2019年9月11日星期三

Gustave Doré ；梵谷:《在永恒之門》- ；The Legacy of Vincent Van Gogh；Dear Theo : the autobiography of Vincent Van Gogh；插畫家古斯塔夫·杜雷

Category:The Rime of the Ancient Mariner by Gustave Doré ...

2015年8月23日下午11:14

Van Gogh; een huis voor Vincent (2013)翻譯成《梵谷家族及其紀念美術館的傳奇》比較恰當。原題：Van Gogh; een huis voor Vincent (a house for Vincent)。英譯The Legacy of Vincent Van Gogh。

藝術家出版社過去很狂妄，動不動就出版所謂的"亨利摩爾全集"或"梵谷書簡全集"等，都是騙人的。
Dear Theo : the autobiography of Vincent Van Gogh / edited by Irving Stone with Jean Stone
New York, N.Y. : Plume, 1995
亲爱的提奥 : 凡高书信体自传 [電子資源] / (美) 珍妮・斯通, (美) 欧文・斯通编 ; 平野译
成都 : 四川美术出版社, 1983, (1995重印)
梵谷書簡全集？雨云選譯，台北：藝術家出版社，1990，600元

https://en.wikipedia.org/wiki/Arles

亞爾 Arles

亞爾 Arles
坐標：43°40′37″N 4°37′43″E
國家	法國
大區	普羅旺斯-阿爾卑斯-藍色海岸大區
省	隆河口省
面積
• 總計	758.93 平方公里（293.02 平方英里）
海拔	10 米（30 英尺）
人口（1999年）
• 總計	52,600
• 密度	69/平方公里（180/平方英里）

Arles 就是梵谷畫星夜下咖啡座的城市Cafe Terrace at Night by Vincent van Gogh (September 1888), depicts the warmth of a café in Arles

DW Culture

7 小時

This shining building is made out of 11,000 aluminium cases and towers above the city of Arles, in southern France.

In a few months, the 56-meter-high construction, developed by the celebrity architect Frank Gehry, will be debuted in the Parc des Ateliers.

2019年9月7日星期六

啊！無情！Françoise Gilot與 Picasso 1943~53：情、政治、家庭、藝術

啊！無情！Françoise Gilot與 Picasso：情、政治、家庭、藝術

Françoise Gilot and Pablo Picasso in Vallauris, France, around 1952
Photo by Robert Doisneau

Claude et Paloma " Vallauris, 1950
By Pablo Picasso
Oil and Tipolin on panel
Collection particulière

2019年9月2日星期一

Max Klinger, telling a story without words

漢清講堂有兩影片提到Max Klinger

146 ：簡談雕塑藝術鍾漢清 2017-03-18

https://www.youtube.com/watch?v=fjGV852Xank&t=1274s

世紀末維也納系列，彈分離繪畫館中的雕塑展：與貝多芬Freeze同展

223 世紀末的維也納(II): Gustav Klimt

https://www.youtube.com/watch?v=Fvy6bZjA4gA&t=145s

至於 a story without words，可參考：

283 Masereel's Woodcuts: 沒有文字的小説

https://www.youtube.com/watch?v=P5FTqF0QMUA&t=71s

Jim Griesemer 發文到 The Golden Age Of Illustration

One of my early favorite artists was Max Klinger. As a young printmaker, I was exposed to Max Klinger's cycles of prints which often told stories in visual form. This panel was from his series titled "A Love," which tells the all too common sad and unjust tale of a young woman who falls for a man and then is abandoned when she becomes pregnant. Klinger did so much with the composition alone. Here in the panel titled "Shame," she walks along side of the merciless personification of shame (who casts no shadow) while society cruelly judges her, looking down on her from the arena walls above. Max Klinger was known as a painter. And yet his print series are powerful illustrations of stories that actually succeed in telling a story without words.

2019年9月11日 星期三