This program is about O-Ei, the daughter of celebrated ukiyo-e artist, Hokusai. She devoted her life to supporting her father's work. Eventually, she became an accomplished artist in her own right.
ZENJIRO ~1848
90 再10年.....
飛龍
晚年 心吉源
Hokusai: Inspiration and Influence
Through July 16, Museum of Fine Arts, Boston, 465 Huntington Avenue, Boston; 617-267-9300; mfa.org.
How Hokusai’s Art Crashed Over the Modern World
The MFA Boston shows how one of the greatest printmakers, from Edo Japan, inspired a tidal wave of followers, from Gauguin to Lichtenstein.
21:33
葛飾北齋 熱:電影『HOKUSAI』(2021) 。漢清講堂 199: 葛飾北齋と浮世絵。「北齋:萬物繪本大全圖」Hokusai: The Great Picture Book of Everything | British Museum『知られざる北斎』 幻冬舎、2018;"北斎館(ほくさいかん)は長野県上高井郡小布施町にある美術館"的故事。大英博物館,失傳的葛飾北齋「萬物繪本大全圖」Did Hokusai invent manga?Crossing 70 years of Katsushika Hokusai北斎 幻の肉筆画~アメリカに眠る 画狂老人の魂~ - NHK
***
Hokusai: The Great Picture Book of Everything | British Museum
https://www.britishmuseum.org
Discover a collection of rare drawings by Katsushika
Sep 30, 2021 - Jan 30, 2022
Hokusai: The Great ...
【國際藝壇|北齋:萬物繪本大全圖】
從這組包羅萬象的圖畫可看出葛飾北齋如何賦予神話和佛教世界的人物可望亦可及的形象,對於外國人、動植物乃至礦物的描繪力求真實和傳神,偶爾還加入引人發噱的諧趣表現,既反映出他對大千世界的用心觀照和洞察力,也展現其透過想像的延伸來發掘「萬物」內蘊的無限世界。(撰文/朱惠慈)(節選自《藝術家》558期,2021年11月號)
https://pse.is/3qtmvh
查看更多
The Metropolitan Museum of Art, New York
This powerful graphic composition by Katsushika
According to literary accounts, Yoshitsune stopped to wash his favorite horse beneath a waterfall while fleeing from his older brother Yoritomo, who considered him a traitor for joining forces with Emperor Go-Shirakawa.
See this striking print on view in "Japan: A History of Style" through April 24. Learn more:
Katsushika Hokusai (Japanese, 1760–1849). The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province from the series A Tour of Waterfalls in Various Provinces, ca. 1832. On view in Gallery 231.
----
British Museum
One chilly day in the shadow of Mt Fuji, a sudden gust of wind sends a straw hat spiralling into the sky …
This woodblock print was made by Katsushika Hokusai. Almost like a photograph, the scene expertly captures the moment stormy weather disturbs people travelling through the marshes between Kyoto and Edo (now Tokyo).
This image is the tenth print from Hokusai’s renowned series ‘Thirty-Six Views of Mt Fuji’. Here the mountain has been drawn with a single calligraphic stroke, its stillness in contrast to the figures battling the wind
Though Fuji is the present in each of the thirty-six views, it is rarely placed front-and-centre. Hokusai took a similar approach in another famous image from the series the ‘Great Wave’, where the mountain becomes a tiny feature in the distance, being swallowed up by an enormous tide
If you’re hungry for more Hokusai, head over to our blog to learn more about the life and works of the master printmaker: http://ow.ly/jRGy50OfMF4
Katsushika Hokusai (1760–1849), ‘Eiji in Suruga Province’ from the series ‘Thirty-six Views of Mt. Fuji’. Colour woodblock print, from Japan, 1831. Read more: http://ow.ly/iwWB50OfxL7
沒有留言:
張貼留言