br /></div><div><br /></div><div>柳宗悦 (1889~1961)の世界―民藝の発見とその思想 兼談其台灣行</div><div>Yanagi Sōetsu/Yanagi Muneyoshi</div><div>柳宗理(子1915-2011)</div><div><br /></div><div><br /></div><div>復刻版</div><div>「月刊民藝」 全12巻 不二出版、別冊(解説・総目次・執筆者索引)、2008年7月と12月に発行。</div><div>映像</div><div>紀伊國屋書店ビデオ 「柳宗悦 学問と情熱 評伝シリーズ12」。(1999年6月、26250円)、図書館・教育機関用</div><div>DVD「柳宗悦 美信一如 学問と情熱」 (改訂版2006年、3360円)</div><div>「兼子」(妻・兼子についてのドキュメンタリー映画)</div><div><br /></div><div><br /></div><div><br /></div><div>William Morris ( 1834 – 3 October 1896) </div><div>The Arts and Crafts movement was an international movement in the decorative and fine arts that began in Britain and flourished in Europe and North America between about 1880 and 1920, emerging in Japan (the Minge imovement) in the 1920s.</div><div>William Morris by Frederick Hollyer, 1888</div><div><br /></div><div><br /></div><div>Kunio Yanagita (柳田 國男, 1875–1962),</div><div>「柳田国男・詩人の魂」</div><div>民俗学の夜明け</div><div>日本民俗学の確立</div><div>綜合日本民俗語彙. 第4巻</div><div>『NHK特集、遠野物語をゆく 柳田國男の風景 第1・2部』、1977年10月放映</div><div><br /></div><div><br /></div><div>到民間去:中國知識分子與民間文學,1918-1937</div><div><br /></div><div><br /></div><div><br /></div><div>「柳宗悦の世界―民藝の発見とその思想」</div><div>尾久彰三監修、平凡社〈別冊太陽〉</div><div>、2006年。図版書</div><div><br /></div><div><br /></div><div>日本民藝館</div><div><br /></div><div><br /></div><div>陶瓷</div><div>約16頁</div><div><br /></div><div>漆器</div><div><br /></div><div>金工</div><div><br /></div><div><br /></div><div>人形</div><div><br /></div><div><br /></div><div><br /></div><div>柳宗悦とウィリアム・ブレイク</div><div><br /></div><div>環流する「肯定の思想」東京大学出版会</div><div> 2015</div><div>1914(大正3)年の『白樺』4月号の表紙を飾ったのは、ブレイクの後期預言書のひとつ『ジェルサレムーー巨人アルビオンの流 出』(Jerusalem: The Emanation of The Giant Albion) のプレート94である。この『白樺』には日本における最初の本格的なブレイク論考、すなわち、柳宗悦の「ヰリアム・ブレーク」が巻頭137ページにわたっ て掲載された。さらに、同誌上には、日本の白樺派と英国のブレイクとを結びつけた重要な立役者、バーナード・リーチの英文によるブレク論 “Notes on William Blake” も寄稿された。</div><div><br /></div><div>https://en.wikipedia.org/wiki/William_Blake</div><div>William Blake (28 November 1757 – 12 August 1827)白樺 第五巻第四号 1914</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>William Blake (28 November 1757 – 12 August 1827)白樺 第五巻第四号 1914</div><div><br /></div><div><br /></div><div><br /></div><div>芹沢銈介とその師・柳宗悦</div><div><br /></div><div><br /></div><div>柳宗悦著作中文</div><div>民藝之國日本、工藝之道:日本百年生活美學之濫觴、和紙之美:柳宗悅給惜物者、匠人的生活美學態度、民藝四十年、工藝文化、</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Kingdom of Beauty</div><div>: Mingei and the Politics of Folk Art in Imperial Japan </div><div> By Kim Brandt</div><div><br /></div><div><br /></div><div><br /></div><div>柳宗悦所見的美</div><div>民藝;William Blake;</div><div>李朝之美;木喰仏;</div><div>大津繪;沖繩的手工品;</div><div>(英)スリップウェア(Slipware);佛教美術</div><div><br /></div><div>譯文,如《民藝四十年‧關於"民藝"一詞》廣西師範,2011,pp.299~304</div><div>改めて民芸について 柳宗悦 青空文庫朗読【ゆっくり音声】 </div><div> in 1924 and the coining of the term mingei by Yanagi, potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966).</div><div>https://www.youtube.com/watch?v=kg7s0RsreGw</div><div><br /></div><div>https://www.youtube.com/watch?v=kg7s0RsreGw</div><div><br /></div><div> 所蔵品案内 当館所蔵品のほとんどは、柳宗悦の審美眼を通して蒐められたもので、日本および諸外国の新古諸工芸品約17,000点を数える。中でも、朝鮮時代の陶磁器・木工・絵画、丹波・唐津・伊万里・瀬戸の日本古陶磁、東北地方の被衣(かつぎ)や刺子衣裳、アイヌ衣裳やアイヌ玉、大津絵、木喰仏、沖縄の陶器や染織品、英国の古陶スリップウェアなどは、</div><div>http://www.mingeikan.or.jp/collection/</div><div><br /></div><div>質量ともに国の内外で高い評価を受けている。また、民藝運動に参加したバーナード・リーチ、濱田庄司、河井寛次郎、芹沢銈介、棟方志功ら工芸作家の作品も収蔵している。</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>自1916年(大正5)以來,他經常訪問朝鮮半島,並對韓國佛像和陶瓷等陶瓷著迷[。 1924年(大正13年),在韓國首爾建立了“韓國國立韓國博物館”,展出了由李朝未知工匠製作的人民日用雜貨,評價了其中的美感</div><div>In 1984, Yanagi was posthumously awarded the Bogwan Order of Cultural Merit, the first to be awarded to a non-Korean 야나기 日民藝協會長 先親 柳宗悅씨에 주는 勳章받아, 《경향신문》, 1984.9.19</div><div><br /></div><div><br /></div><div><br /></div><div>李朝和朝鮮王朝是同一個,稱呼不同。左方的是韓日的官方的展,就中國明清的文化而言,該展文物平常。柳宗悅的民間藝術,反而有特色,更美。</div><div><br /></div><div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_13k" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">李朝和朝鮮王朝是同一個,稱呼不同。左方的是韓日的官方的展,就中國明清的文化而言,該展文物平常。柳宗悅的民間藝術,反而有特色,更美。</div></div></span></div></div></div></div><div class="l9j0dhe7" id="jsc_c_13l" style="font-family: inherit; 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line-height: 1.3333; margin: 0px 16px; padding: 10px 0px;"><div class="bp9cbjyn j83agx80 buofh1pr ni8dbmo4 stjgntxs" style="align-items: center; background-color: white; color: #65676b; display: flex; flex-grow: 1; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; overflow: hidden;"><span style="font-family: inherit;"><div class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 a8c37x1j p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl l9j0dhe7 abiwlrkh p8dawk7l gmql0nx0 ce9h75a5 ni8dbmo4 stjgntxs" role="button" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; font-family: inherit; list-style: none; margin: 0px; max-height: 1.3333em; outline: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none;" tabindex="0"><span aria-hidden="true" class="bzsjyuwj ni8dbmo4 stjgntxs ltmttdrg gjzvkazv" style="float: left; font-family: inherit; overflow: hidden; text-overflow: ellipsis; width: 100px;"><br /></span><span class="gpro0wi8 cwj9ozl2 bzsjyuwj ja2t1vim" style="background-color: var(--card-background); float: left; font-family: inherit; margin-left: -100px;"><br /></span></div></span></div></div></div></div></div></div><div><br /></div><div><br /></div><div>申緯 (朝鮮王朝1392~1910,1769~1845) 行書對聯</div><div><br /></div><div>Featured Artwork of the Day: Maebyeong Decorated with Cranes and Clouds | late 13th century | Goryeo Dynasty | from Korea</div><div><br /></div><div>日本民藝館所蔵 朝鮮陶磁図録</div><div>2018年9月11日第二版</div><div><br /></div><div><br /></div><div>民族独自の美意識や造形感覚を映し出す朝鮮陶磁。なかでも白磁の器は、朝鮮王朝の統治理念であった儒教の精神に適う「清貧の美」と深い精神性を宿しており、人の心を優しく包み込んでくれます。本展では柳宗悦が愛蔵した朝鮮白磁の壺や瓶や鉢などを中心に展観し、その自由で無垢な美の世界を紹介します。</div><div><br /></div><div><br /></div><div><br /></div><div>木工/石工</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>木喰(もくじき 1718年<span style="white-space: pre;"> </span>1810年 ) </div><div>木喰仏 (現存数は626体......)</div><div><br /></div><div><br /></div><div><br /></div><div>京都、清源寺の十六羅漢像</div><div>木喰上人</div><div><br /></div><div>https://www.youtube.com/watch?v=eW6e_JU5yTI</div><div><br /></div><div>Ernst Barlach</div><div>In 1934, a year before his death, The German expressionistic sculptor, Ernst Barlach (1870-1938), made a special set of sculptures: The Frieze of the Listeners, nine sculptures of people who are listening. By listening they tap into a source that gives them new strength and leads them on their way through life. They do not roam about aimlessly, they are not to be subdued, as there is a higher voice that raises them above themselves.</div><div> </div><div>This listening can be done in several ways. The dreamer (1), the woman dancing (3), the blind man (4), the walker (5), the sensitive one (7), and the expecting one (9) are turned inwards. The believer (2), the pilgrim (6), and the one who found favour in the eyes of the Lord (8) turn their eyes upwards. All of them radiate an inner power. Barlach said: ‘They are all saints or people of prayer.’</div><div><br /></div><div><br /></div><div><br /></div><div>大津繪</div><div>大津繪</div><div><br /></div><div><br /></div><div>大津繪</div><div><br /></div><div><br /></div><div>「柳宗悦の思想の力」</div><div>―いま求められる「複合の美」の平和思想―</div><div><br /></div><div>http://www.shirakaba.ne.jp/tayori/190/tayori194.htm</div><div><br /></div><div>柳の「複合の美」の平和思想の出発点には、</div><div>クロポトキンの相互扶助思想の受容があり、それはさらに、高低・強弱・大小等々の対照的性格を相互依存とみるブレイク思想によって強化されて行きました。</div><div><br /></div><div>器の表面をスリップ(英語版)(エンゴーベ)と呼ばれる泥漿(でいしょう、水と粘土を適度な濃度に混ぜたもの)状の化粧土で装飾する方法が特徴。</div><div>Britain 18~19 世紀 BRITAIN SLIPPAGE POTTERY 18 CENTURY</div><div><br /></div><div>「民藝と柳宗悦と武者小路実篤」</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>雑誌 白樺 第壱巻 第八号の表紙</div><div><br /></div><div><br /></div><div>白樺 第二巻第十二号</div><div><br /></div><div> Walt Whitman (1819–1892)</div><div>Leaves of Grass (Boston: Thayer and Eldridge, year 85 of the States, 1860) (New York Public Library)</div><div><br /></div><div>留求、「沖繩的自我認同」與沖繩人的自決權</div><div>「沖繩的自我認同」與沖繩人的自決權</div><div>這種主張是基於琉球・沖繩的歷史。第一,一個非常重要的歷史事實,是日本憑藉武力威脅強行吞併了琉球王國;第二,是日本接受了波茨坦宣言以及戰後被美軍統治的歷史。首先是1879年的「吞併琉球」,也就是說日本憑藉武力吞併琉球之前,琉球是一個接受中國冊封的獨立王國。它不是中國的內藩(由朝廷直接轄治的諸侯國——譯註),而是一個獨立的外國,中國完全承認沖繩的政治獨立性,在形式上將之作為藩屬國,這是冊封體制的原型。</div><div>日本在足利義滿掌權時期也以日本國王受到中國的冊封,而琉球王國接受冊封的歷史則延續了500年。維持這種冊封體制也使薩摩藩(位於九州西南部,今天的鹿兒島縣和宮崎縣的一部分——譯註)從中受益,因此在1609年薩摩入侵琉球之後,大原則也是基本不干涉琉球內政。在此背景下,琉球於1854年同美國簽訂了琉美親善條約。換言之,在當時的國際習慣法中,琉球一直被視作一個主權國家。</div><div><br /></div><div><br /></div><div><div dir="auto" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_og" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Bingata, the Okinawan dyed fabric, has stayed relevant in its homeland for over 500 years. Its vivid colors and delicate patterns are manifestations of the beautiful climate and culture of Okinawa.</div></div><div class="o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">The Mark of Beauty</div><div dir="auto" style="font-family: inherit;">Bingata: The Spirit of the Ryukyu Islands</div><div dir="auto" style="font-family: inherit;">On Air Schedule: October 5 (Mon.), 13:30 etc[Tokyo]</div></div></span></div></div></div></div><div class="l9j0dhe7" id="jsc_c_oh" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><div style="font-family: inherit;"><div class="b3i9ofy5 l9j0dhe7" style="background-color: var(--comment-background); font-family: inherit; 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overflow: hidden; padding-bottom: 1px; position: relative;"><span dir="auto" style="font-family: inherit;">Bingata: The Spirit of the Ryukyu Islands - The Mark of Beauty - TV | NHK WORLD-JAPAN Live & Programs</span></span></span></div></div></div></div></div></div></a></div></div></div></div><div><br /></div><div><br /></div><div>Bashofu Fabric</div><div>Bashofu is a traditional Okinawan fabric, which originated about 600 years ago when the islands formed the independent Ryukyu Kingdom. The stalks of a species of banana plant are the source of the fi...</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>10月号「鈴木大拙と柳宗悦」特集です。: 『民藝』編集部だより</div><div>民藝 李朝</div><div><br /></div><div><br /></div><div>柳宗悦...鈴木大拙;『妙好人浅原才市集 』</div><div>2. 柳宗悦妙好人論集」 寿岳文章編、解説中見真理</div><div>3.因幡の源左 - 世に紹介した妙好人</div><div>鈴木大拙是柳宗悦在學習院 (貴族中學)的英文老師,他們一直都有交往 (柳宗悦過世後,鈴木大拙有追悼文)。師生難免會相互影響,譬如對淨土宗的接受及對『妙好人 』文集等的實地和文本研究。</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>日本民芸館:茶と美 -柳宗悦の茶</div><div><br /></div><div>3月23日まで。10~17時開演。2014</div><div>http://hctea.blogspot.tw/2014/02/blog-post_27.html</div><div><br /></div><div><br /></div><div><br /></div><div>写真左:かまど面(江戸〜明治時代 19世紀 日本民藝館蔵)</div><div>写真右:柳文赤絵皿(1940年ころ・芹沢銈介絵付 日本民藝館蔵)</div><div><br /></div><div>Shiko Munakata, Soetsu Yanagi,</div><div>This exhibition sheds light on the relationship between Shiko Munakata, a woodblock maker and important 20th century Japanese artist, and Soetsu Yanagi, leader of the Mingei folk-craft movement. Munakata respected and admired Soetsu Yanagi as a teacher throughout his life while Yanagi recognized and cherished Munakata’s talent. Focusing on these two major players in the Mingei movement in a way only possible at the Japan Folk-Craft Museum, this show introduces letters between Munakata and Yanagi and spotlights the beauty of Munakata’s work.</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>柳宗悦(詞)芹沢銈介(型染)「物偈」昭和52年 限定50部 </div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Bernard Howell Leach CH CBE ( 1887 –1979),</div><div>Thrown bowl </div><div>Hand-built decorative tile was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery"</div><div><br /></div><div><br /></div><div>スリップウェア角皿(イギリス 17~18世紀)</div><div>http://www.seribi.jp/shuushuu-ajia.html</div><div><br /></div><div><br /></div><div>書幅 「今日空晴レヌ」</div><div><br /></div><div>書幅 「今日空晴レヌ」</div><div>扁額(へんがく) 「水急不流月」</div><div><br /></div><div><br /></div><div><br /></div><div>談柳宗悦的台灣一個月</div><div>1943年春柳宗悦訪台約1個月,協助者為金關文夫(1897~1983)與立石鐵臣 (1897~1983)等人:</div><div>林莊生1995介紹《民俗台灣》的重要性 *(發表在《台灣風物》第45卷第1期),寫出論文《《民俗台灣》與金關文夫:五十年後的讀感》,收入其文集林莊生《一個海外台灣人的心思》(台北:望春風,1999)頁135~160</div><div>林承緯《和紙之美:柳宗悅給惜物者、匠人的生活美學態度‧ 柳宗悦的台灣民藝紀行》台北:行人出版社,2017,頁77~84</div><div><br /></div><div><br /></div><div>http://libwri.nhu.edu.tw:8081/Ejournal/AZ01000203.pdf</div><div><br /></div><div>柳宗悦的台灣紀行 (不知道有無文章/書)和收藏故事,精采程度,應該不亞於《他者視線下的地方美感──大英博物館藏臺灣文物》.....</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>1941.7~1945.2 43期,每期約50頁</div><div>神明祭儀、年節歲時、占卜咒術、民間禁忌與生活信俗、生命禮俗、社會慣習、臺語與俚諺傳說、遊戲競技、民藝戲曲、民俗醫療、民俗文化與民俗學討論等</div><div><br /></div><div><br /></div><div>1943.4 「民俗臺灣」編輯座談會──研究範圍‧日本民俗學との連關‧出席者(發言順)‧原稿の倾向‧民俗採集に就て‧臺灣民俗の現段階‧グラフの評判‧民藝解說その他‧沖繩研究と臺灣‧臺灣への關心‧議論よリも資料を</div><div><br /></div><div><br /></div><div>立石鐡臣。</div><div><br /></div><div><br /></div><div><br /></div><div>漢寶德:古台灣的世界之最</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>ビーズ刺繍袖無し上着</div><div>(台湾 パイワン族)</div><div>http://www.seribi.jp/shuushuu-ajia.html</div><div><br /></div><div><br /></div><div>顏水龍既有紮實的現代美術訓練,也有庶民的生活經驗。</div><div>在《臺灣工藝》1952中,他不談高深的藝術理想,而是深入台灣手工藝品的勞動現場,描述諸如帽蓆、竹材工藝、蓪草紙、金屬、珊瑚、貝殼工藝、織染、刺繡、木材、漆器等行業的概況與環境。</div><div><br /></div><div>《臺灣工藝》 </div><div><br /></div><div>書 名:臺灣工藝</div><div>作 者:顏水龍</div><div>出版日期:2016</div><div>出版者:臺灣工藝研究發展中心出版</div><div><br /></div><div>顏水龍.台灣工藝標籤. FORMOSAN.FOLK.ART</div><div>顏水龍從台灣原住民的編織色彩及圖騰,精煉出純粹的色彩,並創作出象徵台灣工藝的特色品牌「標籤」,標籤排列「FORMOSAN.FOLK.ART」字樣,顏水龍以水果象徵台灣物產豐饒,女子則是農村婦女辛勤的形象。</div><div><br /></div><div>顏水龍.台灣工藝標籤. FORMOSAN.FOLK.ART</div><div>顏水龍從台灣原住民的編織色彩及圖騰,精煉出純粹的色彩,並創作出象徵台灣工藝的特色品牌「標籤」,標籤排列「FORMOSAN.FOLK.ART」字樣,顏水龍以水果象徵台灣物產豐饒,女子則是農村婦女辛勤的形象。</div><div><br /></div><div>台灣民間工藝博覽 台北:文建會,2000年10月</div><div><br /></div><div><br /></div><div>竹編《庇護所》接棒賞工藝</div><div><br /></div><div>日本伊萬里,青花外貿瓷</div><div>Japanese Imari and Blue and White export porcelain</div><div><br /></div><div><br /></div><div>昭和11年(1936)立花壽編 台灣土俗玩具集版画</div></div><div><br /></div><div><br />
<br />
<br /></div></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-70545718291645638302023-09-06T20:15:00.000-07:002023-09-06T20:15:32.859-07:00 Manet - The Man Who Invented Modern Everyday Art 《馬內的象徵革命:藝術場域的誕生》 Pierre Bourdieu 《藝術的法則 》;256 Berthe Morisot 的繪畫人生<div><br /></div><div><br /></div><div><br /></div><div><div class="" dir="auto" style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":ri8:" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" dir="auto" style="color: var(--primary-text); 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background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://tinyl.io/9B16</a></span></div><div dir="auto" style="font-family: inherit;"><span class="x3nfvp2 x1j61x8r x1fcty0u xdj266r xhhsvwb xat24cr xgzva0m xxymvpz xlup9mm x1kky2od" style="display: inline-flex; font-family: inherit; height: 16px; margin: 0px 1px; vertical-align: middle; width: 16px;"><img alt="✨" height="16" referrerpolicy="origin-when-cross-origin" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t75/2/16/2728.png" style="border: 0px;" width="16" /></span>活動頁|<span style="font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1fey0fg" href="https://reurl.cc/eDqrjL?fbclid=IwAR3Bwofi7tWfp2-_PgE0puvSxB2vRaszrVDgRmtwJzJtZWCh_CAv3vRxe6Y" rel="nofollow noreferrer" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0" target="_blank">https://reurl.cc/eDqrjL</a></span></div><div dir="auto" style="font-family: inherit;">---------------------</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">十九世紀下半葉,法國藝術圈正湧現一場寧靜革命。官方支持的學院派繪畫遭受各路新興派別挑戰,包括最具代表性的印象派在內。其中,馬內(Édouard Manet)在「落選者沙龍」展出〈草地上的午餐〉,更為這場藝術運動吹響了號角。自此,人們不再期望藝術要承載宗教或歷史等宏大敘事,而是能更追求技巧與形式。自此,世人對於「何謂繪畫」的觀念起了徹底的轉變。本書作者、知名社會學家布迪厄,將這種認知及實作上的變革,稱為「象徵革命」。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">然而,象徵革命並非一蹴可幾,而是需要眾多條件才能達成。本書首先從「場域」的概念切入,探究革命發生的條件。當時,教育擴張導致學位過剩,連帶改變了創作者的人口結構,讓馬內為首的「異端」能吸納更多支持者。於是,原先被官方壟斷的審美標準,開始弱化並鬆動。另一方面,馬內出身上流社會所養成的「慣習」,以及他日後在沙龍、咖啡廳、畫室累積的社會「資本」,也都是他得以擔綱革命先知的條件。而這恰恰展現出象徵革命的弔詭:革命者往往是擁有優勢的人。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">以此,透過分析畫作風格、評論家的論述、行動者的階級屬性,布迪厄從法國繪畫的案例,見證現代藝術如何誕生。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">本書由未完成手稿與課程講稿集結而成,課堂上不時穿插對聽眾來函的回應。因此,即便看似是一部未竟之作,本書反倒更能讓我們窺見這名思想家鍛造概念的過程。</div></div></span></div></div></div></div><div class="x1n2onr6" id=":ri9:" style="background-color: white; 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padding-bottom: 1px; position: relative;"><span dir="auto" style="font-family: inherit;">群學出版社</span></span></span></div><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xi81zsa x1yc453h" dir="auto" style="color: var(--secondary-text); display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span class="x1lliihq x6ikm8r x10wlt62 x1n2onr6 xlyipyv xuxw1ft" style="display: block; font-family: inherit; overflow: hidden; position: relative; text-overflow: ellipsis; text-wrap: nowrap;"><span style="font-family: inherit;">媒體/新聞機構</span></span></span></div></div></div></div></div></div></a></div></div></div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZq439fBM95FUrzYKMjYpNc4sKrKKoXGKRfVQfilWYeRpU2LtMxmhOtK9VNN7J0deFVudxnchvEjZVXb2Voc1pzwJ6a7ISXiTrHb9CfBWbTReT896_OkuLwnY-29zD4hoJCXeFDLwww4E/s2048/img934.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZq439fBM95FUrzYKMjYpNc4sKrKKoXGKRfVQfilWYeRpU2LtMxmhOtK9VNN7J0deFVudxnchvEjZVXb2Voc1pzwJ6a7ISXiTrHb9CfBWbTReT896_OkuLwnY-29zD4hoJCXeFDLwww4E/s320/img934.jpg" width="320" /></a></div><br /><div><br /></div><div><br /></div><br /><br />公視今晚的Manet很精采。<br />我們也確定Manet (51歲)和他父親都死於梅毒。所以Manet是好友Charles Baudelaire 所謂的衣著、儀態等入時的漫遊者,Flâneur,拐杖或許是病徵。<br />主持人將Manet的The Execution of Emperor Maximilian 列為19世紀政治畫之最。聽他解釋才知道執行者之一畫的是拿破崙三世,我是從讀墨西哥國父等傳記了解這複雜的國際、宗教鬥爭。<br />我們也知道Bismarck俾斯麥認為巴黎圍城一周,法國就投降,沒想到巴黎撐近百日。也發明飛鴿、氣球傳書等,Manet給太太的傳書留下來,讓世人了解Manet 很少表現出的柔情萬種......<br /><a href="https://en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian?fbclid=IwAR2ET93qlRGw4XuvCaeGP_Jvi6aXU6luVLLHL2WZEuPY5DtMCls9_t1lbpw"><img src="https://external.frmq3-1.fna.fbcdn.net/safe_image.php?d=AQAISYRpXzMg1NA1&w=1000&h=522&url=https%3A%2F%2Fupload.wikimedia.org%2Fwikipedia%2Fcommons%2Fthumb%2F4%2F40%2FEdouard_Manet_022.jpg%2F1200px-Edouard_Manet_022.jpg&cfs=1&sx=0&sy=75&sw=1200&sh=626&ext=jpg&_nc_cb=1&_nc_hash=AQDv9V8OQ6UABnK_" /><br /></a><br /><br /><a href="https://en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian?fbclid=IwAR04hGqXykaXTnPsosJQK7hZFcjA-nqETZPcQx1d178ANI_WCO2z-xEU4H8">EN.WIKIPEDIA.ORG<br />The Execution of Emperor Maximilian - Wikipedia<br />The Execution of Emperor Maximilian is a series of paintings by Édouard Manet from 1867 to 1869, depicting the execution by firing squad of Emperor Maximilian I of the short-lived Second Mexican Empire. Manet produced three large oil paintings, a smaller oil sketch and a lithograph of the same subj...<br /></a><br /><br />File:Manet-grave.jpg <a href="https://commons.wikimedia.org/wiki/File:Manet-grave.jpg?fbclid=IwAR2Co5lGJFF81pRz0Azi0JBvs_52771hE_3TtbHvCgB_wlMT6QO9U24WVgg">https://commons.wikimedia.org/wiki/File:Manet-grave.jpg</a><br /><br /><br /><img src="https://external.frmq3-1.fna.fbcdn.net/safe_image.php?d=AQCA2cYIYDKnUMTU&w=196&h=196&url=https%3A%2F%2Fupload.wikimedia.org%2Fwikipedia%2Fcommons%2F2%2F2d%2FManet-grave.jpg&cfs=1&sx=0&sy=0&sw=1200&sh=1200&_nc_cb=1&_nc_hash=AQANWP6EMOE5-xgj" /><br />COMMONS.WIKIMEDIA.ORG<br />File:Manet-grave.jpg - Wikimedia Commons<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fcommons.wikimedia.org%2Fwiki%2FFile%3AManet-grave.jpg%3Ffbclid%3DIwAR2ET93qlRGw4XuvCaeGP_Jvi6aXU6luVLLHL2WZEuPY5DtMCls9_t1lbpw&h=AT2wZP4aPYcGFOU0P8CmB0if4E1IUUoJ8e4iS5TYinrqu9ZEFE_gL1NwUrqZnLp1vmgt0M0v7be3XmYwufX7v2WJLqlu9As0wB6Hh-y2jaPLpL9SZ1jJMeWT4-RCe76yOCxuGXOPE0Go9EEp6LA99x1NfVKg3h5T&__tn__=R]-R&c[0]=AT14WNOTab8pfVroHRIqZMhqgY3IZhXH1kgajDc2poBkcasl54GLiK3lM6mXKaU1bGFumDeZk421dNd78d1FHYvgkin12r6OQPGBz0VI8_kgq0c77HMTjj4X11BRCab7z_WJdVgvtLK7QnGCjrM6"></a> <br /> <br /> <br /><br /><br /><br />公視今晚更過分,將1片拆成上下:<br />此片談到Manet 家族的"真事隱"和長子內心掙扎:如果你知道 Manet將Dega的一幅畫切成兩半,害 Dega必須一時"絕交",或許可知一二。<br />Manet: The Full Story <br />原名 (2011):<br />Manet - The Man Who Invented Modern <a href="https://www.facebook.com/everydayart.tw?__cft__[0]=AZU3q3kD4saThZ0MU2xDJP61Ix_JzP8gyy2zFnxcnvyC54v6dnNQhrnFPk6-20fGgtp0bygM8OeQ_lLVt4-yNhkmJJelyAVqIgEOLBG5ER8m75p6bmOnKrA7YKrtf5404zw&__tn__=-]K-R">Everyday Art</a> <br />Manet is one of the main candidates for the title of the most important artist there's been. As the reluctant father of Impressionism, and the painter of Dejeuner sur L'Herbe, he can probably be accused of inventing modern art. But his story is fascinating on so many other levels.<br /><a href="https://www.youtube.com/watch?v=OUu6tE5m4Qg&fbclid=IwAR2whQC3RXnhLedaZ9hVldkPp-8YqjC3r1bnfq_KsN9aL1FNPbVqqwB0FNc"><img src="https://external.frmq3-1.fna.fbcdn.net/safe_image.php?d=AQBjbGULhd0YUzHD&w=960&h=500&url=https%3A%2F%2Fi.ytimg.com%2Fvi%2FOUu6tE5m4Qg%2Fhqdefault.jpg&cfs=1&sx=0&sy=0&sw=480&sh=250&ext=jpg&_nc_cb=1&_nc_hash=AQCkvO-mXDLmMOP_" /><br /></a><br /><br /><a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DOUu6tE5m4Qg%26fbclid%3DIwAR1CNr1CSr-l4ncRvytngULKy7yt26_MwrVwF-tBpBIvw5BQ2MNoTMmR_1w&h=AT3CMwbQAfGwS9hMFThgC42VdjiAppeQ0YIfQGicGFSoWyQ5VBAnPIWii1lTrkE5nj5FAx0iTfff-BqtzCxeSwb3GmihAT4XYL8xBx9DIl28i_8dKLCtgwonq98TQ39VJ0bhOyhZrRPWJB1gRifG&__tn__=%2CmH-R&c[0]=AT34-b80mBRlkg-LmncDjLGjbLT0SGAM4B0QJRWLINoms5x1ntv7JF9PYb5cyFuLMQ8Voo6cc87AsLRLIKxbqucpKFLh39Ou6CpvLzHMy3e3mtVhVzb-o0QxhgaVcKW1yVe69FfaKX_OPlL9dYQa">YOUTUBE.COM<br />Manet - The Man Who Invented Modern Art Trailer<br />Manet is one of the main candidates for the title of the most important artist there's been. As the reluctant fa</a><br /><br />****<div class="qbxu24ho bxzzcbxg lxuwth05 h2mp5456 ue3kfks5 pw54ja7n uo3d90p7 l82x9zwi goun2846 ccm00jje s44p3ltw mk2mc5f4 frvqaej8 ed0hlay0 afxsp9o4 jcgfde61 tvfksri0 ozuftl9m" style="background-color: white; border-bottom-color: var(--divider); border-left-color: var(--divider); border-radius: 8px; border-right-color: var(--divider); border-style: solid; border-top-color: var(--divider); border-width: 1px; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px; margin-left: 12px; margin-right: 12px;"><div data-testid="Keycommand_wrapper_feed_attached_story" style="font-family: inherit;"><div class="hqeojc4l" style="font-family: inherit; margin-top: -1px;"><div class="l9j0dhe7 jxk88fls rops0bsn n851cfcs" style="font-family: inherit; margin-bottom: 12px; margin-left: -13px; margin-right: -13px; position: relative;"><div class="l9j0dhe7" style="font-family: inherit; position: relative;"><a class="oajrlxb2 gs1a9yip g5ia77u1 mtkw9kbi tlpljxtp qensuy8j ppp5ayq2 goun2846 ccm00jje s44p3ltw mk2mc5f4 rt8b4zig n8ej3o3l agehan2d sk4xxmp2 rq0escxv nhd2j8a9 a8c37x1j mg4g778l btwxx1t3 pfnyh3mw p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x tgvbjcpo hpfvmrgz jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso l9j0dhe7 i1ao9s8h esuyzwwr f1sip0of du4w35lb lzcic4wl abiwlrkh p8dawk7l tm8avpzi" href="https://www.facebook.com/ArtsEmotions/photos/a.1856999577932354/1840110432954602/?__cft__[0]=AZWb-sstoyNQNkw58gFD5JNPJ1gmiwwJ0qdi2UWaiVPYaKpHT9MdErEA8_b06K4GJtK0bB3DgYLmOC0V828QlS4l7qcpvkAZgSsPpITiqA3rJLQ8VhC1LJ2-uAMLNgF0_2rWEoVVJKNQXR8lybw6m0tIkzq-rgEehlgaYQ3JaGXmAHFoTwQ9Rlw9nRUjc545wvd15xbj1RLOMB89Pv7eIw84vVL0FDOOk7gZ5Dy0YW_Wu6vBrQCeZQZ8B_fbDzq1JtYedr3CepugJ9MaypuwORBhPw6CyQzF7a060efJ9vjSqD4UYgQZtbbYFupsSq6FQJ4&__tn__=EH-y-R" role="link" style="-webkit-tap-highlight-color: transparent; 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pointer-events: none; position: absolute; right: 0px; top: 0px;"></div><div class="n00je7tq arfg74bv qs9ysxi8 k77z8yql i09qtzwb n7fi1qx3 b5wmifdl hzruof5a pmk7jnqg j9ispegn kr520xx4 c5ndavph art1omkt ot9fgl3s" data-visualcompletion="ignore" style="border-radius: inherit; bottom: 0px; font-family: inherit; inset: 0px; left: 0px; opacity: 0; pointer-events: none; position: absolute; right: 0px; top: 0px; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></a></div><div class="stjgntxs ni8dbmo4" style="font-family: inherit; overflow: hidden;"></div></div><div class="dati1w0a hv4rvrfc osnr6wyh" style="font-family: inherit; padding-bottom: 10px; padding-left: 16px; padding-right: 16px;"><div class="btwxx1t3 j83agx80 cwj9ozl2" style="background-color: var(--card-background); display: flex; flex-direction: row; font-family: inherit;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><h5 class="gmql0nx0 l94mrbxd p1ri9a11 lzcic4wl aahdfvyu hzawbc8m" dir="auto" style="color: inherit; font-family: inherit; font-size: inherit; font-weight: inherit; margin: 4px 0px 0px; outline: none; padding: 0px;"><span style="font-weight: 600;"><span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p" href="https://www.facebook.com/ArtsEmotions/?__cft__[0]=AZWb-sstoyNQNkw58gFD5JNPJ1gmiwwJ0qdi2UWaiVPYaKpHT9MdErEA8_b06K4GJtK0bB3DgYLmOC0V828QlS4l7qcpvkAZgSsPpITiqA3rJLQ8VhC1LJ2-uAMLNgF0_2rWEoVVJKNQXR8lybw6m0tIkzq-rgEehlgaYQ3JaGXmAHFoTwQ9Rlw9nRUjc545wvd15xbj1RLOMB89Pv7eIw84vVL0FDOOk7gZ5Dy0YW_Wu6vBrQCeZQZ8B_fbDzq1JtYedr3CepugJ9MaypuwORBhPw6CyQzF7a060efJ9vjSqD4UYgQZtbbYFupsSq6FQJ4&__tn__=kC%2CP-y-R" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><div class="nc684nl6" style="display: inline; font-family: inherit;">Arts&Emotions</div></a></span></span>──和 <span style="font-weight: 600;"><span style="font-family: inherit;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p" href="https://www.facebook.com/LolaGdeLuna?__cft__[0]=AZWb-sstoyNQNkw58gFD5JNPJ1gmiwwJ0qdi2UWaiVPYaKpHT9MdErEA8_b06K4GJtK0bB3DgYLmOC0V828QlS4l7qcpvkAZgSsPpITiqA3rJLQ8VhC1LJ2-uAMLNgF0_2rWEoVVJKNQXR8lybw6m0tIkzq-rgEehlgaYQ3JaGXmAHFoTwQ9Rlw9nRUjc545wvd15xbj1RLOMB89Pv7eIw84vVL0FDOOk7gZ5Dy0YW_Wu6vBrQCeZQZ8B_fbDzq1JtYedr3CepugJ9MaypuwORBhPw6CyQzF7a060efJ9vjSqD4UYgQZtbbYFupsSq6FQJ4&__tn__=-]C%2CP-y-R" role="link" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><div class="nc684nl6" style="display: inline; font-family: inherit;">Lola García de Luna</div></a></span></span> 及<span style="font-weight: 600;">其他 6 人</span>。</h5></span></div><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d9wwppkn fe6kdd0r mau55g9w c8b282yb mdeji52x e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><div aria-label="2018年1月3日" class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" role="button" style="-webkit-tap-highlight-color: transparent; background-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;"><span aria-labelledby="jsc_c_4az" class="gpro0wi8 j1lvzwm4 stjgntxs ni8dbmo4 q9uorilb" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"><span aria-labelledby="jsc_c_4b0" class="gpro0wi8 j1lvzwm4 stjgntxs ni8dbmo4 q9uorilb" style="display: inline-block; font-family: inherit; overflow: hidden; vertical-align: top;"></span><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; font-weight: 600; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;"><span class="b6zbclly myohyog2 l9j0dhe7 aenfhxwr l94mrbxd ihxqhq3m nc684nl6 t5a262vz sdhka5h4" style="cursor: inherit; display: inline; font-family: inherit; font-size: inherit; line-height: inherit; position: relative; text-decoration: inherit; vertical-align: inherit;">2018年1月3日</span></span></span></span></div></span></span><span class="jpp8pzdo" style="font-family: inherit;"><span style="font-family: inherit;"><span class="rfua0xdk pmk7jnqg stjgntxs ni8dbmo4 ay7djpcl q45zohi1" style="clip: rect(0px, 0px, 0px, 0px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"> </span><span aria-hidden="true" style="font-family: inherit;"> · </span></span></span><span class="g0qnabr5" style="font-family: inherit; white-space: nowrap;"><span class="tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41" style="align-items: inherit; align-self: inherit; display: inherit; flex-direction: inherit; flex: inherit; font-family: inherit; height: inherit; max-height: inherit; max-width: inherit; min-height: inherit; min-width: inherit; place-content: inherit; width: inherit;"><span class="ormqv51v l9j0dhe7" style="font-family: inherit; position: relative; top: -2px;"><i aria-label="分享對象:公開" class="hu5pjgll m6k467ps sp_splKqbycQSI_1_5x sx_d79272" role="img" style="background-image: url("/rsrc.php/v3/y_/r/b5LI522sGIn.png"); background-position: 0px -962px; background-repeat: no-repeat; background-size: 26px 1144px; display: inline-block; filter: var(--filter-secondary-icon); height: 12px; vertical-align: -0.25em; width: 12px;"></i></span></span></span></span></span></div></div></div></div><div dir="auto" style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="ecm0bbzt hv4rvrfc ihqw7lf3 dati1w0a" data-ad-comet-preview="message" data-ad-preview="message" style="font-family: inherit; padding: 4px 16px 16px;"><div class="j83agx80 cbu4d94t ew0dbk1b irj2b8pg" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="qzhwtbm6 knvmm38d" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">"Girl in the Garden at Bellevue".(1880)_</div><div dir="auto" style="font-family: inherit;">by Edouard Manet.1832-1883.French impressionist_</div><div dir="auto" style="font-family: inherit;">Fondation E.G. Buhrle/Zurich</div></div></span></div></div></div></div></div></div></div></div><br /><br /><br /><br /><br />
當然,我們很難了解傳主的許多秘密。<br />
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(當哥哥Manet的學生/模特兒,卻嫁給弟弟.....我們也很難真正了解法國上層人士的許多價值觀/考量,然而,傳主還有許多感人的事與才華......) <br />
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漢清講堂<br />
256 Berthe Morisot 的繪畫人生</span><br />
<a href="https://www.youtube.com/watch?v=JO1WRkMQqkA&t=88s">https://www.youtube.com/watch?v=JO1WRkMQqkA&t=88s</a><br />
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<span class="fwn fcg" style="color: #616770; font-family: inherit;"><span class="fwb fcg" data-ft="{"tn":"k"}" style="font-family: inherit; font-weight: 600;"><a data-hovercard-prefer-more-content-show="1" data-hovercard-referer="ARSqu0p7-BZsofA2Mho9li03IfJQE9bUm0llKWi729cNd7dlg6fW6vQbbR407GYtuRA" data-hovercard="/ajax/hovercard/page.php?id=170924542917905&extragetparams=%7B%22__tn__%22%3A%22%2CdkC-R-R%22%2C%22eid%22%3A%22ARB-5tsfbRdd9VpGjCuHT8q_lZ6S3GMWFdI937FjKCnnTclj4mtZLVySKWv_CS8igumvPA1I2hJ7OJyj%22%2C%22hc_ref%22%3A%22ARSqu0p7-BZsofA2Mho9li03IfJQE9bUm0llKWi729cNd7dlg6fW6vQbbR407GYtuRA%22%2C%22fref%22%3A%22nf%22%7D" href="https://www.facebook.com/museedorsay/?__tn__=kC-R&eid=ARB-5tsfbRdd9VpGjCuHT8q_lZ6S3GMWFdI937FjKCnnTclj4mtZLVySKWv_CS8igumvPA1I2hJ7OJyj&hc_ref=ARSqu0p7-BZsofA2Mho9li03IfJQE9bUm0llKWi729cNd7dlg6fW6vQbbR407GYtuRA&fref=nf&__xts__%5B0%5D=68.ARCjjxELYIWNl_6025Xpm1m-g0_4yFISYHHrK0ByTDDRokN6g79OPjmuAdbB1I2BKB2O3CHtqt5MDYm9Gqao3iB6T2n7lWHs885V6MZsXTsRrUIHUW2FlBBtsOAHC7tiakm78r9vu2JH7w-ODfvyDP7ahtWxRQgPK_YgyzdEFNw2UdjnAhX4K_dP1y99DJzRjN-e5HUs6twqPqi8WpaR_DXoLgyTekTwj91ea_gRQpVh8iKYk5VrPlISWuniyI5mJ9o_ArOA3KM6HSOs7h5I85Sjk8P_E_tWq9LFijvH_WSR3co9YOqlB4SHMWGQ3LtsUw80wqL6qTg2IbN-t3pbXX1kg_aCeLMIYLcqenZhT-2IePjkaZNP0rOD" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;">Musée d'Orsay</a></span></span></h5>
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◤ BERTHE MORISOT ◢<br />
À l'occasion de l'exposition "Berthe Morisot" au musée d'Orsay, quelques infos clés sur l'artiste à découvrir dans <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=388859261180371&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARBjCT4q4AptJNCH2dNNnvJ0PnVT843uuIvQg8fB38Rfucf9-BiRPfjUUgUyebJRz1Fx5GmFFQDicYjN%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/BeauxArtsmagazine/?__tn__=K-R&eid=ARBjCT4q4AptJNCH2dNNnvJ0PnVT843uuIvQg8fB38Rfucf9-BiRPfjUUgUyebJRz1Fx5GmFFQDicYjN&fref=mentions&__xts__%5B0%5D=68.ARCjjxELYIWNl_6025Xpm1m-g0_4yFISYHHrK0ByTDDRokN6g79OPjmuAdbB1I2BKB2O3CHtqt5MDYm9Gqao3iB6T2n7lWHs885V6MZsXTsRrUIHUW2FlBBtsOAHC7tiakm78r9vu2JH7w-ODfvyDP7ahtWxRQgPK_YgyzdEFNw2UdjnAhX4K_dP1y99DJzRjN-e5HUs6twqPqi8WpaR_DXoLgyTekTwj91ea_gRQpVh8iKYk5VrPlISWuniyI5mJ9o_ArOA3KM6HSOs7h5I85Sjk8P_E_tWq9LFijvH_WSR3co9YOqlB4SHMWGQ3LtsUw80wqL6qTg2IbN-t3pbXX1kg_aCeLMIYLcqenZhT-2IePjkaZNP0rOD" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;">Beaux Arts magazine</a> <span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t13/2/16/2935.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">⤵️</span></span></div>
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Vous la connaissez comme une femme en noir, apparue dans un chef-d'oeuvre de Manet présenté au salon de 1869. Pourtant, avant d'être un modèle, Berthe Morisot était une artiste.<br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.franceculture.fr%2Femissions%2Flart-est-la-matiere%2Fberthe-morisot-peintre-de-la-vie-moderne%3Futm_medium%3DSocial%26utm_source%3DFacebook%26fbclid%3DIwAR1FLiX_fjqO5hRcynWqBce3HVRhGhtwGUpZdq4H3wHr44XJaV7qcXkH1x0%23Echobox%3D1567362190&h=AT3C3vzb47OHAjNlcVpFOqJHEaK4eMAH7oMPXOOnAviwB4JJQ58hnQYWXBIULBcGg31DnTK7SHtuT_BKZu7w8um_2tgLr2yDyI0u4JndZ6NdFuPo6d2gSZjOqfKw7HWJoBl0EOwDRbazssoai_LdpmeJ0DG9swC4YfVXusV3CkQ93tdE6gpiORg63rhFLfcbQo-QJjfouqzqhdsXFSNGSyVb64onV021Q1IbajzlynWYFx7sVUOrQ6w4UGEKO0cicwhRz189zBxUkUFtyd_RNOWcogDzu3jGb74v0FCA3Bn7ug5u4YDEt1lWWFypyPkiL8dZaVuIoyywlbNiaNR9GL1WRacvOkFOgqBgLe2QkTzRDnn3OfeWvO-FxGqK0OtKJG6WlymEwb-TN-smf010mplfKJi6IdtJmsHLSpk1Jr10XrehpGYs1MKPxbidXqUVxD4aqN4TpPrOXoc7VbdgXJxaG6w_ghV-ZTC3xzRD0y_TNoFtoc5G3MsDab2SIODVGZzCfhSk3dzeTbbfcC_5UgApQrKkcBTSuYyEzQeAXOYN5pXTtUj218q2qhzhh59n0LpsA1mLKts2SaSdFKPIuvRzsx9GFHIEcpp1_RYlo75-6PMSc-fILO5BRKhCTidUAMfLePMx7wM2F1p6V0oDNw">Berthe Morisot, peintre de la vie moderne</a><br />
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<a href="https://www.facebook.com/artistmagazine/?__tn__=kC-R&eid=ARDKjIeQrmbom8nNlTawH7d0F6Iu593qjIfA2UiEoZ3w4_dD7Uly8UjM_J7RchcLkR_2WOWubWXMk2B9&hc_ref=ARQFBimPCJ_p6M0md_QI6muJAoji6hN2nR5D_79bcFANVDlx3RYh3GWf7jEnJxVEabA&fref=nf&__xts__%5B0%5D=68.ARDSYgqnDUQOfB-Op8MGALGAzBXqABWwdCK4lScMLWbvuWzbti6aKl_uxtfg6p5I3hdPb4GQtuyH3mqlemlxwuuUMI205J065GJFxKEWKnY21KdnT-zE3ztWQGY3P-zDENbAejRZ3mUj38fSkIr5epJ7_0sD0xjWYFmgDRuPPoUL6RphtZUEe4hBS3XrL8ZkJq-SXWAfsWBlfdE4daLtDd1HIrOmTtAOmWmcYQieWS_H6M7MzOesf6WOD5Y1ChGwQnqpMqplaD_ocmsZ3RoKxWSkppH9QhaC6kn0Avn0d7QNcEmlwaa-3oDP_33vvEL5YizRtAQhXK0OI3Jp8BIQARKLibLq7w1iSJNpXTS6ktSPANf3Ba0yFC-G">藝術家雜誌社</a><br />
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【9月專輯|她者的藝術力】<br />
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長久以來無論是東方還是西方的女性藝術家,似乎向來處在以男性為典範的藝術場域中的邊緣位置,但或許正是在這樣的處境下,她們反而更能在主流之外自由遊走、超越差異;她們不再是被凝視、被建構的他者,而是做為積極的主體,無畏地走出多樣而自適的路徑。<br />
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1️⃣用才華與努力來宣揚的女性主義<br />
──印象派名畫家貝絲.莫莉索 ☉唐忠珊<br />
<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fbit.ly%2F2kncwxR%3Ffbclid%3DIwAR0e_hS4ZUmZO_tFmqOpWBk1eIy7fA0obXh_JAxpHuvBxb9-aDRMVoDeb8k&h=AT2HbxRZo3lgq8sYOrSFQHFFkVUEKT3kGYLBfGTrEJ393jrJRKQwvwglvNEnhctfxa53Fp4sI8MJj4mY_hDgp30FMuGYTykgFyNniJrZ618ZngMOYX1mY1T8LaGW0_RwgyBFpK8y4N41JL36O5bjlKcT9ReaCTtES8roL-pp2FsNVju1NEwltyMSNKFiUN51Lm9LVX4F_fBVVmFjqwUmkVNnmGzringDXyLcqppjG3cOz4nJZ1q62CC6dzPR7UmdTms6bdV_gM68VWaJ2ZFlBOQWKJ5Ga_u4YG3su1Mh0CkXGHn-TArod8R5rdipXoqz3Aju2Ez2976SWA7107NfFhmJVyiliyzGxXm7ZvuTOBr-vrDC6q0a8zyXvN0TfdP1jtphEBcN2r0Mj6W46kvBo-e3dzSB9j2eEM9Em0TpBN_q_jcV75xVNGrV5YfUp8UHpK_ygPQdCc8XPyBzSTL9DlWlU-3x_TVkrg2in3koEO4WFgBQXMNlWT54ycBKIfG6p2vGw_527if1xWzg-MZSfkVksqXMk-1rV9XiTSe8acP7traTH_i_G_qj2TDxrbkRv3305IqaetQiHvlRmQLnfHkDFKNR82rgYCLIi62adS6grR8GFcaK6TpxfwPid7LAX9rRu3VDAz-uNpPohQryC05OjEoIex_L8y4BXszqj6ks">https://bit.ly/2kncwxR</a><br />
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2️⃣重塑女性藝術家話語權<br />
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──泰德英國美術館「六十年」展覽 ☉林盈君<br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fbit.ly%2F2lH2qYN%3Ffbclid%3DIwAR2dcpJMsJ5x3dsE6VchBgnCQ3rJ2FWQSiQnWvWwTtYdNFcvK9uTYjMYghw&h=AT1Qo_0VwWqQ2oKUGcRnNf8K-gATuAFUNc1wk-HihCwMI0_0nEOk0oUY5aYnNKTk9KYSJrCtR-VCVJnJCbgXO9NrXgV40IC7xful2T9Plk1z5Nog1mZWvCbXKdJ7GGR5fZvjVdGw1IfrZcSD_GDoKMAWpEHerDQOjuSEACplRXyXrza7MpozqieuadlbPPiyId9fc4B9htSBOnj-WWYV9RAEPzX-75Ut5rdCX8lxR5DeKL3M7Aye62o_iaVd9u-eI7sB8oXhXr8xPdrwubcg_NLQ_OpY_wPR_D-TtZobvdJkTk93EwvdrKY6taA2TI4ufyegGKMl1lu1m9oi1EwfsrfSU7_4tJMeGXOIl97wIrv8GdMxQNwhpZZahRO9k_Y8aTPkts70RJQTeXROterB6q8MKam_qnPvh4SstxX5cRhGl4MNtKDUs2Kc9a2dTDG4E1ruuHowK-ZXkY94Cgn1HUfIbK6WzgHL5GucwLYFV1o5R11WgyI2LoYoz_C22bByWqf1SGlqaIHe4EM1JL3LiBAbuW7i56_6Tbavu9x-Vk1ufcjXda3KLgR37oUEWTkpxv4xiJAIv_bHSjXX1ZmztMoYcZrKjmFHrYv66Qw-K9zgCOIdlvkbkiXxMnEZwCMt35nsO9xeSPWt8tr2eYy8hG36pRAKKajVcby48THt4bRk">https://bit.ly/2lH2qYN</a><br />
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3️⃣低地國的現代藝術切片<br />
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──斯希丹市立美術館「女人的傑作」 ☉陳琬尹<br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fbit.ly%2F2lRCQAJ%3Ffbclid%3DIwAR0qIDo9KvaMGUCFwibooZAsgNFBJK6hQLKhnJGJT5kxYtePhlZxlr83unE&h=AT1fk8VcWJKyUngxyJMrBWlPlYXpsXogkrrGCBw4ZYRvqJzI4gWdXEub86XSyOVa4SeRlWPJDBQDVkBKy0sWj0Tk4hOpCLKjNPw_Qq6iehffKzY6q9320qLjjefR7SJm3bI4SMDOGPp8NBUOtxWEfJgzwZ5j1J9y-oDx0h63z-vzK-SJpOXDgZc_46zVmyRb5gxUPWqH_l1gGagufMjdDiiUpIwIPMZcaOoQYW-zh8qwqGtDklxAT7AxWU5yo-8f-9dgsQAdqiCtKoJzbjSFrVtHfqqOcQ5eEgUNnEMM3ObwKL3S3AIOtRninak3dljNjSAwcRAMKexk2IuogrYu4jv7nYXaW6hJzl9YeJBixz6L-8sYTZ4MS9qKJA4jvNCtsb72ZWrKsOKAkEDPFRu8RtQkNK86aXpkir9w3zNGprqO8Fs_awgLok_0DjUxvOkszX-cQ-y4Agv2c1rhCbJO0Fk3fMRkjjKmtgMyMBAKqKer7UJYVFpi-1N8QVVB1vdv0LJ0uIJKqZiaEOuWHX5UeiAbiJCLP5b4j2ekrjpJg_aadsqrUkDEyIVK814yhI_IOjxcYS8yVtFSWw4lnxT1GUDvBS5KSpK2xeG2n9QTnKm6Rn9wqBhwj-5NTlrAUyXGL449mTGBZwaBx5UTfS6bVEMP9d16qIta2vONHjMotwKV">https://bit.ly/2lRCQAJ</a><br />
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4️⃣解讀女性藝術家的教育<br />
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──東京國立西洋美術館「現代女人─增添芬蘭藝術風采的女性藝術家們」 ☉黃杰敏<br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fbit.ly%2F2lhhb4t%3Ffbclid%3DIwAR0Ax6TddPW3lIkvL94OGpR7DWz_wibzwwXJcxIOAVILoSyD94swx1_1Lcc&h=AT1V1Oez4ihLwpM40XDaeHojgFY9DdKtLkyw0_mMGT7Ry4NWPTqO4boGv6BsFH7_pfmRkA3vOpy25L_VVrFUGEescGk1Sg-6dlpNPBFGTmyzHFKqTebmDW8K6kDtITc94Lvl8Ga8zko4SdWflYt7FfcqfV8zDswwDoqhS3rhYypSazXw_ss7ekg6o2OkocPuLJnQKQAM5RaJ3i75ymhyzxfgdNTDt0Vx1melpCOT-4XmWbTTUe_TxgnahrzHy5pDnPzCs4cwp6_v46Q_sD7Ech7xyCMvvfBiK6rhwGT8llATsObfrM7OkgJfJ5oHIkRUfvUT_nD08nuzCtJygLn0vEjqv1fyDfez-RXr_54BAMaOd8q-W-udtyhVMsAIdU4x0J-DQq_8xr8jcKF-tZtAJnYzzC-GOD5Vo0MkmVn82Qu3QVm_CpYk40yUSUq6LZ6-po1b-pP9RE4x2CRHYFfRWAWDlkwQtSmJ8PvR-zNpaL7UT6U3WsSKB6uuFP9HrejCX2xaMkcu6G9mFbTOQ0Mb5933I7XZeeC70EDXqD0nFGy9eliA91xX6bkRw7zBJ741TLU59ntWy6cKRXqDrbQfsL8Y5q3n6AmDfCfpTa07wW8KwAIxEeSDVVpfbNPpAjefIGBy5qFV5JF_M-pjyWecCKxPr2Kl9myITr426534gUCU">https://bit.ly/2lhhb4t</a><br />
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5️⃣東亞抽象藝術的另類實踐<br />
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──策展人王品驊談「她的抽象」 ☉蔣嘉惠<br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fbit.ly%2F2jSI0vr%3Ffbclid%3DIwAR1Vanwj4cMPJQZxK8q45_eNJeeacsoZJMya24o4PuJQG9vgtsOiNVNdy3E&h=AT2kvKUmJF48Qpj4ZOKfSfLvUaNeT5kZft3oXeJIxp_WENhSVVe_NFAAEvdJ6XERzrCKxfium07s08jwh0VCUPGRu_09Iw8jP0WNiJ_EzBVQ0bAx4QxXWpbwwqWDRO8_7DMXQ2KhwNevm7fWTRarbPq6zW1TV7pXWKqCYTOgPJj4CVCS25UJLhNRKBjZEyHYmlDgv0Rz66J_3NLdz0As_AU2rE-JZNZE8u1ocTJOyt0ZCFbJy-wIlDsZcDpNIzpEbQ84XSLhxwciaBB4YwqXzNLP50HX9vCXroJkdUO6fIYsCjfvL5j-8CBuUxHnkaq0YFySYDT57vnQ0UwagHuFZ0JoWJericsUNuzQFMKw9_tgM7TRVq5XIaAl5fPgYSi_Dn1lHiMlpVqq7VRiu1-pK-V3BnrnSFxLaEmYNH9r6GH9JkT62RUj40LeCTkV_xUPDDaaP6epUOA4uqznXjS1-jWBM29Nih68RvoZOzwELiimBmg1nbLdZzCIX8KvR8ANHGwrQ9ZAhp0gpOFn3xeGrEaLkpxT65ahXxSNBrwwI8Fnz3zqV3a5fqj0dZ8HZIRMYwoZn0kol2s-g2CKabf90ey082RUuLXe18QZBNL8e-UpRIGgwppUk4oqtFqwnxVEFkWRRQOB0BrAQnlXb6lQcRivTSpBhAnUsWbgGSXkf37H">https://bit.ly/2jSI0vr</a><br />
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◤ CURIEUSE NOCTURNE ◢<br /><span class="_5mfr" style="font-family: inherit; margin: 0px 1px;"><span class="_6qdm" color="transparent" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t1d/2/16/1f4c5.png"); background-repeat: no-repeat; background-size: contain; display: inline-block; font-family: inherit; font-size: 16px; height: 16px; text-shadow: none; vertical-align: text-bottom; width: 16px;">📅</span></span> Jeudi 19 septembre, de 18h30 à 23h<br />Pour les derniers jours de l'exposition évènement "Berthe Morisot", le musée d'Orsay consacre sa première Curieuse Nocturne de la saison aux femmes artistes.<br />Profitez-en pour (re)découvrir l’œuvre de Berthe Morisot, cette figure majeure de l'impressionnisme.</div>
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人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-38492963080992671802023-08-28T16:33:00.000-07:002023-08-28T16:33:27.783-07:00 友誼﹕歌德與席勒(1794-1805); commemorate the close friendship between Friedrich Schiller and Johann Wolfgang von Goethe. 川端康成 與東山魁夷;喬治‧桑與福樓拜; "Wanderer’s Nightsong" The dual memorial statue to German poets Johann Wolfgang von Goethe (28.08.1749 ; † 22. 03.1832) and Friedrich Schiller (10.11.1759; † 9.05.1805) was unveiled in Weimar in 1857. German immigrants in the early 20th century erected copies of the memorial in, amongst other locations, San Francisco, Cleveland and Milwaukee – where they can still be seen today. The original survived World War II protected by a wall from bombing and is to this day an eyecatcher on Weimar’s Theater Square. #GermanyThenNow<br /><br /><div style="font-family: inherit;"><div class="x1cy8zhl x78zum5 x1q0g3np xod5an3 x1pi30zi x1swvt13 xz9dl7a" style="align-items: flex-start; display: flex; flex-direction: row; font-family: inherit; margin-bottom: 12px; padding-left: 16px; padding-right: 16px; padding-top: 12px;"><div class="x1iyjqo2" style="flex-grow: 1; font-family: inherit;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xi81zsa x1yc453h" color="var(--secondary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><h4 class="x1heor9g x1qlqyl8 x1pd3egz x1a2a7pz x1gslohp x1yc453h" id="jsc_c_se" style="color: inherit; font-family: inherit; font-size: inherit; font-weight: inherit; margin: 4px 0px 0px; outline: none; padding: 0px;"><span class="xt0psk2" style="display: inline; font-family: inherit;"><a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv xzsf02u x1s688f" href="https://www.facebook.com/dw.culture/?__cft__[0]=AZXotszB9AiDIszCWaX5ftnF7E_yT1a2MpiiIJkKwb-KS1hzyLLPl11wVMiH8FeIELGQEcoKtfw30x-MxpkHfsbGiZJo2T89NxTBRR_pVKsO_HVmeaS8uK2Ko1nlmdVbkg-B2hJ_M8tPDdjla7AmRHhVSsXTxOVwLr3sPi6Y-JWaoKkStPUmCHFVvTqECNxDX84&__tn__=-UC%2CP-R" role="link" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline; font-family: inherit; font-weight: 600; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration-line: none; touch-action: manipulation;" tabindex="0"><span style="font-family: inherit;">DW Culture</span></a></span><span class="x1dor1uw x1n2onr6" style="font-family: inherit; letter-spacing: 0.1em; position: relative;"> <span class="xt0psk2" style="display: inline; font-family: inherit;"><div aria-label="已驗證" class="x1i10hfl x1qjc9v5 xjbqb8w xjqpnuy xa49m3k xqeqjp1 x2hbi6w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x9f619 xdl72j9 x2lah0s xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r x2lwn1j xeuugli xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x3nfvp2 x1q0g3np x87ps6o x1lku1pv xt0e3qv x1a2a7pz" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; border-bottom-color: var(--always-dark-overlay); 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align-items: stretch; appearance: none; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><svg class="x1lliihq x1k90msu x2h7rmj x1qfuztq xcza8v6 x1qx5ct2 xw4jnvo" fill="currentColor" height="1em" viewbox="0 0 20 20" width="1em"><g fill-rule="evenodd" transform="translate(-446 -350)"><path d="M458 360a2 2 0 1 1-4 0 2 2 0 0 1 4 0m6 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0m-12 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0"></path></g></svg><div class="x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h x14yjl9h xudhj91 x18nykt9 xww2gxu" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div></div><div style="font-family: inherit;"><div dir="auto" style="font-family: inherit;"><div class="x1iorvi4 x1pi30zi x1swvt13 x1l90r2v" data-ad-comet-preview="message" data-ad-preview="message" id="jsc_c_sg" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xdj266r x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">219 years ago on this day, Friedrich Schiller's play “William Tell” was first performed in Weimar. The poet, physician, philosopher and historian is one of Germany’s most famous writers and thinkers. To this day he is often quoted on any and all aspects of life.</div></div></span></div></div></div></div></div><a href="https://www.facebook.com/dw.culture/?__cft__[0]=AZUhthVmo2brXYbIAGImVQxk4bddaJjDP7zb1Gp7J71VQk2JHh_0ofSTdPAji0qsywZ4eomhQNnyf2Kd7IX-rQiFuAkj-DyvH_9F0OF8QUuaX3_9LUmDcIN760dyvZNJ4xqACFGtn9cdrNwm5NGBfW3ZTNOBkxhi76dNyKlqiX1hoE_xbRWzvwFTFHFoGGliHNU&__tn__=-UC%2CP-R">DW Culture</a> <br /><br /><br />On this day in 1759, poet, physician, playwright, and philosopher Friedrich Schiller was born. He was one of Germany’s most famous writers and thinkers who achieved world wide fame with plays "Wilhelm Tell," the "Wallenstein trilogy," "Mary Stuart," and the "Maid of Orleans."<br /><br /><br /><br />0:18 / 0:36<br /><br /><br /><br /><br /><br /><br /><br />The dual memorial statue to German poets Johann-Wolfgang von <a href="https://www.facebook.com/Goethe-115784238435949/?__cft__[0]=AZV1hwVIGbIifdgO-WtIMwf4YRQPmjMm4e9u-8jYADlwEiRR3L9t-MipFUQkQEsIAUL6jH53vug4RTCm7o8DfS2IobWtQ9qPqGiO-N_4UeWQutCSKZ3CLhqaZnWAvIZHO7rlCK_Wo8LKZgZhjbCxtRh9Bpo7mUFF9Xlrm7oIqH9oonymwA_J-HWbMtNGcGR98gU&__tn__=kK-R">Goethe</a> († 22. 03.1832) and Friedrich Schiller († 9.05.1805) was unveiled in Weimar in 1857. German immigrants in the early 20th century erected copies of the memorial in, amongst other locations, San Francisco, Cleveland and Milwaukee – where they can still be seen today. The original survived World War II protected by a wall from bombing and is to this day an eyecatcher on Weimar’s Theater Square.<br /><a href="https://www.facebook.com/dw.culture/photos/a.145508805546210/3775309489232772/?__cft__[0]=AZV1hwVIGbIifdgO-WtIMwf4YRQPmjMm4e9u-8jYADlwEiRR3L9t-MipFUQkQEsIAUL6jH53vug4RTCm7o8DfS2IobWtQ9qPqGiO-N_4UeWQutCSKZ3CLhqaZnWAvIZHO7rlCK_Wo8LKZgZhjbCxtRh9Bpo7mUFF9Xlrm7oIqH9oonymwA_J-HWbMtNGcGR98gU&__tn__=EH-R"><img src="https://scontent.ftpe7-1.fna.fbcdn.net/v/t1.0-9/160011865_3775309492566105_4793639662868519826_o.jpg?_nc_cat=110&ccb=1-3&_nc_sid=730e14&_nc_ohc=dgE0sbwyoZEAX95B_x0&_nc_ht=scontent.ftpe7-1.fna&oh=39b72e6d0d0b469cce1899ed8460c266&oe=607DC286" /><br /><br /></a><br /><br /><br /><br /><br /> <img src="https://scontent.frmq3-2.fna.fbcdn.net/v/t1.0-9/118443080_3230879943675732_6057230451373340922_o.jpg?_nc_cat=111&_nc_sid=730e14&_nc_ohc=h9Unh3tIoCAAX_V3JR-&_nc_ht=scontent.frmq3-2.fna&oh=a9272076c61f0a475eb2c817bbf10920&oe=5F6C8E6E" /><br /> <a href="https://scontent.frmq3-2.fna.fbcdn.net/v/t1.0-9/118443080_3230879943675732_6057230451373340922_o.jpg?_nc_cat=111&_nc_sid=730e14&_nc_ohc=h9Unh3tIoCAAX_V3JR-&_nc_ht=scontent.frmq3-2.fna&oh=a9272076c61f0a475eb2c817bbf10920&oe=5F6C8E6E">歌德</a> 大膽行動,效果會可觀!<div>
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<a class="internal" href="https://en.wikipedia.org/wiki/File:Stone_sphere.jpg" style="background-color: initial; background: linear-gradient(transparent, transparent), url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #0b0080; display: block; height: 11px; overflow: hidden; text-decoration-line: none; text-indent: 15px; user-select: none; white-space: nowrap; width: 15px;" title="Enlarge"></a></div>
A stone sphere created by the <a href="https://en.wikipedia.org/wiki/Diquis" style="background: none; color: #0b0080; text-decoration-line: none;" title="Diquis">Diquis</a> culture at the <a href="https://en.wikipedia.org/wiki/Museo_Nacional_de_Costa_Rica" style="background: none; color: #0b0080; outline-color: rgb(51, 102, 204);" title="">National Museum of Costa Rica</a>. <b><a href="https://en.wikipedia.org/wiki/Stone_spheres_of_Costa_Rica" style="background: none; color: #0b0080; text-decoration-line: none;" title="Stone spheres of Costa Rica">The sphere</a> is the icon of the country's cultural identity.</b></div>
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我注意到石球架高一公尺,在威瑪別館的庭園中<br />
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<span face=""arial" , sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">The </span><span face=""arial" , sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">Diquis</span><span face=""arial" , sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;"> culture (sometimes spelled </span><span face=""arial" , sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">Diquís</span><span face=""arial" , sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">) was a pre-Columbian indigenous culture of Costa Rica that flourished from AD 700 to 1530. The word "</span><span face=""arial" , sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">diquís</span><span face=""arial" , sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">" means "great waters" or "great river" in the Boruca language. </span></h3>
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Goethe’s most well-known poem begins with the words "O'er all the hilltops is quiet now." 240 years ago today, on the mountain of Kickelhahn in the <span class="q9uorilb tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me fgm26odu gl3lb2sf hhz5lgdu" style="display: inline-block; font-family: inherit; height: 16px; margin: 0px 1px; vertical-align: text-bottom; width: 16px;"><img alt="🌲" height="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t43/1.5/16/1f332.png" style="border: 0px;" width="16" /></span> Thuringian Forest<span class="q9uorilb tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me fgm26odu gl3lb2sf hhz5lgdu" style="display: inline-block; font-family: inherit; height: 16px; margin: 0px 1px; vertical-align: text-bottom; width: 16px;"><img alt="🌳" height="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tc4/1.5/16/1f333.png" style="border: 0px;" width="16" /></span>, the poet took a <span class="q9uorilb tbxw36s4 knj5qynh kvgmc6g5 ditlmg2l oygrvhab nvdbi5me fgm26odu gl3lb2sf hhz5lgdu" style="display: inline-block; font-family: inherit; height: 16px; margin: 0px 1px; vertical-align: text-bottom; width: 16px;"><img alt="✍️" height="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t69/1.5/16/270d.png" style="border: 0px;" width="16" /></span> pencil and wrote the "Wanderer’s Nightsong" onto the wall of a hunter’s hut. Since then it has been set to music many times, and translated into over 50 languages. It is presumed that the poem is autobiographical, and that the wanderer refers to Goethe himself.</div>
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<img alt="圖像裡可能有1 人、顯示的文字是「 O'er all the hilltops / Is quiet now, In all the treetops Hearest thou Hardly a breath... Wanderer' Nightsong II by Johann Wolfgang von Goethe 」" class="i09qtzwb n7fi1qx3 datstx6m pmk7jnqg j9ispegn kr520xx4 k4urcfbm bixrwtb6" height="843" src="https://scontent.ftpe1-3.fna.fbcdn.net/v/t1.0-9/p843x403/118770747_3253211951442531_659018152189480935_o.jpg?_nc_cat=101&_nc_sid=730e14&_nc_ohc=Ygg4S4vQLZ4AX-TtmnF&_nc_ht=scontent.ftpe1-3.fna&tp=6&oh=d90fe704370657779beacb7986ba7c96&oe=5F7B0DD4" style="border: 0px; bottom: 0px; height: 500px; inset: 0px; left: 0px; object-fit: cover; position: absolute; right: 0px; top: 0px; width: 500px;" width="843" /></div>
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DW Culture - On the International Day of Friendship we .</h3>
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<div class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl gmql0nx0 gpro0wi8 b1v8xokw" role="button" style="-webkit-tap-highlight-color: transparent; border-color: initial; border-style: initial; border-width: 0px; box-sizing: border-box; color: inherit; cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; touch-action: manipulation;" tabindex="0">
<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j hop8lmos enqfppq2 e9vueds3 j5wam9gi knj5qynh m9osqain hzawbc8m" dir="auto" style="display: block; font-family: inherit; font-size: 0.8125rem; line-height: 1.2308; margin-bottom: -4px; margin-top: -2px; max-width: 100%; overflow-wrap: break-word;"><span style="background-color: white; font-family: inherit; font-size: 0.9375rem;"> On the International Day of Friendship we want to commemorate the close friendship between Friedrich Schiller and Johann Wolfgang von Goethe. For almost eleven years, the two German poets exchanged views and ideas both personally and in letters, inspiring and appreciating each other. When Schiller died in 1805, it was as if Goethe had lost "half of his existence".</span></span></div>
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–Johann Wolfgang von Goethe, German poet, novelist, and dramatist, was born <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/otd?source=feed_text&__xts__%5B0%5D=68.ARAj1sgIBWmDNFunjg6Oxh3Ovg8YFFFnSVyj67lrn3FcZ6IfWycH5BCa9FAe4Ik1gMeddTqG065H-YbxdJD3MGj_OH8khDzPt50utYtErgi8dp2NEhofsNUTtWaYXBT3OoSfCN1MFka-I6j_yPbLxD3q0OjBu7FAjRatfxNx2L47XYQp57PPV7qEvi0&__tn__=K-R" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="主題標籤" class="_58cl _5afz" style="font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">OTD</span></span></a> 1749. Goethe spent most of his life in Weimar, occupying positions of increasing importance in the government until 1786. In 1791 he was appointed director of the Weimar court theatre, a post he held for many years. In the field of literature his most famous work was the poetic drama in two parts, Faust</div>
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IV. <a href="https://en.wikipedia.org/wiki/Gustave_Flaubert">Gustave Flaubert</a>, 1821~80 and George Sand 1804~76<br />
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<a href="https://www.youtube.com/watch?v=xdUyKDF71qo"><img src="https://i.ytimg.com/vi/xdUyKDF71qo/hqdefault.jpg?sqp=-oaymwEZCPYBEIoBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLBgJGRxuUSMeOsLcvXAbzQhTndjPQ" /></a><br />
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38:52<br />
<a href="https://www.youtube.com/watch?v=xdUyKDF71qo">227 《喬治‧ 桑與福樓拜 》 2018-0509 漢清講堂</a><br />
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V.川端康成 與 東山魁夷<br />
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<a href="https://www.youtube.com/watch?v=NPjP9H8p8xU&t=3s">24:41</a><br />
<a href="https://www.youtube.com/watch?v=NPjP9H8p8xU&t=3s">230 川端康成と東山魁夷 2018-05-04</a><br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DKSMsFsUC_k4%26feature%3Dem-uploademail&h=AT1XdNVycFwfdp52I66tnGivaWg64-O-vsEMkfCY0icoagphCGlwckbYjEUXGB3NiGge3PythygStcCpX3lmhRyNexE1z40X-3SgoGrUJwaWbsZuqYJN43kaUfY7aqzpow_TZsEWtPwx">234 大師之間的友誼﹕歌德與席勒(1794-1805) 2018-06-10</a><br />
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友誼﹕歌德與席勒(1794-1805) HC読書雑記 Weimar Jena Homboldt brothers G.E. Lessing…<br />
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Wiki的錯誤比較不容易發現。<br />
Amalie Becker (1778-97)<br />
Goethe immortalized her in a poem which first appeared in Schiller's Musen Almanach of 1799.[1]</div>
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然而,席勒死於1805:"Recitations and musical settings<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />Goethe wrote his epilogue to the "Song of the Bell" shortly after Schiller’s death in order to have it read by the actress Amalie Becker at the conclusion of a memorial celebration in the Lauchstädt Theater. After the three last acts of Maria Stuart, the "Song of the Bell" was recited with distributed roles. "</span></div>
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我在準備此題時,發現應該有一專題《Weimar-Jena 群英會 1795~1830》(日期只是暫定;Jena因有大學,是Weimar的知識份子的充電、靜養中心;歌德將"處理"Jena大學哲學家費希特的文件,都銷毀......表示不得已的"苦衷",後人不必費心猜測.......):</div>
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<a href="https://www.facebook.com/hanching.chung/posts/1988861627791301" style="display: inline-block; margin-right: 4px;">2018年4月25日上午8:25</a><span style="display: inline-block; margin-right: 4px;"> · </span><br />
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</div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-89988719548277292372023-08-25T10:21:00.001-07:002023-08-25T17:34:26.325-07:00紀念好友徐文杰 (Andrew Hsu)先生。 紀念 唐津 一 ( Hajime Karatsu )先生--向 曾 繁城 先生 致敬 ; 賀台積電。日本擬邀請台積電等全球芯片製造商赴日建廠 2020.7.19<div class="_5x46 _1yz1 clearfix" style="margin-bottom: -1px; zoom: 1;">
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<a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><p style="color: black; font-family: "Times New Roman"; font-size: medium;">紀念 徐文杰先生 (1958~2023)。 中國:XI's Failing Model 東風無力百花殘 圖當新興國家救世主......</p><p style="color: black; font-family: "Times New Roman"; font-size: medium;">https://www.facebook.com/hanching.chung/videos/827793858786411</p></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><p style="color: black; font-family: "Times New Roman"; font-size: medium;">謹以此短文紀念好友徐文杰 (Andrew Hsu)先生。</p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: large;">我與徐文杰 (Andrew Hsu)相識相交1981~1985 工業技術研究院電子工業研究所 (ERSO, ITRI. </span><span style="font-size: x-large;"><b>ERSO</b> 表示</span><b style="font-size: x-large;">E</b><span style="font-size: x-large;">CTRONIC </span><b style="font-size: x-large;">R</b><span style="font-size: x-large;">ESEARCH and </span><b style="font-size: x-large;">S</b><span style="font-size: x-large;">ERVICE </span><b style="font-size: x-large;">O</b><span style="font-size: x-large;">RGANIZATION)。</span></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: x-large;">1985年當時ERSO員工約有1500名,內有IC製造示範工廠,廠長曾繁城先生。1987年他們從ERSO 技術移轉" (SPAN OFF)出去,成立現在舉世聞名的台灣積體製造(台積電)公司 (TSMC))。</span></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: x-large;">徐文杰兄後來"高升"</span><span style="font-size: x-large;"> 到</span><span style="font-size: x-large;">工業技術研究院級幹部;我轉到外商服務,我們保持電子郵件等聯絡,譬如說我會請他將192年代懷德海 (A. N. Whitehead)先生在 Harvard Business Review的文章傳給我......,</span></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: large;"><span face="helvetica, arial, sans-serif" style="color: #1d2129;"></span></span></p></a><blockquote><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><span style="font-size: large;"><span style="color: #1d2129;">樂:我請</span></span></a><span style="font-size: large;"><a aria-controls="js_cz2" aria-describedby="js_cz3" aria-haspopup="true" class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1750792576&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/wenjyehsu?fref=mentions" id="js_cz4" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Andrew Hsu</a><span style="color: #1d2129;">找出1984年10 月號{電子所所訊 (月刊</span><span style="color: #1d2129;">)</span><span style="color: #1d2129;">},其中有曾</span><span face="helvetica, arial, sans-serif" style="color: #1d2129;">繁城</span><span style="color: #1d2129;">先生筆錄,</span><span face="helvetica, arial, sans-serif" style="color: #1d2129;">唐津 一</span><span style="color: #1d2129;"> (Hajime Karatsu)先生精彩的演講:日本半導體界的T. Q. C. (Total Quality Control))。徐文杰兄又答應,"請假"前來"漢清講堂"助陣。</span></span></blockquote><span style="font-size: large;"><span style="color: #1d2129;"></span></span><p></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;">徐文杰 (Andrew Hsu)兄2016年來助陣:</p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: x-large;"><span face="helvetica, arial, sans-serif" style="color: #1d2129;">漢清講堂127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung</span><br style="color: #1d2129; font-family: helvetica, arial, sans-serif;" /><a data-ft="{"tn":"-U"}" data-lynx-mode="async" data-lynx-uri="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dm68oNsF-v-U%26t%3D865s&h=ATNQWXWpgcrHUtkhHKoGVO0S2FLupbZNWeOQ6RQV9zWbLfeBOMsIGfQ2KQ9MpLhTPSpiFNRh5S11ST7JI43eBVwGEbgA7G0wCNRCVOeRnR5YIAbx_LW-F1DXB5LzY52w7nynzsCukG89k3inJmkAKo8NjfcNfK--YCIizc3IFrqj4InFjcwTuq4FziUxz2wIj1-f1PCbOardOToeeeiJ1ElqqQ8SJ3WGoBKxai6GAe-dULX_FHataJ80NMNztemBvXEvo04wMYCh4Kn7xmBQcAbPOFVWhhY10ksIWfgE6QKIV631gclY3Rw" href="https://www.youtube.com/watch?v=m68oNsF-v-U&t=865s" rel="noopener nofollow" style="color: #365899; font-family: inherit; text-decoration-line: none;" target="_blank">https://www.youtube.com/watch?v=m68oNsF-v-U&t=865s</a></span></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><span style="font-size: large;">期間,我知道徐文杰先生喜歡音樂,私下翻譯過半本或全本布拉姆斯,我似乎也聽過他的演奏。他父服務的單位,在趙耀東先生的德政下,分到台塑大樓附近的"宿舍",我去祝賀過......</span></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></p><p style="color: black; font-family: "Times New Roman"; font-size: medium;">2023年8月25日約23時,facebok上接到了徐文杰病逝的消息</p></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div><div style="color: #1d2129; font-family: helvetica, arial, sans-serif; font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"><br /></a></div>
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<a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html">2</a>020.7.19</div>
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<span face="helvetica, arial, sans-serif" style="color: #0000ee;"><span style="font-size: 15px;"><u>日本《讀賣新聞》7月19日報導指,日本政府正考慮邀請全球芯片代工龍頭企業台積電與其他海外芯片製造商,與日本國內的製造商和研究機構建立合作夥伴關係,盼望帶動日本國內的芯片行業發展。</u></span></span><br />
<span face="helvetica, arial, sans-serif" style="color: #0000ee;"><span style="font-size: 15px;"><u>日本擬邀請台積電等全球芯片製造商赴日建廠</u></span></span><br />
<span face="helvetica, arial, sans-serif" style="color: #0000ee;"><span style="font-size: 15px;"><u>RFI.FR | 作者:RFI 華語 - 法國國際廣播電台</u></span></span><br />
<span face="helvetica, arial, sans-serif" style="color: #0000ee;"><span style="font-size: 15px;"><u>日本擬邀請台積電等全球芯片製造商赴日建廠</u></span></span><br />
<span face="helvetica, arial, sans-serif"><span style="font-size: 15px;"><a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html"></a></span></span><br />
<span face="helvetica, arial, sans-serif" style="color: #0000ee;"><span style="font-size: 15px;"><u>日本《讀賣新聞》7月19日報導指,日本政府正考慮邀請全球芯片代工龍頭</u></span></span><br />
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<a href="http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html">monozukuri ;唐津一先生、曾繁城先生 ;Mitsuru Kawai, Hands-on Toyota exec passes down monozukuri spirit</a></h3>
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<span face=""helvetica" , "arial" , sans-serif" style="color: #1d2129;"><span style="font-size: 15px;">http://demingcircle.blogspot.tw/2018/04/monozukuri-mitsuru-kawai-hands-on.html</span></span></div>
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紀念 唐津 一 先生(Hajime Karatsu)草稿之3:從《匠的紀錄》到《日経ものづくり》</div>
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先請各位"日経BP"所出版的一系列雜誌。<br />
我可以跟各位談其中幾本我很熟的,故事要從1985年說起。<br />
我將這些月刊請Google翻譯:有意思的是,《日経ものづくり》它無法翻譯,而這與Karatsu先生的論點很相關。<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />我再把故事啦到60年代起日本的《匠的紀錄》。<br />從20世紀末,日本似乎同意她們的產業/製造特色是ものづくり (造物),似乎要將它當立國之基礎,所以我們可以在日本的電視台如NHK等,看到他們在介紹某公司或某人的"技術"......</span></div>
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紀紀念 唐津 一 先生( Hajime Karatsu 、1919 - 2016年8月15日)草稿之二</div>
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相互比較兩個國家之間的產業,包括文化產業,很不容易取捨。<br />
唐津先生對通信業、半導體業等等都很熟。<br />
他的書中也談到日本的汽車業:美國的汽車出口量的前二名,都是日商;Toyota、Honda的車,都很受美國之喜愛。<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />最近,英國要脫歐盟,日本汽車業在英國的投資也很大,變成一重要議題:</span></div>
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Keeping Japan in the U.K.<br />
The Japan Times<br />
He has made it clear that the guarantee given to Nissan will apply to other Japanese automotive manufacturers with investments in Britain, namely ...</div>
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2016年,中國的汽車一樣蓬勃發展,連Volvo的高檔新車都要到"母國"生產了。不過,我們不知道背後的許多情資,包括日本汽車商在華的投資,無法盡一步討論。</div>
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2018.1.24<br /><a href="https://www.facebook.com/profile.php?id=100010688980505&hc_ref=ARQI0avRrK_uDM560iDSlsJwIcWw-v5rEei3HUdWZfgrBpDuCnx7Y4Pb5jNdA2oXnbs">Ben Chen</a> 新增了 <a href="https://www.facebook.com/permalink.php?story_fbid=540068839692744&id=100010688980505">4 張相片</a> — 與<a href="https://www.facebook.com/peter.serverbank?hc_ref=ARQI0avRrK_uDM560iDSlsJwIcWw-v5rEei3HUdWZfgrBpDuCnx7Y4Pb5jNdA2oXnbs">王培營</a>。<br />
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清華大學,名人堂<br />
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張忠謀說,既然要頒名譽博士,就不應該低調。<br />
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史欽泰先生今天另外有事,史夫人代表贈送書法賀禮。<br />
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<a href="https://www.facebook.com/CFC.DALab?hc_ref=ARS8nbz-Zew_9qpM-6iwJghIP0M7mOqYWYy5PH2qRGgVB1Axnir451SpnWwYPxCHR4Y">簡禎富</a>──和 <a href="https://www.facebook.com/profile.php?id=100010688980505&hc_ref=ARS8nbz-Zew_9qpM-6iwJghIP0M7mOqYWYy5PH2qRGgVB1Axnir451SpnWwYPxCHR4Y">Ben Chen</a> 及<a href="https://www.facebook.com/#">其他 3 人</a>。<br />
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127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung<br />
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參考:<a data-ft="{"tn":"-U"}" data-lynx-mode="async" data-lynx-uri="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.bbc.com%2Fzhongwen%2Ftrad%2Fbusiness-38572172&h=ATMid7iDjViVs7PijU-GZ7ntfIMRQh3rChpHm1s1CvaTCHBRaiBCa_MM4xv3OCIfYFH8Mn191LcaW5dknu5pLxrzxM9tInF-2N_zep4eJCntTsLnIrF6GEkCg82oGloWiIWi0KX6B65VVTvdR_PWfSgleWTR2QKVuEmKvSVnQB5VP3FLbiyT2q-C4kAMxVUfogSjaB_E5DJ-ksURAdwsqWAUofi34h7ReXTpnQj7ZnTc1ICoEXY-w3lmW_qvNKZIRN28sdIvnGNxuCo2TqBxUOZllzOHk7SwQ3Adq5EdHcoudtsuin1gMSE" href="http://www.bbc.com/zhongwen/trad/business-38572172" rel="noopener nofollow" style="color: #365899; font-family: inherit; text-decoration-line: none;" target="_blank">http://www.bbc.com/zhongwen/trad/business-38572172</a>?<br />
中國向太空發射火箭,生產了數百萬部智能手機賣到世界各地,並建造高速列車。但卻可能讓人感到意外的是,以前一直沒造出真正的合格國產圓珠筆。<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />一年前,李克強總理走上了國家電視台,批評這個看似簡單的高質量製造業方面的失敗。<br />李先生抱怨說,與德國,瑞士和日本的圓珠筆相比,中國本地製造的圓珠筆感覺"粗糙"。<br />高精尖<br />中國產圓珠筆原來的問題不是筆身,而是筆尖出墨的"球珠"。<br />這看上去似乎製造簡單,但造出優質"球珠"需要高精度機械和超硬、超薄鋼板。<br />簡而言之,中國鋼材質量不夠高。因此,它難以滿足圓珠筆要求的"精尖"。<br />沒有這個尖端能力,中國3千家制筆企業只能從國外進口這一關鍵部件,造成該行業每年這方面據稱要花費1.2億元人民幣(1730萬美元,1430萬美元)。<br />現在據《人民日報》報道,經過5年研發,中國國企太原鋼鐵集團認為已經解決了這個難題。<br />據報,第一批2.3毫米的圓珠筆筆尖鋼材最近已下生產線。<br />一旦實驗室測試完成,預計中國可以在兩年內逐步完全淘汰筆尖進口。<br />象徵意義<br />在某種意義上,中國能否可以造出一支國產筆,算不上規劃中系列大事之一。<br />高科技和創新製造是中國中央政府"中國製造2025"計劃的核心,它將幫助國內的經濟增長。<br />像圓珠筆這樣的低價值產品一直就不是個重點。<br />但圓珠筆尖的難題有很大象徵意義。<br />儘管中國製造的生鐵粗鋼佔世界總產量一半以上,但中國高質鋼材仍嚴重依賴進口。<br />李克強總理指出,這凸現了中國製造能力需要升級的問題。<br />文化不同?<br />香港大學工業及機械工程學系主任黃建華教授說:"從歷史上看,中國從來就沒有能做好精密工程,圓珠筆就是一個例子。"<br />"圓珠筆的部件微小,非常精確,解決這個問題並不容易。"<br />黃教授說,只有在政府高度重視的航空航天和國防等領域裏,精密工程才有很大發展。<br />即使是智能手機和計算機,高端計算機芯片通常從日本和台灣進口。<br />黃教授說,中國缺乏精密工程要求的精益求精的文化。<br />他用普通話的"浮草"來說明這種現象。<br />他說:"這與日本和德國人的文化有很大不同。" 日本和德國人都以機械創新聞名。<br />他說:"我們中國人本應該是工匠,但不知何故沒有那麼好的精神。"<br />(BBC記者黃曉恩對此報道也有貢獻)</span></div>
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<span style="font-family: inherit;"><span class="fsm fwn fcg" style="font-family: inherit;"><a class="_5pcq" href="https://www.facebook.com/hanching.chung/posts/1389393101071493" style="color: #90949c; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="">2016年11月23日 8:15</a></span></span><span aria-hidden="true" role="presentation" style="font-family: inherit;"> · </span><br />
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樂:我請<a aria-controls="js_cz2" aria-describedby="js_cz3" aria-haspopup="true" class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1750792576&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/wenjyehsu?fref=mentions" id="js_cz4" style="color: #365899; cursor: pointer; font-family: inherit;">Andrew Hsu</a>找出1984.10 {電子所所訊}曾先生筆錄 Hajime Karatsu先生精彩的演講。徐文杰兄又答應請假前來"漢清講堂"助陣。</div>
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在"Blog :人物 People"記昔日長官曾先生,沒想到Facebook有7位同名同姓者!該不會是其長輩知道曾先生吧!</div>
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"IC廠廠長曾繁城博士寫出很精采的"演講記要"---{日本半導體界的TQC_曾繁城筆錄},登【電子所所訊 第85期、1984年10月號】"</div>
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重視我們自己的歷史,才足以稱為優秀的組織。(獻給Andrew Hsu)<br />
我幾年前注意到,美國康乃爾大學,將其創校約150年的"校刊/校報"都電子化了,所以我們可以在台灣查胡適之先生大學生時發表的文章。反觀我國的某校,也有不少的胡適之先生資料,不過都是"待挖掘"的,一般人也不知道它們藏在哪,圖書館都找不到。</div>
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約1981-1985,我在工研院電子所服務,約1983-84年,唐津 一先生來所演講。過一二個月,IC廠廠長曾繁城博士寫出很精采的"演講記要",一直為我珍惜保藏,可惜搬家丟了它。<br />
下周三,我有一場紀念唐津 一先生的演說,所以請文杰幫忙找出它。</div>
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<span style="font-family: inherit;">紅領帶者是曾繁城;最右者胡定華 2017.10.23</span></div>
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台積電 30 周年慶活動現正展開中,這次有眾多半導體重量級貴賓到場,彷彿一場全球半導體產業的高峰會。</div>
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<a href="https://www.youtube.com/watch?v=m68oNsF-v-U&t=888s" style="font-family: "Times New Roman"; font-size: medium;">127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung</a><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw" style="font-family: "Times New Roman"; font-size: medium;">hc iTaiwan forum</a><span style="color: black; font-family: "Times New Roman"; font-size: medium;"> 日期:11 月23 日.</span><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><span style="color: black; font-family: "Times New Roman"; font-size: medium;">紀念唐津一先生(Hajime Karatsu 、1919 - 2016)--向曾繁城先生致敬(1985.10:日本半導體界的TQC_曾繁城筆錄)</span><div style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></div><div style="color: black; font-family: "Times New Roman"; font-size: medium;"><span face="新細明體">我出書都沒請人寫序</span><span lang="EN-US">--</span><span face="新細明體">只有「加速度組織</span><span lang="EN-US"> </span><span face="新細明體">」「四日談」例外</span><span lang="EN-US">-- </span><span face="新細明體">可惜當時美沒訪談曾繁城,</span> <span face="新細明體">而用底下人的代筆,無法表現出曾先生之功力</span><span lang="EN-US">---</span><span face="新細明體">因為真怕朋友『</span><span lang="EN-US">"</span><span face="新細明體">自</span><span lang="EN-US">"</span><span face="新細明體">曝</span><span lang="EN-US">"</span><span face="新細明體">其短』。</span><span lang="EN-US"> </span><span face="新細明體">你身在海外,能擠出這篇,真不簡單、不過,這也是你要向</span><span lang="EN-US">"</span><span face="新細明體">歷史</span><span lang="EN-US">"</span><span face="新細明體">交待的第一步,否則真是『青史盡成灰』</span><span lang="EN-US">…</span></div></div>
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+++<span style="font-size: 13.2px;">紀念唐津 一先生--向曾繁城先生 致敬;張忠謀:領導人5大特質;唐津 一 《中國無法趕超日本!》</span></div>
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將<b>《中國無法趕超日本!》</b>翻譯成《中國能否趕超日本》 ,並在各章末詳加"譯者按" ,此為中國翻譯界的"作此三家村語"。<br />
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唐津 一 <b>《中國能否趕超日本》 </b>北京:社會科學 2006(『中国は日本を追い抜けない!』(PHP研究所、2004年))<br />
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舜水集中有《與陳遵之書》,中間推崇日本上公源光圀甚至。我最喜歡他的話:</blockquote>
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世人必曰古人高於今人,中國勝於外國,此是眼界逼窄,作此三家村語。</blockquote>
舜水到過安南,日本,故有點比較的眼光。他在當時即看重日本,不為無見。----<span face="新細明體" style="font-size: 12pt;">《胡適日記》1928年11月20日 談</span><span face="新細明體" style="font-size: 12pt;">《朱舜水全集》等。</span></blockquote>
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唐津 一先生93歲了 我1985年與他有一面之雅 今天買到一本2004年的書之漢譯 所以寫這當紀念
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<a href="https://www.youtube.com/watch?v=IQjDN7TC6g8&t=54s"><img src="https://i.ytimg.com/vi/IQjDN7TC6g8/hqdefault.jpg?sqp=-oaymwEXCNACELwBSFryq4qpAwkIARUAAIhCGAE=&rs=AOn4CLAFq-LfTZiNPWiymZy-eNQWQNuwNA" /></a><br />
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<a href="https://www.youtube.com/watch?v=IQjDN7TC6g8&t=54s">167 "領導學"漫談 2017-06-16 鍾漢清</a><br />
<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a>•<br />
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17 views2 months ago<br />
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"領導學"漫談2017-06-16 鍾漢清【漢清講堂】 心得分享與討論會地址:台北市新生南路三段88號2樓.<br />
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<span style="font-family: inherit;"><span class="fsm fwn fcg" style="font-family: inherit;"><a class="_5pcq" href="https://www.facebook.com/hanching.chung/posts/884483481562460" style="color: #90949c; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="">2014年10月26日 23:30</a></span></span><span aria-hidden="true" role="presentation" style="font-family: inherit;"> · </span><br />
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在FB天天可以看到孫兒的生活照.....他們這一代能保有的記憶,可能比我們多十年以上:兒童時代不到一歲起的4年,老年近10年.....這肯定是幸福。<br />
有很長的時間沒到日本科技連的網站:打入JUSE,英文的2014年度戴明獎出爐了,不過,"文獻獎"(書)只有日文版。到日文版,竟然發現世稱"Mr. Quality"的米山高範先生過世的追思網頁,壽84歲。做為先生著作的讀者,也只能默禱先生安息。<br />
有心的讀者,或可觀摩JUSE如何處理追思紀念書和追思會影片:</div>
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<br /></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-45191302614009913952023-08-24T23:34:00.002-07:002023-08-24T23:34:27.588-07:00歌磨<p> Still from 'Utamaro and His Five Women' (歌麿をめぐる五人の女 Utamaro o meguru gonin no onna), 1946, directed by Japanese filmmaker Mizoguchi Kenji (溝口 健二, 1898 – 1956). https://youtu.be/fiCbo9d1Q_4</p><p><br /></p><p>It is based on the novel of the same title by Kanji Kunieda, itself a fictionalised account of the life of printmaker Kitagawa Utamaro (喜多川 歌麿; c. 1753 – 1806), one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, who was best known for his bijin ōkubi-e (large-headed pictures of beautiful women) of the 1790s. He also produced nature studies, particularly illustrated books of insects.</p>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-34484157518474645852023-08-23T00:48:00.000-07:002023-08-23T00:48:15.544-07:00 布列松Henri CARTIER-BRESSON 1908~2004、 布列松傳 Alberto Giacometti 1901~1966 (在漢清講堂)《布列松在中國》<br />
<div>"𝐼𝑡 𝑖𝑠 𝑎𝑛 𝑖𝑙𝑙𝑢𝑠𝑖𝑜𝑛 𝑡ℎ𝑎𝑡 𝑝ℎ𝑜𝑡𝑜𝑠 𝑎𝑟𝑒 𝑚𝑎𝑑𝑒 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 𝑐𝑎𝑚𝑒𝑟𝑎... 𝑡ℎ𝑒𝑦 𝑎𝑟𝑒 𝑚𝑎𝑑𝑒 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 𝑒𝑦𝑒, ℎ𝑒𝑎𝑟𝑡, 𝑎𝑛𝑑 ℎ𝑒𝑎𝑑“ </div><div><br /></div><div>The late Henri Cartier-Bresson French humanist photographer, and a master of candid imagery - who was born on this day, August 22nd, in 1908.</div><div>....</div><div><br /></div><div>Shared by Taking photographs is not a crime </div><div>Image: HCB Foundation.</div>
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漢清講堂 分別處理兩大師,謝謝花教授的提醒。<br />
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<a href="https://www.youtube.com/watch?v=WE9vz49NP7o&t=8s">189 簡介 Henri CARTIER-BRESSON (1908-2004) 2017-09-05</a><br />
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<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">法國知名攝影師布列松,1948到49年間在中國停留了十個月,期間剛好是人民解放軍逼近長江、國民黨政府準備撤退到台灣的前夕,也拍下珍貴照片,將在台北市立美術館展出。</span><br />
<br style="background-color: white; border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, STHeitiTC-Light, "Microsoft JhengHei Fix", "Microsoft JhengHei", "Lantinghei TC", sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" />
<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">放眼望去全是密密麻麻的舢舨,蘇州河上被逃難者擠得水洩不通。1948年12月,上海的空氣瀰漫不安,通貨膨脹嚴重,民眾等在上海外灘的銀行,急切想把金圓券換成黃金,當時人在現場的法國知名攝影師布列松按下快門,是底片上第37張照片。</span><br />
<br style="background-color: white; border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, STHeitiTC-Light, "Microsoft JhengHei Fix", "Microsoft JhengHei", "Lantinghei TC", sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" />
<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">《布列松在中國》策展人蘇盈龍說:「這張照片有非常非常多不同的眼神跟角度,它其實讓這整個畫面形成了一個非常特殊的張力。一捲膠卷是有36張,可是這張膠卷它其實出現的位置是在第37號的位置,所以等於說這是一個偷來的照片。」</span><br />
<br style="background-color: white; border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, STHeitiTC-Light, "Microsoft JhengHei Fix", "Microsoft JhengHei", "Lantinghei TC", sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" />
<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">布列松1948年末受美國生活雜誌委託,來到中國拍攝「北平最後的日子」,紀錄中國政權更迭。而後他轉往上海,隔年4月在南京拍下國民黨士兵以三輪車載運物資,準備撤退至南方,兩天後紀錄到中共解放軍進城,民眾好奇站在街邊圍觀。</span><br />
<br style="background-color: white; border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, STHeitiTC-Light, "Microsoft JhengHei Fix", "Microsoft JhengHei", "Lantinghei TC", sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" />
<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">台北市立美術館長林平表示,「它對於台灣的人民來講,它有一個歷史補綴,好像缺了一頁不是那麼清楚,我們可以靠這些影像重返那個時代。」</span><br />
<br style="background-color: white; border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, STHeitiTC-Light, "Microsoft JhengHei Fix", "Microsoft JhengHei", "Lantinghei TC", sans-serif; font-size: 17px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" />
<span face=""helvetica neue" , "helvetica" , "arial" , , "microsoft jhenghei fix" , "microsoft jhenghei" , "lantinghei tc" , sans-serif" style="background-color: white; color: #333333; font-size: 17px;">《布列松在中國》一系列照片,將於20日起在台北市立美術館展至11月1日。而他被譽為20世紀最偉大的攝影師之一,透過他獨特的視角,見證近代歷史轉身的瞬間,台北則是此次攝影展的全球巡迴首站。</span><br />
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<a href="https://www.youtube.com/watch?v=l6k86l1lG-Q&t=318s"><img src="https://i.ytimg.com/vi/l6k86l1lG-Q/hqdefault.jpg?sqp=-oaymwEZCNACELwBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLCficUkyYSuAce9HZ5uA8ik_neLPA" /></a><br />
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21:44<br />
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<a href="https://www.youtube.com/watch?v=l6k86l1lG-Q&t=318s">221 昨日的世界(mit Stefan Zweig,佛洛伊德 und Dali) 2018-02 漢清講堂</a><br />
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提過大畫家Henri Matisse 過世前,請Alberto Giacometti 為其素描......<br />
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*****<br />
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<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto" style="animation-name: none; display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -4px; margin-top: -4px; max-width: 100%; overflow-wrap: break-word;">【詩的探險。藝術的事5】</span></div>
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<span class="oi732d6d ik7dh3pa d2edcug0 qv66sw1b c1et5uql a8c37x1j muag1w35 enqfppq2 jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto" style="animation-name: none; display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; margin-bottom: -4px; margin-top: -4px; max-width: 100%; overflow-wrap: break-word;"><藝術創作裡的友誼天空:布列松與Giacometti></span></div>
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法國攝影家布列松(Henri Cartier-Bresson, 1908-2004)與瑞士雕塑家Alberto Giacometti (1901-1966)早年都對超現實主義(Surrealism)十分著迷,但後來都跳脫出來,各自開創個人色彩鮮明的藝術風格。有趣的是,踏上藝術之路初期,他們兩人都是從學習素描與繪畫入手,而後才分別往攝影與雕塑發展;即便如此,繪畫思考對他們後來的創作卻一直有著重要影響。</div>
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布列松與Giacometti兩人相識於1938年,始於布列松主動到Giacometti工作室拜訪。結果兩人一見如故,雖然因各自工作性質不同,相聚時間不多;但他們長達三十年相知相惜的深厚友誼,卻一直是藝術史上的佳話。布列松曾這樣說過他與Giacometti深感契合的原因:「我們都以會消失的事物為創作題材…..,我們都在奮力捕捉飛逝的瞬間,捕捉這些瞬間裡萬事萬物變動不居的關係。」</div>
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然而,對布列松與Giacometti而言,這些飛逝的瞬間卻不意味著支離破碎的當代殘影。</div>
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布列松認為,好的攝影藝術應該透過「決定性的瞬間」(the decisive moment)來讓生活周遭原本不受關注的環境元素產生最具永恆意象的連結,如他對「決定性的瞬間」所下的定義:「一幅攝影作品對我而言,意味著同時去認知,一方面,在秒瞬之間,某個元素裡有個煥發意義的細節;而在另一方面,我們在視覺裡所覺察到的諸種形式,可透過一個強有力的組合方式,將這個細節與其他元素連結的特殊意義呈現出來。」</div>
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換句話說,攝影之可貴,不在於用相機去紀錄事件發展過程中停格的靜態;而是透過掌握住讓人意想不到的瞬間,讓觀者透過攝影作品,對正在發生的事件產生全新的感受與理解。因此,布列松說:「事實本身並不一定有趣,看事實的觀點才重要。」而Giacometti也對雕塑藝術的永恆性存在於何處,以他出於對納粹大屠殺的悼念為例說明,他充滿存在主義特質的人像雕塑,如《行走的人》(Walking Man) ,應該「被埋在土裡,作為生者與往生者之間聯繫的橋樑」。</div>
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布列松曾多次以「行走的人」為題,為Giacometti拍下身影。對Giacometti而言,用消瘦、孤絕無名的人體表現個人對空間距離主觀感受的創作題材「行走的人」,的確是他經歷十年摸索,終於在第二次世界大戰之後,開創出具有個人代表性風格的名作之一。Giacometti用這些瘦削不成人形的人體雕塑,表達他對集中營受難者與被迫遷、被無端殘害之生命的深切悼念。</div>
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一九六〇年代起,Giacometti將《行走的人》這個主題轉往對人體雕塑意涵新階段的思考。這些身形雖然孤獨無依地存在,但他們仍堅毅地往自己追求的方向果敢前行。</div>
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布列松在他論攝影的文集裡是這樣形容Giacometti的:「Giacometti是我認識的人裡,最聰明、頭腦也最清晰的那幾位之一。他對自己非常誠實,對自己的創作要求相當嚴苛,面對最困難的問題總要弄到好才放手。… 他行走的步態,也就是他走路的方式很有個人特色:一隻腳的腳後跟大大往前跨,也許他曾受過傷,我不知道。而他思考的速度更特別:他回答提問的內容總是遠遠超乎所問的問題。」</div>
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<br /><br /><br /><br /> <br /><br /><br /><br /><a href="https://www.facebook.com/lotus.chang?__cft__[0]=AZWiF5-VQZTVvJ4HeTxgVedyvOBths8rdKZMv8jncR7xSHsOmzfBUSOthmpEAD637gxWUHl6CZmnXAJaVHhgfU8-ujV-Tlr00F5Ot8yuz-9ynkh9o3dFJ7XJD01bK1V_2TtNaWGQCYJKvWvpEFUo7Jb0&__tn__=-UC%2CP-y-R">張惠菁</a><br /><br />10 小時 · <br /><br />布列松的逃亡<br />二次世界大戰的時候,布列松在戰俘營裡生活了三年。<br />對德軍而言,戰俘就是勞動力。不管他們當中有想成為攝影師、畫家、作家、服裝設計師的人,他們都是勞動力。布列松逃跑過三次。<br />第一次是和他在尚・雷諾瓦電影劇組拍片時認識的舊識杜阿里努一起。很快被逮到,被關禁閉並被迫做二十一天懲罰性苦役。這段時光很嚴酷,但令他難忘的,是有一天,杜阿里努忽然對他說:「布列松,你看那座山的後面,想像一下有一片大海......」布列松的傳記作者寫道:「這只是一瞬間的幻覺,但那樣的幻想能讓人挺過最黑暗的時光。」那個幻想讓布列松把目光投向地平線。<br />第二次逃跑是和另一位朋友勒弗朗。他們成功逃走了二十四小時,逃到萊茵河橋邊。但還是被抓住了,又回到禁閉室。兩個人卻在被抓住之後想像起未來的人生。勒弗朗說,等這一切結束了,等我自由了,我要去做服裝設計師,你呢?布列松說,我要當畫家。<br />第三次逃亡,終於成功了。「他們在1943年2月穿越邊境,沿著莫澤爾運河徒步行走。那天是勒弗朗的生日。他們兩人從強制勞動所偷了一些平民的衣服,那是德國人佔領法國時設置的機構。又從阿爾薩斯的一個黨衛軍那裡得到了假造的身份證和火車票,一路順利地到達梅茲。那個衛兵把他們藏在準備給德國軍官用的馬車裡,之後兩人在靠近羅洛什的農場裡躲了三個月,和他們一起藏你的還有另外十人,包括逃跑的、逃離強制勞動所得,還有反抗戰士和猶太人。<br />歷時三年的戰俘生活終於結束了。這是少數幾段讓布列松為之色變的記憶。但為了掩飾情緒,他總會自我解嘲。幾年後,在填寫普魯斯特問卷時,有個問題是:『你最喜歡的旅行是哪一次?』他的回答是:『身為戰俘的三次逃亡。』」<br />*<br />「逃跑」這個詞,字面上的意義通常是負面的。但在戰俘營,從被奴役的狀態中逃走,是另一種意義,需要果斷的判斷和行動的勇氣。例如另一位和布列松同為戰俘的作家格林,就無法逃走。雖然他會幫助布列松們逃走。布列松等人後來是這樣理解的:格林的不願逃走是一種逃避主義。不過後來格林把在戰俘營中的經歷寫成小說,布列松也化身其中一個角色。<br />我們現在常說「逃跑可恥但有用」,布列松的逃跑超不可恥,而且也真的有用。<br />「普魯斯特問卷」這個聽起來有點文青風,經常被時尚雜誌拿來訪問名人的做法,原來布列松也做過。還有,原來在輕描淡寫的問答背後,可以有這樣的故事。問題可以很輕。回答可以很重(但是又偽裝成很輕)。<br />*<br />關於「逃亡」,布列松的傳記作者寫道:<br />「逃亡不是英雄行為,而僅僅是為了生存。天生的叛逆者無法忍受任何形式的禁錮。布列松逃跑時根本沒想過可能的風險,或是不逃跑會有什麼好處。他必須擺脫這種束縛,因為他永遠無法忍受行動、思想、言論、閱讀、事業或任何的限制,這種精神就在他的血液裡。<br />他是個逃亡犯,這是他唯一想要的『勳章』。他和另外三萬人共享這份榮譽,正式受勳時,他們不是懷著志得意滿的心情,而是抱著一種驕傲,因為他們曾向那些被侮辱、折磨,最後被槍斃的獄中朋友許下諾言,而如今承諾兌現了。敵人試圖把他們變成野獸,但他們保持了人性,掌握著自己的命運。現在他知道即使在徹底受屈辱環境下,人類仍然可以發揮團結的力量,成就大事。他們也讓自己適應種種不可思議的環境。和這些人一起,他接觸到種種痛苦的底線:飢餓、毆打、夜晚的寒冷、深溝的污泥,以及人性的殘酷。<br />他始終痛恨德國,每次碰到德國人都忍不住故意問一個問題:『戰時你在做什麼?』那語氣就如同他想問一個剛從勞斯萊斯汽車裡下來的人:『錢從哪裡來的?』<br />戰爭改變了他,也改變了許多人。舊世界對此時的他來說,就是他成為戰俘前所認識的世界。這段經歷在他的靈魂中留下了不可磨滅的印記。在任何政治討論中,他只會和一個陣營站在一起,那就是戰俘營,而且他的國籍就是逃亡犯。他在戰俘營學到了一些自由的人從來不曾知道的事,其中之一就是:人一旦被抓進去就再也出不來了,因為那座戰俘營不只存在這個世界,也存在內心。」<br />*<br />十一月要重出布列松傳。邊看稿邊筆記。<br /></div>
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人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-56742050481680203322023-08-20T19:27:00.001-07:002023-08-20T19:27:05.582-07:00Don’t Forget to Live Goethe and the Tradition of Spiritual Exercises別忘記生活:歌德與精神修練Pierre Hhadot (1922~2010)。<p> </p><p><br /></p><div>Don’t Forget to Live別忘記生活:歌德與精神修練 Goethe and the Tradition of Spiritual Exercises B Pierre Hhadot (1922~2010)。漢清講堂234 大師之間的友誼﹕歌德與席勒(1794-1805) 2人物:王文興等許定銘 女子世足球 英格蘭vs 西班牙及其他</div><div><br /></div><br /><br />別忘記生活+ Pierre Hhadot<br /><div class="purchase-item-detail-title-desktop" style="background-color: white; box-sizing: border-box; color: #3a3a3a; font-family: "Source Serif Pro", "Times New Roman", "serif"; font-size: 18px; margin-bottom: 32px;"><h1 style="box-sizing: border-box; color: black; font-size: 4rem; font-weight: 400; line-height: 1.1; margin-bottom: 0.5rem; margin-top: 0px;">Don’t Forget to Live</h1><h2 style="box-sizing: border-box; color: black; font-family: "HCo Gotham", Helvetica, Arial, "Helvetica Neue", -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Noto Sans", "sans-serif", "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 2rem; font-weight: 300; line-height: 1.1; margin-bottom: 0.5rem; margin-top: 0px;">Goethe and the Tradition of Spiritual Exercises</h2><div class="author-info" style="box-sizing: border-box;"><p class="author link-reverse-underline" style="box-sizing: border-box; color: #007396; font-size: 1.5rem; margin-bottom: 4px; margin-top: 0px;"><a href="https://press.uchicago.edu/ucp/books/author/H/P/au5827523.html" style="background-color: transparent; box-sizing: border-box; color: #007396;">Pierre Hadot</a></p><div class="editor" style="box-sizing: border-box; color: #757575; font-size: 1.125rem; margin-bottom: 0px;"><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;">Translated by <a href="https://press.uchicago.edu/ucp/books/author/C/M/au5827524.html" style="background-color: transparent; box-sizing: border-box; color: #007396;">Michael Chase</a><br style="box-sizing: border-box;" />With a Foreword by <a href="https://press.uchicago.edu/ucp/books/author/D/A/au5417939.html" style="background-color: transparent; box-sizing: border-box; color: #007396;">Arnold I. Davidson</a> and <a href="https://press.uchicago.edu/ucp/books/author/L/D/au18985261.html" style="background-color: transparent; box-sizing: border-box; color: #007396;">Daniele Lorenzini</a></p></div></div></div><div class="purchase-item-detail-summary" style="background-color: white; box-sizing: border-box; color: #3a3a3a; font-family: "Source Serif Pro", "Times New Roman", "serif"; margin-bottom: 28px;"><div class="collapse-truncated-wrapper truncated-faded truncated" style="box-sizing: border-box;"><div class="collapse-truncated collapse show" data-max-height="243" id="example-collapse-truncated-1" style="box-sizing: border-box; height: auto; margin-bottom: 20px; overflow: hidden; transition: all 0.001s ease 0s;"><div class="collapse-truncated-inner" style="box-sizing: border-box; position: relative;"><span style="box-sizing: border-box; font-size: 18px; font-weight: bolder;">The esteemed French philosopher Pierre Hadot’s final work, now available in English.<br style="box-sizing: border-box; margin-bottom: 0px;" />With a foreword by Arnold I. Davidson and Daniele Lorenzini.</span><br style="box-sizing: border-box;" /> <br style="box-sizing: border-box;" /><span style="font-size: large;">In his final book, renowned philosopher Pierre Hadot explores Goethe’s relationship with ancient spiritual exercises—transformative acts of intellect, imagination, or will. Goethe sought both an intense experience of the present moment as well as a kind of cosmic consciousness, both of which are rooted in ancient philosophical practices. These practices shaped Goethe’s audacious contrast to the traditional maxim <i style="box-sizing: border-box; margin-bottom: 0px;">memento mori</i> (Don’t forget that you will die) with the aim of transforming our ordinary consciousness. Ultimately, Hadot reveals how Goethe cultivated a deep love for life that brings to the forefront a new maxim: Don’t forget to live.</span></div></div></div></div><ul style="background-color: white; color: #202122; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><i>N'oublie pas de vivre. Goethe et la tradition des exercices spirituels</i>, Albin Michel,<b> 2008.</b> (Bibliothèque Idées). <a class="mw-redirect" href="https://en.wikipedia.org/wiki/ISBN_(identifier)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-2-226-17905-0" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Special:BookSources/978-2-226-17905-0">978-2-226-17905-0</a>.<ul style="list-style-image: url("/w/skins/Vector/resources/common/images/bullet-icon.svg?d4515"); margin: 0.3em 0px 0px 1.6em; padding: 0px;"><li style="margin-bottom: 0.1em;"><i>Don't Forget to Live: Goethe and the Tradition of Spiritual Exercise,</i> translated by Michael Chase with an foreword by Arnold A. Davidson and Daniele Lorenzini, Chicago, University of Chicago Press, <b>2023.</b> <a class="mw-redirect" href="https://en.wikipedia.org/wiki/ISBN_(identifier)" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-0-226-49716-7" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Special:BookSources/978-0-226-49716-7">978-0-226-49716-7</a></li></ul></li></ul><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_bc_01.jpg&v=5c3f07ack&w=375&h=375" /><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_01.jpg&v=5c3f07aak&w=375&h=375" /><br /><img src="https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_02.jpg&v=5c3f07abk&w=375&h=375" /><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_03.jpg&v=5c3f07abk&w=375&h=375" /><br /><img src="https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_04.jpg&v=5c3f07abk&w=375&h=375" /><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_05.jpg&v=5c3f07abk&w=375&h=375" /><br /><img src="https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_06.jpg&v=5c3f07ack&w=375&h=375" /><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_07.jpg&v=5c3f07ack&w=375&h=375" /><br /><img src="https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_b_08.jpg&v=5c3f07ack&w=375&h=375" /><br /><img src="https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/CN1/123/44/CN11234452_bf_01.jpg&v=5c3f07ack&w=375&h=375" /><br /><a href="https://www.books.com.tw/web/china/">簡體書</a>><a href="https://www.books.com.tw/web/china_topm_05/">哲學/宗教</a>><a href="https://www.books.com.tw/web/sys_midme/china/0501/">哲學</a>><a href="https://www.books.com.tw/web/sys_bbotm/china/050104/">西洋哲學</a>><a href="https://www.books.com.tw/web/sys_bbotm/china/05010403/">近代哲學</a><br /><br /><span style="font-size: x-large;">別忘記生活:歌德與精神修煉的傳統</span><br /><br /><br />作者:<a href="https://search.books.com.tw/search/query/key/%28%E6%B3%95%29%E7%9A%AE%E5%9F%83%E7%88%BE%C2%B7%E9%98%BF%E5%A4%9A/adv_author/1/">(法)皮埃爾·阿多</a><br />語言:簡體中文<br />出版社:<a href="https://www.books.com.tw/web/sys_puballb/china/?pubid=0000000324">華東師範大學出版社</a><br />出版日期:<b>2015/</b>03/01<br /><br /><br />內容簡介「精神修煉」源自古代哲學,通過這種日常的實踐,個體可以努力改變他看待世界的方式,從而改變自身。皮埃爾·阿多熟讀歌德的著作,在《別忘記生活》中,他分析了這位德國大師在「精神修煉」這一歷史悠久的西方傳統中的地位。<br /><br /><span style="font-size: x-large;">「別忘記生活」是歌德針對「勿忘死亡」、「思考死亡」提出來的。對歌德來說,生活就是保持積極的狀態,就是在當下采取行動。歌德以古人為典范,認為應該活在當下,捕捉每一刻的幸福,而不是迷失在對過去或者未來的浪漫感傷中。超越「部分和偏狹的自我」,專注於當下,用「俯視的目光」、「宇宙的角度」看待問題,在歌德的思想中經常出現。這也是皮埃爾·阿多在「作為生活方式的哲學」的視野里非常關注的主題之一。</span><br /><br /><br /><br /><br /><br /><br />目錄第一章 「現在乃吾獨愛之女神」<br />1. 浮士德與海倫<br />2. 現在、庸俗與理想<br />3. 田園詩般的阿卡迪亞<br />4.無意識的康健抑或后天獲得的安然?<br />5.對當下的哲學體驗<br />6.歌德思想中的古代哲學傳統<br />7.歌德之當下、瞬間、存在於此<br /><br />第二章 俯視的目光與宇宙遨游<br />1. 瞬間與俯視的目光<br />2. 古代人俯視的目光。山峰與想象的飛翔<br />3. 古代哲學家眼中俯視的目光的哲學意義<br />4. 中世紀和現代的傳統<br />5. 歌德筆下不同形式的俯視的目光<br />6. 歌德之后的俯視的目光<br />7. 氣球駕駛員與宇航員<br /><br />第三章 希望的翅膀,《原辭》<br />1. 代蒙,堤喀<br />2. 代蒙、堤喀、厄洛斯、阿南刻以及厄爾庇斯<br />3. 人類的命運<br />4. 自傳角度?<br />5. 神杖<br />6. 厄爾庇斯,希望<br /><br />第四章 對生命和世界說是<br />1. 存在於此的快樂很大<br />2. 從生存本身體會到的快樂更大<br />3. 對變遷和可怖之物說是<br />4. 歌德與尼采<br /><br />結語<br />參考書目<br />索引<br />收回<br /><br />作者介紹皮埃爾·阿多(Pierre Hadot,1922—2010),法國20世紀著名哲學家、史學家與文獻學家,法蘭西學院榮譽教授。主要從事古希臘羅馬思想研究,以研究古代哲學尤其是新柏拉圖主義和斯多亞主義而聞名世界。阿多是福柯最欣賞的哲學家之一,也是最早把維特根斯坦介紹到法國的主要人物之一。他強調古代哲學並非一套理論學說,而是一種與生活方式、生命品質密切相關的精神修煉。代表著作:《精神修煉與古代哲學》、《古代哲學的智慧》、《作為生活方式的哲學》、《維特根斯坦和語言的界限》、《伊西斯的面紗》等。<div><br /></div><div><br /></div><div>漢清講堂<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DKSMsFsUC_k4%26feature%3Dem-uploademail&h=AT1XdNVycFwfdp52I66tnGivaWg64-O-vsEMkfCY0icoagphCGlwckbYjEUXGB3NiGge3PythygStcCpX3lmhRyNexE1z40X-3SgoGrUJwaWbsZuqYJN43kaUfY7aqzpow_TZsEWtPwx">234 大師之間的友誼﹕歌德與席勒(1794-1805) 2018-06-10</a><br /><br />友誼﹕歌德與席勒(1794-1805) HC読書雑記 Weimar Jena Homboldt brothers G.E. Lessing…<br /><br /><br /><div class="t_bt19logei f_bt19lsk99 clearfix" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: -1px; zoom: 1;"><div class="clearfix i_bt19lohjp" style="font-family: inherit; margin-bottom: -6px; zoom: 1;"><div class="clearfix _42ef" style="font-family: inherit; overflow: hidden; zoom: 1;"><div class="q_bt19lohji" style="font-family: inherit; padding-bottom: 6px;"><div style="font-family: inherit;"><div class="_6a _5u5j" style="display: inline-block; font-family: inherit; width: 422px;"><div class="_6a _5u5j _6b" style="display: inline-block; font-family: inherit; vertical-align: middle; width: 422px;"><div class="_5pcp _5lel _2jyu _232_" data-testid="story-subtitle" id="feed_subtitle_100000024487906:-6853025726852556852" style="color: #616770; font-family: inherit; position: relative;"><span class="b_bt19lnk_t" style="font-family: inherit;"><span class="fsm fwn fcg" style="color: #90949c; font-family: inherit;"><a class="_5pcq" href="https://www.facebook.com/hanching.chung/posts/1991794860831311" style="color: #616770; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="">2018年4月27日下午11:03</a></span></span><span aria-hidden="true" class="_6spk" role="presentation" style="font-family: inherit;"> · </span><br /><div class="_6a _43_1 _4f-9 _nws _21o_ _fol" id="u_fetchstream_123_3j" style="display: inline-block; font-family: inherit; margin: -5px -5px -4px -4px; padding: 0px; position: relative;"><div class="_6a uiPopover" id="u_fetchstream_123_3n" style="display: inline-block; font-family: inherit;"><a aria-expanded="false" aria-haspopup="true" aria-label="分享對象:公開" class="_42ft _4jy0 _55pi _5vto _55_p _2agf _4o_4 _401v _p _1zg8 _3m8n _4jy3 _517h _51sy _59pe" data-hover="tooltip" data-tooltip-alignh="right" data-tooltip-content="公開" href="https://www.facebook.com/memories/?source=bookmark#" id="u_fetchstream_123_3h" rel="toggle" role="button" style="-webkit-font-smoothing: antialiased; background: none; border-radius: 2px; border: 1px solid transparent; box-sizing: content-box; color: #4267b2; cursor: pointer; display: inline-flex; font-family: inherit; font-weight: bold; justify-content: center; line-height: 22px; max-width: 26px; overflow-wrap: normal; padding: 0px 3px; position: relative; text-align: center; text-decoration-line: none; text-shadow: none; text-wrap: nowrap; transition: background-color 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s, box-shadow 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s, transform 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s; vertical-align: middle;"><span class="_-xe _3-8_" style="font-family: inherit; margin-right: 4px;"><i class="_21or img sp_qn88XkgbTI__1_5x sx_53c202" style="background-image: url("/rsrc.php/v3/yd/r/NAoIVCtOY99.png"); background-position: -44px -516px; background-repeat: no-repeat; background-size: 74px 560px; bottom: 1px; display: inline-block; height: 12px; position: relative; vertical-align: middle; width: 12px;"></i></span><span class="accessible_elem" style="clip: rect(1px, 1px, 1px, 1px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"><span class="_55pe" style="color: #999999; display: inline-block; font-family: inherit; overflow: hidden; text-overflow: ellipsis; vertical-align: top;"></span></span><span class="_4o_3" style="font-family: inherit;"><i class="img sp_Ajg5clc4Hw8_1_5x sx_46110f" style="background-image: url("/rsrc.php/v3/yt/r/cY1MHX9b4K7.png"); background-position: -10px -96px; background-repeat: no-repeat; background-size: 30px 212px; bottom: 1px; display: inline-block; height: 8px; position: relative; vertical-align: middle; width: 10px;"></i></span></a></div></div></div></div></div></div></div></div></div></div><div class="_5pbx userContent _3576" data-ft="{"tn":"K"}" id="js_1ghe" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.38; margin-top: 6px;"><div class="text_exposed_root text_exposed" id="id_5cc3b4c2a51658228619841" style="display: inline; font-family: inherit;"><div style="font-family: inherit; margin-bottom: 6px;">Wiki的錯誤比較不容易發現。<br />Amalie Becker (1778-97)<br />Goethe immortalized her in a poem which first appeared in Schiller's Musen Almanach of 1799.[1]</div><div style="font-family: inherit; margin-bottom: 6px; margin-top: 6px;">然而,席勒死於1805:"Recitations and musical settings<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />Goethe wrote his epilogue to the "Song of the Bell" shortly after Schiller’s death in order to have it read by the actress Amalie Becker at the conclusion of a memorial celebration in the Lauchstädt Theater. After the three last acts of Maria Stuart, the "Song of the Bell" was recited with distributed roles. "</span></div></div></div><br /><div class="t_bt19logei f_bt19lsk99 clearfix" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: -1px; zoom: 1;"><div class="clearfix i_bt19lohjp" style="font-family: inherit; margin-bottom: -6px; zoom: 1;"><div class="clearfix _42ef" style="font-family: inherit; overflow: hidden; zoom: 1;"><div class="q_bt19lohji" style="font-family: inherit; padding-bottom: 6px;"><div style="font-family: inherit;"><div class="_6a _5u5j" style="display: inline-block; font-family: inherit; width: 422px;"><div class="_6a _5u5j _6b" style="display: inline-block; font-family: inherit; vertical-align: middle; width: 422px;"><div class="_5pcp _5lel _2jyu _232_" data-testid="story-subtitle" id="feed_subtitle_100000024487906:3106126937180775852" style="color: #616770; font-family: inherit; position: relative;"><span class="b_bt19lnk_t" style="font-family: inherit;"><span class="fsm fwn fcg" style="color: #90949c; font-family: inherit;"><a ajaxify="https://www.facebook.com/photo.php?fbid=1990089441001853&set=a.1535236279820507&type=3&size=1323%2C640&source=12&player_origin=memories" class="_5pcq" href="https://www.facebook.com/photo.php?fbid=1990089441001853&set=a.1535236279820507&type=3" rel="theater" style="color: #616770; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="">2018年4月26日上午8:55</a></span></span><span aria-hidden="true" class="_6spk" role="presentation" style="font-family: inherit;"> · </span><br /><div class="_6a _43_1 _4f-9 _nws _21o_ _fol" id="u_fetchstream_11_22" style="display: inline-block; font-family: inherit; margin: -5px -5px -4px -4px; padding: 0px; position: relative;"><div class="_6a uiPopover" id="u_fetchstream_11_26" style="display: inline-block; font-family: inherit;"><a aria-expanded="false" aria-haspopup="true" aria-label="分享對象:公開" class="_42ft _4jy0 _55pi _5vto _55_p _2agf _4o_4 _401v _p _1zg8 _3m8n _4jy3 _517h _51sy _59pe" data-hover="tooltip" data-tooltip-alignh="right" data-tooltip-content="公開" href="https://www.facebook.com/memories/?source=bookmark#" id="u_fetchstream_11_20" rel="toggle" role="button" style="-webkit-font-smoothing: antialiased; background: none; border-radius: 2px; border: 1px solid transparent; box-sizing: content-box; color: #4267b2; cursor: pointer; display: inline-flex; font-family: inherit; font-weight: bold; justify-content: center; line-height: 22px; max-width: 26px; overflow-wrap: normal; padding: 0px 3px; position: relative; text-align: center; text-decoration-line: none; text-shadow: none; text-wrap: nowrap; transition: background-color 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s, box-shadow 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s, transform 200ms cubic-bezier(0.08, 0.52, 0.52, 1) 0s; vertical-align: middle;"><span class="_-xe _3-8_" style="font-family: inherit; margin-right: 4px;"><i class="_21or img sp_qn88XkgbTI__1_5x sx_53c202" style="background-image: url("/rsrc.php/v3/yd/r/NAoIVCtOY99.png"); background-position: -44px -516px; background-repeat: no-repeat; background-size: 74px 560px; bottom: 1px; display: inline-block; height: 12px; position: relative; vertical-align: middle; width: 12px;"></i></span><span class="accessible_elem" style="clip: rect(1px, 1px, 1px, 1px); font-family: inherit; height: 1px; overflow: hidden; position: absolute; width: 1px;"><span class="_55pe" style="color: #999999; display: inline-block; font-family: inherit; overflow: hidden; text-overflow: ellipsis; vertical-align: top;"></span></span><span class="_4o_3" style="font-family: inherit;"><i class="img sp_Ajg5clc4Hw8_1_5x sx_46110f" style="background-image: url("/rsrc.php/v3/yt/r/cY1MHX9b4K7.png"); background-position: -10px -96px; background-repeat: no-repeat; background-size: 30px 212px; bottom: 1px; display: inline-block; height: 8px; position: relative; vertical-align: middle; width: 10px;"></i></span></a></div></div></div></div></div></div></div></div></div></div><div class="_5pbx userContent _3576" data-ft="{"tn":"K"}" id="js_75w" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.38; margin-top: 6px;"><div style="display: inline; font-family: inherit;">書價:4.8(1992);30(2010);45(2017)。人民幣</div></div><div class="_3x-2" data-ft="{"tn":"H"}" style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 13px;"><div data-ft="{"tn":"H"}" style="font-family: inherit;"><div class="mtm" style="font-family: inherit; margin-top: 10px;"><div style="font-family: inherit; position: relative;"><div class="_5cq3 _1ktf" data-ft="{"tn":"E"}" style="font-family: inherit; margin-left: -12px; position: relative;"><a ajaxify="https://www.facebook.com/photo.php?fbid=1990089441001853&set=a.1535236279820507&type=3&eid=ARBtyNaVmhV62CZKYf-MufuSv4omxDq1rS7YnKW2vQMgyfW6BL_j9OinM2yVeeR-pRvYhfLN-hBuNjce&size=1323%2C640&source=13&player_origin=memories" class="_4-eo _2t9n" data-ploi="https://scontent.ftpe1-2.fna.fbcdn.net/v/t31.0-8/30822145_1990089441001853_6959107930490441132_o.jpg?_nc_cat=108&_nc_ht=scontent.ftpe1-2.fna&oh=df57451b3b8a42a257e695a0695d6752&oe=5D3E3FAD" data-plsi="https://scontent.ftpe1-2.fna.fbcdn.net/v/t1.0-9/31290651_1990089441001853_6959107930490441132_n.jpg?_nc_cat=108&_nc_ht=scontent.ftpe1-2.fna&oh=305e8f23cf9e73c1ac0fc45c42272495&oe=5D725713" data-render-location="permalink" href="https://www.facebook.com/photo.php?fbid=1990089441001853&set=a.1535236279820507&type=3&eid=ARBtyNaVmhV62CZKYf-MufuSv4omxDq1rS7YnKW2vQMgyfW6BL_j9OinM2yVeeR-pRvYhfLN-hBuNjce" rel="theater" style="box-shadow: rgba(0, 0, 0, 0.05) 0px 1px 1px; color: #365899; cursor: pointer; display: block; font-family: inherit; position: relative; width: 494px;"></a></div></div></div></div></div><br /><span style="font-size: x-large;"><span style="background-color: white; color: #202122; font-family: sans-serif;">By "spiritual exercises"</span><sup class="reference" id="cite_ref-11" style="background-color: white; color: #202122; font-family: sans-serif; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-11" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[11]</a></sup><span style="background-color: white; color: #202122; font-family: sans-serif;"> Hadot means "practices ... intended to effect a modification and a transformation in the subjects who practice them</span></span><br /><div class="_37i-" data-ft="{"qid":"6683659551827899613","mf_story_key":"1989214807755983","top_level_post_id":"1989214807755983","tl_objid":"1989214807755983","content_owner_id_new":"100000024487906","throwback_story_fbid":"1989214807755983","tracking_source":"memories_home","src":26,"client_viewstate_position":1,"throwback_viewstate_section_name":"throwback","throwback_story_type":"status_update","throwback_years_ago":1,"story_location":4}" data-insertion-position="2"><div class="_4-u2 mvm _4-u8" id="u_fetchstream_133_4p" style="border-radius: 3px; border: 1px solid rgb(221, 223, 226); margin-bottom: 10px; margin-top: 10px;"><div class="_4-u3" style="border-bottom-left-radius: 3px; border-bottom-right-radius: 3px; border-top: 1px solid rgb(229, 229, 229);"><div aria-describedby="js_1neh js_1nei" aria-labelledby="js_1neg" class="_4_vv _5jmm _5pat _5v3q _7cqq" data-fte="1" data-ftr="1" id="u_fetchstream_133_5" role="article" style="border-style: none; margin: 0px; overflow-wrap: break-word; position: relative;"><div class="_3ccb" data-ft="{"tn":"-R"}" data-gt="{"type":"click2canvas","fbsource":703,"ref":"nf_generic"}" id="u_fetchstream_133_g"><div class="_5pcr userContentWrapper" data-ft="{"tn":"-R"}"><div class="_1dwg _1w_m _q7o" style="padding: 12px 12px 0px;"><div class="_5pbx userContent _3576" data-ft="{"tn":"K"}" id="js_1nei" style="line-height: 1.38; margin-top: 6px;"><div class="text_exposed_root" id="id_5cc120f3c8abc4972566771" style="display: inline;"><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><br /></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><p style="color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Hadot's recurring theme is that philosophy in Antiquity was characterized by a series of spiritual exercises intended to transform the perception, and therefore the being, of those who practice it; that philosophy is best pursued in real conversation and not through written texts and lectures; and that philosophy, as it is taught in universities today, is for the most part a distortion of its original, therapeutic impulse. He brings these concerns together in <i>What Is Ancient Philosophy?</i>,<sup class="reference" id="cite_ref-Hadot_15-1" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-Hadot-15" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[15]</a></sup> which has been critically reviewed.<sup class="reference" id="cite_ref-16" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-16" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[16]</a></sup> In 1994 Hadot published an article entitled "There Are Nowadays Professors of Philosophy, but not Philosophers",<sup class="reference" id="cite_ref-17" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-17" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[17]</a></sup> in it Hadot shows us that the American philosopher, <a href="https://en.wikipedia.org/wiki/Henry_David_Thoreau" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Henry David Thoreau">Henry David Thoreau</a>, via his book <a href="https://en.wikipedia.org/wiki/Walden" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Walden">Walden</a>, exemplifies the 'true philosopher', one who lives his philosophy by living simply in natural surroundings.</p><p style="color: #202122; font-family: sans-serif; font-size: 14px; margin: 0.5em 0px;">Much of what Hadot wrote about in his most popular books deals with the personal transformation experienced by people who 'lived philosophy' rather than those who studied philosophy as an academic endeavor. Hadot didn't 'discover' the practice and benefits of 'spiritual exercises' but he 'rediscovered' it and brought it back into modern day philosophical conversation much like previous philosophers did in the past, namely, Erasmus, Montaigne, Descartes, Kant, Emerson, Marx, Nietzsche, William James, Wittgenstein, Jaspers, and Rilke.<sup class="reference" id="cite_ref-18" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-18" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[18]</a></sup> Stoicism is undergoing a revitalization,<sup class="reference" id="cite_ref-19" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-19" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[19]</a></sup> with 25 podcasts on Spotify alone. Furthermore, CBT, <a href="https://en.wikipedia.org/wiki/Cognitive_behavioral_therapy" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;" title="Cognitive behavioral therapy">Cognitive Behavioral Therapy</a>, a highly successful form of psychological therapy, is based on the teachings of Stoicism.<sup class="reference" id="cite_ref-20" style="font-size: 12px; line-height: 1; text-wrap: nowrap; unicode-bidi: isolate;"><a href="https://en.wikipedia.org/wiki/Pierre_Hadot#cite_note-20" style="background: none; color: #3366cc; overflow-wrap: break-word; text-decoration-line: none;">[20]</a></sup></p></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><br /></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><pre class="tw-data-text tw-text-large tw-ta" data-placeholder="Translation" dir="ltr" id="tw-target-text" style="background-color: #303134; border: none; color: #e8eaed; font-family: inherit; font-size: 28px; line-height: 32px; margin-bottom: -2px; margin-top: -2px; overflow-wrap: break-word; overflow: hidden; padding: 2px 0.14em 2px 0px; position: relative; resize: none; text-wrap: wrap; unicode-bidi: isolate; width: 270px;"><span class="Y2IQFc" lang="zh-TW">阿多反復出現的主題是,古代哲學的特點是一系列精神練習,旨在改變實踐者的感知,從而改變他們的存在。哲學最好是在真實的對話中而不是通過書面文本和講座來追求;而當今大學所教授的這種哲學在很大程度上是對其最初的治療衝動的扭曲。他將這些擔憂集中在《什麼是古代哲學?》一書中,[15],該書已經過嚴格審查。[16] 1994年,哈多發表了一篇題為“當今有哲學教授,但沒有哲學家”的文章,[17]其中哈多向我們展示了美國哲學家亨利·大衛·梭羅通過他的著作《瓦爾登湖》,體現了“真正的哲學家”,他通過簡單地生活在自然環境中來踐行他的哲學。
阿多特在他最受歡迎的書中所寫的大部分內容都涉及“生活在哲學中”的人所經歷的個人轉變,而不是那些將哲學作為學術努力來研究的人所經歷的個人轉變。阿多特並沒有“發現”“精神練習”的實踐和好處,但他“重新發現”了它,並將其帶回到現代哲學對話中,就像以前的哲學家過去所做的那樣,即伊拉斯謨、蒙田、笛卡爾、康德、愛默生、馬克思、尼采、威廉·詹姆斯、維特根斯坦、雅斯貝爾斯和里爾克。[18]斯多葛主義正在復興,[19] 僅 Spotify 上就有 25 個播客。此外,CBT(認知行為療法)是一種非常成功的心理治療形式,它基於斯多葛主義的教義。 [20]</span></pre></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><br /></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;"><br /></div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px;">《席勒 (Friedrich Schiller 1759~1805)與歌德 (Johann Wolfgang von Goethe 1749~1832)》,是</div><div style="background-color: white; color: #1d2129; font-family: inherit; font-size: 15px; margin-bottom: 6px; margin-top: 6px;">2018年為紀念Herbert A. Simon的系列演講『益友系列: 友情五講 (及主要文獻根據 ) 2018年6月15日 』五主題之一,預計5月9日在漢清講堂錄影。</div><div style="background-color: white; color: #1d2129; display: inline; font-family: inherit; font-size: 15px; margin-bottom: 6px; margin-top: 6px;">我在準備此題時,發現應該有一專題《Weimar-Jena 群英會 1795~1830》(日期只是暫定;Jena因有大學,是Weimar的知識份子的充電、靜養中心;歌德將"處理"Jena大學哲學家費希特的文件,都銷毀......表示不得已的"苦衷",後人不必費心猜測.......):</div> <span class="text_exposed_hide" style="display: inline-block; font-family: inherit; margin-right: 4px;"><span style="color: #1d2129; font-family: inherit;"><span style="background-color: white; display: inline-block; font-size: 15px; margin-right: 4px;">⋯⋯</span></span></span><br /><br /><span style="display: inline-block; margin-right: 4px;"><a href="https://www.facebook.com/hanching.chung/posts/1989214807755983"></a></span><br /></div></div></div></div></div></div></div></div></div></div><div><br /></div><div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; 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margin-bottom: 5px; margin-top: 5px;"></div></div></div><div class="xqcrz7y x78zum5 x1qx5ct2 x1y1aw1k x1sxyh0 xwib8y2 xurb0ha xw4jnvo" style="align-self: flex-start; display: flex; font-family: inherit; height: 20px; padding: 8px; width: 20px;"><div style="font-family: inherit;"><div aria-expanded="false" aria-haspopup="menu" aria-label="可對此貼文採取的動作" class="x1i10hfl x1qjc9v5 xjqpnuy xa49m3k xqeqjp1 x2hbi6w x9f619 x1ypdohk xdl72j9 x2lah0s xe8uvvx x2lwn1j xeuugli x16tdsg8 x1hl2dhg xggy1nq x1ja2u2z x1t137rt x1o1ewxj x3x9cwd x1e5q0jg x13rtm0m x1q0g3np x87ps6o x1lku1pv x1a2a7pz xjyslct xjbqb8w x13fuv20 xu3j5b3 x1q0q8m5 x26u7qi x972fbf xcfux6l x1qhh985 xm0m39n x3nfvp2 xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x1n2onr6 x3ajldb x194ut8o x1vzenxt xd7ygy7 xt298gk x1xhcax0 x1s928wv x10pfhc2 x1j6awrg x1v53gu8 x1tfg27r xitxdhh" role="button" style="-webkit-tap-highlight-color: transparent; align-items: stretch; appearance: none; background-color: transparent; border-bottom-color: var(--always-dark-overlay); border-left-color: var(--always-dark-overlay); border-radius: inherit; border-right-color: var(--always-dark-overlay); border-style: solid; border-top-color: var(--always-dark-overlay); border-width: 0px; box-sizing: border-box; cursor: pointer; display: inline-flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; font-family: inherit; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline: none; padding: 0px; position: relative; text-align: inherit; touch-action: manipulation; user-select: none; vertical-align: bottom; z-index: 0;" tabindex="0"><svg class="x1lliihq x1k90msu x2h7rmj x1qfuztq xcza8v6 x1qx5ct2 xw4jnvo" fill="currentColor" height="1em" viewbox="0 0 20 20" width="1em"><g fill-rule="evenodd" transform="translate(-446 -350)"><path d="M458 360a2 2 0 1 1-4 0 2 2 0 0 1 4 0m6 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0m-12 0a2 2 0 1 1-4 0 2 2 0 0 1 4 0"></path></g></svg><div class="x1ey2m1c xds687c xg01cxk x47corl x10l6tqk x17qophe x13vifvy x1ebt8du x19991ni x1dhq9h x14yjl9h xudhj91 x18nykt9 xww2gxu" data-visualcompletion="ignore" style="border-radius: 50%; font-family: inherit; inset: 0px; opacity: 0; pointer-events: none; position: absolute; transition-duration: var(--fds-duration-extra-extra-short-out); transition-property: opacity; transition-timing-function: var(--fds-animation-fade-out);"></div></div></div></div></div></div><div style="background-color: white; color: #1c1e21; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 13px;"><div dir="auto" style="font-family: inherit;"><div class="x1iorvi4 x1pi30zi x1l90r2v x1swvt13" data-ad-comet-preview="message" data-ad-preview="message" id=":riv:" style="font-family: inherit; padding: 4px 16px 16px;"><div class="x78zum5 xdt5ytf xz62fqu x16ldp7u" style="display: flex; flex-direction: column; font-family: inherit; margin-bottom: -5px; margin-top: -5px;"><div class="xu06os2 x1ok221b" style="font-family: inherit; margin-bottom: 5px; margin-top: 5px;"><span class="x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" color="var(--primary-text)" dir="auto" style="display: block; font-family: inherit; font-size: 0.9375rem; line-height: 1.3333; max-width: 100%; min-width: 0px; overflow-wrap: break-word; word-break: break-word;"><div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a" style="font-family: inherit; margin: 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">一起老去的快樂</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">十六開本,凡一四零頁,由封德屏主編的《文藝雅集菁彩三十.風華相會》(台北文訊雜誌社,2018),是本很有趣的特刊,尤其是封德屏的序言〈一起老去的快樂〉,使我感動。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">故事得從一九八八年講起:</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">話說一九八八年十月,《文訊》辦了次「重陽敬老聯誼活動」,讓退了休的老作家們聚在一起,重温昔日舊情,互相問候、懷舊。此舉大受歡迎,自此年年舉辦,還易名叫「文藝雅集」,及至三十年後的二零一八年,參加者達到滿額的四百人,很多還是預先準備的「作家關懷列車」,從全台各處接來的。此舉也成了《文訊》每年的重要活動,二零一八年的那次還出了這本特刊。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">特刊全書收錄超過百位作家的若干照片和文稿,分成輯一《菁彩三十》和輯二《風華相會》兩部分。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">輯一收錄三十位作家,以年齡排列,最早的是管管(1929~2021),最年輕的是渡也(1953)。他們都是資深的參加者,被要求交些圖片以外,還要寫寫三十年前在做甚麼,或交一篇當時寫的文稿,兹以管管和王文興為例談談。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">選管管是因為我特別喜歡他。管管的〈「放星的人」三十多歲〉,左頁貼了張他很正經的照片和人物短介,右頁則是兩張照片,文稿排在下面通頁。早幾日寫〈飛去了《弟弟之國》的管管〉時,我最後的一句是「甚麽都想管,卻管不了命運的管管」,本來應提提他眾多的筆名,卻漏了。可幸他在這兒告訴了你:李嬰、管獸、管窺天、管蠡、管領風騷,真是名副其實的「管管」!</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">選王文興是因為右頁一張《現代文學》創刊時編輯委員的合照,此照我見過,但没存下,今次記得存檔,並讓未見過的朋友也見識見識,匆匆幾十年的今天,還剩多少人?</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">另一個原因是他的《家變》。王文興一九六六年動筆,花了七年時間才寫完的這本巨著,主要的內容寫父子間的矛盾,最終是父親離家出走。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">何其巧合,我一九六八年寫短篇〈港內的浮標〉,寫的同樣是「父子間的矛盾」。不過,我的結局是:我一師範學校畢業(1966),第一件想到的事,就是「離家」,因為那只是「父親的家」,不是我的家,我追求的是自己親愛的家;直到二零零三年,父親離世,我也没回去住過一晚,證明我與王文興的思維,非常接近,雖未謀面,卻視為知己。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">《文藝雅集菁彩三十.風華相會》真是值得一存的好特刊。香港也有那樣的聚會?那樣的特刊?</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">有的!</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">一九五九年,一群經常在報刊寫稿,互有往來的文藝青年常聯絡見面,談文說藝以增進友誼。日子久了,終於發展成「鑪峰雅集」這個小小的文學團體,逢星期日午間,相約在茶樓品茗,擺龍門陣歡聚數小時;每年年初還擺春茗聯歡,廣邀全港文化人及親友參加,忽爾超過半世紀。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">二○○九年,是「鑪峰雅集」成立五十周年,他們出版了一本三十二開六十四頁的小冊子,由許定銘編輯,收錄了文友們的書法、畫頁、歷史圖片及有關半世紀來的紀錄,為一向被稱為「文化沙漠」的香港,展示了一群默默地埋首耕耘者的心聲。</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">不過,香港的「鑪峰雅集」和台灣的「文藝雅集」比起來,真是「小巫見大巫」了!</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="font-family: inherit; margin: 0.5em 0px 0px; overflow-wrap: break-word; white-space-collapse: preserve;"><div dir="auto" style="font-family: inherit;">――2023年8月20日</div></div></span></div></div></div></div></div></div><div><br /><br /><img src="https://mercury.books.com.tw/logs/col/_bt.gif?ref=https%3A%2F%2Fwww.google.com%2F" /></div>人事物http://www.blogger.com/profile/01289373669504487523noreply@blogger.com0tag:blogger.com,1999:blog-2894148663452412765.post-41932543593583171372023-08-13T22:35:00.000-07:002023-08-13T22:35:14.160-07:00Life is architectue... 黃健敏《世紀建築大師 貝聿銘 》; 多哈展出..;. I. M. Pei (貝聿銘) and Islamic Art Museum; Rethinking Pei: A Centenary Symposium;小國辦大事——卡塔爾見聞,資中筠 2014 ;Qatar National Library<br />
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<a href="https://www.youtube.com/watch?v=dX3qJPHycXA&t=59s">158 I. M. Pei (貝聿銘) and Islamic Art Museum 2017-05-19 H.C. Chung</a><br />
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<a href="https://www.youtube.com/channel/UCkmXWzv22Cl4lJG6HugxqXw">hc iTaiwan forum</a>•<br />
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240 views4 months ago<br />
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貝聿銘(Ieoh Ming Pei) 2008年:卡達杜哈伊斯蘭藝術博物館<br />
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http://www.mia.org.qa/en/<br />
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此片當然有此名作之簡介:<br />
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This extremely pointy, 118-foot-tall marble sliver has turned into a kind of holy place for architecture nerds.<br />
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<img src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRrgZYmhNEE_8TsXqwW2GA7ZtfDkZrzJ7wfGlFaccBNlrD7pXSpGg" /><a href="https://www.facebook.com/photo.php?fbid=1959646630712801&set=a.1535236279820507.1073741827.100000024487906&type=3"></a><br />
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<a href="https://trib.al/SI2YgiF"><img src="https://external.ftpe1-2.fna.fbcdn.net/safe_image.php?d=AQBkVOLF90CbSzRX&w=476&h=249&url=https%3A%2F%2Fassets.atlasobscura.com%2Fmedia%2FW1siZiIsInVwbG9hZHMvcGxhY2VfaW1hZ2VzL2EyYjM0ZWZhZTdkNjA4ZDIyOV9EU0MwODY5MyBjb3B5LmpwZyJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA4MSAtYXV0by1vcmllbnQiXSxbInAiLCJ0aHVtYiIsIjYwMHg-Il1d%2FDSC08693%2520copy.jpg&cfs=1&upscale=1&_nc_hash=AQAxgfIx_oXpRHrY" /></a><br />
<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Ftrib.al%2FSI2YgiF&h=ATNmlDuVn1Y5mjMPKiZipb3_qcvFYnEjPyLokduNlUrTDGhChs-Pj3VUWVEgFCcaRMHZnqPsVUwJaAo7sxGNPrHftoOCJKn_0fHc0nA9e3zOO1NP-FOswZNPgpXhZXyLLoVkAFvGlqM9uwCg01PjrqRQWLLXaXUQ4UD3AR31rOXG5jba0zQVpWdQ8E53YoIq1AYRfyk-tz2TfUWB4-cTZNK1n6QEZ2XVEUK58CgPGc5lkKCjRAuYZWOCKBgtSOsW3Lv3Z7i8o88EbH8ozKJDYEZkfIBn574K">Knife Edge</a><br />
Architecture lovers won’t stop touching the National Gallery's 19.5 degree marble prow.<br />
ATLASOBSCURA.COM<br />
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<a href="https://www.facebook.com/HarvardGSD/?hc_ref=ARRxrDbyrDB-lLrN1fOAzp41feMLxd6Y09Z0L5UsIX8SvEJlfwtNLxDaUBc1YHi7JXE&fref=nf">Harvard Graduate School of Design</a><br />
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Happening Thursday-Friday at the GSD (10/12-13): This two-day symposium will include panel discussions and scholarly presentations that showcase new research on Ieoh Ming Pei (MArch '46)’s manifold contributions to the built environment.<br />
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Free and open to the public.<br />
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<a href="http://www.gsd.harvard.edu/event/rethinking-pei-a-centenary-symposium/">http://www.gsd.harvard.edu/…/rethinking-pei-a-centenary-sy…/</a><br />
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<a href="http://www.gsd.harvard.edu/event/rethinking-pei-a-centenary-symposium/"><img src="https://external.ftpe1-1.fna.fbcdn.net/safe_image.php?d=AQDy4Aa0IcK_gq06&w=476&h=249&url=http%3A%2F%2Fl87r32c95dp1hz05tig4px11.wpengine.netdna-cdn.com%2Fwp-content%2Fuploads%2F2017%2F01%2FIMPei_PhotoByVictorOrlewicz_CourtesyPeiCobbFreedPartners-e1490027909670.jpg&cfs=1&upscale=1&sx=0&sy=215&sw=1600&sh=837&_nc_hash=AQCnAORciQ5t_iEf" /></a><br />
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<a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.gsd.harvard.edu%2Fevent%2Frethinking-pei-a-centenary-symposium%2F&h=ATN3Sqt9PSXPdC9GcOryvlsx2h6DmPJntgYQ0jy7LtEWpXUJuNrQ2Qs35G_5b5Za3WnNlMQErW7cooVppOS0wl8uAL2SPcUTaS1LWU7lP9VxFyr7nigxMprecDqx_8Fl4uNqtN-HLLBQa3SLc44oyPQOwOLIB_Nxm6gYc29-lhz3pL-wHxpOJnq5Chq7FE0lLI-QJGciu-xBsYgRPHBNOTJTS4Oy1Q3cvC56piHEl0Y1_UWu4UU4fnP08dGvWysVC9lIltptNyf81Iv0qyQY4JCcd63GKRs">Rethinking Pei: A Centenary Symposium - Harvard Graduate School of Design</a><br />
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A two-part symposium examining the work and life of I. M. Pei from multiple…<br />
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GSD.HARVARD.EDU<br />
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<a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.gsd.harvard.edu%2Fevent%2Frethinking-pei-a-centenary-symposium%2F&h=ATOl3h_GLNLu5zCDKUYG8ANivXvclUliiTPR2x_IUm6LeBKVI9_ZGO03-gg9-MFfdq7SeDrcao4efe61hj5lkEVk5P-m1VkIqqnwHFgDvl3kiDQO64fH0Skox3DFP0QStIdai3HDgsZ_vuZanaD-QkU07E9tfB8sdKxbQHTwxVF0O_7t2kxfog5ChUaDodOMsyF1fDlgEw0CR-csaUwhkvWo_oDBjQunu_91rGu2CPXt30m8wOAWqJ9VUJdwD4pP6VLFU5CD5d1BZ925c99yTk7AzobJC5Y"></a><br />
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【阮慶岳:貝聿銘的核心信仰模糊】<br />
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貝聿銘,巴黎羅浮宮的金字塔造型,美國首都華盛頓「國家美術館東廂」,香港「中銀大廈」,北京「中國銀行總行大廈」等舉世聞名的建築均出自他之手。<br />
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他在一些作品中積極地與當地文化對話,卻又在一些設計中以全然現代主義的手法,以斷裂的姿態對待城市歷史文化與現代性的關連。<br />
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⋯⋯<a href="https://www.facebook.com/theinitium/posts/929543310555555">更多</a><br />
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<a href="http://bit.ly/2jW2bFB"><img src="https://external.ftpe8-4.fna.fbcdn.net/safe_image.php?d=AQBiy-KX_lm-i1G2&w=476&h=249&url=https%3A%2F%2Fd32kak7w9u5ewj.cloudfront.net%2Fmedia%2Fimage%2F2017%2F12%2Fa32390fd5f78475d89ef896a727ff2d3.JPG&cfs=1&upscale=1&fallback=news_d_placeholder_publisher&sx=0&sy=97&sw=1065&sh=557&_nc_hash=AQArIEFV2YZ_d8bG" /></a><br />
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<a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2F2jW2bFB&h=ATPfnM0DDUNphnSi9I1iNSklNvEj1e11haIS2BDu5cB7gXUOFbSd36255A478wFbd-nNpI6qxPjYyilj_HmlHSTD0MkJbHpvnTzzA9MgUIfU9s8jj7N9P8LcMqKbp6iNDviJzettytrZOqyFZT1uY0sHoAap2QGLghcMdF0U-w0WRlo2BzG9khGf7JuzHstJGPcD66G9OxjHpIRWm7pnWNgYCosyZB39_sm1RLTcFXA8DxXIeTFfYNATA-vP9Lyi2aP2NJ2Lpx00YeX3hk9IwzTM8paJEupALw">阮慶岳:貝聿銘,莊重堅持的藝術家,還是靈活善言的推銷員?|端傳媒 Initium Media</a><br />
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貝聿銘能宜人宜時的柔軟,是他絕對天賦的優點,卻也可能正是使他的整體建築生涯,過於偏重外象的話語敘事傳達,因而彷彿有着缺乏真正核心信仰的遺憾。<br />
THEINITIUM.COM<br />
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*****<br />
黃健敏《世紀建築大師 貝聿銘 》(台北:藝術家,2018)這本書內容、圖片很難得,價錢也很合理。可惜作者寫的〈序〉的英文拼錯了。<br />
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貝聿銘I.M. Pei 101 歲生日,慶生活動002</div>
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世紀建築大師 貝聿銘 2018年6月出版上市</div>
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▌新書出版 ▌</div>
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世紀建築大師貝聿銘 作者:黃健敏 出版日期:2018年5月<br />
本書作者以親身多次旅行的觀察體驗,針對現代建築大師貝聿銘的卓越作品,就不同建築類型彙整編輯了詳盡的資料,從早期在高原的全國大氣研究中心,揭開大師從房地產業務轉型至建築藝術的契機,更深切地記述對貝聿銘職業生涯有至大影響暨成就的華府國家<span class="text_exposed_show" style="display: inline; font-family: inherit;">藝廊東廂。<br /> 全書十萬餘言,圖片三百餘幅,諸多資訊為首度發表,如貝聿銘所設計的華府史萊頓宅與德州福和市單禘邸等。對建築、藝術的愛好者,本書提供了彌足可讀性的智識!</span></div>
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藝術家官網:世紀建築大師貝聿銘 <a data-ft="{"tn":"-U"}" data-lynx-mode="asynclazy" data-lynx-uri="https://l.facebook.com/l.php?u=https%3A%2F%2Fgoo.gl%2Fdw7uSP&h=ATPPQLuH9UFS0YqH_tfwwELHlapQcSczHZa3z_M6fQHMXlRU537JvtHKnH5f71M20mAVVqv06KS7pXaEyyUBiBhXO6fkMv8ivRhH6vkqd2PirqU5fz4VsNS-2DLLGQ8PZRhm5M9hbg" href="https://goo.gl/dw7uSP" rel="noopener nofollow" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="_blank">https://goo.gl/dw7uSP</a><br />
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這建築,肯定是貝先生最痛心疾首的,所以似乎都不提它了:"北京香山飯店是由國際著名美籍華裔建築設計師貝聿銘先生主持設計的壹座融合中國古典園林建築藝術和環境藝術為壹體的四星級酒店。飯店位於北京西山風景區的 ..."</div>
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陳寬仁老師1991年在北京香山飯店 --設計者為貝聿銘 (I. M. Pei) 。<br />
背景是趙無極畫作。攝影者為中央大學單驥教授。事見 《陳寬仁簡單年表》 ....<br />
對中國,趙先生也是很無奈的:</div>
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香港是趙無極非常留戀的地方,這裏有他與美琴戀愛的美好回憶,七、八十年代多次到訪,都是顧媚接機。他對內地印象不太好,一次給顧寫信說北京香山飯店不喜 歡他的畫,掛兩天就取下來了,很生氣。「他說中國政府不重視他,嬲了幾天;這人就是這樣直接,不喜歡就是不喜歡,毫不留情。又說不想去北京,因為妹妹叫所 以才去。反而他去台灣比較多。」專訪顧媚 憶大師傳奇「趙無極最坦誠」2013.4.12 香港蘋果日報<br />
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<span class="_3c21" style="font-family: inherit;">「華人戴明學院」是戴明哲學的學習共同體 ,致力於淵博型智識系統的研究、推廣和運用。 The purpose of this blog is to advance the ideas and ideals of W. Edwards Deming.</span></div>
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小國辦大事——卡塔爾見聞,資中筠2014<br />
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卡塔爾⋯⋯,台灣一般譯為:卡達<br />
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有一位神奇的王妃<br />
雇用來自世界各國的人才<br />
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下一件盛事:世足2022在卡達<br />
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2022 FIFA World Cup Qatar<br />
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花了十幾年準備,從世界各地從小引入培養傭兵,號稱要打世界冠軍,信不信由你.<br />
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<a href="https://weiwenku.net/d/101764725"><img src="https://external.ftpe1-2.fna.fbcdn.net/safe_image.php?d=AQBkDZ-_EgbbnfD0&w=476&h=249&url=https%3A%2F%2Fimg.wxwenku.com%2Fgetimg%2Fae57950330606875df12793a1a6b54ef18911d5c474cd423d3b14ee5c3f4122c6dda66486f9c93c788dbeed58879b4b6d99e69f696255478f3af8719dae44eef8b93a915e5a26fbb5c2cacb05d023fa85b1cba11473f9bfd37ae4c423e72d2b9dfc2b3c1865b5e8d677dec274b71359e684059d26c2ca478edff04b8a8ab877c06140f20f654d4184c7a4bcceadd6404%3Fw%3D150&cfs=1&upscale=1&fallback=news_d_placeholder_publisher&_nc_hash=AQCqglI6_j-zBAEH" /></a><a href="https://weiwenku.net/d/101764725"> </a><br />
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fweiwenku.net%2Fd%2F101764725&h=ATNc8K9lCVLlQs_Fx11opxpDF3c3cfsKa3iF8wlPwB6i9qViPJgz19JDHVokRbUHFlAjgbC-bxqyA17W02R43XOZACD15sLNmP3ByfOQ8RXb42zFpLaV1jUVdbxTP7iyKx4tinZqng-IlM_OHTI8CtpImrkoyr10U97xIOwNVedCToQdHZ9aOaDLZE4HgSoDeA92jfajjh42U6cGsViWsyHLOSDMJssTkqDGXH2kD43ilXqpXTB7Jc3UTZrcO8exy9AtkpJZVg6d13cNgMQcS1xwEJydxt6QeIddhWUN">小國辦大事——卡塔爾見聞_資中筠 _ 微文庫</a><br />
我無意對這個地區的地緣政治做出評論。不過從人類文明的角度,我所見到的這個袖珍小國的治國理念和所作所為,不比那些大國發起的硝煙烽火、流血殺戮更值得維護嗎?<br />
WEIWENKU.NET<br />
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Human Flow<br />
<span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">2015年,艾未未在柏林定居。</span><span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">這次來拜訪是為了他接受卡塔爾博物館協會的邀請,在由舊消防站改建成的車庫美術館(Garage Gallery)舉行個展。</span><span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">這是他第一次在波斯灣作展,而且邀請人就是卡塔爾的瑪雅莎公主。</span><span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">公主是2016年在紐約蘇活區Jeffrey Deitch的展覽空間看了艾未未展出的《自動洗衣店》(Laundromat,2016),印象深刻,於是邀請他到多哈展出相同的作品。</span><span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">艾未未先到多哈看展場,看了當時正展出的畢加索與賈科梅第,也見了一些駐地藝術家,與他們進行座談,看了他們的工作室。</span><span style="background-color: #fff1e5; box-sizing: border-box; color: #333333; font-family: "helvetica neue" , "verdana" , "arial" , "hiragino sans gb" , "wenquanyi micro hei" , "heiti sc" , "stheiti" , "microsoft yahei" , "simsun" , sans-serif; font-size: 17.6px; margin: 0px; padding: 0px; vertical-align: inherit;">“感覺上卡塔爾的情形很好,地方很小,但是很開放。就穆斯林的社會而言,是我見過比較開放,具有現代意識的一個社會。”當下就同意接受邀請。</span><br />
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